Marlow, Choir Of Trinity College - Philips: Cantiones Sacrae 1612 (2010)
Marlow, Choir Of Trinity College - Philips: Cantiones Sacrae 1612 (2010)
EAC Rip | Flac (Tracks + cue + log) | 301 MB | MP3 320Kbps CBR | 188 MB | 1 CD | Full Scans
Genre: Classical | Label: Chandos | Catalog Number: 0770
EAC Rip | Flac (Tracks + cue + log) | 301 MB | MP3 320Kbps CBR | 188 MB | 1 CD | Full Scans
Genre: Classical | Label: Chandos | Catalog Number: 0770
Peter Philips was, after William Byrd, the most published English composer of the Elizabethan-Jacobean Age. He was also, in his day, the best-known English composer on the European mainland but his absence from his homeland after the age of about twenty-one means that he remains relatively neglected at home. Born in 1560 or 1561, he trained as a choirboy at St Paul’s Cathedral in London and may have studied keyboard playing with Byrd. In 1582 he fled England to avoid persecution as a Roman Catholic, making his way to Rome. In 1585 he joined the entourage of another Roman Catholic refugee, Sir Thomas Paget, travelling with him through Northern Europe for the next five years, eventually settling in Antwerp in 1591. In 1593 he was accused of plotting against Elizabeth I and arrested, but was eventually exonerated. He joined the court chapel of Archduke Albert, Viceroy of The Netherlands, as organist in 1597 and remained there until his death in 1628.
The three years spent in Rome were crucial for the formation of Philips’s musical style. The early 1580s were years of rapid development in that city’s music, particularly in writing for multiple choirs. Philips wrote some double-choir music and the antiphonal principle underlies much of the music on this recording, even if written for a single choir of five voices: two sopranos, alto, tenor and bass – a texture that gives an overall brightness, often heightened by close spacing between the two sopranos.
Richard Marlow conducts the mixed Choir of Trinity College, Cambridge. About a previous release International Record Review wrote: ‘This is a triumph for Marlow and his Trinity college choir, for Chandos, and above all, for Mendelssohn’s reputation as an inventive and deeply rewarding composer of sacred choral pieces.’
Composer: Peter Philips
Conductor: Richard Marlow
Orchestra/Ensemble: Cambridge Trinity College Choir
Reviews: How many choral enthusiasts are really familiar with the works of 16th/17th century English composer Peter Philips? If his compositions do appear on recordings, they usually are sparsely represented on compilations with other composers—there’s one notable recording devoted to his work, from the Winchester Cathedral Choir (Hyperion); but for that release, and until this excellent offering from the Choir of Trinity College, Cambridge—a choir that under Richard Marlow’s direction consistently resides among the world’s premier choral ensembles—we haven’t had an opportunity to indulge fully enough in this very worthy composer’s contributions to Elizabethan musical culture. Clearly, without including Philips’ supremely crafted motets, we can’t completely understand or appreciate the musical world dominated in most summaries of the era by Byrd and Palestrina, and Marlow’s sublime renderings of Philips’ 1612 Cantiones sacrae must take their place among choral music lovers’ favored anthems of the period. The Trinity College Choir is a joy to hear—this is one of the most refined, disciplined, well-rehearsed, and most inherently musical choirs you’ll ever hear, presenting a consistently gorgeous sound supported by a very skilled recording team. Don’t miss this.
Tracklisting:
Cantiones Sacrae 1612, Volume I: No. 1. In Festo Nativitatis Domini. O beatum et sacrosanctum diem
Cantiones Sacrae 1612, Volume I: No. 4. In Festo SS. Innocentium. Cantabant Sancti
Cantiones Sacrae 1612, Volume I: No. 5. In Festo S. Thomæ Martyris. Gaudeamus omnes
Cantiones Sacrae 1612, Volume I: No. 6. In Festo Circumcisionis Domini. O nomen Jesu
Cantiones Sacrae 1612, Volume I: No. 7. In Festo Circumcisionis Domini. Modo veniet Dominator
Cantiones Sacrae 1612, Volume I: No. 9. In Festo Conversionis S. Pauli. Tu es vas electionis
Cantiones Sacrae 1612, Volume I: No. 11. In Festo Purificationis B. Mariæ. Hodie beata Virgo Maria
Cantiones Sacrae 1612, Volume I: No. 16. In Festo Resurrectionis Domini. Christus resurgens
Cantiones Sacrae 1612, Volume I: No. 17. In Festo Resurrectionis Domini. Surgens Jesus
Cantiones Sacrae 1612, Volume I: No. 18. In Festo SS. Philippi et Jacobi. Gentes Philippus ducit
