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Madeleine Peyroux - The Blue Room (2013) CD + DVD Limited Edition

Posted By: Designol

Date: 10 Jun 2024 17:18:28

On The Blue Room, her second Decca recording, Madeleine Peyroux and producer Larry Klein re-examine the influence of Ray Charles' revolutionary 1962 date, Modern Sounds in Country and Western Music. They don't try to re-create the album, but remake some of its songs and include others by composers whose work would benefit from the genre-blurring treatment Charles pioneered. Bassist David Pilch, drummer Jay Bellerose, guitarist Dean Parks, and pianist/organist Larry Goldings are the perfect collaborators. Most these ten tracks feature string arrangements by Vince Mendoza. Five tunes here are reinterpretations of Charles' from MSICAWM. "Take These Chains" commences as a sultry jazz tune, and in Peyroux's vocal, there is no supplication – only a demand. Parks' pedal steel moves between sounding like itself and a clarinet. Goldings' alternating B-3 and Rhodes piano offer wonderful color contrast and make it swing. Her take on "Bye Bye Love" feels as if it's being narrated to a confidante, and juxtaposes early Western swing with a bluesy stroll. A rock guitar introduces "I Can't Stop Loving You," but Peyroux's phrasing has more country-blues in it than we've heard from her before. The use of a trumpet in "Born to Lose" and "You Don't Know Me," with Mendoza's dreamy strings, allow for Peyroux to deliver her most stylized jazz performances on the set. Buddy Holly's "Changing All the Changes" contains the same happy bump as the original, but there isn't any ache in Peyroux's vocal; it's all declaration. The simmering, busted blues in Randy Newman's "Guilty" reveals he could have written the tune for Little Willie John or Patsy Cline. Both singer and producer prove that John Hartford's "Gentle on My Mind" can be as much a jazz-pop tune as a country song. The shuffling train motion in Glen Campbell's iconic version has been traded for a less hurried pace. Peyroux employs her Billie Holiday-influenced phrasing to excellent effect. Mendoza's restrained strings color the tune from a simple, directly conveyed love song to an intimate reverie offered over time and distance; Goldings' shimmering piano and Parks' ringing guitar make it nearly elastic. Warren Zevon's "Desperadoes Under the Eaves" illustrates better than any selection here that Charles' approach to country to transcend genre and tell universal stories was indeed genius. Peyroux, her band, and Mendoza's strings offer a nearly cinematic legend of old Hollywood envisioned through the eyes of one of its most seasoned and heartbroken denizens. The singer leans out of the arrangements and into the depths of her heart, conveying loss and loneliness to the listener directly. The Blue Room is a brave experiment, but one that pays off handsomely. For anyone who hasn't spent time with Charles' classic country recordings, it doesn't matter, because what's here stands confidently on its own; for those who have, that experience will provide an additional reward. [A CD/DVD version featuring a documentary and two videos was also released.]

Review by Thom Jurek, Allmusic.com

The nucleus of Madeleine Peyruoux's The Blue Room is Ray Charles' Modern Sounds In Country And Western Music (ABC, 1962). It was an idea percolating in the brain of long-time Peyroux producer Larry Klein, who was considering a re-examination of the Charles classic and evolved into something more than a simple homage, something with the same intention as Charles had fifty years ago. Collaborating with Peyroux, Klein decided on other songs the two favored, adding to the Charles Country canon Randy Newman's "Guilty," Warren Zevon's "Desperado's Under the Eaves" and John Hartford's "Gentle On My Mind," as well as Leonard Cohen's "Bird on a Wire" and the rare "Changing All Those Changes" by Buddy Holly. The result is this ravishing collection of North Americana.

Using only the sparest core keyboard-guitar quartet led by Larry Goldings, Peyroux re-imagines this material, giving its spirit a second generation of consideration. The Charles material was provocative and controversial to begin with, bucking the conventional wisdom of the period recording industry, earning its I-told-you-so genius rating for Charles. While Peyroux's approach is not as shockingly genre-shattering, it is nevertheless a progression using this older music as a vehicle to great effect. Regarding the Charles material, Goldings' use of electric piano is a nice tip-of-the-hat to Charles a la "What'd I Say?" as Vince Mendoza's strings arrangements are for the same.

Peyroux's voice is a paradox. Clearly informed by Billie Holiday, for which she has been criticised and praised, Peyroux has assimilated this influence into an instrument as unique as it is progressive. She infuses this famous music with a languid pathos, whose essence is like that familiar but undefinable aroma wafting from the family memory kitchen. "Bird on a Wire" and "Gentle on My Mind" are all morphine and molasses while "Desperado Under the Eaves" and "Guilty" are polished to an antique brass gleam. Peyroux is using a formula used earlier by Cassandra Wilson in the 1990s, one where pop, country and folk songs are given a contemporary makeover. Where Wilson did this very organically, Peyroux retains the more modern jazz trappings, conservatively rendering the old music to make some of the most progressive mainstream art realized.

Review by C. Michael Bailey, AllAboutJazz.com

Madeleine Peyroux at Allmusic
Madeleine Peyroux at Wiki

Personnel:
Madeleine Peyroux: vocals;
Larry Goldings: keyboards; Dean Parks: guitars;
David Piltch: bass; Jay Bellerose: drums;
Larry Klein: arrangements;
Vince Mendoza: string arrangements.

