Tags
Language
Tags
June 2025
Su Mo Tu We Th Fr Sa
1 2 3 4 5 6 7
8 9 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28
29 30 1 2 3 4 5
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

    ( • )( • ) ( ͡⚆ ͜ʖ ͡⚆ ) (‿ˠ‿)
    SpicyMags.xyz

    Macmillan: Tenebrae Responsories - Martin Baker, Choir Of Westminster Cathedral (2013)

    Posted By: peotuvave
    Macmillan: Tenebrae Responsories - Martin Baker, Choir Of Westminster Cathedral (2013)

    Macmillan: Tenebrae Responsories - Martin Baker, Choir Of Westminster Cathedral (2013)
    EAC Rip | Flac (Tracks + cue + log) | 1 CD | Full Scans | 266 MB
    Genre: Classical | Label: Hyperion | Catalog Number: 67970

    Westminster Cathedral Choir returns to acclaimed Scottish composer James MacMillan, whose powerful, passionate and luminous music has made him one of the best-loved choral composers of today. Included on this recording is a dramatic setting of the Tenebrae Responsories, a spiritually engaging and emotionally involving work which relates back in its searing intensity and some of its choral effects to Seven Last Words from the Cross (1993) (recorded on Hyperion CDA67460), one of MacMillan’s seminal earlier works.

    The choir is joined by London Brass for jubilant settings of Tu es Petrus, Summae Trinitati and Ecce sacerdos magnus.

    Composer: James MacMillan
    Performer: Peter Stevens
    Conductor: Martin Baker
    Orchestra/Ensemble: Westminster Cathedral Choir, London Brass

    Reviews: This is the second disc of music by James MacMillan that Martin Baker and his Westminster Cathedral Choir have made for Hyperion. Their previous disc was made as long ago as 2000 and led Simon Foster, at the end of his review, to describe the composer as “a unique and vital voice in British music making.” I couldn’t agree more and the many discs of MacMillan that I’ve heard since then have simply reinforced that view.

    This new programme gets off to a stunning start with the hugely imposing Tu es Petrus. This was written for the visit by Pope Benedict XVI to Westminster Cathedral in 2010 during his Papal Visit to the British Isles. To say that the piece makes a considerable impact, recorded in the vast building for which it was written, would be an understatement. MacMillan’s writing features potent deep organ sonorities, majestic writing for the brass and the choir delivers the vocal parts with thrilling attack. Right at the end of the disc we hear a shortened instrumental version of the same music which was played during the Gospel procession at the same Mass. There are other ceremonial pieces on the programme. One is Ecce sacerdos magnus, written for the consecration service of the Bishop of Aberdeen in 2011. This is much simpler in design: men’s voices sing a unison melody accompanied by organ. The writing is fairly restrained and simple but interest is added by the inclusion of parts for two shining trumpets. Summae Trinitati, written for the consecration of Archbishop Nichols of Westminster is more ceremonial with its brass fanfares, though it’s not on the same scale as Tu es Petrus; it includes a more gentle, reflective central section.

    Also composed for the installation of Archbishop Nichols is Benedictus Deus. This is a cappella but, like its companion piece, it includes a good deal of arresting writing, even when the music is quiet. The vocal lines contain quite an amount of the ‘Gaelic’ ornamentation that is so often heard in MacMillan’s vocal music. Ave maris stella is a lovely piece, written for Truro Cathedral. Throughout the music moves in block chords yet within that discipline MacMillan fashions a great deal of variety. The piece begins quietly but contains some stronger episodes. The soaring treble line that adorns the lovely Amens makes for a marvellous conclusion.

    Tota pulchra es is a real surprise packet. In his good notes Paul Spicer reminds us of the serene settings to which we’re used by composers such as Duruflé and Bruckner. MacMillan’s response to the text is a world away from these gentle, prayerful settings. He has written an unbridled, dancing and joyful setting. The extrovert piece features a spectacular independent organ part, which sounds magnificent on the Westminster Cathedral organ. The music has great energy and makes for a fine contrast with Ave maris stella. This is a fabulous, celebratory piece and it’s superbly performed here.

    The only piece about which I’m unsure is After Virtue and that’s because I don’t yet understand it. It’s really a secular piece and, most unusually, MacMillan has chosen to set not just a passage of prose but the last page of a book of the same name by the contemporary author, Alisdair MacIntyre, which the composer describes as “a landmark tome in moral philosophy and a profound criticism of modern moral discourse.” The words are not an easy read and I’m not sure that comprehension is aided by the fact that we see the words out of their context. This is a work with which I need to engage more, I think.

