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    Philharmoniker Hamburg & Chor der Staatsoper, Soloists, Simone Young - Paul Hindemith: Mathis der Maler (2007) 3CD

    Posted By: Designol
    Philharmoniker Hamburg & Chor der Staatsoper, Soloists, Simone Young - Paul Hindemith: Mathis der Maler (2007) 3CD

    Paul Hindemith: Mathis der Maler (2007) 3CD Set
    Philharmoniker Hamburg & Chor der Staatsoper Hamburg, conducted by Simone Young

    EAC | FLAC | Image (Cue&Log) ~ 683 Mb | Mp3 (CBR320) ~ 419 Mb | Scans ~ 16 Mb
    Genre: Classical, Opera | Label: OehmsClassics | # OC 908 | Time: 03:03:51

    The greatest strength of Oehms Classics' live recording of the Hamburg Staatsoper 2005 production of Mathis der Maler is the supple and dramatic conducting of Simone Young, the Australian general manager of the company. The score contains some of Hindemith's most overtly romantic and emotionally expressive music, as well as some extended passages that sound like academic note-spinning. Young is remarkably successful in accentuating the score's moments of sensuality, such as the opening "Concert of Angels," and manages to keep the dramatic momentum up during the more pedestrian passages. The set's major weakness is the wobbly intonation of Falk Struckmann in the title role. He's dramatically forceful and is a charismatic protagonist, but Hindemith's non-triadic harmonies require absolute precision of intonation to keep from sounding like mush, and Struckmann falls short on that count; it's hard to forget Fischer-Dieskau's pure, virile singing on the Deutsche Grammophon's LP of excerpts conducted by Leopold Ludwig (issued before his recording of the complete opera under Rafael Kubelik), which deserves to be reissued on CD. In the crucial role of Albrecht, Scott MacAllister is more persuasive, singing with precision and giving convincing shape to the composer's vocal lines. The youthfulness of his sound adds an interesting dynamic to his relationship with Mathis; a politically powerful, but young Cardinal makes an intriguing and counterintuitive foil for the mature but politically powerless artist. The remaining cast is fully adequate, and the ensemble work is good, even though few other voices stand out. The shapeliness of Young's conducting makes this a recording that should be of interest to fans of the opera, but the lack of stellar singing is unlikely to convert Hindemith's skeptics. The sound is full, clean, and well balanced for a live opera performance.

    Review by Stephen Eddins, Allmusic.com

    Hindemith’s first three operas ( Murder, Hope of Women; Das Nusch-Nuschi; Sancta Susanna ) were the young radical’s (highly successful) attempts to shock the German musical establishment of the early 1920s. By 1926 he was on his way to becoming part of that establishment, and his Cardillac is a potent dramatic mix of murder and sex—just what opera does best. See a review of two performances on DVD in Fanfare 31:3. The 1929 News of the Day is a satirical farce of contemporary life and mores. It is a truly funny piece, although the joke goes on too long, but it is best remembered for shocking Adolph Hitler with a nude soprano singing an aria in her bath. The operas Hindemith came to consider as his life’s work: Mathis der Maler (1935) and Die Harmonie der Welt (1956) are serious philosophical treatises—not what opera does best. Both are lengthy, complex works requiring considerable patience and demanding strong concentration. In addition, both must compete against the powerful symphonies he built them from—in each case the symphony came to fruition first, while he was working on the opera. The Symphony “Mathis der Maler” is universally recognized as Hindemith’s masterpiece, whereas the opera is seldom performed.

    Mathis is Matthias Grünewald, one of several names used by the painter of the Isenheim Altarpiece, but the opera is only incidentally about his painting. Rather it is about the artist’s place in, and conflicts with, a troubled society, subject matter that made it anathema to Nazi Germany (it was eventually premiered in Zurich in 1938). Mathis, at first content with his life as a painter, is drawn into the bloody Peasants’ War (1524–1526) between the common people and the nobility, for which Martin Luther’s challenge to the Catholic Church was also a driving force. After witnessing the horrific effects of war and gross inhumanity on both sides, the old painter withdraws completely from the world (seldom has such a vast, complex plot been so over-simplified). Other major figures are Hans Schwalb, the leader of the rebels, Albrecht von Brandenburg, a surprisingly freethinking Cardinal who employs Mathis, and Ursula, who loves him. This potentially tendentious opera is rescued by its wonderful music, Hindemith at his absolute peak. The climactic scene is a vocal/choral version of The Temptation of St. Anthony , the finale of the Symphony “Mathis der Maler,” and almost everything in the opera rises to a similar level.

