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    Magdalena Kozena, Venice Baroque Orchestra, Andrea Marcon - Vivaldi: Opera & Oratorio Arias (2009)

    Posted By: tirexiss
    Magdalena Kozena, Venice Baroque Orchestra, Andrea Marcon - Vivaldi: Opera & Oratorio Arias (2009)

    Magdalena Kozena, Venice Baroque Orchestra, Andrea Marcon - Vivaldi: Opera & Oratorio Arias (2009)
    EAC | FLAC (image+.cue, log) | Covers Included | 01:17:19 | 365 MB
    Genre: Classical, Vocal | Label: Archiv Produktion | Catalog: 777 8096

    Due at least in part to Naïve's growing catalogue of exemplary recordings of the relatively obscure operas of Antonio Vivaldi, more and more singers are happily turning to his vast operatic output as a source of new material. Czech mezzo-soprano Magdalena Kozená brings an earthy emotionality to this selection of arias that is weighted toward the ravishingly lyrical, but which also includes the floridly virtuosic. While she is fully invested in each role, and brings intelligently considered and emotionally committed characterizations to each of the arias, her singing is, in a way, self effacing; she is clearly more interested in the characters and the music than in making a show of her own voice, and that make her performances all the more appealing. Kozená's voice is warm and radiant, with an especially luminous middle and brilliant top. While her lower register doesn't have the strength and volume of Marilyn Horne, or her closer contemporaries like Viveca Genaux or Elina Garanca, the arias here that highlight the low end of her voice tend to be laments, which don't require ferocious power. Her ability to create soaring, long-breathed legato phrases is exceptional. Standout selections include the lyrical, lovely "Gelido in ogni vena," from Farnace, "Mentre dormi Amor fomenti," from L'Olimpiade, and especially the limpid "Sol da te, mio dolce amore," from Orlando Furioso, and the coloratura "Armatae face et anguibus," from the oratorio, Juditha Triumphans. Venice Baroque Orchestra, led by Andrea Marcon, tends to be overly weighted toward the bass, and comes off as heavy and pounding in the fast arias, but is more balanced in the lyrical selections. The soloists who provide instrumental obbligatos deserve special commendation. Archiv's sound is clean and present.

    Magdalena Kozena, Venice Baroque Orchestra, Andrea Marcon - Vivaldi: Opera & Oratorio Arias (2009)

    Track List:

    Tito Manlio, RV 738 (1719)
    Libretto: Matteo Noris
    1 Sonno, se pur sei sonno (Manlio) [2’54]
    Juditha triumphans devicta Holofernes barbarie, RV 644 (1716)
    Libretto: Giacomo Cassetti
    2 Armatae face et anguibus (Vagaus) [3’22]
    La veritá in cimento, RV 739 (1720)
    Libretto: Giovanni Palazzi & Domenico Lalli
    3 Solo quella guancia bella (Rosane) [2’58]
    Farnace, RV 711 (1727)
    Libretto: Antonio Maria Lucchini
    4 Gelido in ogni vena (Farnace) [9’23]
    Arsilda, regina di Ponto, RV 700 (1716)
    Libretto: Domenico Lalli
    5 Tornar voglio al primo ardore (Barzane) [4’14]
    Orlando furioso, RV 728 (1727)
    Libretto: Grazio Braccioli, after Ludovico Ariosto
    6 Sol da te, mio dolce amore (Ruggiero) [9’31]
    Michele Favaro, transverse flute
    Ottone in villa, RV 729 (1713)
    Libretto: Domenico Lalli, after Francesco Maria Piccioli
    7 Misero spirto mio (Tullia) [4’35]
    Orlando furioso
    8 Nel profondo cieco mondo (Orlando) [4’08]
    Farnace
    9 Forse, o caro, in questi accenti (Tamiri) [7’22]
    La veritá in cimento
    10 Cara sorte di chi nata (Rustena) [4’26]
    Anna Fusek, recorder
    Griselda, RV 718 (1735)
    Libretto: Apostolo Zeno, rev. Carlo Goldoni, after Giovanni Boccaccio
    11 Ho il cor già lacero (Griselda) [4’31]
    L’incoronazione di Dario, RV 719 (1717)
    Libretto: Adriano Morselli
    12 Non mi lusinga vana speranza (Oronte) [5’51]
    Orlando finto pazzo, RV 727 (1714)
    Libretto: Grazio Braccioli
    13 Lo stridor, l’orror d’ Averno (Ersilla) [4’13]
    14 Anderò, volerò, griderò (Origille) [1’55]
    L’Olimpiade, RV 725 (1734)
    Libretto: Pietro Metastasio
    15 Mentre dormi Amor fomenti (Licida) [7’56]
    Gianfranco Dini, horn
    EXCLUSIVE DIGITAL TRACK
    Orlando furioso
    16 Tu sei degl' occhi miei (Angelica) [3’07]

    Performers:
    Magdalena Kožená (mezzo-soprano)

    Michele Favaro (transverse flute - track 6)
    Anna Fusek (recorder - track 10)
    Gianfranco Dini (horn - track 15)

    Venice Baroque Orchestra
    Andrea Marcon, conductor

    Exact Audio Copy V1.3 from 2. September 2016

    EAC extraction logfile from 14. August 2018, 13:50

    Magdalena Kožená / Magdalena Kozená Sings Vivaldi

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    ==== Log checksum 6A12C59B9B830FCD3B4D7A775879DA367895AB34A9E7D34A4868337E1002B3CB ====

    Thanks to the Original ripper (unknown)!

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