![Peter Gabriel 2 (1978) [2007, Japan, VJCP-68846]](https://pixhost.icu/avaxhome/12/bd/0016bd12_medium.jpeg)
Peter Gabriel 2 (1978) [2007, Japan, VJCP-68846]
![Peter Gabriel 2 (1978) [2007, Japan, VJCP-68846]](https://pixhost.icu/avaxhome/12/bd/0016bd12.jpeg)
Peter Gabriel 2 (1978) [2002, Japan, VJCP-68846]
Art Rock/Prog Rock | EAC Rip | APE(Image) + Cue + Log | MP3 CBR 320Kbps | 11 Tracks
Scans(jpg) Included | Scans(tiff) -> 147 Mb | ~294 + 126 Mb | HF, FileServe
EMI Music Japan/Virgin | VJCP-68846
Art Rock/Prog Rock | EAC Rip | APE(Image) + Cue + Log | MP3 CBR 320Kbps | 11 Tracks
Scans(jpg) Included | Scans(tiff) -> 147 Mb | ~294 + 126 Mb | HF, FileServe
EMI Music Japan/Virgin | VJCP-68846
The pairing sounds ideal — the former front man of Genesis, as produced by the leading light of King Crimson. Unfortunately, Peter Gabriel's second album (like his first, eponymous) fails to meet those grandiose expectations, even though it seems to at first. "On the Air" and "D.I.Y." are stunning slices of modern rock circa 1978, bubbling with synths, insistent rhythms, and polished processed guitars, all enclosed in a streamlined production that nevertheless sounds as large as a stadium. Then, things begin to drift, at first in a pleasant way ("A Wonderful Day in a One-Way World" is surprisingly nimble), but by the end, it all seems a little formless. It's not that the music is overly challenging — it's that the record is unfocused. There are great moments scattered throughout the record, yet it never captivates, either through intoxicating, messy creativity (as he did on his debut) or through cohesion (the way the third Peter Gabriel album, two years later, would). Certain songs work well on their own — not just the opening numbers, but the mini-epic "White Shadow," the tight "Animal Magic," the tense yet catchy "Perspective," the reflective closer "Home Sweet Home" — yet for all the tracks that work, they never work well together. Ironically, it holds together a bit better than its predecessor, yet it never reaches the brilliant heights of that record. In short, it's a transitional effort that's well worth the time of serious listeners, even it's still somewhat unsatisfying.~ Stephen Thomas Erlewine
Peter Gabriel:
Born: February 13, 1950, London, England
Active: '70s, '80s, '90s, 2000s
Genres: Rock
As the leader of Genesis in the early '70s, Peter Gabriel helped move progressive rock to new levels of theatricality. He was no less ambitious as a solo artist, but he was more subtle in his methods. With his first eponymous solo album in 1977, he began exploring darker, more cerebral territory, incorporating avant-garde, electronic, and worldbeat influences into his music. The record, as well as its two similarly titled successors, established Gabriel as a critically acclaimed cult artist, and with 1982's Security, he began to move into the mainstream; "Shock the Monkey" became his first Top 40 hit, paving the way for his multi-platinum breakthrough So in 1986. Accompanied by a series of groundbreaking videos and the number one single "Sledgehammer," So became a multi-platinum hit, and Gabriel became an international star. Instead of capitalizing on his sudden success, he began to explore other interests, including recording soundtracks and running his company Real World. By the time he returned to pop with 1992's Us, his mass audience had faded away and he spent the remainder of the '90s working on multimedia projects for Real World.
Following his departure from Genesis in 1976, Peter Gabriel began work on the first of three consecutive eponymously titled albums; each record was named Peter Gabriel, he said, as if they were editions of the same magazine. In 1977, his first solo album appeared and became a moderate success due to the single "Solsbury Hill." Another self-titled record followed in 1978, yet received comparatively weaker reviews. Gabriel's third eponymous album proved to be his artistic breakthrough, however. Produced by Steve Lillywhite and released in 1980, the album established Gabriel as one of rock's most ambitious, innovative musicians, as well as one of its most political – "Biko," a song about a murdered antiapartheid activist, became one of the biggest protest anthems of the '80s. "Games Without Frontiers," with its eerie chorus, nearly reached the Top 40.
