Tags
Language
Tags
<<
March 2025
Su Mo Tu We Th Fr Sa
23 24 25 26 27 28 1
2 3 4 5 6 7 8
9 10 11 12 13 14 15
16 17 18 19 20 21 22
23 24 25 26 27 28 29
30 31 1 2 3 4 5
Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

( • )( • ) ( ͡⚆ ͜ʖ ͡⚆ ) (‿ˠ‿)
SpicyMags.xyz
  1. Home
  2. Music
  3. Mats Bergstrom - Francisco Tarrega: Guitar Music (2009)

Mats Bergstrom - Francisco Tarrega: Guitar Music (2009)

Posted By: Designol
Date: 12 Jul 2023 12:56:28
Mats Bergstrom - Francisco Tarrega: Guitar Music (2009)

Mats Bergström - Francisco Tárrega: Guitar Music (2009)
EAC | FLAC | Image (Cue&Log) ~ 212 Mb | Mp3 (CBR320) ~ 142 Mb | Artwork included
Genre: Classical, Guitar | Label: Naxos | # 8.572365 | Time: 01:01:43

Francisco Tárrega, the most influential Spanish virtuoso performer of the nineteenth century, was a charismatic romantic who, with a cigarette in his mouth, mesmerized his audiences for hours with his performances. On this disc, Swedish Royal Academy member Mats Bergström expresses the ‘light and shade’ of Tárrega’s music (sans cigarette!) on a modern instrument based on an 1888 model owned by the composer himself. The Preludes, composed between 1889 and 1909, are particularly well regarded pieces, while the other works include original compositions and imaginative transcriptions.

Francisco Tárrega (1852–1909), a noted composer of guitar music and its most influential Spanish virtuoso performer of the 19th century, lived in an era when not much fuss was made about intellectual Read more Isabel . But during this more permissive era he was not above appropriating the works of others into his “imaginative transcriptions,” much as jazz musicians include standard riffs of jazz masters, such as Duke Ellington’s signature phrases, as homages. As Mats Bergström in his album notes points out, Preludio sobre un tema de Mendelssohn is an arrangement of a section near the end of Mendelssohn’s Hebrides Overture, while Oremus is an extract from Robert Schumann’s Albumblätter , op. 124. The introduction to Las dos Hermanitas found in at least one edition of the work is almost identical to that of Frédéric Chopin’s Valse brillante , op. 34. Isabel is an arrangement of two themes from the Kuss-Walzer by Johann Strauss and Estudio brillante de Alard is a transcription of Study No. 2 for solo violin by the French composer Delphin Alard (1815–1888). Finally, Bergström mentions that “measures 13–16 of Gran vals must be one of the most frequently heard tunes of our time: It is the ring tone for Nokia mobile phones.”

While Tárrega is noted for compositions of his own, particularly the 16 Preludes, he has proven an ingenious borrower of music he liked, and enjoyed writing these sections into his own, often larger, compositions. This makes him somewhat unusual, and somewhat more fun to listen to. Personally, I like playing “Spot that quote!”

The Swedish soloist Mats Bergström, with a nod to authenticity, plays a replica guitar, a one-to-one copy of Tárrega’s favorite (1888) instrument. He plays as well as any guitar virtuoso I’ve heard: robustly, yet with great control and subtlety, respect for the music, and an authoritative sense of how Tárrega must have played these pieces (probably garnered from Tárrega’s own notes, and/or third-party written descriptions of his concerts). Bergström seems to have a bit of the historian about him, if his album notes are any indicator. In all, that makes the album a thoroughly enjoyable one, a Bergström-led tour through Tárrega’s works with some scholarly notes displaying a new angle on the compositions, making us listen intently to have the fun of spotting the next quote, all played with a tasteful and accomplished hand. Highest praise to Bergström for the research, album notes, and playing in the reincarnated style of Tárrega. And a tip of the hat to the Naxos engineers, who, once again, seem to get the acoustic just right. Very highly recommended.

Review by Ilya Oblomov, FANFARE Magazine

Mats Bergstrom - Francisco Tarrega: Guitar Music (2009)

Francisco Tárrega at Allmusic
Francisco Tárrega at Wiki


Mats Bergstrom - Francisco Tarrega: Guitar Music (2009)

Mats Bergström at Allmusic
Mats Bergström Website
Mats Bergström at Wiki


Tracklist:

Francisco Tárrega (1852-1909)