Cantiones Sacrae 1612, Volume I: No. 20. In Festo Ascensionis Domini. Ascendit Deus
Cantiones Sacrae 1612, Volume I: No. 24. In Festo Corporis Christi. Ave verum Corpus
Cantiones Sacrae 1612, Volume I: No. 28. In Festo Joannis Baptistæ. Gabriel Angelus
Cantiones Sacrae 1612, Volume I: No. 32. In Festo S. Annæ. Ave gratia plena
Cantiones Sacrae 1612, Volume I: No. 33. In Festo S. Petri ad Vincula. Surge Petre
Cantiones Sacrae 1612, Volume II: No. 38. In Festo Nativitatis B. Mariæ. Cam jucunditate
Cantiones Sacrae 1612, Volume II: No. 39. In Festo S. Michælis. Factum est silentium
Cantiones Sacrae 1612, Volume II: No. 41. In Festo Omnium Sanctorum. Sancti mei
Cantiones Sacrae 1612, Volume II: No. 42. In Festo S. Martini. O beatum Martinum
Cantiones Sacrae 1612, Volume II: No. 44. In Festo S. Cæciliæ. Cantantibus organis
Cantiones Sacrae 1612, Volume II: No. 48. [Commune Apostolorum] Tempore Paschali. Tristitia vestra
Cantiones Sacrae 1612, Volume II: No. 50. In Natalis plurimorum Martyrum. Gaudent in cælis
Cantiones Sacrae 1612, Volume II: No. 56. Antiphona B. Mariæ. Ave Regina cælorum
Cantiones Sacrae 1612, Volume II: No. 58. Antiphona B. Mariæ [Prima Pars]. Salve, Regina
Cantiones Sacrae 1612, Volume II: No. 68. [Ad Placitum]. Ne reminiscaris, Domine
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 11. April 2014, 0:19
The Choir of Trinity College, Marlow / Cantiones Sacrae 1612
Used drive : HL-DT-STDVDRAM GT32N Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 103
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
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Quality : High
Add ID3 tag : No
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Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
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1 | 0:00.00 | 2:38.18 | 0 | 11867
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3 | 5:38.48 | 2:49.15 | 25398 | 38087
4 | 8:27.63 | 2:46.10 | 38088 | 50547
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12 | 33:06.73 | 3:51.50 | 149023 | 166397
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22 | 64:26.73 | 2:38.00 | 290023 | 301872
23 | 67:04.73 | 3:47.10 | 301873 | 318907
24 | 70:52.08 | 3:44.00 | 318908 | 335707
25 | 74:36.08 | 3:19.67 | 335708 | 350699
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EAC extraction logfile from 11. April 2014, 0:19
The Choir of Trinity College, Marlow / Cantiones Sacrae 1612
Used drive : HL-DT-STDVDRAM GT32N Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 103
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:38.18 | 0 | 11867
2 | 2:38.18 | 3:00.30 | 11868 | 25397
3 | 5:38.48 | 2:49.15 | 25398 | 38087
4 | 8:27.63 | 2:46.10 | 38088 | 50547
5 | 11:13.73 | 2:22.00 | 50548 | 61197
6 | 13:35.73 | 2:57.30 | 61198 | 74502
7 | 16:33.28 | 4:38.10 | 74503 | 95362
8 | 21:11.38 | 3:16.10 | 95363 | 110072
9 | 24:27.48 | 2:16.45 | 110073 | 120317
10 | 26:44.18 | 3:51.00 | 120318 | 137642
11 | 30:35.18 | 2:31.55 | 137643 | 149022
12 | 33:06.73 | 3:51.50 | 149023 | 166397
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15 | 43:09.63 | 3:33.50 | 194238 | 210262
16 | 46:43.38 | 3:00.65 | 210263 | 223827
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21 | 62:19.28 | 2:07.45 | 280453 | 290022
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23 | 67:04.73 | 3:47.10 | 301873 | 318907
24 | 70:52.08 | 3:44.00 | 318908 | 335707
25 | 74:36.08 | 3:19.67 | 335708 | 350699
Track 1
Filename C:\UPPINGS\01 - O beatum et sacrosanctum Diem (Volume I, No. 1).wav
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Accurately ripped (confidence 2) [F6BD3E8E] (AR v2)
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Track 2
Filename C:\UPPINGS\02 - Cantabant Sancti (Volume I, No. 4).wav
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Accurately ripped (confidence 3) [B05B4A9B] (AR v2)
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Filename C:\UPPINGS\04 - O nomen Jesu (Volume I, No. 6).wav
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Accurately ripped (confidence 3) [1746E310] (AR v2)
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Filename C:\UPPINGS\05 - Modo veniet Dominator (Volume I, No. 7).wav
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Accurately ripped (confidence 3) [440A3431] (AR v2)
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Track 6
Filename C:\UPPINGS\06 - Tu es vas electionis (Volume I, No. 9).wav
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Accurately ripped (confidence 3) [0942C099] (AR v2)
