Olivier Baumont - Henry Purcell: Harpsichord Suites (1995) Reissue 2009
Olivier Baumont - Henry Purcell: Harpsichord Suites (1995) Reissue 2009
EAC | FLAC | Image (Cue&Log) ~ 371 Mb | Mp3 (CBR320) ~ 149 Mb | Scans included
Genre: Classical | Label: WCJ/Erato | # 2564 68655-6 | Time: 01:03:50
EAC | FLAC | Image (Cue&Log) ~ 371 Mb | Mp3 (CBR320) ~ 149 Mb | Scans included
Genre: Classical | Label: WCJ/Erato | # 2564 68655-6 | Time: 01:03:50
For all the celebrations to mark the tercentenary of Purcell’s death last year (1995), his keyboard music has remained very much in the shadow of his works for the theatre and Church; yet the simplicity and grace of these more intimate pieces make them immediately appealing. Several of them are, in fact, transcriptions of earlier vocal works, and therein lies the key to their interpretation. Of the two performers, Olivier Baumont is the more flamboyant, invariably choosing faster tempi than Sophie Yates, and playing with fluidity, panache and humour. But Yates’s guileless approach really captures the music’s ingenuousness, even if she occasionally sounds a little too strait-laced. Her harpsichord (a copy by Andrew Garlich of an instrument made in 1681 by Jean-Antoine Vaudry, now in London’s Victoria & Albert Museum) could hardly be better suited to the music, with its sweet, warm sound, beautifully reproduced by the Chandos engineers, who don’t make the all too frequent mistake of recording the instrument too close. Baumont’s harpsichord has a sharper tang, and he also uses a virginals for the Grounds and individual lessons. Both artists have much to offer, and the final choice will depend on whether you prefer your Purcell plain (Yates) or piquant (Baumont).Review by Kate Bolton, BBC Music Magazine
Writing just as the 350th anniversary year of Purcell’s birth (2009) has faltered to its end this recording of a large portion of the master’s keyboard music serves as a reminder of his greatness in an area which has been somewhat overlooked in favour of the vocal works. Warner originally produced this disc in 1995. It has been re-issued now as part of the Purcell jamboree but, rather hopelessly, without any booklet notes - presumably to keep the price down.
I am still the proud possessor of the L’Oiseau Lyre LP originally recorded in 1953 of the Suites only, as recorded by the Swiss harpsichordist who died in 1976, Isabelle Nef. She was the first to record all eight, and I have an almost equally aged edition of the music edited by Richard Aldrich in the Early Keyboard Music series published by Kalmus. That edition is replete with curious dynamics, phrasings and even pedal markings. I would love to know, as I have often remarked on these pages, which edition is used here by Baumont but we are not informed.
The Suites and other keyboard works were published posthumously by Mrs. Purcell in 1696 in ‘A Choice Collection of Lessons for the Harpsichord and Spinnet’. It was Nef who was almost the first to rescue the suites from oblivion using a harpsichord. In many ways I still admire and enjoy what she did. For example, unlike Nef, Baumont in the facile 1st Suite takes the fourth movement, a Minuet, at such a pace that its grace and ease are quite lost. My printed edition of the 2nd Suite which here ends with a Sarabande also includes a Chaconne and Sicilliano movements which never feature in the other suites. The 5th Suite, recorded here, ends, curiously with a Jig substituted from Blow and Purcell’s collection ‘Musick’s Handmaid’ of 1687.
The pattern is of a three (in Suite 3), four (in Suites 1 and 2 for example) or five movement suite (as in No 5). The CD has kept them a suitable distance apart by interposing other dances and ayres, and grounds. The dances tend to be preceded by a fleet-fingered Prelude, some pre-figuring Handel, as in Suite No 5, then an Almand. Later there could be a Hornpipe (as in the last three suites) certainly a Courante and possibly a Saraband. The 2nd Suite is compositionally streets in advance of the 1st and has a very French touch with its dotted rhythms and un-English melodic lines. Baumont quite rightly, often employs ‘notes-inégales’ even when three or four equal quavers/semi-quavers are indicated in the score. After all it had been just a few years before that Pelham Humphrey (1647-1674) had returned from France full of the ‘new-fangled’ musical fashions much enjoyed by the court.
