Piotr Anderszewski - Robert Schumann: Piano Works (2010)
Piotr Anderszewski - Robert Schumann: Humoreske Op. 20;
Studien für den Pedalflügel Op. 56; Gesänge der Frühe Op. 133 (2010)
EAC | FLAC | Tracks (Cue&Log) ~ 173 Mb | Mp3 (CBR320) ~ 156 Mb | Scans included
Classical | Label: Virgin Classics | # 50999 642022 0 4 | Time: 01:03:35
Studien für den Pedalflügel Op. 56; Gesänge der Frühe Op. 133 (2010)
EAC | FLAC | Tracks (Cue&Log) ~ 173 Mb | Mp3 (CBR320) ~ 156 Mb | Scans included
Classical | Label: Virgin Classics | # 50999 642022 0 4 | Time: 01:03:35
The highly personal and often chimerical piano music of Robert Schumann requires a confident interpreter who can enter the music with full awareness of the composer's quirks, yet not become so involved with their strangeness that he gets lost. For this Virgin release, the brilliant Piotr Anderszewski has chosen two works that show the extremes of Schumann's divided personality: the youthful and playful Humoresque, Op. 20, and the late, madness-tinged Morning Songs, Op. 133. In between them is the sober set of Studies for the Pedal Piano, Op. 56, which, in its serious counterpoint and controlled expressions, stands apart from Schumann's wild mood swings and emotionally turbulent music. Because these three works are seldom performed and are open to fresh possibilities, Anderszewski has free reign to explore the whimsy and sorrow of the Humoresque, the intellectuality of the Studies, and the brooding of the Morning Songs, and the range of his comprehension and expression is wide indeed. To understand Schumann's personality certainly requires exposure to much more than a single CD of his keyboard pieces, no matter how well played, but if one needed an album to encapsulate the composer's musical life in soul-stirring performances, Anderszewski's disc would be an excellent resource.Review by Blair Sanderson, Allmusic.com
Piotr Anderszewski - Robert Schumann: Piano Works (2010)
The first thing I ever heard about Schumann, as a child, was that he was ‘a musician’s musician’. To judge from the relatively limited celebrations of his bicentenary, as compared with Chopin’s in the same year, he still is. Though deeply beloved of many pianists, few of his piano works have achieved true popularity. Thus there will be many music-lovers to whom most of the music on this very special CD will be unfamiliar.
Almost unknown, even to pianists, are the Six Studies for Pedal Piano, originally composed for an instrument fitted with a pedal keyboard, once used by organists for domestic practice. Seldom heard, even in Debussy’s beautiful arrangement for two pianos, the Studies have languished beyond the reach of mere two-handed pianists. Until now.
It is to be hoped that virtuoso Piotr Anderszewski’s ravishing and exceptionally clever new arrangement will finally deliver these enchanting, graceful, deeply touching pieces into the pianistic mainstream. Here, and throughout this treasurable release, he combines a superlative pianistic tonal palette with an immensely sophisticated rhythmic vocabulary, a rare capacity to illuminate Schumann’s polyphonic textures, and a gift for thematic conversation fit to make most performers, not excepting conductors, look to their laurels.
Schumann’s unique combination of intimacy and drama, like his quicksilver juxtapositions of vividly contrasting characters, has proved eternally elusive to all but a relative few. Of that few, none excels Anderszewski. His account of the beguiling Humoreske is Schumann playing of the highest class, as indeed is the rest of this recital. Bewitchingly compelling.Review by Jeremy Siepmann, BBC Music Magazine
This is a really wonderful Schumann recital and one of the most moving piano recitals I have ever heard. Piotr Anderszewski has an integrity and intensity, as well as an artistic originality, that one very rarely finds among classical pianists. He captures the schizophrenic mood-swings, the dreamy lyricism, the capriciousness and brooding melancholy of these works in a way that I have not heard before.
He starts his recital with the Humoreske which is one of the composer’s more complex early piano creations. The opening section is full of lyrical, tonal and rhythmic contrasts: the dreamy opening section is beautifully phrased and shaped while the ensuing episodes are full of playful invention and contrast. I found Anderszewski’s tempi in the second and fifth sections rather sluggish although he brought out the multi-layered textures of the piece and a lot of the musical detail that one can miss in concert performances. The third and fourth sections were elegant and lyrical, while Anderszewski brought a real intensity and commitment to the last section of the work. Overall, I found this a very thoughtful and moving performance of the Humoreske that seemed to get to the heart and essence of Schumann’s music.
