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    Morgana King - The Ultimate Collection (2011)

    Posted By: tirexiss
    Morgana King - The Ultimate Collection (2011)

    Morgana King - The Ultimate Collection (2011)
    WEB | FLAC (tracks) - 685 MB | MP3 (CBR 320 kbps) - 365 MB | 02:20:45
    Genre: Vocal Jazz | Label: Master Classics Records

    None of the more than 30 albums recorded by singer Morgana King beginning in the mid-'50s were embraced by the size of the audience that bought tickets to see the first two chapters of The Godfather film trilogy, in which King acted in the role of Mama Corleone. But it would be wrong to assume she had more impact as an actress than as a vocalist. Her acting roles, few and far between, were chosen with care, but did not have the resonance of some of her finest recordings. Millions saw her onscreen in the Godfather films, but her performance was certainly overshadowed by performers such as Robert DeNiro and Al Pacino, not to mention the famous turn by Marlon Brando as her husband. Another role of King's was in the 1997 film A Brooklyn State of Mind; she also appeared in several television productions.
    It is possible that there are actors and actresses who have named Morgana King as a great inspiration. Yet, the results of a simple Internet search under her name only yielded dozens of quotes from vocalists and other musicians about the great influence of her recordings and singing style, not her work before the camera. It might not be a surprise when a young female singer gushed about King's albums, but these fans also included deeper thinkers such as classical bass virtuoso Gary Karr. References to her music also show up regularly in fiction as a kind of mood-setting device, such as: "It was a beautiful day in Malibu. He got up, made a coffee and put on a Morgana King record."
    Some record collectors might be surprised to realize that a complete set of King sides might eliminate any elbow room for, say, the discography of one of the prolific blues guitarists with this regal surname. Morgana King sides can be divided into several periods. It took her almost eight years to peak at whatever commercial success she was going to have with the 1964 A Taste of Honey album, thus ending the early years. She was then absorbed into the Atlantic and Reprise corporation and an exemplary series of releases by singers such as Big Joe Turner, Ruth Brown, Lavern Baker, and Ray Charles. The label's greatest producers stared the oncoming rock & roll in the eye, never forgetting their basic R&B orientation. Within a few years, a subcategory developed, seen through paisley glasses. The material became more philosophical, the increasing intellectual depth not surprisingly accompanied by the audience stampeding in the opposite direction. This might make sense, though; while 1965's The Winter of My Discontent is a masterpiece, 1968's Gemini Changes is laughably pretentious.
    By the early '70s she was eager to get into films, the music business pushing away any and all veteran talent. Later in the decade she launched the mature period of her career, though, once again recording as more of a jazz-flavored artist for Muse, a label which in itself indicates a disinterest in pop culture. The label was loyal to her, regularly recording her through the following decade. This material was reissued in the late '90s by the 32 Jazz label, whose honcho, Joel Dorn, also presided over the reissue of her Reprise sides. If a special sort of bittersweet feeling pervaded her later performances, perhaps it had something to do with this return to her jazz singing roots. Her father had been a performer of folk and popular music on voice and guitar, and she had begun singing in nightclubs such as Basin Street in New York City when she was in her mid-twenties.
    Only a few years earlier, she had been immersed in classical studies at the Metropolitan School of Music. Basin Street may have been in the same city, but it must have seemed like a completely different musical world. The formal training undoubtedly filled in aspects of her musical walk where some of her peers might have had to limp. For this reason alone, some listeners find her efforts the most swinging of the '60s generation of pop singers. It meant much critical acclaim during her career, if not great commercial success. At many stages, King seemed to have been making other plans. For the 1960 Encyclopedia of Jazz by Leonard Feather, she listed this ambition: "To become a dramatic actress."


    Track List:

    1. Ev'rything I Love
    2. You're Not So Easy To Forget
    3. I'll Never Smile Again
    4. Body And Soul
    5. A Foggy Day
    6. And The Angels Sing
    7. At Sundown
    8. Lonesome Road
    9. Perdido
    10. I'll Remember April
    11. You Always Hurt The One You Love
    12. Undecided
    13. Down In The Depths
    14. Bill
    15. I Love You Much Too Much
    16. For You, For Me, Forever More
    17. Delovely
    18. Frankie And Johnny
    19. I've Found A New Baby
    20. The End Of A Love Affair
    21. Mean To Me
    22. I Can't Get Started
    23. That Ole Devil Called Love
    24. There's A Lull In My Life
    25. Mad About The Boy
    26. Let Me Love You
    27. Can't Help Lovin' Dat Man
    28. How High The Moon
    29. When Your Lover Has Gone
    30. If You Could See Me Now
    31. Just You, Just Me
    32. Take The A Train
    33. In The Wee Small Hours Of The Morning
    34. Something To Remember You By
    35. I See Two Lovers
    36. Here I'll Stay
    37. Why Was I Born
    38. I'll String Along With You
    39. Mad About Him, Sad Without Him, How Can I Be Glad Without Him Blues
    40 More Than You Know
    41. The Song Is You
    42. All Or Nothing At All
    43. Everything I Got
    44. You Don't Know What Love Is
    45. Lullaby Of Birdland
    46 It's Only A Paper Moon

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    ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
    Copyright © 2004 Oleg Berngardt. All rights reserved.
    Copyright © 2004 Alexander Djourik. All rights reserved.


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