The Grounds which Purcell especially favoured in all genres of composition are really sets of variations upon a repeated bass pattern. The Right-hand can often become quite syncopated. It is this rhythmic flexibility which can often surprise students of these pieces and this ‘jazzy’ mood is especially audible in the Courant from the 3rd and 6th Suites as well as in the opening track ‘A New Ground’. The ‘Round-O’ piece is from the Incidental music composed in 1695 for a revival of Aphra Behn’s play ‘Abdenelnazar’ and is usually known as a Hornpipe being the melody used by Britten as the theme for his ‘Young Person’s Guide to the Orchestra’.
The differences between past and present harpsichordists are well exemplified by the 4th Suite. If I may use Nef as an example, there are the ‘notes-inégales’ which Nef never employs. The Preludes in her hands are rigid in tempo with none of Baumont’s rubato. His tempi are in general faster as in the Courante movement but in the Sarabande she, being much slower is more sensitive, delicate and changes the registration beautifully. The only other version I have heard is by Kenneth Gilbert on Harmonia Mundi (1994) but his tempo can be even more breathless.
Baumont uses a Jacob Kirckman harpsichord for the suites which was made in London in 1752 which has an especially strong bass but seems to have no or little tonal variety and a Virginal of 1664 made by Robert Hatley. In fact the disc does not start well, unless my ears deceive me as the opening track mentioned above finds this instrument somewhat compromised in its tuning. After that, things settle down. The instruments are from the Benton Early keyboard collection at Fenton House a National Trust property.
This then is a very useful collection, serviceable and recorded in a forward and realistic acoustic. The music is neatly played and the disc has a fairly generous playing time.Review by Gary Higginson, MusicWeb-International.com
Olivier Baumont - Henry Purcell: Harpsichord Suites (1995) Reissue 2009
Olivier Baumont - Henry Purcell: Harpsichord Suites (1995) Reissue 2009
Tracklist:
Henry PURCELL (1659-1695)
01. A new ground (2:18)
Suite No. 1 in G major
02. I. Prelude (0:24)
03. II. Almand (1:07)
04. III. Corant (0:48)
05. IV. Minuet (0:37)
06. A New Scottish Tune (1:01)
07. A New Irish Tune (0:54)
Suite No. 2 in G minor
08. I. Prelude (0:57)
09. II. Almand (3:26)
10. III. Corant (1:22)
11. IV. Saraband (1:31)
12. Ground in Gamut (1:29)
Suite No. 3 in G major
13. I. Prelude (0:54)
14. II. Almand (3:04)
15. III. Courante (1:22)
16. Air in G major (1:11)
17. Hornpipe in E minor (0:52)
Suite No. 4 in A minor
18. I. Prelude (0:52)
19. II. Almand (2:28)