    It will be noted that while almost all the music on this disc was written in the last few years The Edinburgh Te Deum was written as long ago as 1978. This is a product of MacMillan’s undergraduate days at Edinburgh University but it was never performed at the time - perhaps because the music was beyond the capabilities of a student choir? - and it had to wait for its first performance until November 2011 when it was sung in Westminster Cathedral. Even at the age of 21 MacMillan was writing assured, arresting vocal music and the important organ part is stretching too. I’m amazed that this often powerful setting lay hidden from public gaze for so long.

    The most extended work on the disc is the set of three Tenebrae Responsories. I first encountered these remarkable pieces in the excellent recording by the ensemble that commissioned them, Cappella Nova. It was Gary Higginson’s review that alerted me to the availability of the disc and I lost no time in adding it to my collection. I dissent from Gary’s view that there are times in this work when MacMillan appears to be going through the motions and, with no disrespect to Cappella Nova, I wonder if he might revise his view were he to hear this searing Westminster performance. I would not for one minute suggest that the new recording is ‘better’ than the Cappella Nova for both have a great deal to commend them but they are very different. In the first place the Westminster choir is significantly larger than Cappella Nova which, if I read the booklet correctly, numbered eight singers for this work. A key difference is that Cappella Nova comprised adult singers - all professionals, I think - including female sopranos whereas the Westminster choir has boy trebles on the top line. Finally, Linn’s recording of Cappella Nova - which is very good indeed - was made in what I suspect was a smaller acoustic at Greyfriars Kirk in Edinburgh and the singers are rather closer to the microphones. The Westminster choir is somewhat further away from the microphones and they’re singing in the vast space of the cathedral. The result is a more resonant recording and the Westminster choir, its trebles in particular, has a cutting edge to the sound which offers a different perspective on the music. Nowhere is this more apparent than in the third Responsory where the trebles’ repeated cries of ‘Jesum’ are almost strident - and I mean that as a genuine compliment; the sound really suits the music. Earlier on, at the very start of the work I think that a combination of the recording and the sound of the choir means that the Westminster singers impart more of a sense of sepulchral gloom to MacMillan’s music. At the very end the Westminster Head Chorister, Alexander Hopkins, delivers his taxing solo with tremendous assurance; he has a fine treble voice and, evidently, excellent musical instincts. So, for me, this new recording has the edge though still find a great deal to admire in the Linn recording. Anyone who responds as I do to the searing intensity of MacMillan’s magnificently eloquent Seven Last Words from the Cross will find these Tenebrae Responsories an equally disturbing and moving musical experience.

    This is a splendid disc. The music, as I hope I’ve indicated, is compelling and full of interest. The performances by Martin Baker and his extremely fine choir strike me as well-nigh definitive. The contributions by London Brass and by Peter Stevens at the cathedral’s mighty organ add significantly to the experience. The Hyperion recording team of producer Adrian Peacock and engineer David Hinitt have produced, as they so often do, an excellent recording which reveals lots of detail yet conveys the ambience of the cathedral’s large and no doubt tricky acoustic. This is a disc that shows yet again that James MacMillan is one of the most articulate and compelling of contemporary composers.

    Tracklisting:

    1. Tota pulchra es, for chorus & organ by James MacMillan
    Performer: Peter Stevens (Organ)
    Conductor: Martin Baker
    Orchestra/Ensemble: Westminster Cathedral Choir

    2. Tenebrae Responsories, for chorus by James MacMillan
    Conductor: Martin Baker
    Orchestra/Ensemble: Westminster Cathedral Choir
    Period: Contemporary

    3. Serenity by James MacMillan
    Conductor: Martin Baker
    Orchestra/Ensemble: Westminster Cathedral Choir
    Written: 2009

    4. Benedictus Deus, for chorus by James MacMillan
    Conductor: Martin Baker
    Orchestra/Ensemble: Westminster Cathedral Choir

    5. Dignus est Agnus by James MacMillan
    Conductor: Martin Baker
    Orchestra/Ensemble: Westminster Cathedral Choir

    6. Summae Trinitati by James MacMillan
    Conductor: Martin Baker
    Orchestra/Ensemble: Westminster Cathedral Choir, London Brass
    Written: 2009