The six studies for pedal piano were a set of canons originally written for an instrument which was a cross between a piano and an organ. Anderwzewski has made his own arrangement of the work for piano solo and, having heard this, I do hope that many more pianists will now play this wonderful work in the concert hall. The first piece harks back to the style of Bach and Anderszewski sets in motion murmuring contrapuntal lines but through the use of pedal underscores the romantic nature of the piece. The second piece is a cradle song which is quintessential Schumann and which is charmingly and elegantly played. Anderszewski’s playing of the next two pieces in the set is absolutely glorious: he deploys a ravishing tone and exquisite and beautifully judged phrasing to bring out the lyricism and tonal contrasts of these wonderful works. In the fifth piece Anderszewski uses deft ornamentation and and a crisp staccato to suggest an army of elves, goblins and trolls.
The Gesange der Fruhe or Morning Songs is Schumann’s last compositions for piano and it was written just before the composer’s tragic mental breakdown. Anderszewski’s performance of the first two pieces in the set is profoundly thoughtful and moving with the chorale melody and triplets of the second piece in particular conjuring up the mental anguish and turmoil the composer must have been suffering. Anderszewski creates a sinuous web with the demisemiquavers of the fourth piece of the set while the recital ends with the quiet and insistent resignation of the last piece.Review by Robert Beattie, MusicWeb International
Piotr Anderszewski - Robert Schumann: Piano Works (2010)
Piotr Anderszewski - Robert Schumann: Piano Works (2010)
Tracklist:
Humoreske Op. 20
01. Einfach. Sehr rasch und leicht. Noch rascher. Erstes Tempo. Wie im Anfang (5:44)
02. Hastig. Nach und nach schneller. Nach und nach immer lebhafter und stärker. Wie Vorher. Adagio (4:52)
03. Einfach und zart. Intermezzo. Adagio (5:24)
04. Innig (3:28)
05. Sehr lebhaft. Immer lebhafter. Stretta. Mit einigem Pomp (3:52)
06. Zum Beschluß. Allegro (7:09)
Studien für den Pedalflügel Op. 56
07. I. Nicht zu schnell (2:05)
08. II. Mit innigem Ausdruck (4:02)
09. III. Andantino. Etwas schnelle (2:09)
10. IV. Innig. Etwas bewegter (4:26)
11. V. Nicht zu schnell (2:40)
12. VI. Adagio (4:30)
Gesänge der Frühe Op. 133
13. I. Im ruhigen Tempo (3:20)
14. II. Belebt, nicht zu rasch (1:45)
15. III. Lebhaft (2:37)
16. IV. Bewegt (2:12)
17. V. Im Anfange ruhiges, im Verlauf bewegteres Tempo (3:20)
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 17. December 2012, 2:13
Piotr Anderszewski / Schumann - Piano Works
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==== Log checksum A839B8C4F772F9F1389344137F3C3E8796BC97E291D9EDCC18839D39F1074FC3 ====
EAC extraction logfile from 17. December 2012, 2:13
Piotr Anderszewski / Schumann - Piano Works
Used drive : HL-DT-STDVDRAM GU61N Adapter: 0 ID: 2
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Make use of C2 pointers : No
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Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
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Gap handling : Appended to previous track