20. III. Corante (1:11)
21. IV. Saraband (1:10)
22. Ground in C minor (3:03)
Suite No. 5 in C major
23. I. Prelude (1:03)
24. II. Almand (2:11)
25. III. Corant (0:53)
26. IV. Saraband (1:02)
27. V. Jigg (0:59)
28. March in C major (1:00)
29. Minuet in A minor (1:08)
Suite No. 6 in D major
30. I. Prelude (0:34)
31. II. Almand (2:54)
32. III. (Hornpipe) (1:02)
33. Ground in D minor (1:53)
Suite No. 7 in D minor
34. Prelude (0:42)
35. I. Almand 'Bell-barr' (3:33)
36. II. Corant (1:06)
37. III. Hornpipe (0:56)
38. Air in D minor (1:33)
39. Round O in D minor (1:18)
Suite No. 8 in F major
40. I. Prelude (0:40)
41. II. Almand (2:40)
42. III. Courante (1:38)
43. IV. Minuet (0:43)
44. Sefauchi's Farewell (2:22)
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 7. January 2013, 14:10
Olivier Baumont / Purcell - Harpsichord Suites
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==== Log checksum AAC0D643BECB4B52EC636057AD8AC586AA5E242EDAFD02B2F77350EEDF8A2688 ====
EAC extraction logfile from 7. January 2013, 14:10
Olivier Baumont / Purcell - Harpsichord Suites
Used drive : HL-DT-STDVDRRW GWA-4164B Adapter: 5 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
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Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 %source%
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Copy OK
No errors occurred
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05 36,1 [204143A5] [4202FCD9]
06 37,8 [09DCA994] [062608FE]
07 40,5 [FB77CDD3] [A2DF1E9A]
08 56,6 [997EEFA3] [CD12DB10]
09 35,5 [587A8AB3] [45C5DE60]
10 52,6 [9C8E654A] [9175EA68]
11 32,5 [B5A5D553] [1D8F6DDA]
12 35,9 [E1DDEB9B] [DCA525EC]
13 57,4 [BB294974] [086EF178]
14 41,7 [4FDB137F] [11253E43]
15 61,7 [CE52D258] [C87099FF]
16 37,5 [E3BD5B7E] [354FEC72]
17 38,9 [7A98AA36] [6DD2E1D5]
18 29,4 [5CB531D7] [619F4939]
19 37,9 [D6A85DC0] [97ED746A]
20 52,7 [3D2C4197] [8A392A4A]
21 32,6 [3289725A] [262FEE93]
22 35,7 [C4F8842C] [D3112E00]
23 58,9 [A6B62E8C] [33E23426]
24 47,0 [BE9F1988] [83B95986]
25 61,4 [80C7E92B] [A09C148D]
26 33,0 [29439187] [6FE8317A]
27 61,7 [89F26DDF] [6EC77174]
28 35,0 [24D615A2] [7D19C633]
29 34,8 [248AA686] [CEAD86C4]
30 49,1 [70E80155] [F8C338D0]
31 36,0 [0399272D] [1028CEBE]
32 50,7 [79322005] [2BEE16A7]
33 35,9 [9BB5BAE7] [FB1E2B03]
34 50,0 [7A430F35] [4D536E01]
35 33,2 [F26D6D84] [3228FDFE]
36 35,3 [2DD312A7] [41679F1F]
37 47,4 [7D129013] [AC8394C3]
38 35,7 [249F6D00] [892347BD]
39 39,4 [8DCB5FBC] [98F825DF]
40 43,5 [B763B2B3] [84E11E9E]
41 35,4 [2028F832] [81A9325C]
42 63,8 [16AA0BD1] [9BFBFF38]
43 36,9 [DC89D2EF] [5BFBEF87]
44 35,2 [BFFF34FE] [5C33DEF8]
[CTDB TOCID: yxEKles4bwCfXoWmBZA6A6t5BHI-] found.
