Philippe Herreweghe, Collegium Vocale, Ghent - Johann Sebastian Bach: Weihnachts-Oratorium (1996)
Philippe Herreweghe, Collegium Vocale, Ghent - Johann Sebastian Bach: Weihnachts-Oratorium (1996)
EAC | FLAC | Image (Cue & Log) ~ 680 Mb | Total time: 78:07+71:32 | Scans included
Classical | Label: Virgin Veritas | # 7 59530 2 | Recorded: 1989
EAC | FLAC | Image (Cue & Log) ~ 680 Mb | Total time: 78:07+71:32 | Scans included
Classical | Label: Virgin Veritas | # 7 59530 2 | Recorded: 1989
As you might expect, Herreweghe's account of the Christmas Oratorio is as authoritative as any. His orchestra and choir are lively but always precise and his soloists all excel. Most impressively, Herreweghe is able to marshal his impressive forces to create a whole that is greater than the sum of its parts. The Christmas Oratorio isn't the most coherent of Bach's works, but Herreweghe brings it all together, not so much by imposing architecture as by maintaining the flow of the music and not letting any single movement stand out too much from its surroundings.
The general mood of this performance is surprisingly relaxed. Even from the outset, the solo timpani in the opening bars sound curiously flaccid, and the orchestral and choral textures that follow are warm and round rather than punchy and focussed. The use of such a large choir in a period performance is unusual, but their precision and agility more than justify the numbers.
The number of orchestral players is not given, but the string section also sounds relatively large. The wind soloists put in some great performances, but Herreweghe always makes sure that the obbligato lines are subservient to the solo voices. Marcel Ponseele plays first oboe, and with more restraint than on the Kuijken recordings. He also spends a fair proportion of the work playing oboe d'amore. It is great to hear a virtuoso performance on that unduly neglected instrument.
The vocal soloists form a well-matched group. In keeping with this relaxed performance, none is required to take anything to excess, giving the recitatives, and especially the arias, an almost conversational feeling of flow. The lion's share of the vocal work goes to Howard Crook as the Evangelist, and his light but characterful voice is ideal for the part. He often introduces solo numbers by the other singers and each time the timbral similarities between them make for an almost seamless transition. In any other context, these vocal performances could be criticised for lack of power and projection, but here the performances are ideal. Fans of Michael Chance and Peter Kooy might want to track this recording down for their performances. In 1989, both men were at the height of their powers, and Herreweghe makes sure he gets the best from both of them.
So why the relaxed tone in so much of this music? Well, by reducing the musical drama, Herreweghe is able to present the Oratorio as a more coherent entity. Also, the continuously celebratory major music that makes up so much of the work can get monotonous when presented in more boisterous recordings – introducing a sense of intimacy and poise creates more variety if nothing else. The recording also cleverly counters a range of stereotypes about the period performance movement. The idea that such ensembles are always small, always play fast and always go for spiky, angular sonorities, is countered by every aspect of this recording. The choir and orchestra are large, the tempos are relaxed, and the sound is warm. Herreweghe has plenty of austere period performance recordings to his name, but he is clearly open to other ideas as well.– Gavin Dixon
Performer:
Barbara Schlick, soprano
Michael Chance, alto
Howard Crook, tenor
Peter Kooy, bass
Collegium Vocale, Ghent
Philippe Herreweghe, conductor
Track List:
CD1:
I. Teil. Am Ersten Weihnachtsfeiertag
01. 1. Coro: Jauchzet, Frohlocket, Auf, Preiset Die Tage
02. 2. Evangelista: Es Begab Sich Aber Zu Der Zeit
03. 3. Arioso, Alto: Nun Wird Mein Liebster Bräutigam
04. 4. Aria, Alto: Bereite Dich, Zion, Mit Zärtlichen Trieben
