Nathalie Stutzmann, Orfeo 55 - Quella Fiamma: Arie Antiche (2017)
Nathalie Stutzmann, Orfeo 55 - Quella Fiamma: Arie Antiche (2017)
EAC | FLAC | Image (Cue&Log) ~ 373 Mb | Mp3 (CBR320) ~ 171 Mb | Artwork included
Classical, Vocal | Label: Erato | # 0190295765293 | Time: 01:13:20
EAC | FLAC | Image (Cue&Log) ~ 373 Mb | Mp3 (CBR320) ~ 171 Mb | Artwork included
Classical, Vocal | Label: Erato | # 0190295765293 | Time: 01:13:20
The Arie Antiche compiled by Alessandro Parisotti are known to each and every student of classical singing.
But with Quella fiamma, Nathalie Stutzmann and Orfeo 55 breathe new fire into this primer for the voice, performing these songs and arias with original orchestrations, as they would have been heard in their day. Before they were lessons, they were high art.
This album is a selection of pieces from Arie antiche, a 19th Century collection of songs edited by Alessandro Parisotti to be a vocal primer. Though now more famous as the editor of Arie antiche, Parisotti was also a composer, and he managed to slip one of his own works into the book by attributing to Giovanni Pergolesi his song "Se tu m'ami". The collection was very much a part of the trend to rediscover old and forgotten works, and the popularity of the three-volume set has endured to this day.
For this album the musicians of Orfeo 55 have worked painstakingly to source original scores and to edit the parts as necessary. While the instrumental works are not part of Parisotti’s primer, they provide brief musical interludes between the songs to enhance the overall listening experience and bring these works together into a coherent programme.
It's no exaggeration to say that "practically every singer is familiar" with the collection of Arie Antiche compiled by Alessandro Parisotti, issued in the late 19th century and diffused in abridged form in the English-speaking world as 24 Italian Songs and Arias. Parisotti altered the pieces in keeping with the norms of the day, and this selection of the music from contralto Nathalie Stutzmann thus has a dual or perhaps even a triple purpose. Like many other historically oriented performances, hers is intended to strip away the layers that have accumulated on the surface of this music. Stutzmann also gives us a snapshot of the repertory as it appeared in Italy in the great heyday of opera. And beyond these historical considerations is the fact that many of these pieces are quite obscure, studied by students – not necessarily students of historical performance – but not so often performed with commitment in concert or on recordings (Cecilia Bartoli affectionately recorded a group of them some years back). So, what you get in this program, with Stutzmann also directing the fine historical-performance ensemble Orfeo 55, is a selection of the music Handel and Haydn might have heard during their training, and it's full of suggestive details along these lines. There are a few pieces by big names, and even here Stutzmann adds convincing moves. Sample Handel's "Ah! mio cor, schernito sei" (from Alcina), where she lends her voice a countertenor quality at the entrances. There is one piece by Parisotti himself, Se tu m'ami; he originally attributed it to Pergolesi, but, anticipating Fritz Kreisler by several decades, he filled out holes in his Baroque repertory by composing his own music. There are instrumental pieces as interludes, and these are uniformly interesting as well. The end result: a vocal institution, revivified.Review by James Manheim, Allmusic.com
Nathalie Stutzmann, Orfeo 55 - Quella Fiamma: Arie Antiche (2017)
Nathalie Stutzmann, Orfeo 55 - Quella Fiamma: Arie Antiche (2017)
Nathalie Stutzmann (contralto/musical direction)
Orfeo 55
Tracklist:
01. A. Scarlatti: L'honestà negli amori (Act I) - Già il sole dal Gange (1:55)
02. Durante: Danza, danza, fanciulla gentile (1:33)