Track | CTDB Status
1 | (7/7) Accurately ripped
2 | (7/7) Accurately ripped
3 | (7/7) Accurately ripped
4 | (7/7) Accurately ripped
5 | (7/7) Accurately ripped
6 | (7/7) Accurately ripped
7 | (7/7) Accurately ripped
8 | (7/7) Accurately ripped
9 | (7/7) Accurately ripped
10 | (7/7) Accurately ripped
11 | (7/7) Accurately ripped
12 | (7/7) Accurately ripped
13 | (7/7) Accurately ripped
14 | (7/7) Accurately ripped
15 | (7/7) Accurately ripped
16 | (7/7) Accurately ripped
17 | (7/7) Accurately ripped
18 | (7/7) Accurately ripped
19 | (7/7) Accurately ripped
20 | (7/7) Accurately ripped
21 | (7/7) Accurately ripped
22 | (7/7) Accurately ripped
23 | (7/7) Accurately ripped
24 | (7/7) Accurately ripped
25 | (7/7) Accurately ripped
26 | (7/7) Accurately ripped
27 | (7/7) Accurately ripped
28 | (7/7) Accurately ripped
29 | (7/7) Accurately ripped
30 | (7/7) Accurately ripped
31 | (7/7) Accurately ripped
32 | (7/7) Accurately ripped
33 | (7/7) Accurately ripped
34 | (7/7) Accurately ripped
35 | (7/7) Accurately ripped
36 | (7/7) Accurately ripped
37 | (7/7) Accurately ripped
38 | (7/7) Accurately ripped
39 | (7/7) Accurately ripped
40 | (7/7) Accurately ripped
41 | (7/7) Accurately ripped
42 | (7/7) Accurately ripped
43 | (7/7) Accurately ripped
44 | (7/7) Accurately ripped
[AccurateRip ID: 005f4c87-0b8acd69-ab0ef52c] found.
Track [ CRC | V2 ] Status
01 [15629d35|5e508f77] (2+0/6) Accurately ripped
02 [673b15e0|ac0b1cb0] (2+0/6) Accurately ripped
03 [36631ce5|b7e3897f] (2+0/6) Accurately ripped
04 [95eee820|7928b9fe] (2+0/6) Accurately ripped
05 [2ee7e5b5|4714b16f] (2+0/6) Accurately ripped
06 [0a01f36c|82cf621d] (2+0/6) Accurately ripped
07 [cc3ad6c7|848a8286] (2+0/6) Accurately ripped
08 [8676b25b|71926e05] (2+0/6) Accurately ripped
09 [2c1fc573|28c8e09a] (2+0/6) Accurately ripped
10 [bf4c6b2a|9516c3d5] (2+0/6) Accurately ripped
11 [bfd3073d|d5565614] (2+0/6) Accurately ripped
12 [8cf707cf|9e9ec6a0] (2+0/6) Accurately ripped
13 [d0453254|43b2e788] (2+0/6) Accurately ripped
14 [21d8722f|649ab677] (2+0/6) Accurately ripped
15 [e70f3849|1d4adb30] (2+0/6) Accurately ripped
16 [aeb4a5ba|72b95274] (2+0/6) Accurately ripped
17 [073bc3ca|7bc6fd21] (2+0/6) Accurately ripped
18 [03cdd4cf|b09b9707] (2+0/6) Accurately ripped
19 [da596ccc|98832b8e] (2+0/6) Accurately ripped
20 [5d1b2dcb|8d0bc867] (2+0/6) Accurately ripped
21 [ecbb221a|69e1c292] (2+0/5) Accurately ripped
22 [be61eb61|896eb2b1] (2+0/5) Accurately ripped
23 [a2fce488|ac4e4208] (2+0/6) Accurately ripped
24 [e4f78cea|ff8794c7] (2+0/6) Accurately ripped
25 [4bd497c8|d98139f7] (2+0/6) Accurately ripped
26 [6b04c7fb|b4cb9897] (2+0/6) Accurately ripped
27 [7dfd3d2a|71fa384a] (2+0/6) Accurately ripped