    The only other complete recording was a 1977 performance on EMI, with Rafael Kubelík leading the Bavarian Radio Chorus and Orchestra, starring Dietrich Fischer-Dieskau in the title role. Such an undertaking would seem ideal for this work, but it was not a success: the star baritone had been in far better voice when he recorded an hour’s worth of excerpts for DGG in 1962 (DG 431 741, with Cardillac ), and the rest of the cast was not up to snuff. In addition, the bustling crowd scenes—book burnings, battles, and embittered confrontations—came across as tedious and noisy rather than dramatic. To my surprise, I found a 1995 New York City Opera production to be totally gripping throughout a long evening. This new live-performance recording is marvelous, far superior to the Kubelík. My notes say “the EMI feels sluggish and formal, whereas the Oehms boils along, teeming with life.” Struckmann’s voice lacks Fischer-Dieskau’s so-easily-identifiable dramatic panache, but it is in far better estate. The rest of the cast is beyond comparison; each soloist creates a strongly individual character, and the chorus sings with fervor and clarity. Above all, the Hamburg Philharmonic is magnificent, realizing all of the music in a way that the Bavarians never did. The music and the drama are so powerful, so engrossing, that this listener was unaware of time passing. Getting up to change to CD 3, I thought, “Didn’t I just begin CD 2?” But the booklet insists that 67 minutes had passed. Kudos to Simone Young, general manager of the Hamburg State Opera and music director of the Hamburg Philharmonic! The Oehms recording is worthy of this performance; everything is heard clearly, even in multi-voiced tutti passages. Producer Dirk Lüdemann and sound engineer Dominik Blech deserve star billing as well. The only fly in the ointment is the lack of a libretto: neither the booklet nor www.oehmsclassics.de offers a link to one, and a quick Internet search was not promising. Thus you may have to keep the EMI for its complete three-language libretto.

    Seventy years after its premiere, Mathis der Maler finally emerges here as one of the great operas of the 20th century. Wholeheartedly recommended to all!

    Review by James H. Nort, Fanfare Magazine


    Philharmoniker Hamburg & Chor der Staatsoper, Soloists, Simone Young - Paul Hindemith: Mathis der Maler (2007) 3CD



    Philharmoniker Hamburg & Chor der Staatsoper, Soloists, Simone Young - Paul Hindemith: Mathis der Maler (2007) 3CD



    Performers:
    Renate Spingler (Soprano), Ho-Yoon Chung (Tenor), Jürgen Sacher (Tenor),
    Moritz Gogg (Baritone), Harald Stamm (Baritone), Peter Galliard (Tenor),
    Carsten Wittmoser (Bass), Scott MacAllister (Tenor), Pår Lindskog (Tenor),
    Inga Kalna (Soprano), Susan Anthony (Soprano), Falk Struckmann (Baritone)
    Conductor: Simone Young
    Orchestra/Ensemble: Hamburg State Opera Chorus, Hamburg State Philharmonic Orchestra

    Tracklist:

    Paul Hindemith (1895-1963) - Mathis der Maler (Complete Opera):

    CD1:

    01. Vorspiel: Engelkonzert (9:05)
    02. 1. Bild - Erster Auftritt - Mathis: 'Sonniges Land. Mildes Drangen schon nahen Sommers…' (4:50)
    03. 1. Bild - Zweiter Auftritt - Schwalb: 'Aufmachen! Helft uns!' (2:03)
    04. 1. Bild - Zweiter Auftritt - Mathis: 'Woher kommt ihr denn? Was fur Leute seid ihr?' (1:04)
    05. 1. Bild - Zweiter Auftritt - Regina: (Lied) 'Es wollt ein Maidlein waschen gehen…' (4:45)
    06. 1. Bild - Zweiter Auftritt - Schwalb: 'Was redest du da?' (6:43)
    07. 1. Bild - Dritter Auftritt - Regina: 'Staub am Himmel, Pferdetraben….' (1:05)
    08. 1. Bild - Vierter Auftritt - Sylvester: 'Raus, Schwarzrocke, aus eurem Geniste!' (2:07)
    09. 2. Bild - Erster Auftritt - Papstliche Burger: 'Dem Volk stopft man die falschen Lehren ins Maul…' (4:47)
    10. 2. Bild - Zweiter Auftritt - Albrecht: 'Nach dem Larm vieler Orte…' (3:20)
    11. 2. Bild - Dritter Auftritt - Albrecht: 'Man fuhlt den Segen, der auf eurem Land ruht…' (1:46)
    12. 2. Bild - Dritter Auftritt - Albrecht: 'Gewinnst du auch mein Herz…' (4:10)
    13. 2. Bild - Vierter Auftritt - Pommersfelden: 'Rom verzieh oft, was ihr euch an Freiheit nahmt…' (3:35)
    14. 2. Bild - Funfter Auftritt - Albrecht: 'Was gibt’s?' (8:06)


    CD2:

    01. 3. Bild - Erster Auftritt - Lutherische Burger und Studenten: 'In dieser Arche wird unsre Habe…' (6:39)
    02. 3. Bild - Zweiter Auftritt - Burger und Studenten: 'Man kömmte päpstlich werden…' (2:21)
    03. 3. Bild - Dritter Auftritt - Ursula: 'Was bin ich anderes in dieser Mannerwelt' (2:28)
    04. 3. Bild - Dritter Auftritt - Ursula: 'Wir sind im innersten Grunde verbunden' (9:35)
    05. 3. Bild - Vierter Auftritt - Riedinger: 'Unsre Schande leuchtet in des Feuers Schein…' (3:08)
    06. 4. Bild - Erster Auftritt - Bauern: 'Du hast uns lange getreten' (3:57)
    07. 4. Bild - Zweiter Auftritt - Mathis: 'Wer hiess euch den Grafen ermorden' (3:14)
    08. 4. Bild - Dritter Auftritt - Schwalb: 'Das sieht euch gleich' (4:44)
    09. 4. Bild - Dritter Auftritt - Schwalb: 'Sie sind da' (3:28)
    10. 4. Bild - Vierter Auftritt - (Marsch) Truchsess: 'Flohen nicht alle?' (3:01)
    11. 4. Bild - Funfter Auftritt - Mathis: ' Wagen wollen, was ein wille nicht zu zwingen vermag…' (2:44)
    12. 5. Bild - Erster Auftritt - Albrecht: 'Wollt ihr mich denn entmundigen' (4:39)
    13. 5. Bild - Zweiter Auftritt - Albrecht: 'Du, Ursula!' (9:56)
    14. 5. Bild - Dritter Auftritt - Albrecht: 'Ihr wollt das Ergebnis der Unterhandlung wissen…' (7:04)

    CD3:

    01. 6. Bild (2:27)
    02. 6. Bild - Erster Auftritt - Mathis: 'Du wirst mich verlieren…' (4:28)
    03. 6. Bild - Erster Auftritt - Mathis: 'Alte Marchen woben uns fromme Bilder…' (5:32)
    04. 6. Bild - Zweiter Auftritt - Mathis: 'Das kann nicht der gleiche Mann sein…' (4:13)
    05. 6. Bild - Zweiter Auftritt - Bettlerin: 'Gibst du noch so viel, du stellst niemals den Mangel ab…' (6:25)
    06. 6. Bild - Zweiter Auftritt - Chor: 'Dein argster Feind sitzt in dir selbst…' (5:00)
    07. 6. Bild - Dritter Auftritt - Paulus: 'Mein Bruder, entreiße dich der höllentiefen Qual.' (5:55)
    08. 6. Bild - Dritter Auftritt - Paulus: 'Wenn du demutig dem Bruder dich bogst…' (3:54)
    09. 7. Bild - Erster Auftritt - Ursula: 'Das ist der Kreuzweg, wo sich Tod und Leben scheiden…' (3:27)
    10. 7. Bild - Erster Auftritt - Regina: 'Ursula' (5:31)
    11. 7. Bild - Erster Auftritt - Zwischenspiel (4:17)
    12. 7. Bild - Zweiter Auftritt - Albrecht: 'Du bringst es uber dich, mein Freund…' (5:08)
    13. 7. Bild - Letzter Auftritt - Mathis: 'Auf denn zum letzten Stuck des Weges…' (3:09)