03. Falconieri: Il primo libro di canzone, sinfonie, fantasie - No.15 Passacalle (2:14)
04. Caccini: Le nuove musiche - No.8 Amarilli (3:28)
05. Carissimi: Vittoria, mio core (3:24)
06. A. Scarlatti: Pompeo (Act II) - O cessate di piagarmi (3:05)
07. Handel: Alcina, HWV 34 (Act II) - Ah! mio cor, schernito sei (5:36)
08. Conti: Doppo tante e tante pene - I. Aria: Doppo tante e tante pene (2:34)
09. Conti: Doppo tante e tante pene - II. Recitative: Dubbio di vostra fede (0:49)
10. Conti: Doppo tante e tante pene - III. Aria: Quella fiamma (2:53)
11. Bononcini: Griselda (Act II) - Per la gloria d'adorarvi (2:24)
12. Porpora: Sonata a 3, Op.2 No.3 - I. Adagio — Allegro (2:54)
13. Durante: Vergin, tutto amor (2:47)
14. Porpora: Cello Concerto in G - II. Largo (3:19)
15. Parisotti: Se tu m'ami (3:22)
16. Legrenzi: Eteocle e Polinice (Act II) - Che fiero costume (1:17)
17. Cavalli: Il Giasone (Act I) - Delizie, contenti (1:19)
18. Marcello: Oboe Concerto in D minor, S D935 - II. Adagio (3:34)
19. Handel: Giulio Cesare in Egitto, HWV 17 (Act III) - Piangerò la sorte mia (5:50)
20. Capricornus: Prothimia suavissima Book 2 - No.4 Sonata a 3 (3:55)
21. Martini: Plaisir d'amour (La Romance du chevrier) (3:40)
22. Paisiello: La Molinara (L'amor contrastato), R 1.76 (Act II) - Nel cor più non mi sento (3:06)
23. Durante: Concerto No.1 in F minor - Introduction: Poco andante (1:45)
24. Cesti: Orontea (Act II) - Intorno all'idol mio (3:54)
25. Caldara: La costanza in amor vince l'inganno (Act I) - Sebben, crudele (2:43)
Exact Audio Copy V1.3 from 2. September 2016
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Nathalie Stutzmann, Orfeo 55 / Quella fiamma
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==== Log checksum 436C4ECDECEB862A1ABFD62EAE42F6E3027D7BFF6F548B5013042075B76FD358 ====
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Nathalie Stutzmann, Orfeo 55 / Quella fiamma
Used drive : PLDS DVD-RW DU8A6SH Adapter: 1 ID: 0
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Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
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Delete leading and trailing silent blocks : No
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Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
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Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
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Track | Start | Length | Start sector | End sector
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foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-12-01 10:14:22
––––––––––––––––––––––––––––––––––––––––
Analyzed: Nathalie Stutzmann, Orfeo 55 / Quella fiamma
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.62 dB -15.69 dB 1:55 01-Scarlatti: L'honestà negli amori (Act I) - Già il sole dal Gange
DR12 -0.20 dB -15.66 dB 1:33 02-Durante: Danza, danza, fanciulla gentile
DR10 -0.20 dB -13.55 dB 2:14 03-Falconieri: Il primo libro di canzone, sinfonie, fantasie - No.15 Passacalle
DR11 -1.92 dB -17.64 dB 3:28 04-Caccini: Le nuove musiche - No.8 Amarilli
DR11 -0.20 dB -14.45 dB 3:24 05-Carissimi: Vittoria, mio core
DR10 -1.86 dB -16.89 dB 3:05 06-Scarlatti: Pompeo (Act II) - O cessate di piagarmi
DR11 -0.20 dB -15.71 dB 5:36 07-Handel: Alcina, HWV 34 (Act II) - Ah! mio cor, schernito sei
DR12 -2.24 dB -18.93 dB 2:34 08-Conti: Doppo tante e tante pene - I. Aria: Doppo tante e tante pene
DR11 -3.83 dB -19.81 dB 0:49 09-Conti: Doppo tante e tante pene - II. Recitative: Dubbio di vostra fede
DR11 -1.35 dB -17.16 dB 2:53 10-Conti: Doppo tante e tante pene - III. Aria: Quella fiamma
DR11 -0.52 dB -14.46 dB 2:24 11-Bononcini: Griselda (Act II) - Per la gloria d'adorarvi
DR12 -1.58 dB -17.03 dB 2:54 12-Porpora: Sonata a 3, Op.2 No.3 - I. Adagio — Allegro
DR11 -2.02 dB -17.65 dB 2:47 13-Durante: Vergin, tutto amor