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1 | 0:00.00 | 5:43.64 | 0 | 25788
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3 | 10:36.22 | 5:24.33 | 47722 | 72054
4 | 16:00.55 | 3:27.60 | 72055 | 87639
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==== Log checksum A839B8C4F772F9F1389344137F3C3E8796BC97E291D9EDCC18839D39F1074FC3 ====
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05 [dcecdd3b|07b44a1e] (09+29/40) Accurately ripped
06 [68135e94|8f3ecb24] (09+29/40) Accurately ripped
07 [20b65612|808277af] (09+29/40) Accurately ripped
08 [d9845ac3|32808750] (09+29/40) Accurately ripped
09 [5cad6071|8b665d35] (09+29/40) Accurately ripped
10 [08ad391f|74904427] (09+29/40) Accurately ripped
11 [31575167|5ba54c36] (09+29/40) Accurately ripped
12 [f3350dae|cedfc409] (09+29/40) Accurately ripped
13 [83ee9990|42e69839] (09+29/40) Accurately ripped
14 [572e00cc|85b41e7d] (09+29/40) Accurately ripped
15 [43c1c681|9d21f731] (09+28/39) Accurately ripped
16 [c04ea10a|6eafdf30] (09+28/39) Accurately ripped
17 [d6257924|31ffacd6] (08+29/39) Accurately ripped
Offsetted by -12:
01 [1f678c67] (00/40) No match (V2 was not tested)
02 [7e950a9c] (00/40) No match (V2 was not tested)
03 [58af80f1] (00/37) No match (V2 was not tested)
04 [edf50f88] (00/38) No match (V2 was not tested)
05 [dac31864] (00/40) No match (V2 was not tested)
06 [575d3704] (00/40) No match (V2 was not tested)
07 [2a78a868] (00/40) No match (V2 was not tested)
08 [61a00554] (00/40) No match (V2 was not tested)
09 [17fcfba4] (00/40) No match (V2 was not tested)
10 [78c6aa73] (00/40) No match (V2 was not tested)
11 [e837a5db] (00/40) No match (V2 was not tested)
12 [5c41f044] (00/40) No match (V2 was not tested)
13 [5cbf23a2] (00/40) No match (V2 was not tested)
14 [24ad4e01] (00/40) No match (V2 was not tested)
15 [b1cbc5bc] (00/39) No match (V2 was not tested)
16 [1039c26a] (00/39) No match (V2 was not tested)
17 [970fa76e] (00/39) No match (V2 was not tested)
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 89,1 [D42F81E2] [1FF7A5CD]
01 80,9 [F48F302D] [08C396AC] CRC32
02 80,4 [6B36176F] [0818FF10] CRC32
03 48,7 [6F5EBDE3] [DD7CCF2E] CRC32
04 39,3 [6EBA7D89] [3A140156] CRC32
05 82,5 [06BD3F46] [2326E567] CRC32
06 79,9 [94196167] [10A6D4AC] CRC32
07 28,3 [8EFCA18D] [B2EAE1F0] CRC32
08 55,4 [D1201AB1] [772310AE] CRC32
09 71,6 [4465FF20] [51D873AD] CRC32
10 80,5 [A19D6126] [5D2532F7] CRC32
11 50,0 [B1733AA6] [31768393] CRC32
12 27,1 [2F293D0E] [6D13D16A] CRC32
13 63,2 [07BFA942] [51C00327] CRC32
14 79,7 [14698BDD] [BEFBC800] CRC32
15 89,1 [7326A4B4] [731674B9] CRC32
16 78,6 [842B60BC] [340690AF] CRC32
17 48,8 [D3C4817E] [31E038B7] CRC32
[CTDB TOCID: r8WdAXk6h8wygev7iCXvx7UEeOA-] found.
Track | CTDB Status
1 | (35/36) Accurately ripped
2 | (36/36) Accurately ripped
3 | (36/36) Accurately ripped
4 | (36/36) Accurately ripped
5 | (36/36) Accurately ripped
6 | (36/36) Accurately ripped
7 | (35/36) Accurately ripped
8 | (36/36) Accurately ripped
9 | (36/36) Accurately ripped
10 | (36/36) Accurately ripped
11 | (36/36) Accurately ripped
12 | (36/36) Accurately ripped
13 | (36/36) Accurately ripped
14 | (36/36) Accurately ripped
15 | (36/36) Accurately ripped
16 | (36/36) Accurately ripped
17 | (36/36) Accurately ripped
[AccurateRip ID: 002c387e-021e3725-ed0ee711] found.