In 1982, Gabriel released Security, which was an even bigger success, earning positive reviews and going gold on the strength of the startling video for "Shock the Monkey." Just as his solo career was taking off, Gabriel participated in a one-shot Genesis reunion in order to finance his WOMAD – World of Music, Arts and Dance – Festival. WOMAD was designed to bring various world musics and customs to a Western audience, and it soon turned into an annual event, and a live double album was released that year to commemorate the event. As Gabriel worked on his fifth album, he contributed the soundtrack to Alan Parker's 1984 film Birdy. His score was highly praised and it won the Grand Jury Prize at Cannes that year. After founding Real World, Inc. – a corporation devoted to developing bridges between technology and multiethnic arts – in 1985, he completed his fifth album, So.
Released in 1986, So became Gabriel's commercial breakthrough, largely because his Stax homage "Sledgehammer" was blessed with an innovative video that combined stop-action animation with live action. So climbed to number two as "Sledgehammer" hit number one, with "Big Time" – featuring a video very similar to "Sledgehammer" – reaching the Top Ten and "In Your Eyes" hitting the Top 30. As So was riding high on the American and British charts, Gabriel co-headlined the first benefit tour for Amnesty International in 1986 with Sting and U2. Another Amnesty International Tour followed in 1988, and the following year, Gabriel released Passion: Music for The Last Temptation of Christ, a collection of instrumentals used in Martin Scorsese's film. Passion was the furthest Gabriel delved into worldbeat, and the album was widely acclaimed, winning the Grammy Award in 1989 for Best New Age Performance. In 1990, he released the hits compilation Shaking the Tree.
Gabriel labored long on the pop-music follow-up to So, finally releasing Us in the spring of 1992. During the recording of Us, Gabriel went through a number of personal upheavals, including a painful divorce, and those tensions manifested themselves on Us, a much darker record than So. For various reasons, not the least of which was the fact that it was released six years after its predecessor, Us wasn't as commercially successful as So, despite positive reviews. Only one single, the "Sledgehammer" knockoff "Steam," reached the Top 40, and the album stalled at platinum sales. In 1993, Gabriel embarked on the most ambitious WOMAD tour to date, touring the United States with a roster including Crowded House, James, and Sinéad O'Connor, with whom he had an on-off romantic relationship. The following year, he released the double-disc Secret World Live, which went gold. Later in 1994, he released the CD-ROM Xplora, one of many projects he developed with Real World. For the rest of the decade, Gabriel concentrated on developing more multimedia projects for the company and working on a new studio album.
Up was released in 2002, a full decade after Gabriel's last studio effort. Dense, cerebral, and often difficult, the record peaked at number nine but failed to sell well in America. It fared slightly better in Canada, where it went gold. He then turned his attention to a host of different projects, although the release of Big Blue Ball – a compilation of collaborative performances recorded at Real World Studios during the '90s – helped placate fans while Gabriel focused his energies elsewhere. He eventually returned to the studio for another album, Scratch My Back, which featured orchestral covers of songs originally performed by Radiohead, Arcade Fire, Paul Simon, David Bowie, and others.
~ Stephen Thomas Erlewine, Rovi
Born: February 13, 1950, London, England
Active: '70s, '80s, '90s, 2000s
Genres: Rock
As the leader of Genesis in the early '70s, Peter Gabriel helped move progressive rock to new levels of theatricality. He was no less ambitious as a solo artist, but he was more subtle in his methods. With his first eponymous solo album in 1977, he began exploring darker, more cerebral territory, incorporating avant-garde, electronic, and worldbeat influences into his music. The record, as well as its two similarly titled successors, established Gabriel as a critically acclaimed cult artist, and with 1982's Security, he began to move into the mainstream; "Shock the Monkey" became his first Top 40 hit, paving the way for his multi-platinum breakthrough So in 1986. Accompanied by a series of groundbreaking videos and the number one single "Sledgehammer," So became a multi-platinum hit, and Gabriel became an international star. Instead of capitalizing on his sudden success, he began to explore other interests, including recording soundtracks and running his company Real World. By the time he returned to pop with 1992's Us, his mass audience had faded away and he spent the remainder of the '90s working on multimedia projects for Real World.
Following his departure from Genesis in 1976, Peter Gabriel began work on the first of three consecutive eponymously titled albums; each record was named Peter Gabriel, he said, as if they were editions of the same magazine. In 1977, his first solo album appeared and became a moderate success due to the single "Solsbury Hill." Another self-titled record followed in 1978, yet received comparatively weaker reviews. Gabriel's third eponymous album proved to be his artistic breakthrough, however. Produced by Steve Lillywhite and released in 1980, the album established Gabriel as one of rock's most ambitious, innovative musicians, as well as one of its most political – "Biko," a song about a murdered antiapartheid activist, became one of the biggest protest anthems of the '80s. "Games Without Frontiers," with its eerie chorus, nearly reached the Top 40.
