Massimo De Mattia - Trilemma (2013) {Caligola}
Massimo De Mattia - Trilemma (2013) {Caligola}
EAC 1.6 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 218MB + 5% Recovery
MP3 CBR 320 Kbps | 90MB + 5% Recovery
Genre: Jazz, Avant-Garde Jazz, Post-Bop
EAC 1.6 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 218MB + 5% Recovery
MP3 CBR 320 Kbps | 90MB + 5% Recovery
Genre: Jazz, Avant-Garde Jazz, Post-Bop
Nuovo lavoro per il flautista di Pordenone (incisione del 2012), in trio con due fedelissimi quali Cesselli e Turchet, e nuovo centro. Persino prevedibile, verrebbe da dire (ovviamente nel senso migliore del termine), perché da Massimo De Mattia, ormai da molti anni figura nodale sulla mappa del jazz nostrano (magari non tutti se ne sono accorti, ma pazienza…), non ci aspettiamo mai di meno.Track List
Il disco, breve (39'), si sviluppa attraverso sedici brani di ammirevole concisione (a parte il primo "Trilemma," nessuno raggiunge i quattro minuti, e sette rimangono addirittura sotto i due) in cui i tre musicisti scovano abbinamenti strumentali variegati, senza che nulla venga mai dato per scontato (il che è ovviamente pregio non da poco).
Dopo il citato "Trilemma" d'avvio, episodio scuro, quasi spettrale, una sorta di memento, a firma di Cesselli, si alternano guizzi e segmenti in cui tutto sembra invece stemperarsi. Ovviamente si tratta di una falsa pista, perché il saliscendi climatico (e quindi emotivo) è costante, dove ciò che ha maggior nerbo non per questo smarrisce la propria "volatilità," e ciò che sembra abbassare il tiro (sempre in fatto di temperatura) non perde una propria brillantezza (creativa, anzitutto), una propria acutezza (in senso lato), un baluginare continuo di idee e soluzioni che si avvicendano inesauribili.
Ci sono, così, frangenti decisamente più cameristici e altri quasi sfrontati, ripiegamenti sospesi e gorghi turbinosi, quasi magmatici, lirismo e asciuttezza, cerebralità e abbandono. Il tutto - come si adombrava - alternando monologhi (che possono occupare un intero brano o parte di esso), dialoghi a due, piani lunghi a ranghi compatti (ben undici pezzi sono a firma collettiva), sempre riuscendo nella non facile impresa di coniugare fruibilità (e quindi piacere uditivo) e tensione verso la ricerca, la non ovvietà.
1) Trilemma
2) About nothing, with precision
3) A separate reality
4) Disamore
5) Transcendence
6) Rapid obsolescence
7) Minotaur
8) Soziale plastic
9) Not to see, not to be seen
10) Atlas of contempt
11) Fission
12) Lost God
13) Confutation
14) Abjuration
15) Inert
16) Trilemma
musicians
Massimo De Mattia - flutes
Bruno Cesselli - piano
Alessandro Turchet - double bass
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 11. December 2020, 8:46
Massimo De Mattia / Trilemma
Used drive : HL-DT-STDVD-ROM GDR8161B Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:26.50 | 0 | 24499
2 | 5:26.50 | 3:06.55 | 24500 | 38504
3 | 8:33.30 | 3:07.53 | 38505 | 52582
4 | 11:41.08 | 2:14.30 | 52583 | 62662
5 | 13:55.38 | 3:37.14 | 62663 | 78951
6 | 17:32.52 | 1:54.53 | 78952 | 87554
7 | 19:27.30 | 3:11.25 | 87555 | 101904
8 | 22:38.55 | 1:04.06 | 101905 | 106710
9 | 23:42.61 | 2:08.52 | 106711 | 116362
10 | 25:51.38 | 2:43.39 | 116363 | 128626
11 | 28:35.02 | 3:47.10 | 128627 | 145661
12 | 32:22.12 | 1:34.40 | 145662 | 152751
13 | 33:56.52 | 1:02.32 | 152752 | 157433
14 | 34:59.09 | 1:05.63 | 157434 | 162371
15 | 36:04.72 | 1:20.20 | 162372 | 168391
16 | 37:25.17 | 1:43.71 | 168392 | 176187
Track 1
Filename D:\TORRENT\Massimo De Mattia - Trilemma\01 - Trilemma.wav
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Track 2
Filename D:\TORRENT\Massimo De Mattia - Trilemma\02 - About Nothing, With Precision.wav
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Track 3
Filename D:\TORRENT\Massimo De Mattia - Trilemma\03 - A Separate Reality.wav
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Track 4
Filename D:\TORRENT\Massimo De Mattia - Trilemma\04 - Disamore.wav
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Track 5
Filename D:\TORRENT\Massimo De Mattia - Trilemma\05 - Transcendence.wav
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Track 6
Filename D:\TORRENT\Massimo De Mattia - Trilemma\06 - Rapid Obsolescence.wav
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Track 7
Filename D:\TORRENT\Massimo De Mattia - Trilemma\07 - Minotaur.wav
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Track 8
Filename D:\TORRENT\Massimo De Mattia - Trilemma\08 - Soziale Plastik.wav
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Track 9
Filename D:\TORRENT\Massimo De Mattia - Trilemma\09 - Not To See, Not To Be Seen.wav
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Track 10
Filename D:\TORRENT\Massimo De Mattia - Trilemma\10 - Atlas Of Contempt.wav
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Track 11
Filename D:\TORRENT\Massimo De Mattia - Trilemma\11 - Fission.wav
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Track 12
Filename D:\TORRENT\Massimo De Mattia - Trilemma\12 - Lost God.wav
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Track 13
Filename D:\TORRENT\Massimo De Mattia - Trilemma\13 - Confutation.wav
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Track 14
Filename D:\TORRENT\Massimo De Mattia - Trilemma\14 - Abjuration.wav
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Track 15
Filename D:\TORRENT\Massimo De Mattia - Trilemma\15 - Inert.wav
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Track 16
Filename D:\TORRENT\Massimo De Mattia - Trilemma\16 - Trilemma.wav
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None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
–– CUETools DB Plugin V2.1.6
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14 | (1/1) Accurately ripped
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==== Log checksum 319CCB5366D16F63F6F0F79B1C975E8B7BA26648C93639601447E14AA2A9B9E1 ====
Massimo De Mattia - Trilemma (2013) {Caligola}
Massimo De Mattia - Trilemma (2013) {Caligola}
Thanks to the original ripper