McCoy Tyner and the Latin All-Stars (1999) REPOST
McCoy Tyner and the Latin All-Stars (1999) REPOST
Jazz (Latin) | EAC Rip | FLAC (tracks)+CUE+LOG | mp3@320 | 403 MB. & 159 MB.
600dpi. Complete Scans (JPG) included | WinRar, 3% recovery
Audio CD (1999) | Label: TELARC | Catalog# CD-83462 | 61:52 min.
Jazz (Latin) | EAC Rip | FLAC (tracks)+CUE+LOG | mp3@320 | 403 MB. & 159 MB.
600dpi. Complete Scans (JPG) included | WinRar, 3% recovery
Audio CD (1999) | Label: TELARC | Catalog# CD-83462 | 61:52 min.
~wikipedia.org
"McCoy Tyner and the Latin All-Stars" is an album by McCoy Tyner released on the Telarc label in 1999. It was recorded in July 1998 and features performances of by Tyner with Gary Bartz, Claudio Roditi, Dave Valentin, Avery Sharpe, Ignacio Berroa, Johnny Almendra and Giovanni Hidalgo. The Allmusic review by Jim Newsom states that "McCoy Tyner's percussive piano style has always worked well within an Afro-Cuban groove, and this recording provides an excellent setting for him and his all-star lineup to work in"
Review by Jim Newsom ~allmusic.com
McCoy Tyner's percussive piano style has always worked well within an Afro-Cuban groove, and this recording provides an excellent setting for him and his all-star lineup to work in. Mixing genre classics like "Afro Blue" and "Poinciana" with original material, Tyner's first release for the Telarc label provides a completely satisfying, highly rhythmic experience. Regular bassist Avery Sharpe combines with a three-man percussion section to propel the group's extended explorations. Besides the leader's instantly recognizable pianistic flurries and fat, two-handed chords, the front-line foursome of flute whiz Dave Valentin, saxophonist Gary Bartz, trumpeter Claudio Roditi and bone-and-shell man Steve Turre is superb, both in ensemble passages and individual solo spots. In the course of his long career, McCoy Tyner has recorded in nearly every conceivable setting. Though many of his solo, trio and quartet dates are superb, his expansive style has often been most enjoyably showcased in the company of multiple horns. From the rollicking opener "Festival in Bahia," to the beautiful "A Song for Love," to the straightforward timbale-driven Latin groove of "We Are Our Father's Sons," McCoy Tyner & the Latin All-Stars makes a potent case for inclusion in the upper tier of Tyner's catalog.
McCoy Tyner and the Latin All-Stars (1999) REPOST
Tracklist:
01. Festival in Bahia (11:02)
02. Poinciana (7:00)
03. Afro Blue (12:24)
04. A Song for Love (10:34)
05. La Habana Sol (8:36)
06. We are Our Fathers' Sons (5:25)
07. Blue Bossa (6:51)
McCoy Tyner and the Latin All-Stars (1999) REPOST
Personnel:
McCoy Tyner - piano
Johnny Almendra - timbales
Gary Bartz - saxophones
Ignacio Berroa - drums
Giovanni Hidalgo - percussion
Claudio Roditi - trumpet and flugelhorn
Avery Sharpe - bass
Steve Turre - trombone and shells
Dave Valentin - flute
~www.mccoytyner.com
Tyner's blues-based piano style, replete with sophisticated chords and an explosively percussive left hand has transcended conventional styles to become one of the most identifiable sounds in improvised music. His harmonic contributions and dramatic rhythmic devices form the vocabulary of a majority of jazz pianists.
Born in 1938 in Philadelphia, he became a part of the fertile jazz and R&B scene of the early '50s. His parents imbued him with a love for music from an early age. His mother encouraged him to explore his musical interests through formal training.
At 17 he began a career-changing relationship with Miles Davis' sideman saxophonist John Coltrane. Tyner joined Coltrane for the classic album My Favorite Things (1960), and remained at the core of what became one of the most seminal groups in jazz history, The John Coltrane Quartet. The band, which also included drummer Elvin Jones and bassist Jimmy Garrison, had an extraordinary chemistry, fostered in part by Tyner's almost familial relationship with Coltrane.
From 1960 through 1965, Tyner's name was propelled to international renown, as he developed a new vocabulary that transcended the piano styles of the time, providing a unique harmonic underpinning and rhythmic charge essential to the group's sound. He performed on Coltrane's classic recordings such as Live at the Village Vanguard, Impressions and Coltrane's signature suite, A Love Supreme.