    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 9. July 2014, 17:26

    Soloists, Philharmoniker Hamburg, Simone Young / Hindemith - Mathis der Maler - CD1

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    Read offset correction : 102
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    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

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    13 | 45:46.11 | 3:35.19 | 205961 | 222104
    14 | 49:21.30 | 8:05.69 | 222105 | 258548


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    Copy CRC 85599BE7
    Copy OK

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    You may have a different pressing from the one(s) in the database

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    ==== Log checksum EC956DF964B0E9A11C0130D5655A6C8763B048FA3EC4034D05618EAA5CCEC5E3 ====

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    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Soloists, Philharmoniker Hamburg, Simone Young / Hindemith - Mathis der Maler - CD1
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR15 -5.40 dB -29.84 dB 9:05 01-Vorspiel: Engelkonzert
    DR16 -10.34 dB -32.43 dB 4:50 02-1. Bild - Erster Auftritt - Mathis: 'Sonniges Land. Mildes Drangen schon nahe…
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    Number of tracks: 14
    Official DR value: DR14

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 513 kbps
    Codec: FLAC
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    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 11. July 2014, 13:33

    Soloists, Philharmoniker Hamburg, Simone Young / Hindemith - Mathis der Maler - CD2

    Used drive : HL-DT-STDVDRRW GWA-4164B Adapter: 5 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 102
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    Null samples used in CRC calculations : Yes
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    7 | 28:09.12 | 3:13.53 | 126687 | 141214
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    9 | 36:06.63 | 3:27.45 | 162513 | 178082
    10 | 39:34.33 | 3:00.60 | 178083 | 191642
    11 | 42:35.18 | 2:44.22 | 191643 | 203964
    12 | 45:19.40 | 4:39.01 | 203965 | 224890
    13 | 49:58.41 | 9:56.29 | 224891 | 269619
    14 | 59:54.70 | 7:03.51 | 269620 | 301395


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    Range quality 100.0 %
    Test CRC FC94F595
    Copy CRC FC94F595
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    Track 1 cannot be verified as accurate (confidence 3) [305AD995], AccurateRip returned [5B45B982] (AR v2)
    Track 2 cannot be verified as accurate (confidence 3) [64A4AA67], AccurateRip returned [8974524D] (AR v2)
    Track 3 cannot be verified as accurate (confidence 3) [E5758AE7], AccurateRip returned [1C97D2B4] (AR v2)
    Track 4 cannot be verified as accurate (confidence 3) [0AEDEC0E], AccurateRip returned [4C1C7F4C] (AR v2)
    Track 5 cannot be verified as accurate (confidence 3) [E689D78E], AccurateRip returned [23FFAF76] (AR v2)
    Track 6 cannot be verified as accurate (confidence 3) [39BBF0A2], AccurateRip returned [DCF07374] (AR v2)
    Track 7 cannot be verified as accurate (confidence 3) [955D9930], AccurateRip returned [FF4A13A3] (AR v2)
    Track 8 cannot be verified as accurate (confidence 3) [0CC074B8], AccurateRip returned [2405828B] (AR v2)
    Track 9 cannot be verified as accurate (confidence 3) [AA0F3789], AccurateRip returned [614B3531] (AR v2)
    Track 10 cannot be verified as accurate (confidence 3) [F1AF5BDE], AccurateRip returned [E575E965] (AR v2)
    Track 11 cannot be verified as accurate (confidence 3) [C06FF02B], AccurateRip returned [90B53720] (AR v2)
    Track 12 cannot be verified as accurate (confidence 3) [471E9BE0], AccurateRip returned [A7628C96] (AR v2)
    Track 13 cannot be verified as accurate (confidence 3) [01CD3761], AccurateRip returned [9D4927DA] (AR v2)
    Track 14 cannot be verified as accurate (confidence 3) [9133302F], AccurateRip returned [54DCA86F] (AR v2)