In 1982, Gabriel released Security, which was an even bigger success, earning positive reviews and going gold on the strength of the startling video for "Shock the Monkey." Just as his solo career was taking off, Gabriel participated in a one-shot Genesis reunion in order to finance his WOMAD – World of Music, Arts and Dance – Festival. WOMAD was designed to bring various world musics and customs to a Western audience, and it soon turned into an annual event, and a live double album was released that year to commemorate the event. As Gabriel worked on his fifth album, he contributed the soundtrack to Alan Parker's 1984 film Birdy. His score was highly praised and it won the Grand Jury Prize at Cannes that year. After founding Real World, Inc. – a corporation devoted to developing bridges between technology and multiethnic arts – in 1985, he completed his fifth album, So.
Released in 1986, So became Gabriel's commercial breakthrough, largely because his Stax homage "Sledgehammer" was blessed with an innovative video that combined stop-action animation with live action. So climbed to number two as "Sledgehammer" hit number one, with "Big Time" – featuring a video very similar to "Sledgehammer" – reaching the Top Ten and "In Your Eyes" hitting the Top 30. As So was riding high on the American and British charts, Gabriel co-headlined the first benefit tour for Amnesty International in 1986 with Sting and U2. Another Amnesty International Tour followed in 1988, and the following year, Gabriel released Passion: Music for The Last Temptation of Christ, a collection of instrumentals used in Martin Scorsese's film. Passion was the furthest Gabriel delved into worldbeat, and the album was widely acclaimed, winning the Grammy Award in 1989 for Best New Age Performance. In 1990, he released the hits compilation Shaking the Tree.
Gabriel labored long on the pop-music follow-up to So, finally releasing Us in the spring of 1992. During the recording of Us, Gabriel went through a number of personal upheavals, including a painful divorce, and those tensions manifested themselves on Us, a much darker record than So. For various reasons, not the least of which was the fact that it was released six years after its predecessor, Us wasn't as commercially successful as So, despite positive reviews. Only one single, the "Sledgehammer" knockoff "Steam," reached the Top 40, and the album stalled at platinum sales. In 1993, Gabriel embarked on the most ambitious WOMAD tour to date, touring the United States with a roster including Crowded House, James, and Sinéad O'Connor, with whom he had an on-off romantic relationship. The following year, he released the double-disc Secret World Live, which went gold. Later in 1994, he released the CD-ROM Xplora, one of many projects he developed with Real World. For the rest of the decade, Gabriel concentrated on developing more multimedia projects for the company and working on a new studio album.
Up was released in 2002, a full decade after Gabriel's last studio effort. Dense, cerebral, and often difficult, the record peaked at number nine but failed to sell well in America. It fared slightly better in Canada, where it went gold. He then turned his attention to a host of different projects, although the release of Big Blue Ball – a compilation of collaborative performances recorded at Real World Studios during the '90s – helped placate fans while Gabriel focused his energies elsewhere. He eventually returned to the studio for another album, Scratch My Back, which featured orchestral covers of songs originally performed by Radiohead, Arcade Fire, Paul Simon, David Bowie, and others.
~ Stephen Thomas Erlewine, Rovi
Peter Gabriel 2 (1978)
![Peter Gabriel 2 (1978) [2007, Japan, VJCP-68846]](https://pixhost.icu/avaxhome/14/bd/0016bd14_medium.jpeg)
Peter Gabriel 2 (1978) [2007, Japan, VJCP-68846]
![Peter Gabriel 2 (1978) [2007, Japan, VJCP-68846]](https://pixhost.icu/avaxhome/14/bd/0016bd14.jpeg)
Tracklist:
01. On the Air
02. D.I.Y.
03. Mother of Violence" (Peter Gabriel, Jill Gabriel)
04. A Wonderful Day in a One-Way World
05. White Shadow
06. Indigo
07. Animal Magic
08. Exposure (Peter Gabriel, Robert Fripp)
09. Flotsam and Jetsam
10. Perspective
11. Home Sweet Home
Personnel:
Peter Gabriel – vocals, piano, synthesizer
Tony Levin – bass
Sid McGinnis – guitars
Larry Fast – synthesizer and treatments
Robert Fripp – guitars
Bayete – keyboards
Roy Bittan – keyboards
Jerry Marotta – drums
Tim Capello – saxophone
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
Отчёт EAC об извлечении, выполненном 13. июня 2009, 15:12
Peter Gabriel / Peter Gabriel II
Дисковод: PIONEER DVD-RW DVR-108 Adapter: 4 ID: 1
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 48
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:33.65 | 0 | 25039
2 | 5:33.65 | 2:34.68 | 25040 | 36657
3 | 8:08.58 | 3:26.18 | 36658 | 52125
4 | 11:35.01 | 3:36.02 | 52126 | 68327
5 | 15:11.03 | 5:19.17 | 68328 | 92269
6 | 20:30.20 | 3:32.70 | 92270 | 108239
7 | 24:03.15 | 3:29.33 | 108240 | 123947
8 | 27:32.48 | 4:18.03 | 123948 | 143300
9 | 31:50.51 | 2:22.39 | 143301 | 153989
10 | 34:13.15 | 3:29.25 | 153990 | 169689
11 | 37:42.40 | 4:42.03 | 169690 | 190842
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла J:\New Torrents\Peter Gabriel - Peter Gabriel II\Peter Gabriel - Peter Gabriel II.wav
Пиковый уровень 99.5 %
Качество диапазона 100.0 %
CRC теста EC722806
CRC копии EC722806
Копирование… OK
Ошибок не произошло
AccurateRip: сводка
Трек 1 нет в базе данных
Трек 2 нет в базе данных
Трек 3 нет в базе данных
Трек 4 нет в базе данных
Трек 5 нет в базе данных
Трек 6 нет в базе данных
Трек 7 нет в базе данных
Трек 8 нет в базе данных
Трек 9 нет в базе данных
Трек 10 нет в базе данных
Трек 11 нет в базе данных
Ни одного трека нет в базе AccurateRip
Конец отчёта
Отчёт EAC об извлечении, выполненном 13. июня 2009, 15:12
Peter Gabriel / Peter Gabriel II
Дисковод: PIONEER DVD-RW DVR-108 Adapter: 4 ID: 1
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 48
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:33.65 | 0 | 25039
2 | 5:33.65 | 2:34.68 | 25040 | 36657
3 | 8:08.58 | 3:26.18 | 36658 | 52125
4 | 11:35.01 | 3:36.02 | 52126 | 68327
5 | 15:11.03 | 5:19.17 | 68328 | 92269
6 | 20:30.20 | 3:32.70 | 92270 | 108239
7 | 24:03.15 | 3:29.33 | 108240 | 123947
8 | 27:32.48 | 4:18.03 | 123948 | 143300
9 | 31:50.51 | 2:22.39 | 143301 | 153989
10 | 34:13.15 | 3:29.25 | 153990 | 169689
11 | 37:42.40 | 4:42.03 | 169690 | 190842
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла J:\New Torrents\Peter Gabriel - Peter Gabriel II\Peter Gabriel - Peter Gabriel II.wav
Пиковый уровень 99.5 %
Качество диапазона 100.0 %
CRC теста EC722806
CRC копии EC722806
Копирование… OK
Ошибок не произошло
AccurateRip: сводка
Трек 1 нет в базе данных
Трек 2 нет в базе данных
Трек 3 нет в базе данных
Трек 4 нет в базе данных
Трек 5 нет в базе данных
Трек 6 нет в базе данных
Трек 7 нет в базе данных
Трек 8 нет в базе данных
Трек 9 нет в базе данных
Трек 10 нет в базе данных
Трек 11 нет в базе данных
Ни одного трека нет в базе AccurateRip
Конец отчёта
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\Peter Gabriel - Peter Gabriel II
1 -=- Peter Gabriel - Peter Gabriel II.ape -=- CDDA (99%)
61292692
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\Peter Gabriel - Peter Gabriel II
1 -=- Peter Gabriel - Peter Gabriel II.ape -=- CDDA (99%)
61292692
![Peter Gabriel 2 (1978) [2007, Japan, VJCP-68846]](https://pixhost.icu/avaxhome/15/bd/0016bd15_medium.jpeg)
Peter Gabriel 2 (1978) [2007, Japan, VJCP-68846]
![Peter Gabriel 2 (1978) [2007, Japan, VJCP-68846]](https://pixhost.icu/avaxhome/15/bd/0016bd15.jpeg)
Download Peter Gabriel 2 (1978):
HF.com - lossless:
Peter Gabriel 2 - part1
Peter Gabriel 2 - part2
Peter Gabriel 2 - part3
HF.com - MP3 CBR320:
Peter Gabriel 2 - One file
HF.com - Scans(Tiff):
Peter Gabriel 2 - One file
FileServe - lossless:
Peter Gabriel 2 - part1
Peter Gabriel 2 - part2
Peter Gabriel 2 - part3
FileServe - MP3 CBR320:
Peter Gabriel 2 - One file
FileServe - Scans(Tiff):
Peter Gabriel 2 - One file
In case you encounter dead links, please send me a private message.
All thanks go to Uncle Remus