28 [5138a796|265213a5] (2+0/6) Accurately ripped
29 [687743be|d1e30691] (2+0/6) Accurately ripped
30 [665a826c|1b3970d2] (2+0/6) Accurately ripped
31 [a5f91ad7|6ffa8809] (2+0/6) Accurately ripped
32 [c6498c70|43994432] (2+0/6) Accurately ripped
33 [cd37bf53|9a76a0ca] (2+0/6) Accurately ripped
34 [58f9f6e7|67ad13f6] (2+0/6) Accurately ripped
35 [b6ad2cda|9f2cdff2] (2+0/5) Accurately ripped
36 [07f36c19|0018d383] (2+0/6) Accurately ripped
37 [89ff7444|98d9f5c9] (2+0/6) Accurately ripped
38 [8268dd33|a9c1c198] (2+0/6) Accurately ripped
39 [ddbf861e|93f4770f] (2+0/6) Accurately ripped
40 [4a72e541|0c29bc0b] (2+0/6) Accurately ripped
41 [b88e751a|e1587c5b] (2+0/6) Accurately ripped
42 [f1514043|4d6ec81d] (2+0/6) Accurately ripped
43 [56397629|d4033c90] (2+0/6) Accurately ripped
44 [341584e6|1ff15a70] (2+0/6) Accurately ripped
Offsetted by 664:
01 [cb045cea] (0/6) No match (V2 was not tested)
02 [79eb8b3d] (0/6) No match (V2 was not tested)
03 [7ffece00] (0/6) No match (V2 was not tested)
04 [62dd9758] (0/6) No match (V2 was not tested)
05 [cde20408] (0/6) No match (V2 was not tested)
06 [e9848f0a] (0/6) No match (V2 was not tested)
07 [ff92a114] (0/6) No match (V2 was not tested)
08 [a9d5d60f] (0/6) No match (V2 was not tested)
09 [dcde1eba] (0/6) No match (V2 was not tested)
10 [58a3b586] (0/6) No match (V2 was not tested)
11 [3aa158b7] (0/6) No match (V2 was not tested)
12 [6316f62b] (0/6) No match (V2 was not tested)
13 [e282d08d] (0/6) No match (V2 was not tested)
14 [961d3f13] (0/6) No match (V2 was not tested)
15 [c1c2b5c6] (0/6) No match (V2 was not tested)
16 [e9199d12] (0/6) No match (V2 was not tested)
17 [7409a3bd] (0/6) No match (V2 was not tested)
18 [5ef4fb28] (0/6) No match (V2 was not tested)
19 [ea0b82c5] (0/6) No match (V2 was not tested)
20 [a3d43180] (0/6) No match (V2 was not tested)
21 [6df0fd28] (0/5) No match (V2 was not tested)
22 [e9a20ea1] (0/5) No match (V2 was not tested)
23 [086c83be] (0/6) No match (V2 was not tested)
24 [ec58c9af] (0/6) No match (V2 was not tested)
25 [b3201653] (0/6) No match (V2 was not tested)
26 [1cafa4e9] (0/6) No match (V2 was not tested)
27 [0dded1a7] (0/6) No match (V2 was not tested)
28 [d09e422c] (0/6) No match (V2 was not tested)
29 [0933b964] (0/6) No match (V2 was not tested)
30 [0c9cc4f9] (0/6) No match (V2 was not tested)
31 [bd126713] (0/6) No match (V2 was not tested)
32 [3fe27cfd] (0/6) No match (V2 was not tested)
33 [6b31d37d] (0/6) No match (V2 was not tested)
34 [0e94f5f3] (0/6) No match (V2 was not tested)
35 [eb2d969a] (0/5) No match (V2 was not tested)
36 [a39b7149] (0/6) No match (V2 was not tested)
37 [80e00da8] (0/6) No match (V2 was not tested)
38 [3a9230d8] (0/6) No match (V2 was not tested)