05. 5. Choral: Wie Soll Ich Dich Empfangen
06. 6. Evangelista: Und Sie Gebar Ihren Ersten Sohn
07. 7. Choral, Soprano E Recitativo, Basso: Er Ist Auf Erden Kommen Arm
08. 8. Aria, Basso: Großer Herr, O Starker König
09. 9. Choral: Ach Mein Herzliebes Jesulein
II. Teil. Am Zweiten Weihnachtsfeiertag
10. 10. Sinfonia
11. 11. Evangelista: Und Es Waren Hirten In Derselben Gegend
12. 12. Choral: Brich An, O Schönes Morgenlicht
13. 13. Evangelista, Angelus: Und Der Engel Sprach Zu Ihnen
14. 14. Recitativo, Basso: Was Gott Dem Abraham Verheißen
15. 15. Aria, Tenore: Frohe Hirten, Eilt, Ach Eilet
16. 16. Evangelista: Und Das Habt Zum Zeichen
17. 17. Choral: Schaut Hin, Dort Liegt Im Finstern Stall
18. 18. Recitativo, Basso: So Geht Denn Hin
19. 19. Aria, Alto: Schlafe, Mein Liebster, Genieße Der Ruh
20. 20. Evangelista: Und Alsobald War Da Bei Dem Engel
21. 21. Coro: Ehre Sei Gott In Der Höhe
22. 22. Recitativo, Basso: So Recht, Ihr Engel, Jauchzt Und Singet
23. 23. Choral: Wir Singen Dir In Deinem Heer
III. Teil. Am Dritten Weihnachtsfeiertag
24. 24. Coro: Herrscher Des Himmels, Erhöre Das Lallen
25. 25. Evangelista: Und Da Die Engel Von Ihnen Gen Himmel Fuhren
26. 26. Coro: Lasset Uns Nun Gehen Gen Bethlehem
27. 27. Recitativo, Basso: Er Hat Seine Volk Getröst'
28. 28. Choral: Dies Hat Er Alles Uns Getan
29. 29. Duetto, Soprano, Basso: Herr, Dein Mitleid, Dein Erbarmen
30. 30. Evangelista: Und Sie Kamen Eilend
31. 31. Aria, Alto:Schließe, Mein Herze, Dies Selige Wunder
32. 32. Recitativo, Alto: Ja, Ja, Mein Herz Soll Es Bewahren
33. 33. Choral: Ich Will Dich Mit Fleiß Bewahren
34. 34. Evangelista: Und Die Hirten Kehrten Wieder Um
35. 35. Choral: Seid Froh Dieweil
36. Coro Da Capo: Herrscher Des Himmels, Erhöre Das Lallen
CD2:
IV. Teil. Am Feste Der Beschneidung Christi
01. 36. Coro: Fallt Mit Danken, Fallt Mit Loben
02. 37. Evangelista: Und Da Acht Tage Um Waren
03. 38. Recitativo, Basso Con Choral, Soprano: Immanuel, O Süßes Wort!
04. 39. Aria, Soprano, Echo Soprano: Flößt, Mein Heiland, Flößt Dein Namen
05. 40. Recitativo, Basso Con Choral, Soprano: Wohlan, Dein Name Soll Allein
06. 41. Aria, Tenore: Ich Will Nur Dir Zu Ehren Leben
07. 42. Choral: Jesus Richte Mein Beginnen
V. Teil. Am Sonntag Nach Neujahr
08. 43. Coro: Ehre Sei Dir, Gott, Gesungen
09. 44. Evangelista: Da Jesus Geboren War Zu Bethlehem
10. 45. Coro E Recitativo, Alto: Wo Ist Der Neugeborne König Der Jüden
11. 46. Choral: Dein Glanz All Finsternis Verzehrt
12. 47. Aria, Basso: Erleucht Auch Meine Finstre Sinnen
13. 48. Evangelista: Da Das Ist Der König Herodes Hörte
14. 49. Recitativo, Alto: Warum Wollt Ihr Erschrecken?
15. 50. Evangelista: Und Ließ Versammlen Alle Hohenpriester
16. 51. Terzetto: Soprano, Alto, Tenore: Ach, Wenn Wird Die Zeit Erscheinen?
17. 52. Recitativo, Alto: Mein Liebster Herrschet Schon
18. 53. Choral: Zwar Ist Solche Herzensstube
VI. Teil. Am Fest Der Erscheinung Christi
19. 54. Coro: Herr, Wenn Die Stolzen Feinde Schnauben
20. 55. Evangelista, Herodes: Da Berief Herodes Die Weisen Heimlich
21. 56. Recitativo, Soprano: Du Falscher, Suche Nur Den Herrn Zu Fällen
22. 57. Aria, Soprano: Nur Ein Wink Von Seinen Händen
23. 58. Evangelista: Als Sie Nun Den König Gehöret Hatten
24. 59. Choral: Ich Steh An Deiner Krippe Hier
25. 60. Evangelista: Und Gott Befahl Ihnen Im Traum
26. 61. Recitativo, Tenore: So Geht! Genug, Mein Schatz Geht Nicht Von Hier
27. 62. Aria, Tenore: Nun Mögt Ihr Stolzen Feinde Schrecken
28. 63. Rezitativo: Soprano, Alto, Tenore, Basso: Was Will Der Hölle Schrecken Nun
29. 64. Choral: Nun Seid Ihr Wohl Gerochen
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Philippe Herreweghe / Bach - Weihnachts-Oratorium BWV 248 (Disc 1)
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Philippe Herreweghe / Bach - Weihnachts-Oratorium BWV 248 (Disc 2)
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==== Log checksum FA326D01C9F8248220E7B8D6A9FB1D5924EC12653FFFA40E49E203E54C05045D ====
Philippe Herreweghe, Collegium Vocale, Ghent - Johann Sebastian Bach: Weihnachts-Oratorium (1996)
Thanks to the original releaser