01. Preludios - No.1 in D minor (1:29)
02. Preludios - No.2 in A minor (1:51)
03. Preludios - No.3 in G (0:45)
04. Preludios - No.4 in E (0:48)
05. Preludios - No.5 in E (1:50)
06. Preludios - No.6 in B minor (1:04)
07. Preludios - No.7 in A (0:48)
08. Preludios - No.8 in F sharp minor (0:46)
09. Preludios - No.9 in B minor on a theme of Mendelssohn (1:05)
10. Preludios - No.10 in B minor (0:32)
11. Preludios - No.11 in E 'Lagrima' (2:01)
12. Preludios - No.12 in A minor (0:25)
13. Preludios - No.13 in G (1:04)
14. Preludios - No.14 in D (0:29)
15. Preludios - No.15 in D minor 'Endecha' (1:12)
16. Preludios - No.16 in D minor 'Oremus' [Robert Schumann] (0:39)
17. Las Dos Hermanitas ( Dos valses) (4:24)
18. Adelita (Mazurka) (1:40)
19. Marieta (Mazurka) (2:32)
20. Mazurka (in G) (2:45)
21. Maria (Gavota) (1:40)
22. Recuerdos de la Alhambra (5:41)
23. Rosita (Polka) (1:39)
24. Pepita (Polka) (1:46)
25. Capricho arabe (Serenata) (5:20)
26. Paquito (Vals) (2:29)
27. Gran vals (3:23)
28. Alborada (Capricho) (2:20)
29. Isabel (Vals) [Johann Strauss II] (1:48)
30. Vals (in D) (2:35)
31. Pavana (2:31)
32. Estudio brillante de Alard (2:23)

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 24. April 2014, 17:43

Mats Bergström / Tarrega - Guitar Music

Used drive : HL-DT-STDVDRRW GWA-4164B Adapter: 5 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:28.40 | 0 | 6639
2 | 1:28.40 | 1:50.60 | 6640 | 14949
3 | 3:19.25 | 0:44.45 | 14950 | 18294
4 | 4:03.70 | 0:47.45 | 18295 | 21864
5 | 4:51.40 | 1:50.00 | 21865 | 30114
6 | 6:41.40 | 1:04.12 | 30115 | 34926
7 | 7:45.52 | 0:47.48 | 34927 | 38499
8 | 8:33.25 | 0:45.45 | 38500 | 41919
9 | 9:18.70 | 1:04.58 | 41920 | 46777
10 | 10:23.53 | 0:31.70 | 46778 | 49172
11 | 10:55.48 | 2:00.65 | 49173 | 58237
12 | 12:56.38 | 0:25.17 | 58238 | 60129
13 | 13:21.55 | 1:03.46 | 60130 | 64900
14 | 14:25.26 | 0:29.06 | 64901 | 67081
15 | 14:54.32 | 1:12.23 | 67082 | 72504
16 | 16:06.55 | 0:39.15 | 72505 | 75444
17 | 16:45.70 | 4:24.00 | 75445 | 95244
18 | 21:09.70 | 1:40.00 | 95245 | 102744
19 | 22:49.70 | 2:32.30 | 102745 | 114174
20 | 25:22.25 | 2:45.22 | 114175 | 126571
21 | 28:07.47 | 1:39.59 | 126572 | 134055
22 | 29:47.31 | 5:40.61 | 134056 | 159616
23 | 35:28.17 | 1:39.28 | 159617 | 167069
24 | 37:07.45 | 1:46.09 | 167070 | 175028
25 | 38:53.54 | 5:19.52 | 175029 | 199005
26 | 44:13.31 | 2:29.06 | 199006 | 210186
27 | 46:42.37 | 3:22.64 | 210187 | 225400
28 | 50:05.26 | 2:20.30 | 225401 | 235930
29 | 52:25.56 | 1:47.65 | 235931 | 244020
30 | 54:13.46 | 2:35.31 | 244021 | 255676
31 | 56:49.02 | 2:30.68 | 255677 | 266994
32 | 59:19.70 | 2:23.05 | 266995 | 277724


Range status and errors

Selected range

Filename D:\temp\Music\Naxos_8.572365 - Tarrega - Guitar Music\Tarrega - Guitar Music.wav