Tracklist:

01. Take These Chains From My Heart (3:13)
02. Bye Bye Love (3:28)
03. Canging All Those Changes (3:10)
04. Born To Lose (4:28)
05. Guilty (3:51)
06. Bird On A Wire (5:37)
07. I Can't Stop Loving You (4:18)
08. Gentle On My Mind (6:42)
09. You Don't Know Me (4:02)
10. Desperadoes Under The Eaves (extended version) (5:26)
11. I Love You 'So Much It Hurts (bonus track) (3:22)

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

Отчёт EAC об извлечении, выполненном 16. мая 2014, 10:27

Madeleine Peyroux / The Blue Room [limited edition]

Дисковод: PIONEER DVD-RW DVR-218L Adapter: 0 ID: 0

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Обработка зазоров : Добавлено к предыдущему треку

Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 128 kBit/s
Качество : Высокий
Добавление ID3-тега : Нет
Утилита сжатия : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Дополнительные параметры : -V -7 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%

TOC извлечённого CD

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––––––––––––––––––––––––––––––––––-
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11 | 44:15.04 | 3:21.39 | 199129 | 214242

Трек 1

Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\01 Take These Chains From My Heart.wav

Длина предзазора 0:00:02.00

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CRC теста 2C91EC6E
CRC копии 2C91EC6E
Точное извлечение (достоверность 21) [F6495F8E] (AR v2)
Копирование… OK

Трек 2

Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\02 Bye Bye Love.wav

Длина предзазора 0:00:01.50

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CRC теста 6BDE035C
CRC копии 6BDE035C
Точное извлечение (достоверность 21) [FC16AEAE] (AR v2)
Копирование… OK

Трек 3

Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\03 Canging All Those Changes.wav

Длина предзазора 0:00:01.30

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CRC копии 7067B397
Точное извлечение (достоверность 22) [60D1FFE2] (AR v2)
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Трек 4

Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\04 Born To Lose.wav

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CRC копии 8BA6567E
Точное извлечение (достоверность 21) [1C73828E] (AR v2)
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Трек 5

Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\05 Guilty.wav

Длина предзазора 0:00:01.40

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CRC копии AB673623
Точное извлечение (достоверность 21) [A0F32A14] (AR v2)
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Трек 6

Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\06 Bird On A Wire.wav

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CRC копии B784D080
Точное извлечение (достоверность 21) [0FD9CF9C] (AR v2)
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Трек 7

Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\07 I Can't Stop Loving You.wav

Длина предзазора 0:00:00.50

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CRC теста B7EAD888
CRC копии B7EAD888
Точное извлечение (достоверность 21) [0341B373] (AR v2)
Копирование… OK

Трек 8

Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\08 Gentle On My Mind.wav

Длина предзазора 0:00:01.09

Пиковый уровень 99.3 %
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CRC теста 4F2DA8A4
CRC копии 4F2DA8A4
Точное извлечение (достоверность 21) [C8468AC1] (AR v2)
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Трек 9

Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\09 You Don't Know Me.wav

Длина предзазора 0:00:01.39

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CRC теста ED11C68B
CRC копии ED11C68B
Точное извлечение (достоверность 21) [75B0D939] (AR v2)
Копирование… OK

Трек 10

Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\10 Desperadoes Under The Eaves (extended version).wav

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CRC теста 9C5C697F
CRC копии 9C5C697F
Точное извлечение (достоверность 21) [0D480EB2] (AR v2)
Копирование… OK

Трек 11

Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\11 I Love You 'So Much It Hurts (bonus track).wav

Длина предзазора 0:00:06.11

Пиковый уровень 100.0 %
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CRC теста 9AFAF0FE
CRC копии 9AFAF0FE
Точное извлечение (достоверность 21) [C5563800] (AR v2)
Копирование… OK

Все треки извлечены точно

Ошибок не произошло

Конец отчёта

==== Контрольная сумма отчёта C9D61D10B441AB198CE9EB42AF78918468950955380151C568F4B9F302327181 ====

CUETools log

[CUETools log; Date: 09.04.2018 20:56:28; Version: 2.1.4]
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[AccurateRip ID: 00128236-00a494b0-940b280b] found.
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DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-04-09 19:53:39

––––––––––––––––––––––––––––––––––––––––
Analyzed: Madeleine Peyroux / The Blue Room [limited edition]
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 0.00 dB -9.94 dB 3:13 01-Take These Chains From My Heart
DR9 0.00 dB -10.15 dB 3:28 02-Bye Bye Love
DR8 0.00 dB -9.81 dB 3:10 03-Canging All Those Changes
DR9 0.00 dB -10.85 dB 4:28 04-Born To Lose
DR9 0.00 dB -10.99 dB 3:51 05-Guilty
DR10 0.00 dB -13.11 dB 5:37 06-Bird On A Wire
DR8 0.00 dB -9.83 dB 4:18 07-I Can't Stop Loving You
DR9 -0.06 dB -12.30 dB 6:42 08-Gentle On My Mind
DR8 0.00 dB -10.25 dB 4:02 09-You Don't Know Me
DR9 0.00 dB -11.52 dB 5:26 10-Desperadoes Under The Eaves (extended version)
DR10 0.00 dB -12.44 dB 3:22 11-I Love You 'So Much It Hurts (bonus track)
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR9

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 861 kbps
Codec: FLAC
================================================================================

DVD Content:

01. The Blue Room - On Film: A Documentary (Video) (29:27)
02. Changing All Those Changes (Music Video) (3:33)
03. I Can't Stop Loving You (Live & Unplugged) (Acoustic Video) (4:57)

All thanks to original releaser

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