Track [ CRC | V2 ] Status
01 [32d83d0a|5d261451] (09+29/40) Accurately ripped
02 [71a40bca|d28ebb2e] (09+29/40) Accurately ripped
03 [7b66497f|6ba4e417] (08+27/37) Accurately ripped
04 [bed33996|2d2c8e18] (09+27/38) Accurately ripped
05 [dcecdd3b|07b44a1e] (09+29/40) Accurately ripped
06 [68135e94|8f3ecb24] (09+29/40) Accurately ripped
07 [20b65612|808277af] (09+29/40) Accurately ripped
08 [d9845ac3|32808750] (09+29/40) Accurately ripped
09 [5cad6071|8b665d35] (09+29/40) Accurately ripped
10 [08ad391f|74904427] (09+29/40) Accurately ripped
11 [31575167|5ba54c36] (09+29/40) Accurately ripped
12 [f3350dae|cedfc409] (09+29/40) Accurately ripped
13 [83ee9990|42e69839] (09+29/40) Accurately ripped
14 [572e00cc|85b41e7d] (09+29/40) Accurately ripped
15 [43c1c681|9d21f731] (09+28/39) Accurately ripped
16 [c04ea10a|6eafdf30] (09+28/39) Accurately ripped
17 [d6257924|31ffacd6] (08+29/39) Accurately ripped
Offsetted by -12:
01 [1f678c67] (00/40) No match (V2 was not tested)
02 [7e950a9c] (00/40) No match (V2 was not tested)
03 [58af80f1] (00/37) No match (V2 was not tested)
04 [edf50f88] (00/38) No match (V2 was not tested)
05 [dac31864] (00/40) No match (V2 was not tested)
06 [575d3704] (00/40) No match (V2 was not tested)
07 [2a78a868] (00/40) No match (V2 was not tested)
08 [61a00554] (00/40) No match (V2 was not tested)
09 [17fcfba4] (00/40) No match (V2 was not tested)
10 [78c6aa73] (00/40) No match (V2 was not tested)
11 [e837a5db] (00/40) No match (V2 was not tested)
12 [5c41f044] (00/40) No match (V2 was not tested)
13 [5cbf23a2] (00/40) No match (V2 was not tested)
14 [24ad4e01] (00/40) No match (V2 was not tested)
15 [b1cbc5bc] (00/39) No match (V2 was not tested)
16 [1039c26a] (00/39) No match (V2 was not tested)
17 [970fa76e] (00/39) No match (V2 was not tested)
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 89,1 [D42F81E2] [1FF7A5CD]
01 80,9 [F48F302D] [08C396AC] CRC32
02 80,4 [6B36176F] [0818FF10] CRC32
03 48,7 [6F5EBDE3] [DD7CCF2E] CRC32
04 39,3 [6EBA7D89] [3A140156] CRC32
05 82,5 [06BD3F46] [2326E567] CRC32
06 79,9 [94196167] [10A6D4AC] CRC32
07 28,3 [8EFCA18D] [B2EAE1F0] CRC32
08 55,4 [D1201AB1] [772310AE] CRC32
09 71,6 [4465FF20] [51D873AD] CRC32
10 80,5 [A19D6126] [5D2532F7] CRC32
11 50,0 [B1733AA6] [31768393] CRC32
12 27,1 [2F293D0E] [6D13D16A] CRC32
13 63,2 [07BFA942] [51C00327] CRC32
14 79,7 [14698BDD] [BEFBC800] CRC32
15 89,1 [7326A4B4] [731674B9] CRC32
16 78,6 [842B60BC] [340690AF] CRC32
17 48,8 [D3C4817E] [31E038B7] CRC32
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-09-03 15:48:23
––––––––––––––––––––––––––––––––––––––––
Analyzed: Piotr Anderszewski / Schumann - Piano Works
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR17 -1.84 dB -26.15 dB 5:44 01-Humoreske Op.20: Einfach. Sehr rasch und leicht. Noch rascher. Erstes Tempo. Wie im Anfang
DR14 -1.89 dB -23.00 dB 4:52 02-Humoreske Op.20: Hastig. Nach und nach schneller. Nach und nach immer lebhafter und starker. Wie Vorher. Adagio
DR15 -6.24 dB -27.66 dB 5:24 03-Humoreske Op.20: Einfach und zart. Intermezzo. Adagio
DR17 -8.10 dB -33.80 dB 3:28 04-Humoreske Op.20: Innig
DR14 -1.66 dB -20.85 dB 3:52 05-Humoreske Op.20: Sehr lebhaft. Immer lebhafter. Stretta. Mit einigem Pomp
DR16 -1.95 dB -26.10 dB 7:09 06-Humoreske Op.20: Zum Beschluss. Allegro
DR12 -10.94 dB -28.22 dB 2:05 07-Studien fur den Pedalflugel Op.56: Sechs Stucke in kanonischer Form: I. Nicht zu schnell
