Musica Antiqua Koln - Johann Friedrich Meister: Il Giardino del Piacere (2011)
EAC | FLAC (image+.cue, log) | Covers Included | 66:40 | 579 MB
Genre: Classical | Label: Berlin Classics | Catalog: 0016742BC
EAC | FLAC (image+.cue, log) | Covers Included | 66:40 | 579 MB
Genre: Classical | Label: Berlin Classics | Catalog: 0016742BC
This album is full of surprises, not all of them associated with its musical contents. Advance PR materials stated that its contents were recorded originally for televised broadcast in 2004, then forgotten, and only just rediscovered. A final recording by the celebrated Musica Antiqua Köln, forgotten by its The music is a bit of a surprise as well, if not the result of an “original genius” that Goebel likens to C. P. E. Bach. Johann Friedrich Meister (1638–97) seems by all accounts to have been something of a rebel, getting himself imprisoned the year after his appointment as music director of the Hofkapelle of Duke Ferdinand Albrecht I of Brunswick-Lüneburg. He escaped and fled with the help of friends, and eventually ended his days with a lengthy tenure as organist at St. Marien, in Flensburg. Musically, he appears to have owed more to the earlier likes of Scheidt, Schein, and Schütz than to his immediate North German compatriots; the rapt expressiveness of his slow movements (the Adagio that opens the Sonata No. 4, the Arioso of the Sonata No. 5, the Adagio at the start of the Sonata No. 6, the Grave that begins the Sonata No. 10, to name but four outstanding examples) brings to mind the popularity of such diverse Italian composers such as Marenzio, Uccellini, Farina, and Corelli with both German musicians and publishers. Other influences would appear to be French, as in the passacaglia that is closer to the minor-key French passacaille in all respects than to the major-key Italian version.
These are the best things in the 1695 collection of sonatas—actually suites, whose movements number from five to eight per suite, and whose titles are either tempo indications or dances. There is a convincing fancy to such pieces, as well as a simple but effective craftsmanship, that makes them stand out. The three irregular fugues are ineffective as such, the new material in subsidiary voices usually perfunctory; but viewed as pieces in which imitative textures contribute instead to the twists in Meister’s musical logic, they are more successful. It’s only a shame that the rest of the sonatas weren’t recorded before MAK broke up.
The performances are persuasive. For all its reputation for laser-like intensity, Goebel’s ensemble (reduced here to four members) was also capable of warmth and theatrical sensibility—qualities that are required in these works, and supplied convincingly. The MAK’s tone is refined and disciplined, minus the choked wiriness that sometimes passes for appropriate scholarship in music of this period. Balance between the musicians is excellent, and there’s the same give-and-take you would find in good chamber groups specializing in later eras. Tempos are varied, with a slight, pleasing flexibility to phrasing that helps Meister’s Il giardino to breath. Ornamentation is light but effective, and always stylish.
With excellent sound, this album should appeal to students of the Baroque, and especially to those interested in its persuasively lyrical Italianate vein. That fanciers of the MAK will want it, goes without saying. They’d be right to do so, too. – Barry Brenesal
Track List:
Sonata No.2 d-moll
1. I. Grave
2. II. Ciaccona. Allegro
3. III. Adagio
4. IV. Menuet. Allegro
5. V. (4/4)
6. VI. Gigue. Allegro
Sonata No.4 e-moll
7. I. Adagio
8. II. Fuga. Allegro
9. III. (3/2)
10. IV. Sarabanda. Adagio
11. V. Gigue. Allegro presto
Sonata No.5 C-Dur
12. I. Allegro
13. II. Grave
14. III. Adagio
15. IV. Corrente. Presto
16. V. Arioso
17. VI. Menuet. Allegro presto
18. VII. Un poco adagio
19. VIII. Gigue. Allegro
Sonata No.6 a-moll
20. I. Adagio
21. II. Menuett. Allegro presto
22. III. Adagio
23. IV. Fuga. Allegro
24. V. Adagio
25. VI. Gigue. Allegro
Sonata No.10 c-moll
26. I. Grave
27. II. Passacaglia
28. III. Allemanda
29. IV. Corrente
30. V. Sarabanda. Grave
31. VI. Gigue. Allegro
Sonata No.11 D-Dur
32. I. Allegro
33. II. Adagio
34. III. Menuett. Presto
35. IV. Adagio
36. V. Fuga. Allegro
37. VI. Menuett. Presto
38. VII. Gigue. Allegro
Performers:
Musica Antiqua Koln
Reinhard Goebel, violin
Stephan Schardt, violin
Klaus-Dieter Brandt, violoncello
Leon Berben, harpsichord
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 29. September 2012, 16:44
Musica Antiqua Koln, Reinhard Goebel / J.F.Meister - Il Giardino del Piacere
Used drive : HL-DT-STBDDVDRW CT30N Adapter: 0 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
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EAC extraction logfile from 29. September 2012, 16:44
Musica Antiqua Koln, Reinhard Goebel / J.F.Meister - Il Giardino del Piacere
Used drive : HL-DT-STBDDVDRW CT30N Adapter: 0 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
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Track | Start | Length | Start sector | End sector
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34 | (16/16) Accurately ripped
35 | (16/16) Accurately ripped
36 | (16/16) Accurately ripped
37 | (16/16) Accurately ripped
38 | (16/16) Accurately ripped
[AccurateRip ID: 005d4a7f-09a6e5a4-180f9d26] found.