In 1965, after over five years with Coltrane's quartet, Tyner left the group to explore his destiny as a composer and bandleader. Among his major projects is a 1967 album entitled The Real McCoy, on which he was joined by saxophonist Joe Henderson, bassist Ron Carter and fellow Coltrane alumnus Elvin Jones. His 1972 Grammy-award nomination album Sahara, broke new ground by the sounds and rhythms of Africa. Since 1980, he has also arranged his lavishly textured harmonies for a big band that performs and records when possible. In the late 1980s, he mainly focused on his piano trio featuring Avery Sharpe on bass and Aarron Scott on drums. Today, this trio is still in great demand. He returned to Impulse in 1995, with a superb album featuring Michael Brecker. In 1996 he recorded a special album with the music of Burt Bacharach. In 1998 he changed labels again and recorded an interesting latin album and an album featuring Stanley Clarke for TelArc.
In the summer of 2005, Tyner joined forces with the Blue Note Jazz Club in New York and became the first client of Blue Note Management. That summer, Tyner began work on some unique projects, including performances with tap-dancer Savion Glover and the development of the Impulse! Septet, featuring his trio with some of today's top hornmen.
Tyner's partnership with the Blue Note has led to the formation of his own record label, aptly titled McCoy Tyner Music. The label is a subsidiary of the Blue Note's In-House record label, Half Note Records. The label launched on September 11, 2007, upon the release of Tyner's latest CD, "Quartet" featuring Joe Lovano, Christian McBride, and Jeff "Tain" Watts. Recorded live on New Year's Eve 2006, the album features a working band at its finest with some of today's "legends in training." Additionally, the record shows that Tyner, who now carries the torch as the only surviving member of the John Coltrane Quartet, is still at the top of his game as a composer, performer, and bandleader.
In review of Tyner's latest album "Quartet," Thomas Conrad of JazzTimes wrote "'Quartet' succeeds not only because everyone plays so well, but also because they play so well together. The pairing of Tyner and Lovano is synergistic. The McBride/Watts rhythm section, for intelligent propulsion, is state-of-the-art. 'Quartet' succeeds once more because of its excellent sonic quality. It was recorded by engineer Phil Edwards at Yoshi's in Oakland, Calif., over New Year's Eve weekend 2006. Almost always, even the best-sounding jazz albums require you to make a choice. You can have the visceral in-the-moment reality of a live recording, or the full bandwidth resolution of a studio session. This one has both."
McCoy Tyner's second release for the McCoy Tyner Music label is scheduled for a summer 2008 release. The recording features the stellar rhythm section of Tyner, Ron Carter, and Jack DeJohnette with four modern guitarists (and one banjo) of our time: Bill Frisell, Marc Ribot, John Scofield, Derek Trucks, and Bela Fleck. The package will be a CD/DVD featuring state-of-the-art technology that allows the viewer to manually choose which musician(s) they would like to view in the studio at any time during each track. In 2009, Tyner will release his third recording for McCoy Tyner Music, a solo piano performance recorded live in San Francisco during the summer of 2007.
Tyner has always expanded his vision of the musical landscape and incorporated new elements, whether from distant continents or diverse musical influences. More recently he has arranged for big bands, employed string arrangements, and even reinterpreted popular music. Today, Tyner has released nearly 80 albums under his name, earned four Grammys and was awarded Jazz Master from the National Endowment for the Arts in 2002. He continues to leave his mark on generations of improvisers, and yet remains a disarmingly modest and spiritually directed man.
Tyner's blues-based piano style, replete with sophisticated chords and an explosively percussive left hand has transcended conventional styles to become one of the most identifiable sounds in improvised music. His harmonic contributions and dramatic rhythmic devices form the vocabulary of a majority of jazz pianists.
Born in 1938 in Philadelphia, he became a part of the fertile jazz and R&B scene of the early '50s. His parents imbued him with a love for music from an early age. His mother encouraged him to explore his musical interests through formal training.
At 17 he began a career-changing relationship with Miles Davis' sideman saxophonist John Coltrane. Tyner joined Coltrane for the classic album My Favorite Things (1960), and remained at the core of what became one of the most seminal groups in jazz history, The John Coltrane Quartet. The band, which also included drummer Elvin Jones and bassist Jimmy Garrison, had an extraordinary chemistry, fostered in part by Tyner's almost familial relationship with Coltrane.