DR12 -5.12 dB -25.68 dB 4:02 08-Studien fur den Pedalflugel Op.56: Sechs Stucke in kanonischer Form: II. Mit innigem Ausdruck
DR13 -2.90 dB -23.71 dB 2:09 09-Studien fur den Pedalflugel Op.56: Sechs Stucke in kanonischer Form: III. Andantino. Etwas schnelle
DR14 -1.88 dB -23.04 dB 4:26 10-Studien fur den Pedalflugel Op.56: Sechs Stucke in kanonischer Form: IV. Innig. Etwas bewegter
DR13 -6.02 dB -25.43 dB 2:40 11-Studien fur den Pedalflugel Op.56: Sechs Stucke in kanonischer Form: V. Nicht zu schnell
DR15 -11.33 dB -33.91 dB 4:30 12-Studien fur den Pedalflugel Op.56: Sechs Stucke in kanonischer Form: VI. Adagio
DR19 -3.98 dB -32.53 dB 3:20 13-Gesange der Fruhe Op.133: Nr.1: Im ruhigen Tempo
DR13 -1.97 dB -21.96 dB 1:45 14-Gesange der Fruhe Op.133: Nr.2: Belebt, nicht zu rasch
DR13 -1.00 dB -18.58 dB 2:37 15-Gesange der Fruhe Op.133: Nr.3: Lebhaft
DR13 -2.09 dB -20.07 dB 2:12 16-Gesange der Fruhe Op.133: Nr.4: Bewegt
DR14 -6.22 dB -28.24 dB 3:20 17-Gesange der Fruhe Op.133: Nr.5: Im Anfange ruhiges, im Verlauf bewegteres Tempo
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 17
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 340 kbps
Codec: FLAC
================================================================================
log date: 2017-09-03 15:48:23
––––––––––––––––––––––––––––––––––––––––
Analyzed: Piotr Anderszewski / Schumann - Piano Works
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR17 -1.84 dB -26.15 dB 5:44 01-Humoreske Op.20: Einfach. Sehr rasch und leicht. Noch rascher. Erstes Tempo. Wie im Anfang
DR14 -1.89 dB -23.00 dB 4:52 02-Humoreske Op.20: Hastig. Nach und nach schneller. Nach und nach immer lebhafter und starker. Wie Vorher. Adagio
DR15 -6.24 dB -27.66 dB 5:24 03-Humoreske Op.20: Einfach und zart. Intermezzo. Adagio
DR17 -8.10 dB -33.80 dB 3:28 04-Humoreske Op.20: Innig
DR14 -1.66 dB -20.85 dB 3:52 05-Humoreske Op.20: Sehr lebhaft. Immer lebhafter. Stretta. Mit einigem Pomp
DR16 -1.95 dB -26.10 dB 7:09 06-Humoreske Op.20: Zum Beschluss. Allegro
DR12 -10.94 dB -28.22 dB 2:05 07-Studien fur den Pedalflugel Op.56: Sechs Stucke in kanonischer Form: I. Nicht zu schnell
DR12 -5.12 dB -25.68 dB 4:02 08-Studien fur den Pedalflugel Op.56: Sechs Stucke in kanonischer Form: II. Mit innigem Ausdruck
DR13 -2.90 dB -23.71 dB 2:09 09-Studien fur den Pedalflugel Op.56: Sechs Stucke in kanonischer Form: III. Andantino. Etwas schnelle
DR14 -1.88 dB -23.04 dB 4:26 10-Studien fur den Pedalflugel Op.56: Sechs Stucke in kanonischer Form: IV. Innig. Etwas bewegter
DR13 -6.02 dB -25.43 dB 2:40 11-Studien fur den Pedalflugel Op.56: Sechs Stucke in kanonischer Form: V. Nicht zu schnell
DR15 -11.33 dB -33.91 dB 4:30 12-Studien fur den Pedalflugel Op.56: Sechs Stucke in kanonischer Form: VI. Adagio
DR19 -3.98 dB -32.53 dB 3:20 13-Gesange der Fruhe Op.133: Nr.1: Im ruhigen Tempo
DR13 -1.97 dB -21.96 dB 1:45 14-Gesange der Fruhe Op.133: Nr.2: Belebt, nicht zu rasch
DR13 -1.00 dB -18.58 dB 2:37 15-Gesange der Fruhe Op.133: Nr.3: Lebhaft
DR13 -2.09 dB -20.07 dB 2:12 16-Gesange der Fruhe Op.133: Nr.4: Bewegt
DR14 -6.22 dB -28.24 dB 3:20 17-Gesange der Fruhe Op.133: Nr.5: Im Anfange ruhiges, im Verlauf bewegteres Tempo
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 17
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 340 kbps
Codec: FLAC
================================================================================
Piotr Anderszewski - Robert Schumann: Piano Works (2010)