    7. Ave maris stella by James MacMillan
    Conductor: Martin Baker
    Orchestra/Ensemble: Westminster Cathedral Choir
    Written: 2011

    8. After Virtue by James MacMillan
    Conductor: Martin Baker
    Orchestra/Ensemble: Westminster Cathedral Choir

    9. Serenity by James MacMillan
    Conductor: Martin Baker
    Orchestra/Ensemble: Westminster Cathedral Choir
    Written: 2009

    10. Edinburgh Te Deum by James MacMillan
    Conductor: Martin Baker
    Orchestra/Ensemble: Westminster Cathedral Choir
    Period: 20th Century
    Written: 1978

    11. Ecce sacerdos magnus by James MacMillan
    Conductor: Martin Baker
    Orchestra/Ensemble: Westminster Cathedral Choir, London Brass

    12. Tu es Petrus by James MacMillan
    Conductor: Martin Baker
    Orchestra/Ensemble: Westminster Cathedral Choir, London Brass

    13. Processional on Tu es Petrus by James MacMillan
    Conductor: Martin Baker
    Orchestra/Ensemble: Westminster Cathedral Choir, London Brass

    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 7. September 2013, 10:12

    Martin Baker: Westminster Cathedral Choir / MacMillan - Tenebrae Responsories & Other Choral Works

    Used drive : SlimtypeDVD A DS8A8SH Adapter: 1 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
    Selected bitrate : 512 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 4:12.31 | 0 | 18930
    2 | 4:12.31 | 4:04.71 | 18931 | 37301
    3 | 8:17.27 | 6:43.20 | 37302 | 67546
    4 | 15:00.47 | 6:03.38 | 67547 | 94809
    5 | 21:04.10 | 7:57.38 | 94810 | 130622
    6 | 29:01.48 | 4:54.05 | 130623 | 152677
    7 | 33:55.53 | 5:27.51 | 152678 | 177253
    8 | 39:23.29 | 4:27.30 | 177254 | 197308
    9 | 43:50.59 | 4:32.23 | 197309 | 217731
    10 | 48:23.07 | 4:59.13 | 217732 | 240169
    11 | 53:22.20 | 4:46.56 | 240170 | 261675
    12 | 58:09.01 | 9:16.68 | 261676 | 303443
    13 | 67:25.69 | 3:28.06 | 303444 | 319049
    14 | 70:54.00 | 2:02.54 | 319050 | 328253


    Track 1

    Filename I:\MY RIPS\James MacMillan - Tenebrae Responsories & Other Choral Works (2013) [FLAC] {Hyperion CDA67970}\01 - Tu Es Petrus.wav

    Pre-gap length 0:00:02.00

    Peak level 100.0 %
    Extraction speed 1.2 X
    Track quality 100.0 %
    Test CRC F2952D9E
    Copy CRC F2952D9E
    Track not present in AccurateRip database
    Copy OK

    Track 2

    Filename I:\MY RIPS\James MacMillan - Tenebrae Responsories & Other Choral Works (2013) [FLAC] {Hyperion CDA67970}\02 - Dignus Est Agnus.wav

    Peak level 29.8 %
    Extraction speed 1.3 X
    Track quality 100.0 %
    Test CRC 0F5CA93D
    Copy CRC 0F5CA93D
    Track not present in AccurateRip database
    Copy OK

    Track 3

    Filename I:\MY RIPS\James MacMillan - Tenebrae Responsories & Other Choral Works (2013) [FLAC] {Hyperion CDA67970}\03 - Tenebrae Responsories - 1. Tenebrae Factae Sunt.wav

    Peak level 53.3 %
    Extraction speed 1.5 X
    Track quality 100.0 %
    Test CRC 0A3086C1
    Copy CRC 0A3086C1
    Track not present in AccurateRip database
    Copy OK

    Track 4

    Filename I:\MY RIPS\James MacMillan - Tenebrae Responsories & Other Choral Works (2013) [FLAC] {Hyperion CDA67970}\04 - Tenebrae Responsories - 2. Tradiderunt Me.wav

    Peak level 71.9 %
    Extraction speed 1.5 X
    Track quality 99.9 %
    Test CRC AE19CB00
    Copy CRC AE19CB00
    Track not present in AccurateRip database
    Copy OK

    Track 5

    Filename I:\MY RIPS\James MacMillan - Tenebrae Responsories & Other Choral Works (2013) [FLAC] {Hyperion CDA67970}\05 - Tenebrae Responsories - 3. Jesum Tradidit Impius.wav