Peak level 97.3 %
Extraction speed 2.5 X
Range quality 100.0 %
Test CRC 44E5A81D
Copy CRC 44E5A81D
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 4) [C9C5D374] (AR v2)
Track 2 accurately ripped (confidence 4) [4FABD3BE] (AR v2)
Track 3 accurately ripped (confidence 4) [10F5A1A5] (AR v2)
Track 4 accurately ripped (confidence 4) [87513C55] (AR v2)
Track 5 accurately ripped (confidence 4) [49871113] (AR v2)
Track 6 accurately ripped (confidence 4) [4879CB82] (AR v2)
Track 7 accurately ripped (confidence 4) [A98F5D53] (AR v2)
Track 8 accurately ripped (confidence 4) [02675FD1] (AR v2)
Track 9 accurately ripped (confidence 4) [47A99402] (AR v2)
Track 10 accurately ripped (confidence 4) [69B8F11F] (AR v2)
Track 11 accurately ripped (confidence 4) [6076DEFF] (AR v2)
Track 12 accurately ripped (confidence 4) [00A38E33] (AR v2)
Track 13 accurately ripped (confidence 4) [A0914A4B] (AR v2)
Track 14 accurately ripped (confidence 4) [8FE43B69] (AR v2)
Track 15 accurately ripped (confidence 4) [2506429A] (AR v2)
Track 16 accurately ripped (confidence 4) [45456A39] (AR v2)
Track 17 accurately ripped (confidence 4) [4BF02C63] (AR v2)
Track 18 accurately ripped (confidence 4) [7D68E179] (AR v2)
Track 19 accurately ripped (confidence 4) [1D873B36] (AR v2)
Track 20 accurately ripped (confidence 4) [04333408] (AR v2)
Track 21 accurately ripped (confidence 4) [AFBF5139] (AR v2)
Track 22 accurately ripped (confidence 4) [1FC3FA59] (AR v2)
Track 23 accurately ripped (confidence 4) [0CBC63DB] (AR v2)
Track 24 accurately ripped (confidence 4) [CEC6A47D] (AR v2)
Track 25 accurately ripped (confidence 2) [3F722A3E] (AR v2)
Track 26 accurately ripped (confidence 3) [ACBF0A63] (AR v2)
Track 27 accurately ripped (confidence 3) [4819D2BD] (AR v2)
Track 28 accurately ripped (confidence 3) [F1910D33] (AR v2)
Track 29 accurately ripped (confidence 3) [B52E9930] (AR v2)
Track 30 accurately ripped (confidence 3) [DF2F2AF1] (AR v2)
Track 31 accurately ripped (confidence 3) [ECA6B57E] (AR v2)
Track 32 accurately ripped (confidence 3) [EA28C149] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum D9466999ACF95B3F6A1368E3F0E5E63E961423A0D4B597260EE05CDAF7D3A29A ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2020-03-04 16:03:12

––––––––––––––––––––––––––––––––––––––––
Analyzed: Mats Bergstrom / Tarrega - Guitar Music
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -4.36 dB -22.15 dB 1:29 01-Preludios - No.1 in D minor
DR12 -3.48 dB -20.54 dB 1:51 02-Preludios - No.2 in A minor
DR14 -3.66 dB -21.72 dB 0:45 03-Preludios - No.3 in G
DR13 -8.12 dB -23.03 dB 0:48 04-Preludios - No.4 in E
DR13 -4.91 dB -22.24 dB 1:50 05-Preludios - No.5 in E
DR12 -3.80 dB -21.12 dB 1:04 06-Preludios - No.6 in B minor
DR11 -6.44 dB -20.67 dB 0:48 07-Preludios - No.7 in A
DR12 -8.37 dB -24.01 dB 0:46 08-Preludios - No.8 in F sharp minor
DR14 -0.37 dB -18.66 dB 1:05 09-Preludios - No.9 in B minor on a theme of Mendelssohn
DR10 -6.30 dB -22.43 dB 0:32 10-Preludios - No.10 in B minor
DR13 -4.28 dB -22.89 dB 2:01 11-Preludios - No.11 in E 'Lagrima'
DR10 -4.81 dB -21.76 dB 0:25 12-Preludios - No.12 in A minor
DR13 -6.91 dB -24.04 dB 1:04 13-Preludios - No.13 in G
DR11 -3.54 dB -20.91 dB 0:29 14-Preludios - No.14 in D
DR12 -6.99 dB -25.89 dB 1:12 15-Preludios - No.15 in D minor 'Endecha'
DR11 -6.34 dB -23.15 dB 0:39 16-Preludios - No.16 in D minor 'Oremus' [Robert Schumann]
DR13 -4.32 dB -21.22 dB 4:24 17-Las Dos Hermanitas ( Dos valses)
DR13 -2.16 dB -22.07 dB 1:40 18-Adelita (Mazurka)
DR12 -3.44 dB -20.69 dB 2:32 19-Marieta (Mazurka)
DR12 -2.38 dB -21.91 dB 2:45 20-Mazurka (in G)
DR13 -3.55 dB -21.41 dB 1:40 21-Maria (Gavota)
DR12 -6.64 dB -21.58 dB 5:41 22-Recuerdos de la Alhambra
DR16 -2.12 dB -21.31 dB 1:39 23-Rosita (Polka)
DR14 -1.97 dB -21.64 dB 1:46 24-Pepita (Polka)
DR15 -2.73 dB -22.14 dB 5:20 25-Capricho arabe (Serenata)
DR13 -2.87 dB -20.88 dB 2:29 26-Paquito (Vals)
DR13 -4.15 dB -20.97 dB 3:23 27-Gran vals
DR14 -6.64 dB -25.19 dB 2:20 28-Alborada (Capricho)
DR12 -6.05 dB -22.80 dB 1:48 29-Isabel (Vals) [Johann Strauss II]
DR14 -0.23 dB -20.01 dB 2:35 30-Vals (in D)
DR12 -5.35 dB -22.00 dB 2:31 31-Pavana
DR12 -5.30 dB -19.79 dB 2:23 32-Estudio brillante de Alard
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 32
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 478 kbps
Codec: FLAC
================================================================================

Mats Bergstrom - Francisco Tarrega: Guitar Music (2009)

All thanks to original releaser

More interesting music in My Blog
UPWARDS