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Hungarian NPO, Zoltan Kocsis, Julia Hajnoczy - Orchestrations by Zoltan Kocsis of works by Debussy and Ravel (2003) [Re-Up]

Posted By: Designol
Hungarian NPO, Zoltan Kocsis, Julia Hajnoczy - Orchestrations by Zoltan Kocsis of works by Debussy and Ravel (2003) [Re-Up]

Orchestrations by Zoltán Kocsis of works by Claude Debussy and Maurice Ravel (2003)
Hungarian National Philharmonic Orchestra, Zoltán Kocsis; Júlia Hajnóczy, soprano

XLD | FLAC | Tracks (Cue&Log) ~ 243 Mb | Scans included | Time: 01:09:55
Genre: Classical | Label: Hungaroton | # HCD32106

If anybody is, then Zoltán Kocsis is truly a musical artist in the Renaissance sense: he explores ever greater areas of his profession, and takes possession of new realms. Initially, we looked on with incomprehension, asking why as a pianist of genius, he did not devote himself exclusively to his instrument. Why was he dissipating his creative energies is so many fields: teaching, conducting, writing essays, creating concert programs, forming societies and building an orchestra – and of course, there was his composition as well. But these days, we really have to acknowledge that with Kocsis, this is not some sporting achievement, but utilising the Wagnerian term – a kind of “Gesamtkunstwerk” activity. We can analyse and criticise it – precisely as we can his pianistic productions – but to query it is certainly impermissible.

At his concerts these days, we experience increasingly frequently that during the course of a single evening, Kocsis will present two or three of his faces to the audience: as conductor, instrumental soloist and author of orchestral versions of 20th century masterpieces. Alas, we can still not hope to find in the shops his CD of superb Bartók orchestrations, since the wrangling over copyright questions remains unresolved. However, his recording of Debussy and Ravel compositions for the Hungaroton firm is now available, and we have every reason to presume that when it is distributed abroad it will create a sensation. The seventy minutes-worth of compositions on this CD are not espied as part of the chamber music treasury, but with Kocsis's co-operation as a co-author, have now written their names into the golden pages of the orchestral literature. It is my firm conviction that Kocsis's orchestration of, for example, the Debussy cycle of Verlaine verses (Ariettes Oubliées) is no less important an event than when Ravel launched the international career of Mussorgsky's piano composition Pictures at an Exhibition through his congenial orchestration. After all, the Ariettes Oubliées are exceptionally beautiful, secretive and enchanting works, which in their original form – probably because of the extreme demands of the piano accompaniment – are only heard tucked away at chamber music recitals. Now however, in the performance of the sensuous soprano voice (Júlia Hajnóczy), full of suggestivity, vibrancy and tension, sensuously entwining itself with the transparent texture of the orchestral accompaniment, we encounter them as a revelation and hope that orchestral ensembles intending to expand their Debussy repertoire will seize upon them. The disarming achievement of the National Philharmonic Orchestra communicates itself as joyous music making; in this song cycle, in the Ravel original works and those that Kocsis arranges, and in the Debussy works that Kocsis orchestrates: Marché Écossaise, Danse, Images (Oubliées). Kocsis also takes into hand some Ravel works: besides the Menuet Antique, Kocsis's most astounding orchestrating bravura is reserved for his reworking for orchestra of those movements from Ravel's Tombeau de Couperin, which the composer himself did not attempt to rewrite. At first glance, this seems like astounding daring, but listening to the end result, I can only say that it makes for an imposing co-production.

Review by Mária Kerényi, Gramofon (Hungarian magazine, Summer 2003)

For me (and, I think, for seasoned collectors), the interest of this disc lies in conductor Zoltan Kocsis' own orchestrations of Debussy and Ravel. Most collectors will probably already have other recordings of the "standard" orchestrations by the composers themselves–"Marche ecosaisse", "Menuet antique" and movements 1, 3, 4, and 5 of "Tombeau de Couperin". With some exceptions, Kocsis' orchestrations fit in rather well with these, and are done with taste, high professional skill, and stylistic knowledge.

The "Marche ecosaisse" comes off well, with suitable brio. Unfortunately, "Danse" is MUCH too fast and frenzied (Geoffrey Simon's is my current favorite). Debussy's tempo marking is only "Allegretto" qualified by "very light". The "Menuet antique" too, seems heavy-handed.