Track [ CRC | V2 ] Status
01 [c39acfe6|fc123381] (03+11/14) Accurately ripped
02 [91c693e4|0a9881d7] (04+12/16) Accurately ripped
03 [4e52a4ad|db42a88e] (04+12/16) Accurately ripped
04 [66d5a400|3cf6c2f8] (04+12/16) Accurately ripped
05 [7b5136e7|8e839efa] (04+12/16) Accurately ripped
06 [9173a6c0|a7fcfcae] (04+12/16) Accurately ripped
07 [eae63cc4|adbf3168] (04+12/16) Accurately ripped
08 [62356ef0|b3235711] (04+12/16) Accurately ripped
09 [f8fb63e5|5de85888] (04+12/16) Accurately ripped
10 [46a27b46|119299c7] (04+12/16) Accurately ripped
11 [bb9b30cb|8c36a04c] (04+12/16) Accurately ripped
12 [3c193b2a|0812fe1e] (04+12/16) Accurately ripped
13 [51187e76|c64747ba] (04+12/16) Accurately ripped
14 [16674651|5ce5b0c1] (04+12/16) Accurately ripped
15 [8fdc0906|97b5245e] (04+12/16) Accurately ripped
16 [f6a7debd|d715cd53] (04+12/16) Accurately ripped
17 [64b822ef|c07d757a] (04+12/16) Accurately ripped
18 [574870ea|ffa70187] (04+12/16) Accurately ripped
19 [514b751e|3f0fad5e] (04+12/16) Accurately ripped
20 [b78478a8|4dfa5a53] (04+12/16) Accurately ripped
21 [8fdd70a8|798a0fb1] (04+12/16) Accurately ripped
22 [01f64dec|a8c45bdf] (04+12/16) Accurately ripped
23 [78f1b0f5|80a77000] (04+12/16) Accurately ripped
24 [dec3fcfa|96a7a583] (04+12/16) Accurately ripped
25 [3ef92255|d058c2c5] (04+12/16) Accurately ripped
26 [bae79d9f|86e74a2e] (04+12/16) Accurately ripped
27 [eb8843b2|9939e08b] (03+12/15) Accurately ripped
28 [a6444cd4|9ec448c4] (04+12/16) Accurately ripped
29 [bc0f341e|7a4d51de] (04+12/16) Accurately ripped
30 [3509729f|2735c2dc] (04+12/16) Accurately ripped
31 [69cf7de7|3756318c] (04+12/16) Accurately ripped
32 [2c19564b|5dadcff1] (04+12/16) Accurately ripped
33 [3d8f868d|f5bc6f19] (04+12/16) Accurately ripped
34 [b320f5e7|d328b8b1] (04+12/16) Accurately ripped
35 [2bfa68ba|29f15763] (04+12/16) Accurately ripped
36 [15782770|842c1824] (04+12/16) Accurately ripped
37 [31694b2b|6ae8948a] (04+12/16) Accurately ripped
38 [db0452f9|828a0935] (04+12/16) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 98,0 [94790E24] [329F5C42] CRC32
01 74,2 [D6987908] [47BAC96D]
02 69,8 [11ED731B] [E1AD6C2B]
03 51,4 [99F910BA] [92EC3FE4]
04 74,1 [3935829C] [309326F8]
05 70,7 [2DCC2F19] [A6F9032D]
06 90,7 [77B66771] [2CF08A3D]
07 61,5 [6F0876E9] [01B3F36C]
08 80,1 [8CFDC87F] [A28739DE]
09 56,8 [BED9A73B] [BDFA4B29]
10 68,1 [4E107878] [C13C3359]
11 75,2 [F866C9E3] [9BF3A920]
12 88,4 [9A962B3B] [CA21C95F]
13 53,9 [B3D4BB67] [8A740E2A]
14 74,5 [C5B9B460] [B91F66BE]
15 78,4 [65435B77] [2FF87434]
16 60,1 [6910C332] [6F4F399E]
17 72,4 [754B5C50] [5520414B]
18 70,4 [36399354] [6DF88FD1]
19 97,7 [F021CE61] [B07460CD]
20 66,6 [1A6AB8D7] [7DB0E336]
21 81,0 [4EC58B34] [6D3E6550]
22 48,1 [0E7BD279] [889B4B61]
23 76,7 [B287F995] [2D939559]
24 70,6 [FB2581D3] [5856D79B]
25 81,8 [F27CC546] [90E4E165]
26 76,9 [202F6241] [5F198C06]
27 98,0 [D8415B15] [7D1CE339]
28 80,0 [4285642A] [CB92621B]
29 76,3 [B6D3541C] [8C006609]
30 75,7 [5FED26BF] [17868E88]
31 89,8 [7CE74EB9] [5B8CE5B5]
32 75,2 [DE7A1A82] [5934923C]
33 67,6 [8B64C491] [6CD9E909]
34 74,6 [5FFF0899] [181CBBAE]
35 60,2 [295254CB] [A570D443]
36 83,6 [0134B986] [C7B004C4]
37 88,4 [56518029] [799A0B7C]
38 95,2 [583F90F9] [D144B108]
Thanks to the Original ripper Il-lustrator!
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