39 [fa0b09ac] (0/6) No match (V2 was not tested)
40 [d51b09bc] (0/6) No match (V2 was not tested)
41 [6b2d16a9] (0/6) No match (V2 was not tested)
42 [d9efc358] (0/6) No match (V2 was not tested)
43 [f517f59a] (0/6) No match (V2 was not tested)
44 [0632dbd8] (0/6) No match (V2 was not tested)
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 63,8 [5253F9DF] [533770C9] CRC32
01 31,7 [576CBE4D] [C9CD2669]
02 35,0 [C309ACA1] [89417A1D]
03 35,2 [31F91195] [2449DB74]
04 53,7 [253165D0] [F525323F]
05 36,1 [204143A5] [4202FCD9]
06 37,8 [09DCA994] [062608FE]
07 40,5 [FB77CDD3] [A2DF1E9A]
08 56,6 [997EEFA3] [CD12DB10]
09 35,5 [587A8AB3] [45C5DE60]
10 52,6 [9C8E654A] [9175EA68]
11 32,5 [B5A5D553] [1D8F6DDA]
12 35,9 [E1DDEB9B] [DCA525EC]
13 57,4 [BB294974] [086EF178]
14 41,7 [4FDB137F] [11253E43]
15 61,7 [CE52D258] [C87099FF]
16 37,5 [E3BD5B7E] [354FEC72]
17 38,9 [7A98AA36] [6DD2E1D5]
18 29,4 [5CB531D7] [619F4939]
19 37,9 [D6A85DC0] [97ED746A]
20 52,7 [3D2C4197] [8A392A4A]
21 32,6 [3289725A] [262FEE93]
22 35,7 [C4F8842C] [D3112E00]
23 58,9 [A6B62E8C] [33E23426]
24 47,0 [BE9F1988] [83B95986]
25 61,4 [80C7E92B] [A09C148D]
26 33,0 [29439187] [6FE8317A]
27 61,7 [89F26DDF] [6EC77174]
28 35,0 [24D615A2] [7D19C633]
29 34,8 [248AA686] [CEAD86C4]
30 49,1 [70E80155] [F8C338D0]
31 36,0 [0399272D] [1028CEBE]
32 50,7 [79322005] [2BEE16A7]
33 35,9 [9BB5BAE7] [FB1E2B03]
34 50,0 [7A430F35] [4D536E01]
35 33,2 [F26D6D84] [3228FDFE]
36 35,3 [2DD312A7] [41679F1F]
37 47,4 [7D129013] [AC8394C3]
38 35,7 [249F6D00] [892347BD]
39 39,4 [8DCB5FBC] [98F825DF]
40 43,5 [B763B2B3] [84E11E9E]
41 35,4 [2028F832] [81A9325C]
42 63,8 [16AA0BD1] [9BFBFF38]
43 36,9 [DC89D2EF] [5BFBEF87]
44 35,2 [BFFF34FE] [5C33DEF8]
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-12-11 22:08:42
––––––––––––––––––––––––––––––––––––––––
Analyzed: Olivier Baumont / Purcell - Harpsichord Suites
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -9.95 dB -24.08 dB 2:18 01-A new ground
DR10 -9.11 dB -22.73 dB 0:24 02-Suite No. 1 in G major - I. Prelude
DR11 -9.05 dB -22.73 dB 1:07 03-Suite No. 1 in G major - II. Almand
DR11 -5.39 dB -19.17 dB 0:48 04-Suite No. 1 in G major - III. Corant
DR11 -8.84 dB -23.32 dB 0:37 05-Suite No. 1 in G major - IV. Minuet
DR12 -8.43 dB -23.34 dB 1:01 06-A New Scottish Tune
DR12 -7.83 dB -21.41 dB 0:54 07-A New Irish Tune
DR11 -4.93 dB -18.54 dB 0:57 08-Suite No. 2 in G minor - I. Prelude
DR12 -8.98 dB -22.96 dB 3:26 09-Suite No. 2 in G minor - II. Almand
DR11 -5.57 dB -19.37 dB 1:22 10-Suite No. 2 in G minor - III. Corant
DR11 -9.75 dB -23.70 dB 1:31 11-Suite No. 2 in G minor - IV. Saraband
DR12 -8.88 dB -22.17 dB 1:29 12-Ground in Gamut
DR10 -4.82 dB -17.85 dB 0:54 13-Suite No. 3 in G major - I. Prelude