    No tracks could be verified as accurate
    You may have a different pressing from the one(s) in the database

    End of status report

    ==== Log checksum 4B43DB6E2A36F81A1585560BAEAF1FFC1DC02DD7A8C44FC1128CD472ABA08F14 ====

    [CUETools log; Date: 28.10.2019 17:54:09; Version: 2.1.4]
    [CTDB TOCID: rnbY01EFvUS6y6ihPT3tqZ6HSPU-] found.
    Track | CTDB Status
    1 | (9/9) Accurately ripped
    2 | (9/9) Accurately ripped
    3 | (9/9) Accurately ripped
    4 | (9/9) Accurately ripped
    5 | (9/9) Accurately ripped
    6 | (9/9) Accurately ripped
    7 | (9/9) Accurately ripped
    8 | (9/9) Accurately ripped
    9 | (9/9) Accurately ripped
    10 | (9/9) Accurately ripped
    11 | (9/9) Accurately ripped
    12 | (9/9) Accurately ripped
    13 | (9/9) Accurately ripped
    14 | (9/9) Accurately ripped
    [AccurateRip ID: 00207027-015817e9-c00fb20e] found.
    Track [ CRC | V2 ] Status
    01 [f5c29ecf|305ad995] (0+0/6) No match
    02 [a51877c9|64a4aa67] (0+0/6) No match
    03 [5da13dce|e5758ae7] (0+0/6) No match
    04 [df123245|0aedec0e] (0+0/4) No match
    05 [91de05b5|e689d78e] (0+0/4) No match
    06 [a491fe87|39bbf0a2] (0+0/6) No match
    07 [cbb1cd28|955d9930] (0+0/6) No match
    08 [a19672cd|0cc074b8] (0+0/6) No match
    09 [38b48d8c|aa0f3789] (0+0/6) No match
    10 [d8345512|f1af5bde] (0+0/6) No match
    11 [01a863c9|c06ff02b] (0+0/6) No match
    12 [ea188282|471e9be0] (0+0/6) No match
    13 [686a7170|01cd3761] (0+0/4) No match
    14 [baa8d93c|9133302f] (0+0/6) No match
    Offsetted by -658:
    01 [0ba4f8b5] (2/6) Accurately ripped
    02 [d5504f44] (2/6) Accurately ripped
    03 [910bd775] (2/6) Accurately ripped
    04 [623af689] (0/4) No match (V2 was not tested)
    05 [71d53c8a] (0/4) No match (V2 was not tested)
    06 [536794e4] (2/6) Accurately ripped
    07 [35fc6aa5] (2/6) Accurately ripped
    08 [aa71faba] (2/6) Accurately ripped
    09 [cbcc02be] (2/6) Accurately ripped
    10 [d497d309] (2/6) Accurately ripped
    11 [e775baac] (2/6) Accurately ripped
    12 [5e1edb3a] (2/6) Accurately ripped
    13 [133a2f04] (0/4) No match (V2 was not tested)
    14 [0f5075f6] (2/6) Accurately ripped

    Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
    – 75,2 [FC94F595] [021B447A] CRC32
    01 38,4 [CF8C9860] [36EE677B]
    02 61,7 [951A6558] [5A9A240D]
    03 30,5 [B20DA092] [3D417324]
    04 54,8 [76E9B5AA] [20640D43]
    05 55,2 [F64ACF28] [2C09206D]
    06 41,0 [5450BD72] [90861C3A]
    07 37,9 [9C8DF071] [C68B1B1D]
    08 28,3 [0E0B8FCA] [E5F562B8]
    09 75,2 [6DBDD0B6] [0CD80175]
    10 41,3 [1C822FA8] [7768BEEF]
    11 71,9 [5B2F6F37] [3CF0F488]
    12 36,0 [DB00003C] [FC0AAE1C]
    13 62,1 [8A851E1F] [52CDD924]
    14 56,9 [F3C71765] [111A1708]