    Peak level 76.3 %
    Extraction speed 1.8 X
    Track quality 100.0 %
    Test CRC 0C33A0C7
    Copy CRC 0C33A0C7
    Track not present in AccurateRip database
    Copy OK

    Track 6

    Filename I:\MY RIPS\James MacMillan - Tenebrae Responsories & Other Choral Works (2013) [FLAC] {Hyperion CDA67970}\06 - Summae Trinitati.wav

    Peak level 97.8 %
    Extraction speed 1.9 X
    Track quality 100.0 %
    Test CRC E93EB04A
    Copy CRC E93EB04A
    Track not present in AccurateRip database
    Copy OK

    Track 7

    Filename I:\MY RIPS\James MacMillan - Tenebrae Responsories & Other Choral Works (2013) [FLAC] {Hyperion CDA67970}\07 - Benedictus Deus.wav

    Peak level 61.4 %
    Extraction speed 1.8 X
    Track quality 99.9 %
    Test CRC 0602D9F4
    Copy CRC 0602D9F4
    Track not present in AccurateRip database
    Copy OK

    Track 8

    Filename I:\MY RIPS\James MacMillan - Tenebrae Responsories & Other Choral Works (2013) [FLAC] {Hyperion CDA67970}\08 - Ave Maris Stella.wav

    Peak level 39.4 %
    Extraction speed 2.1 X
    Track quality 100.0 %
    Test CRC 469FED6D
    Copy CRC 469FED6D
    Track not present in AccurateRip database
    Copy OK

    Track 9

    Filename I:\MY RIPS\James MacMillan - Tenebrae Responsories & Other Choral Works (2013) [FLAC] {Hyperion CDA67970}\09 - Tota Pulchra Es.wav

    Peak level 97.8 %
    Extraction speed 2.1 X
    Track quality 100.0 %
    Test CRC D3DEA8A9
    Copy CRC D3DEA8A9
    Track not present in AccurateRip database
    Copy OK

    Track 10

    Filename I:\MY RIPS\James MacMillan - Tenebrae Responsories & Other Choral Works (2013) [FLAC] {Hyperion CDA67970}\10 - After Virtue.wav

    Peak level 82.1 %
    Extraction speed 2.2 X
    Track quality 100.0 %
    Test CRC B35E10A4
    Copy CRC B35E10A4
    Track not present in AccurateRip database
    Copy OK

    Track 11

    Filename I:\MY RIPS\James MacMillan - Tenebrae Responsories & Other Choral Works (2013) [FLAC] {Hyperion CDA67970}\11 - Serenity.wav

    Peak level 63.2 %
    Extraction speed 2.3 X
    Track quality 100.0 %
    Test CRC EB44DBF2
    Copy CRC EB44DBF2
    Track not present in AccurateRip database
    Copy OK

    Track 12

    Filename I:\MY RIPS\James MacMillan - Tenebrae Responsories & Other Choral Works (2013) [FLAC] {Hyperion CDA67970}\12 - The Edinburgh Te Deum.wav

    Peak level 98.0 %
    Extraction speed 2.6 X
    Track quality 100.0 %
    Test CRC 9EC3F033
    Copy CRC 9EC3F033
    Track not present in AccurateRip database
    Copy OK

    Track 13

    Filename I:\MY RIPS\James MacMillan - Tenebrae Responsories & Other Choral Works (2013) [FLAC] {Hyperion CDA67970}\13 - Ecce Sacerdos Magnus.wav

    Peak level 55.8 %
    Extraction speed 2.4 X
    Track quality 100.0 %
    Test CRC 52302E55
    Copy CRC 52302E55
    Track not present in AccurateRip database
    Copy OK

    Track 14

    Filename I:\MY RIPS\James MacMillan - Tenebrae Responsories & Other Choral Works (2013) [FLAC] {Hyperion CDA67970}\14 - Processional On Tu Es Petrus.wav

    Peak level 94.6 %
    Extraction speed 2.2 X
    Track quality 100.0 %
    Test CRC F02359BB
    Copy CRC F02359BB
    Track not present in AccurateRip database
    Copy OK


    None of the tracks are present in the AccurateRip database

    No errors occurred

    End of status report

    ==== Log checksum 91D230BE237E164937B94C83A7384837B6A0967DD6D185FCAA21B1F0294D3586 ====



    Thanks to the original releaser