DR12 -7.59 dB -22.88 dB 3:04 14-Suite No. 3 in G major - II. Almand
DR12 -4.19 dB -18.80 dB 1:22 15-Suite No. 3 in G major - III. Courante
DR12 -8.50 dB -22.33 dB 1:11 16-Air in G major
DR12 -8.19 dB -22.73 dB 0:52 17-Hornpipe in E minor
DR12 -10.63 dB -25.48 dB 0:52 18-Suite No. 4 in A minor - I. Prelude
DR12 -8.41 dB -23.97 dB 2:28 19-Suite No. 4 in A minor - II. Almand
DR11 -5.56 dB -19.34 dB 1:11 20-Suite No. 4 in A minor - III. Corante
DR12 -9.71 dB -24.75 dB 1:10 21-Suite No. 4 in A minor - IV. Saraband
DR12 -8.93 dB -23.04 dB 3:03 22-Ground in C minor
DR11 -4.59 dB -18.83 dB 1:03 23-Suite No. 5 in C major - I. Prelude
DR12 -6.56 dB -22.88 dB 2:11 24-Suite No. 5 in C major - II. Almand
DR12 -4.24 dB -19.21 dB 0:53 25-Suite No. 5 in C major - III. Corant
DR11 -9.62 dB -22.74 dB 1:02 26-Suite No. 5 in C major - IV. Saraband
DR12 -4.19 dB -19.03 dB 0:59 27-Suite No. 5 in C major - V. Jigg
DR11 -9.10 dB -21.99 dB 1:00 28-March in C major
DR11 -9.15 dB -23.94 dB 1:08 29-Minuet in A minor
DR12 -6.16 dB -21.66 dB 0:34 30-Suite No. 6 in D major - I. Prelude
DR13 -8.85 dB -23.92 dB 2:54 31-Suite No. 6 in D major - II. Almand
DR11 -5.89 dB -19.46 dB 1:02 32-Suite No. 6 in D major - III. (Hornpipe)
DR11 -8.90 dB -22.86 dB 1:53 33-Ground in D minor
DR10 -6.01 dB -19.84 dB 0:42 34-Suite No. 7 in D minor - Prelude
DR12 -9.56 dB -23.90 dB 3:33 35-Suite No. 7 in D minor - I. Almand 'Bell-barr'
DR11 -9.04 dB -22.11 dB 1:06 36-Suite No. 7 in D minor - II. Corant
DR11 -6.48 dB -19.80 dB 0:56 37-Suite No. 7 in D minor - III. Hornpipe
DR12 -8.94 dB -22.61 dB 1:33 38-Air in D minor
DR12 -8.08 dB -21.76 dB 1:18 39-Round O in D minor
DR12 -7.23 dB -21.59 dB 0:40 40-Suite No. 8 in F major - I. Prelude
DR11 -9.01 dB -23.26 dB 2:40 41-Suite No. 8 in F major - II. Almand
DR12 -3.90 dB -19.40 dB 1:38 42-Suite No. 8 in F major - III. Courante
DR12 -8.65 dB -24.69 dB 0:43 43-Suite No. 8 in F major - IV. Minuet
DR12 -9.07 dB -24.91 dB 2:22 44-Sefauchi's Farewell
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 44
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 807 kbps
Codec: FLAC
================================================================================
log date: 2018-12-11 22:08:42
––––––––––––––––––––––––––––––––––––––––
Analyzed: Olivier Baumont / Purcell - Harpsichord Suites
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -9.95 dB -24.08 dB 2:18 01-A new ground
DR10 -9.11 dB -22.73 dB 0:24 02-Suite No. 1 in G major - I. Prelude
DR11 -9.05 dB -22.73 dB 1:07 03-Suite No. 1 in G major - II. Almand
DR11 -5.39 dB -19.17 dB 0:48 04-Suite No. 1 in G major - III. Corant
DR11 -8.84 dB -23.32 dB 0:37 05-Suite No. 1 in G major - IV. Minuet
DR12 -8.43 dB -23.34 dB 1:01 06-A New Scottish Tune