    foobar2000 1.2 / Dynamic Range Meter 1.1.1
    log date: 2019-10-28 18:13:35

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Soloists, Philharmoniker Hamburg, Simone Young / Hindemith - Mathis der Maler - CD2
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR16 -8.30 dB -29.98 dB 6:39 01-3. Bild - Erster Auftritt - Lutherische Burger und Studenten: 'In dieser Arch…
    DR15 -4.19 dB -28.62 dB 2:21 02-3. Bild - Zweiter Auftritt - Burger und Studenten: 'Man konnte papstlich werden'
    DR11 -10.30 dB -27.11 dB 2:28 03-3. Bild - Dritter Auftritt - Ursula: 'Was bin ich anderes in dieser Mannerwelt'
    DR13 -5.22 dB -25.52 dB 9:35 04-3. Bild - Dritter Auftritt - Ursula: 'Wir sind im innersten Grunde verbunden'
    DR15 -5.16 dB -28.52 dB 3:08 05-3. Bild - Vierter Auftritt - Riedinger: 'Unsre Schande leuchtet in des Feuers…
    DR13 -7.72 dB -27.52 dB 3:57 06-4. Bild - Erster Auftritt - Bauern: 'Du hast uns lange getreten'
    DR13 -8.43 dB -27.26 dB 3:14 07-4. Bild - Zweiter Auftritt - Mathis: 'Wer hiess euch den Grafen ermorden'
    DR13 -10.96 dB -29.19 dB 4:44 08-4. Bild - Dritter Auftritt - Schwalb: 'Das sieht euch gleich'
    DR15 -2.47 dB -24.77 dB 3:28 09-4. Bild - Dritter Auftritt - Schwalb: 'Sie sind da'
    DR14 -7.68 dB -27.45 dB 3:01 10-4. Bild - Vierter Auftritt - (Marsch) Truchsess: 'Flohen nicht alle?'
    DR15 -2.86 dB -24.74 dB 2:44 11-4. Bild - Funfter Auftritt - Mathis: 'Wagen wollen, was ein Wille nicht zu zw…
    DR14 -8.87 dB -28.43 dB 4:39 12-5. Bild - Erster Auftritt - Albrecht: 'Wollt ihr mich denn entmundigen'
    DR13 -4.13 dB -23.32 dB 9:56 13-5. Bild - Zweiter Auftritt - Albrecht: 'Du, Ursula!'
    DR15 -4.89 dB -27.64 dB 7:04 14-5. Bild - Dritter Auftritt - Albrecht: 'Ihr wollt das Ergebnis der Unterhandl…
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 14
    Official DR value: DR14

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 538 kbps
    Codec: FLAC
    ================================================================================


    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 11. July 2014, 14:36

    Soloists, Philharmoniker Hamburg, Simone Young / Hindemith - Mathis der Maler - CD3

    Used drive : HL-DT-STDVDRRW GWA-4164B Adapter: 5 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 102
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 896 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -V -8 %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 2:27.04 | 0 | 11028
    2 | 2:27.04 | 4:27.40 | 11029 | 31093
    3 | 6:54.44 | 5:32.32 | 31094 | 56025
    4 | 12:27.01 | 4:13.24 | 56026 | 75024
    5 | 16:40.25 | 6:24.54 | 75025 | 103878
    6 | 23:05.04 | 4:59.74 | 103879 | 126377
    7 | 28:05.03 | 5:55.31 | 126378 | 153033
    8 | 34:00.34 | 3:53.56 | 153034 | 170564
    9 | 37:54.15 | 3:26.46 | 170565 | 186060
    10 | 41:20.61 | 5:30.59 | 186061 | 210869
    11 | 46:51.45 | 4:16.44 | 210870 | 230113
    12 | 51:08.14 | 5:08.02 | 230114 | 253215
    13 | 56:16.16 | 3:09.07 | 253216 | 267397


    Range status and errors

    Selected range

    Filename D:\temp\Music\Hindemith - Mathis der Maler - Philharmoniker Hamburg, Young\Hindemith - Mathis der Maler - CD3.wav