From 1960 through 1965, Tyner's name was propelled to international renown, as he developed a new vocabulary that transcended the piano styles of the time, providing a unique harmonic underpinning and rhythmic charge essential to the group's sound. He performed on Coltrane's classic recordings such as Live at the Village Vanguard, Impressions and Coltrane's signature suite, A Love Supreme.
In 1965, after over five years with Coltrane's quartet, Tyner left the group to explore his destiny as a composer and bandleader. Among his major projects is a 1967 album entitled The Real McCoy, on which he was joined by saxophonist Joe Henderson, bassist Ron Carter and fellow Coltrane alumnus Elvin Jones. His 1972 Grammy-award nomination album Sahara, broke new ground by the sounds and rhythms of Africa. Since 1980, he has also arranged his lavishly textured harmonies for a big band that performs and records when possible. In the late 1980s, he mainly focused on his piano trio featuring Avery Sharpe on bass and Aarron Scott on drums. Today, this trio is still in great demand. He returned to Impulse in 1995, with a superb album featuring Michael Brecker. In 1996 he recorded a special album with the music of Burt Bacharach. In 1998 he changed labels again and recorded an interesting latin album and an album featuring Stanley Clarke for TelArc.
In the summer of 2005, Tyner joined forces with the Blue Note Jazz Club in New York and became the first client of Blue Note Management. That summer, Tyner began work on some unique projects, including performances with tap-dancer Savion Glover and the development of the Impulse! Septet, featuring his trio with some of today's top hornmen.
Tyner's partnership with the Blue Note has led to the formation of his own record label, aptly titled McCoy Tyner Music. The label is a subsidiary of the Blue Note's In-House record label, Half Note Records. The label launched on September 11, 2007, upon the release of Tyner's latest CD, "Quartet" featuring Joe Lovano, Christian McBride, and Jeff "Tain" Watts. Recorded live on New Year's Eve 2006, the album features a working band at its finest with some of today's "legends in training." Additionally, the record shows that Tyner, who now carries the torch as the only surviving member of the John Coltrane Quartet, is still at the top of his game as a composer, performer, and bandleader.
In review of Tyner's latest album "Quartet," Thomas Conrad of JazzTimes wrote "'Quartet' succeeds not only because everyone plays so well, but also because they play so well together. The pairing of Tyner and Lovano is synergistic. The McBride/Watts rhythm section, for intelligent propulsion, is state-of-the-art. 'Quartet' succeeds once more because of its excellent sonic quality. It was recorded by engineer Phil Edwards at Yoshi's in Oakland, Calif., over New Year's Eve weekend 2006. Almost always, even the best-sounding jazz albums require you to make a choice. You can have the visceral in-the-moment reality of a live recording, or the full bandwidth resolution of a studio session. This one has both."
McCoy Tyner's second release for the McCoy Tyner Music label is scheduled for a summer 2008 release. The recording features the stellar rhythm section of Tyner, Ron Carter, and Jack DeJohnette with four modern guitarists (and one banjo) of our time: Bill Frisell, Marc Ribot, John Scofield, Derek Trucks, and Bela Fleck. The package will be a CD/DVD featuring state-of-the-art technology that allows the viewer to manually choose which musician(s) they would like to view in the studio at any time during each track. In 2009, Tyner will release his third recording for McCoy Tyner Music, a solo piano performance recorded live in San Francisco during the summer of 2007.
Tyner has always expanded his vision of the musical landscape and incorporated new elements, whether from distant continents or diverse musical influences. More recently he has arranged for big bands, employed string arrangements, and even reinterpreted popular music. Today, Tyner has released nearly 80 albums under his name, earned four Grammys and was awarded Jazz Master from the National Endowment for the Arts in 2002. He continues to leave his mark on generations of improvisers, and yet remains a disarmingly modest and spiritually directed man.
Recorded at Avatar Studios, Studio A, New York; July 29-30, 1998.