DR12 -7.83 dB -21.41 dB 0:54 07-A New Irish Tune
DR11 -4.93 dB -18.54 dB 0:57 08-Suite No. 2 in G minor - I. Prelude
DR12 -8.98 dB -22.96 dB 3:26 09-Suite No. 2 in G minor - II. Almand
DR11 -5.57 dB -19.37 dB 1:22 10-Suite No. 2 in G minor - III. Corant
DR11 -9.75 dB -23.70 dB 1:31 11-Suite No. 2 in G minor - IV. Saraband
DR12 -8.88 dB -22.17 dB 1:29 12-Ground in Gamut
DR10 -4.82 dB -17.85 dB 0:54 13-Suite No. 3 in G major - I. Prelude
DR12 -7.59 dB -22.88 dB 3:04 14-Suite No. 3 in G major - II. Almand
DR12 -4.19 dB -18.80 dB 1:22 15-Suite No. 3 in G major - III. Courante
DR12 -8.50 dB -22.33 dB 1:11 16-Air in G major
DR12 -8.19 dB -22.73 dB 0:52 17-Hornpipe in E minor
DR12 -10.63 dB -25.48 dB 0:52 18-Suite No. 4 in A minor - I. Prelude
DR12 -8.41 dB -23.97 dB 2:28 19-Suite No. 4 in A minor - II. Almand
DR11 -5.56 dB -19.34 dB 1:11 20-Suite No. 4 in A minor - III. Corante
DR12 -9.71 dB -24.75 dB 1:10 21-Suite No. 4 in A minor - IV. Saraband
DR12 -8.93 dB -23.04 dB 3:03 22-Ground in C minor
DR11 -4.59 dB -18.83 dB 1:03 23-Suite No. 5 in C major - I. Prelude
DR12 -6.56 dB -22.88 dB 2:11 24-Suite No. 5 in C major - II. Almand
DR12 -4.24 dB -19.21 dB 0:53 25-Suite No. 5 in C major - III. Corant
DR11 -9.62 dB -22.74 dB 1:02 26-Suite No. 5 in C major - IV. Saraband
DR12 -4.19 dB -19.03 dB 0:59 27-Suite No. 5 in C major - V. Jigg
DR11 -9.10 dB -21.99 dB 1:00 28-March in C major
DR11 -9.15 dB -23.94 dB 1:08 29-Minuet in A minor
DR12 -6.16 dB -21.66 dB 0:34 30-Suite No. 6 in D major - I. Prelude
DR13 -8.85 dB -23.92 dB 2:54 31-Suite No. 6 in D major - II. Almand
DR11 -5.89 dB -19.46 dB 1:02 32-Suite No. 6 in D major - III. (Hornpipe)
DR11 -8.90 dB -22.86 dB 1:53 33-Ground in D minor
DR10 -6.01 dB -19.84 dB 0:42 34-Suite No. 7 in D minor - Prelude
DR12 -9.56 dB -23.90 dB 3:33 35-Suite No. 7 in D minor - I. Almand 'Bell-barr'
DR11 -9.04 dB -22.11 dB 1:06 36-Suite No. 7 in D minor - II. Corant
DR11 -6.48 dB -19.80 dB 0:56 37-Suite No. 7 in D minor - III. Hornpipe
DR12 -8.94 dB -22.61 dB 1:33 38-Air in D minor
DR12 -8.08 dB -21.76 dB 1:18 39-Round O in D minor
DR12 -7.23 dB -21.59 dB 0:40 40-Suite No. 8 in F major - I. Prelude
DR11 -9.01 dB -23.26 dB 2:40 41-Suite No. 8 in F major - II. Almand
DR12 -3.90 dB -19.40 dB 1:38 42-Suite No. 8 in F major - III. Courante
DR12 -8.65 dB -24.69 dB 0:43 43-Suite No. 8 in F major - IV. Minuet
DR12 -9.07 dB -24.91 dB 2:22 44-Sefauchi's Farewell
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 44
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 807 kbps
Codec: FLAC
================================================================================
Olivier Baumont - Henry Purcell: Harpsichord Suites (1995) Reissue 2009