DR10 -3.11 dB -17.03 dB 3:19 14-Porpora: Cello Concerto in G - II. Largo
DR13 -1.02 dB -18.92 dB 3:22 15-Parisotti: Se tu m'ami
DR11 -0.20 dB -15.18 dB 1:17 16-Legrenzi: Eteocle e Polinice (Act II) - Che fiero costume
DR11 -2.25 dB -16.87 dB 1:19 17-Cavalli: Il Giasone (Act I) - Delizie, contenti
DR11 -3.33 dB -19.83 dB 3:34 18-Marcello: Oboe Concerto in D minor, S D935 - II. Adagio
DR12 -0.20 dB -16.77 dB 5:50 19-Handel: Giulio Cesare in Egitto, HWV 17 (Act III) - Piangerò la sorte mia
DR13 -0.20 dB -16.62 dB 3:55 20-Capricornus: Prothimia suavissima Book 2 - No.4 Sonata a 3
DR13 -1.58 dB -18.59 dB 3:40 21-Martini: Plaisir d'amour (La Romance du chevrier)
DR11 -1.71 dB -17.34 dB 3:06 22-Paisiello: La Molinara (L'amor contrastato), R 1.76 (Act II) - Nel cor più non mi sento
DR10 -3.56 dB -16.99 dB 1:45 23-Durante: Concerto No.1 in F minor - Introduction: Poco andante
DR13 -2.27 dB -20.17 dB 3:54 24-Cesti: Orontea (Act II) - Intorno all'idol mio
DR11 -2.66 dB -17.90 dB 2:43 25-Caldara: La costanza in amor vince l'inganno (Act I) - Sebben, crudele
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 25
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 706 kbps
Codec: FLAC
================================================================================
log date: 2018-12-01 10:14:22
––––––––––––––––––––––––––––––––––––––––
Analyzed: Nathalie Stutzmann, Orfeo 55 / Quella fiamma
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.62 dB -15.69 dB 1:55 01-Scarlatti: L'honestà negli amori (Act I) - Già il sole dal Gange
DR12 -0.20 dB -15.66 dB 1:33 02-Durante: Danza, danza, fanciulla gentile
DR10 -0.20 dB -13.55 dB 2:14 03-Falconieri: Il primo libro di canzone, sinfonie, fantasie - No.15 Passacalle
DR11 -1.92 dB -17.64 dB 3:28 04-Caccini: Le nuove musiche - No.8 Amarilli
DR11 -0.20 dB -14.45 dB 3:24 05-Carissimi: Vittoria, mio core
DR10 -1.86 dB -16.89 dB 3:05 06-Scarlatti: Pompeo (Act II) - O cessate di piagarmi
DR11 -0.20 dB -15.71 dB 5:36 07-Handel: Alcina, HWV 34 (Act II) - Ah! mio cor, schernito sei
DR12 -2.24 dB -18.93 dB 2:34 08-Conti: Doppo tante e tante pene - I. Aria: Doppo tante e tante pene
DR11 -3.83 dB -19.81 dB 0:49 09-Conti: Doppo tante e tante pene - II. Recitative: Dubbio di vostra fede
DR11 -1.35 dB -17.16 dB 2:53 10-Conti: Doppo tante e tante pene - III. Aria: Quella fiamma
DR11 -0.52 dB -14.46 dB 2:24 11-Bononcini: Griselda (Act II) - Per la gloria d'adorarvi
DR12 -1.58 dB -17.03 dB 2:54 12-Porpora: Sonata a 3, Op.2 No.3 - I. Adagio — Allegro
DR11 -2.02 dB -17.65 dB 2:47 13-Durante: Vergin, tutto amor
DR10 -3.11 dB -17.03 dB 3:19 14-Porpora: Cello Concerto in G - II. Largo
DR13 -1.02 dB -18.92 dB 3:22 15-Parisotti: Se tu m'ami
DR11 -0.20 dB -15.18 dB 1:17 16-Legrenzi: Eteocle e Polinice (Act II) - Che fiero costume
DR11 -2.25 dB -16.87 dB 1:19 17-Cavalli: Il Giasone (Act I) - Delizie, contenti
DR11 -3.33 dB -19.83 dB 3:34 18-Marcello: Oboe Concerto in D minor, S D935 - II. Adagio
DR12 -0.20 dB -16.77 dB 5:50 19-Handel: Giulio Cesare in Egitto, HWV 17 (Act III) - Piangerò la sorte mia
DR13 -0.20 dB -16.62 dB 3:55 20-Capricornus: Prothimia suavissima Book 2 - No.4 Sonata a 3
DR13 -1.58 dB -18.59 dB 3:40 21-Martini: Plaisir d'amour (La Romance du chevrier)
DR11 -1.71 dB -17.34 dB 3:06 22-Paisiello: La Molinara (L'amor contrastato), R 1.76 (Act II) - Nel cor più non mi sento
DR10 -3.56 dB -16.99 dB 1:45 23-Durante: Concerto No.1 in F minor - Introduction: Poco andante
DR13 -2.27 dB -20.17 dB 3:54 24-Cesti: Orontea (Act II) - Intorno all'idol mio
DR11 -2.66 dB -17.90 dB 2:43 25-Caldara: La costanza in amor vince l'inganno (Act I) - Sebben, crudele
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 25
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 706 kbps
Codec: FLAC
================================================================================
Nathalie Stutzmann, Orfeo 55 - Quella Fiamma: Arie Antiche (2017)