Recording Producer: Elaine Martone
Recording Engineers: Jack Renner, Robert Friedrich
Executive Producer: Robert Woods
Technical Assistant: Gregg Gasperino
Editor: Rosalind Ilett
Mastering Engineer: Robert Friedrich
Cover Photo: Superstock
Cover Design: Jim Burt, Burt and Burt Studios
Art Director: Anilda Carrasquillo
McCoy Tyner and the Latin All-Stars (1999) REPOST
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 19. March 2010, 11:24
McCoy Tyner / McCoy Tyner and the Latin All-Stars
Used drive : ASUS DRW-1608P3S Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 11:02.15 | 0 | 49664
2 | 11:02.15 | 6:59.45 | 49665 | 81134
3 | 18:01.60 | 12:23.60 | 81135 | 136919
4 | 30:25.45 | 10:34.22 | 136920 | 184491
5 | 40:59.67 | 8:36.03 | 184492 | 223194
6 | 49:35.70 | 5:24.70 | 223195 | 247564
7 | 55:00.65 | 6:51.07 | 247565 | 278396
Range status and errors
Selected range
Filename C:\extracts\McCoy Tyner - McCoy Tyner and the Latin All-Stars\McCoy Tyner - McCoy Tyner and the Latin All-Stars.wav
Peak level 99.4 %
Range quality 100.0 %
Test CRC 28B08F0D
Copy CRC 28B08F0D
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 7) [38BAD6A3]
Track 2 accurately ripped (confidence 8) [27786379]
Track 3 accurately ripped (confidence 8) [F6965ED2]
Track 4 accurately ripped (confidence 8) [2866A95C]
Track 5 accurately ripped (confidence 8) [E07DC2C7]
Track 6 accurately ripped (confidence 8) [C1706004]
Track 7 accurately ripped (confidence 8) [EE4C4FB2]
All tracks accurately ripped
End of status report
EAC extraction logfile from 19. March 2010, 11:24
McCoy Tyner / McCoy Tyner and the Latin All-Stars
Used drive : ASUS DRW-1608P3S Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 11:02.15 | 0 | 49664
2 | 11:02.15 | 6:59.45 | 49665 | 81134
3 | 18:01.60 | 12:23.60 | 81135 | 136919
4 | 30:25.45 | 10:34.22 | 136920 | 184491
5 | 40:59.67 | 8:36.03 | 184492 | 223194
6 | 49:35.70 | 5:24.70 | 223195 | 247564
7 | 55:00.65 | 6:51.07 | 247565 | 278396
Range status and errors
Selected range
Filename C:\extracts\McCoy Tyner - McCoy Tyner and the Latin All-Stars\McCoy Tyner - McCoy Tyner and the Latin All-Stars.wav
Peak level 99.4 %
Range quality 100.0 %
Test CRC 28B08F0D
Copy CRC 28B08F0D
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 7) [38BAD6A3]
Track 2 accurately ripped (confidence 8) [27786379]
Track 3 accurately ripped (confidence 8) [F6965ED2]
Track 4 accurately ripped (confidence 8) [2866A95C]
Track 5 accurately ripped (confidence 8) [E07DC2C7]
Track 6 accurately ripped (confidence 8) [C1706004]
Track 7 accurately ripped (confidence 8) [EE4C4FB2]
All tracks accurately ripped
End of status report
[CUETools log; Date: 24.08.2011 20:32:08; Version: 2.0.9]
[AccurateRip ID: 001254d9-006c85f1-5e0e7f07] found.
Track [ CRC ] Status
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02 [27786379] (10/21) Accurately ripped
03 [f6965ed2] (10/21) Accurately ripped
04 [2866a95c] (10/21) Accurately ripped
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Offsetted by -1708:
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Offsetted by -1049:
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05 [7af9a790] (06/21) Accurately ripped
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Offsetted by -705:
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05 [256ac5b8] (03/21) Accurately ripped
06 [5e7b68cd] (03/21) Accurately ripped
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Track Peak [ CRC32 ] [W/O NULL]
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[AccurateRip ID: 001254d9-006c85f1-5e0e7f07] found.
Track [ CRC ] Status
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02 [27786379] (10/21) Accurately ripped
03 [f6965ed2] (10/21) Accurately ripped
04 [2866a95c] (10/21) Accurately ripped
05 [e07dc2c7] (10/21) Accurately ripped
06 [c1706004] (10/21) Accurately ripped
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Offsetted by -1708:
01 [b3c54c13] (02/20) Accurately ripped
02 [1e5b30e1] (02/21) Accurately ripped
03 [deda094e] (02/21) Accurately ripped
04 [d92a913c] (02/21) Accurately ripped
05 [982e59b3] (02/21) Accurately ripped
06 [ccf9dc10] (02/21) Accurately ripped
07 [729167c2] (02/21) Accurately ripped
Offsetted by -1049:
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02 [bb5a50d7] (06/21) Accurately ripped
03 [7d24a667] (06/21) Accurately ripped
04 [7d953d04] (06/21) Accurately ripped
05 [7af9a790] (06/21) Accurately ripped
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Track Peak [ CRC32 ] [W/O NULL]
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A re-post with my own rip & scans.
(all links are interchangeable)