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Filename C:\UPPINGS\07 - Hodie beata Virgo Maria (Volume I, No. 11).wav
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Filename C:\UPPINGS\08 - Christus resurgens (Volume I, No. 16).wav
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Accurately ripped (confidence 3) [B4A5C1AE] (AR v2)
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Filename C:\UPPINGS\09 - Surgens Jesus (Volume I, No. 17).wav
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Filename C:\UPPINGS\10 - Gentes Philippus ducit (Volume I, No. 18).wav
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Accurately ripped (confidence 3) [2B705858] (AR v2)
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Filename C:\UPPINGS\11 - Ascendit Deus (Volume I, No. 20).wav
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Accurately ripped (confidence 3) [E391DFD0] (AR v2)
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Filename C:\UPPINGS\12 - Ave verum Corpus (Volume I, No. 24).wav
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Accurately ripped (confidence 3) [73FC61C8] (AR v2)
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Accurately ripped (confidence 3) [F8C6E410] (AR v2)
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Test CRC 5C6D338A
Copy CRC 5C6D338A
Accurately ripped (confidence 3) [6B64D041] (AR v2)
Copy OK
Track 15
Filename C:\UPPINGS\15 - Surge Petre (Volume I, No. 33).wav
Pre-gap length 0:00:02.24
Peak level 64.6 %
Extraction speed 2.2 X
Track quality 100.0 %
Test CRC 6F477761
Copy CRC 6F477761
Accurately ripped (confidence 3) [1E3B05F1] (AR v2)
Copy OK
Track 16
Filename C:\UPPINGS\16 - Cum jucunditate (Volume II, No. 38).wav
Pre-gap length 0:00:02.44
Peak level 61.2 %
Extraction speed 2.2 X
Track quality 100.0 %
Test CRC 3A8DE253
Copy CRC 3A8DE253
Accurately ripped (confidence 3) [3451CE37] (AR v2)
Copy OK
Track 17
Filename C:\UPPINGS\17 - Factum est silentium (Volume II, No. 39).wav
Pre-gap length 0:00:02.64
Peak level 56.8 %
Extraction speed 2.3 X
Track quality 100.0 %
Test CRC 36DE5899
Copy CRC 36DE5899
Accurately ripped (confidence 3) [839B0FC6] (AR v2)
Copy OK
Track 18
Filename C:\UPPINGS\18 - Sancti mei (Volume II, No. 41).wav
Pre-gap length 0:00:03.24
Peak level 61.2 %
Extraction speed 2.3 X
Track quality 100.0 %
Test CRC 46522AA3
Copy CRC 46522AA3
Accurately ripped (confidence 3) [CC31BE63] (AR v2)
Copy OK
Track 19
Filename C:\UPPINGS\19 - O beatum Martinum (Volume II, No. 42).wav
Pre-gap length 0:00:02.90
Peak level 73.1 %
Extraction speed 2.4 X
Track quality 100.0 %
Test CRC 621A6336
Copy CRC 621A6336
Accurately ripped (confidence 3) [24455AFA] (AR v2)
Copy OK
Track 20
Filename C:\UPPINGS\20 - Cantantibus organis (Volume II, No. 44).wav
Pre-gap length 0:00:04.17
Peak level 54.2 %
Extraction speed 2.4 X
Track quality 100.0 %
Test CRC E4CE6256
Copy CRC E4CE6256
Accurately ripped (confidence 3) [532E0D11] (AR v2)
Copy OK
Track 21
Filename C:\UPPINGS\21 - Tristitia vestra (Volume II, No. 48).wav
Pre-gap length 0:00:02.77
Peak level 93.5 %
Extraction speed 2.3 X
Track quality 100.0 %
Test CRC DB6F5A76
Copy CRC DB6F5A76
Accurately ripped (confidence 3) [DC6816B8] (AR v2)
Copy OK
Track 22
Filename C:\UPPINGS\22 - Gaudent in cælis (Volume II, No. 50).wav
Pre-gap length 0:00:02.37
Peak level 66.7 %
Extraction speed 2.0 X
Track quality 99.9 %
Test CRC D7DDE9F9
Copy CRC D7DDE9F9
Accurately ripped (confidence 3) [B257EF51] (AR v2)
Copy OK
Track 23
Filename C:\UPPINGS\23 - Ave Regina cælorum (Volume II, No. 56).wav
Pre-gap length 0:00:02.77
Peak level 45.6 %
Extraction speed 2.6 X
Track quality 100.0 %
Test CRC B10A380D
Copy CRC B10A380D
Accurately ripped (confidence 3) [4F31C637] (AR v2)
Copy OK
Track 24
Filename C:\UPPINGS\24 - Salve, Regina (Volume II, No. 58).wav
Pre-gap length 0:00:02.90
Peak level 60.1 %
Extraction speed 2.6 X
Track quality 100.0 %
Test CRC 02DEC9C3
Copy CRC 02DEC9C3
Accurately ripped (confidence 3) [F1077695] (AR v2)
Copy OK
Track 25
Filename C:\UPPINGS\25 - Ne reminiscaris, Domine (Volume II, No. 68).wav
Pre-gap length 0:00:02.77
Peak level 96.6 %
Extraction speed 2.7 X
Track quality 100.0 %
Test CRC 938C9C84
Copy CRC 938C9C84
Accurately ripped (confidence 3) [EF066FB4] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: E9noEv6ylMfionbX5qntQcGCxn4-] disk not present in database, Submit result: E9noEv6ylMfionbX5qntQcGCxn4- has been uploaded
==== Log checksum 6DCB8F681CA7BEA7A2B70A9D0FE435BD0D3F82E84FC5C81D880E31B16B6C8DC5 ====
Thanks to the original releaser