Kocsis' orchestration of the song-cycle "Ariettes oubliees" is lovingly done, although perhaps "Spleen" is too aggressively brassy for Debussy. Again, the tempo for "Chevaux de bois" seems driven, and soprano Julia Hajnoczy sometimes has problems snatching opportunities for breath, understandable at this tempo. Hajnoczy's performance is quite pleasant, although her white-toned voice lacks color and personality.

Review by Dace Gisclard, Amazon.com

Hungarian NPO, Zoltan Kocsis, Julia Hajnoczy - Orchestrations by Zoltan Kocsis of works by Debussy and Ravel (2003) [Re-Up]

Hungarian NPO, Zoltan Kocsis, Julia Hajnoczy - Orchestrations by Zoltan Kocsis of works by Debussy and Ravel (2003) [Re-Up]




Hungarian National Philharmonic Orchestra
Zoltán Kocsis, conductor
Júlia Hajnóczy, soprano (3-8)

Recorded 12-14 Sept./14 Oct. 2001 & 13 Sept. 2002, Budapest Italian Institute

Tracklist:

Claude Debussy (1862-1918)

01. Marche écossaise L. 77 [orch. Zoltán Kocsis] (5:48)

02. Danse (Tarantelle styrienne) L. 69 [orch. Zoltán Kocsis] (4:51)

Ariettes oubliées L. 60 [orch. Zoltán Kocsis]:
03. I. C'est l'extase langoureuse (2:52)
04. II. Il pleure dans mon cœur (2:23)
05. III. L'ombre des arbres (2:14)
06. IV. Paysages belges. Chevaux de bois (2:31)
07. V. Aquarelles I. Green (1:35)
08. VI. Aquarelles II. Spleen (2:33)

Images [oubliées] L. 87:
09. I. Lent (Mélancolique et doux) [orch. Zoltán Kocsis] (3:35)
10. II. Sarabande. Avec une élégance grave et lente [orch. Maurice Ravel] (5:05)
11. III. Quelques aspects de "Nous n'irons plus au bois"
parce qu'il fait un temps insupportable. Très vite [orch. Zoltán Kocsis] (4:34)


Maurice Ravel (1875-1937)

12. Menuet antique Op. 7. Maestoso [orch. Zoltán Kocsis] (7:17)

Le tombeau de Couperin Op. 68a:
13. I. Prélude. Vif [orch. Maurice Ravel] (3:12)
14. II. Fugue. Allegro moderato [orch. Zoltán Kocsis] (3:12)
15. III. Forlane. Allegretto [orch. Maurice Ravel] (6:03)
16. IV. Rigaudon. Assez vif [orch. Maurice Ravel] (3:01)
17. V. Menuet. Allegretto moderato [orch. Maurice Ravel] (5:11)
18. VI. Toccata. Vif [orch. Zoltán Kocsis] (3:59)


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Zoltán Kocsis/Hungarian National Philharmonic Orchestra/Júlia Hajnóczy / Orchestrations by Zoltán Kocsis of works by Debussy and Ravel - Júlia Hajnóczy, soprano • Hungarian National Philharmonic Orchestra conducted by Zoltán Kocsis [Hungaroton]

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09 [8c418e97|756fbfc3] (0+2/2) Accurately ripped
10 [5952b864|d7af32da] (0+2/2) Accurately ripped
11 [63f15ede|66b98fa7] (0+2/2) Accurately ripped
12 [29b2e9e2|273fb624] (0+2/2) Accurately ripped
13 [ac785936|997c1c7d] (0+2/2) Accurately ripped
14 [1ee69d17|ea0df708] (0+2/2) Accurately ripped
15 [00b3218a|8bd55ba0] (0+2/2) Accurately ripped
16 [690324cc|223518a5] (0+2/2) Accurately ripped
17 [faae928b|9e81858b] (0+2/2) Accurately ripped
18 [f1a14a4e|74da1a28] (0+2/2) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL]
– 99,9 [50B05C81] [F1321D03]
01 99,9 [7B026917] [379166F4]
02 81,8 [132DA997] [EEF25DC3]
03 50,7 [566A7C04] [BCDD745A]
04 35,0 [955A0A78] [290E543C]
05 55,8 [6589B618] [70073816]
06 97,6 [15B56FC2] [F861749F]
07 41,7 [C7096153] [345F2F89]
08 89,1 [DFB205D2] [F67D05C2]
09 49,9 [29D39B1B] [0EC0CEE7]
10 57,3 [8AF0F7E8] [99C52364]
11 83,1 [CF299AE3] [21A23331]
12 98,8 [9F85D4C0] [22F27C76]
13 65,4 [AA470D79] [B5EDF29E]
14 36,0 [57971448] [AEEF0033]
15 29,7 [694AFA8B] [28250920]
16 73,1 [2248342F] [896E3D46]
17 49,0 [4641C14F] [E5C99E14]
18 99,9 [F5EBDB4B] [368C1CF6]

