Matt Haimovitz - The 20th Century Cello Vol.3 (1999)
Matt Haimovitz - The 20th Century Cello Vol.3 (1999)
EAC RIP | APE + CUE + LOG | COVER + BOOK | RAR FILES (3% recovery) | 247 Mb
Classical | Deutsche Grammophon 457 584-2
EAC RIP | APE + CUE + LOG | COVER + BOOK | RAR FILES (3% recovery) | 247 Mb
Classical | Deutsche Grammophon 457 584-2
Matt Haimovitz - The 20th Century Cello Vol.3 (1999)
Tracklist:
Max Reger (1873 - 1916)
Suite in G, Op.131c, No.1 (1915)
1. Präludium: Vivace 3:51
2. Adagio 5:18
3. Fuge: Allegro 3:03
Anton Webern (1883 - 1945)
Three Little Pieces for Cello and Piano, op.11 (1914)
4. Mässige Achtel1:10
5. Sehr bewegt 0:24
6. Äusserst ruhig 1:10
Matt Haimovitz, Philippe Cassard
Henri Dutilleux (1916 - )
3 Strophes sur le nom de Sacher pour violoncelle solo
7. Un poco indeciso 3:28
8. Andante sostenuto 2:33
9. Vivace 2:48
Matt Haimovitz
Claude Debussy (1862 - 1918)
Sonata for Cello and Piano in D minor
10. Prologue (lent) 4:22
11. Sérénade (Modérément animé) 3:29
12. Finale (Animé)3:35
Matt Haimovitz, Philippe Cassard
Benjamin Britten (1913 - 1976)
13. Tema "Sacher" for Cello Solo Lento maestoso - Largament 1:57
Matt Haimovitz
Sonata in C for Cello and Piano Op.65
14. Dialogo 7:34
15. Scherzo - pizzicato 2:35
16. Elegia 6:14
17. Marcia 2:06
18. Moto perpetuo 2:31
Matt Haimovitz's latest recital of twentiethcentury cello compositions sustains the thesis of its predecessors (12/95 and 5/97) that extreme contrast, not merely variety, has been the spice of twentieth-century musical life. To juxtapose two works from 1914, Reger's Third Suite and Webern's Three Little Pieces, the former expansive and retrospective, the latter aphoristic and reaching nervously into an unknowable future, makes the point with admirable immediacy.
The rest of the music here is more mainstream, the Britten Sonata showing that there was as much mileage left in the old classical genres in 1960 as Debussy had found in his Sonata more than 40 years before. With these works, of course, Haimowitz is competing against a long series of distinguished predecessors on disc, and his partnership with Cassard (how often have they played these works in concert, 1 wonder?) can't match the empathy of Moray Welsh and John Lenehan in the Britten, or - it goes without saying — of Rostropovich and Britten himself in both sonatas.
Matt Haimovitz continues his series of twentieth- century music for solo cello (with the occasional piano and cello duo) Photo DO
The recording as such is at its best in the unaccompanied works, its closeness and resonance reinforcing the powerful musical profile of Dutilleux's elegant yet forceful Strophes, and helping to ensure that Reger does not seriously outstay his welcome. In Webern, Debussy and Britten the piano sound has an abrasive aspect to it, as if the object were to underline the incompatibility of two such different instruments. But the playing is technically first-rate, and should certainly open doors (why the French title?) to anyone exploring this repertory for the first time. AW
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 30. June 2011, 15:37
Haimovitz, Matt / 20th Century Cello-vol3
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Matt Haimovitz - The 20th Century Cello Vol.3 (1999)
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Matt Haimovitz - The 20th Century Cello Vol.3 (1999)
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