    Peak level 81.8 %
    Extraction speed 2.0 X
    Range quality 100.0 %
    Test CRC 848EA07C
    Copy CRC 848EA07C
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 cannot be verified as accurate (confidence 3) [CDCF0D31], AccurateRip returned [50EF0301] (AR v2)
    Track 2 cannot be verified as accurate (confidence 3) [ADCF7069], AccurateRip returned [5212C309] (AR v2)
    Track 3 cannot be verified as accurate (confidence 3) [146E5B13], AccurateRip returned [DCDE22E4] (AR v2)
    Track 4 cannot be verified as accurate (confidence 3) [F318160B], AccurateRip returned [AA64E0CA] (AR v2)
    Track 5 cannot be verified as accurate (confidence 3) [041F7241], AccurateRip returned [C2F2ACA8] (AR v2)
    Track 6 cannot be verified as accurate (confidence 3) [56757953], AccurateRip returned [F5FC88D3] (AR v2)
    Track 7 cannot be verified as accurate (confidence 3) [713DE70E], AccurateRip returned [EEC88078] (AR v2)
    Track 8 cannot be verified as accurate (confidence 3) [B4D7F6C1], AccurateRip returned [B2C1CA3B] (AR v2)
    Track 9 cannot be verified as accurate (confidence 3) [8A661A15], AccurateRip returned [674585D5] (AR v2)
    Track 10 cannot be verified as accurate (confidence 3) [EFF850B6], AccurateRip returned [DC0CF65C] (AR v2)
    Track 11 cannot be verified as accurate (confidence 3) [431C2470], AccurateRip returned [2D9631B7] (AR v2)
    Track 12 cannot be verified as accurate (confidence 3) [0AACB5D1], AccurateRip returned [D9511058] (AR v2)
    Track 13 cannot be verified as accurate (confidence 3) [6C91D003], AccurateRip returned [531FE6C0] (AR v2)

    No tracks could be verified as accurate
    You may have a different pressing from the one(s) in the database

    End of status report

    ==== Log checksum 7AB63D757FA51A7BA5F9274782414F0F1037DF63A9F68D48D1EB4BAC9D95D477 ====

    [CUETools log; Date: 28.10.2019 17:54:37; Version: 2.1.4]
    [CTDB TOCID: nHUspOKvx6FCFiaswPVK7hOdOKo-] found.
    Track | CTDB Status
    1 | (9/9) Accurately ripped
    2 | (9/9) Accurately ripped
    3 | (9/9) Accurately ripped
    4 | (9/9) Accurately ripped
    5 | (9/9) Accurately ripped
    6 | (9/9) Accurately ripped
    7 | (9/9) Accurately ripped
    8 | (9/9) Accurately ripped
    9 | (9/9) Accurately ripped
    10 | (9/9) Accurately ripped
    11 | (9/9) Accurately ripped
    12 | (9/9) Accurately ripped
    13 | (9/9) Accurately ripped
    [AccurateRip ID: 001c9b01-012149b7-b10ded0d] found.
    Track [ CRC | V2 ] Status
    01 [2168ff06|cdcf0d31] (0+0/6) No match
    02 [3b97dcd1|adcf7069] (0+0/6) No match
    03 [a8c9803b|146e5b13] (0+0/4) No match
    04 [2c7651f6|f318160b] (0+0/6) No match
    05 [863f4771|041f7241] (0+0/6) No match
    06 [70868e16|56757953] (0+0/6) No match
    07 [b8cc62fb|713de70e] (0+0/6) No match
    08 [f09c0521|b4d7f6c1] (0+0/6) No match
    09 [92e89aba|8a661a15] (0+0/6) No match
    10 [0bc7e000|eff850b6] (0+0/6) No match
    11 [39263d2b|431c2470] (0+0/6) No match
    12 [091b8baf|0aacb5d1] (0+0/5) No match
    13 [aaa6fce3|6c91d003] (0+0/6) No match
    Offsetted by -658:
    01 [b5b7e99b] (2/6) Accurately ripped
    02 [c7f1c99b] (2/6) Accurately ripped
    03 [3ef8a8ff] (0/4) No match (V2 was not tested)
    04 [087e32f1] (2/6) Accurately ripped
    05 [4bd8b7fc] (2/6) Accurately ripped
    06 [df2fa217] (2/6) Accurately ripped
    07 [1ede5758] (2/6) Accurately ripped
    08 [244f11db] (2/6) Accurately ripped
    09 [ae149012] (2/6) Accurately ripped
    10 [84ff0822] (2/6) Accurately ripped
    11 [eb4382b6] (2/6) Accurately ripped
    12 [de621784] (2/5) Accurately ripped
    13 [ee300798] (2/6) Accurately ripped

    Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
    – 81,8 [848EA07C] [07469463] CRC32
    01 57,1 [9F5FFD29] [7722C74D]
    02 44,3 [5C03080B] [58213091]
    03 45,6 [24D782CA] [4F9012EF]
    04 40,2 [336625DD] [A1484CB9]
    05 51,4 [2FFAC008] [58D6657D]
    06 81,8 [EEA2F237] [619C70AC]
    07 32,2 [FE77338D] [74B08B63]
    08 65,4 [1897C766] [28416C14]
    09 32,9 [E861F176] [31071F74]
    10 45,8 [4ED48D03] [AA36B33D]
    11 38,6 [D10F0DC1] [F01072D3]
    12 25,0 [61BF0DF1] [529F93C7]
    13 23,7 [8971725C] [7D00506F]

    foobar2000 1.2 / Dynamic Range Meter 1.1.1
    log date: 2019-10-28 18:14:12

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Soloists, Philharmoniker Hamburg, Simone Young / Hindemith - Mathis der Maler - CD3
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR16 -4.86 dB -28.95 dB 2:27 01-6. Bild
    DR13 -7.06 dB -29.06 dB 4:28 02-6. Bild - Erster Auftritt - Mathis: 'Du wirst mich verlieren…'
    DR13 -6.82 dB -27.87 dB 5:32 03-6. Bild - Erster Auftritt - Mathis: 'Alte Marchen woben uns fromme Bilder…'
    DR14 -7.91 dB -28.39 dB 4:13 04-6. Bild - Zweiter Auftritt - Mathis: 'Das kann nicht der gleiche Mann sein…'
    DR14 -5.78 dB -26.25 dB 6:25 05-6. Bild - Zweiter Auftritt - Bettlerin: 'Gibst du noch so viel, du stellst ni…
    DR13 -1.74 dB -21.95 dB 5:00 06-6. Bild - Zweiter Auftritt - Chor: 'Dein argster Feind sitzt in dir selbst…'
    DR15 -9.84 dB -30.71 dB 5:55 07-6. Bild - Dritter Auftritt - Paulus: 'Mein Bruder, entreisse dich der hollent…
    DR14 -3.69 dB -23.75 dB 3:54 08-6. Bild - Dritter Auftritt - Paulus: 'Wenn du demutig dem Bruder dich bogst…'
    DR12 -9.65 dB -30.25 dB 3:27 09-7. Bild - Erster Auftritt - Ursula: 'Das ist der Kreuzweg, wo sich Tod und Le…
    DR14 -6.78 dB -29.52 dB 5:31 10-7. Bild - Erster Auftritt - Regina: 'Ursula'
    DR12 -8.26 dB -30.04 dB 4:17 11-7. Bild - Erster Auftritt - Zwischenspiel
    DR14 -12.04 dB -32.90 dB 5:08 12-7. Bild - Zweiter Auftritt - Albrecht: 'Du bringst es uber dich, mein Freund…'
    DR13 -12.48 dB -33.50 dB 3:09 13-7. Bild - Letzter Auftritt - Mathis: 'Auf denn zum letzten Stuck des Weges…'
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 13
    Official DR value: DR14

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 504 kbps
    Codec: FLAC
    ================================================================================

    Philharmoniker Hamburg & Chor der Staatsoper, Soloists, Simone Young - Paul Hindemith: Mathis der Maler (2007) 3CD

    All thanks to original releaser

    More interesting music in My Blog