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-07-15 20:27:31

––––––––––––––––––––––––––––––––––––––––
Analyzed: Júlia Hajnóczy/Zoltán Kocsis/Hungarian National Philharmonic Orchestra / Orchestrations by Zoltán Kocsis of works by Debussy and Ravel - Júlia Hajnóczy, soprano • Hungarian National Philharmonic Orchestra conducted by Zoltán Kocsis [Hungaroton] (1-6)
Zoltán Kocsis/Hungarian National Philharmonic Orchestra / Orchestrations by Zoltán Kocsis of works by Debussy and Ravel - Júlia Hajnóczy, soprano • Hungarian National Philharmonic Orchestra conducted by Zoltán Kocsis [Hungaroton] (7-18)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -5.90 dB -26.16 dB 2:52 03-Ariettes oubliées L. 60 [orch. Zoltán Kocsis]: I. C'est l'extase langoureuse
DR12 -9.10 dB -28.75 dB 2:23 04-Ariettes oubliées L. 60 [orch. Zoltán Kocsis]: II. Il pleure dans mon cœur
DR12 -5.06 dB -26.64 dB 2:14 05-Ariettes oubliées L. 60 [orch. Zoltán Kocsis]: III. L'ombre des arbres
DR15 -0.21 dB -21.83 dB 2:31 06-Ariettes oubliées L. 60 [orch. Zoltán Kocsis]: IV. Paysages belges. Chevaux de bois
DR14 -7.58 dB -26.52 dB 1:35 07-Ariettes oubliées L. 60 [orch. Zoltán Kocsis]: V. Aquarelles I. Green
DR11 -1.00 dB -20.64 dB 2:33 08-Ariettes oubliées L. 60 [orch. Zoltán Kocsis]: VI. Aquarelles II. Spleen
DR15 0.00 dB -21.96 dB 5:48 01-Marche écossaise L. 77 [orch. Zoltán Kocsis]
DR14 -1.73 dB -23.84 dB 4:51 02-Danse (Tarantelle styrienne) L. 69 [orch. Zoltán Kocsis]
DR13 -6.02 dB -25.94 dB 3:35 09-Images [oubliées] L. 87: I. Lent (Mélancolique et doux) [orch. Zoltán Kocsis]
DR14 -4.83 dB -26.81 dB 5:05 10-Images [oubliées] L. 87: II. Sarabande. Avec une élégance grave et lente [orch. Maurice Ravel]
DR11 -1.60 dB -19.23 dB 4:34 11-Images [oubliées] L. 87: III. Quelques aspects de "Nous n'irons plus au bois" parce qu'il fait un temps insupportable. Très vite [orch. Zoltán Kocsis]
DR16 -0.10 dB -22.76 dB 7:17 12-Menuet antique Op. 7. Maestoso [orch. Zoltán Kocsis]
DR14 -3.69 dB -24.81 dB 3:12 13-Le tombeau de Couperin Op. 68a: I. Prélude. Vif [orch. Maurice Ravel]
DR13 -8.86 dB -29.80 dB 3:12 14-Le tombeau de Couperin Op. 68a: II. Fugue. Allegro moderato [orch. Zoltán Kocsis]
DR15 -10.54 dB -30.51 dB 6:03 15-Le tombeau de Couperin Op. 68a: III. Forlane. Allegretto [orch. Maurice Ravel]
DR15 -2.72 dB -24.23 dB 3:01 16-Le tombeau de Couperin Op. 68a: IV. Rigaudon. Assez vif [orch. Maurice Ravel]
DR15 -6.18 dB -29.59 dB 5:11 17-Le tombeau de Couperin Op. 68a: V. Menuet. Allegretto moderato [orch. Maurice Ravel]
DR13 0.00 dB -18.89 dB 3:59 18-Le tombeau de Couperin Op. 68a: VI. Toccata. Vif [orch. Zoltán Kocsis]
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 18
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 585 kbps
Codec: FLAC
================================================================================

Hungarian NPO, Zoltan Kocsis, Julia Hajnoczy - Orchestrations by Zoltan Kocsis of works by Debussy and Ravel (2003) [Re-Up]

Hungarian NPO, Zoltan Kocsis, Julia Hajnoczy - Orchestrations by Zoltan Kocsis of works by Debussy and Ravel (2003) [Re-Up]

All thanks to original releaser

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