London Baroque - The Trio Sonata in 17th-Century France (2005)
London Baroque - The Trio Sonata in 17th-Century France (2005)
EAC | FLAC | Image (Cue & Log) ~ 415 Mb | Total time: 69:56 | Scans included
Classical | Label: BIS Records | # BIS-1465 | Recorded: 2004
EAC | FLAC | Image (Cue & Log) ~ 415 Mb | Total time: 69:56 | Scans included
Classical | Label: BIS Records | # BIS-1465 | Recorded: 2004
The Italian-style trio sonata, honed by Corelli into a monument of seventeenth century classicism with its perfect balance of new-found tonality and assimilation of dance forms into art music, had a hard time finding a foothold in France. Among other aspects, the unwillingness to abandon the dance suite – possibly caused by the privileged position of ballet as a royal pastime at the court of Louis XIV – meant that French composers waited until the end of the century to compose "proper" trio sonatas. But a great deal of experimentation with the form went on before that, and not surprisingly one of the experimenters was the Italian "immigrant" Lully. His rôle at the court of the Sun-king included providing small-scale works for the Coucher du Roi, the nightly ceremony marking the king's withdrawal to bed. Beginning with some of these “bed-chamber pieces”, and comprising composers both unknown (Geoffroy, Clérambault) and well-known (Marais, Louis Couperin), this fascinating survey of the development of the trio sonata in 17th century France includes La Superbe by François Couperin – who in 1725 was to write L'apothéose de Lully (BIS-CD-1275), in which he proclaims the divine nature of his forerunner – and fittingly concludes with Jean-Ferry Rebel's Tombeau de Monsieur Lully, a synthesis of the 17th century lament with the new Italian trio sonata style. This disc is a sequel to BIS-CD-1455, on which London Baroque with incomparable expertise explored the same period in England, to the critics' acclaim – for example in The Strad: "These carefully considered performances radiate real empathy with the idiom, and the vitality and rhetoric with which violinists Ingrid Seifert and Richard Gwilt infuse their interpretations is emphatically illuminating.
Performer:
London Baroque:
Ingrid Seifert, violin
Richard Gwilt, violin
Charles Medlam, bass viol
Terence Charlston, harpsichord
Track List:
Jean-Baptiste Lully (1632-1687)
Trios pour le Coucher du Roi
01. Symphonie
02. Sarabande
03. Menuet
04. Chaconne
Jean Nicolas Geoffroy (?-1694)
05. Dialogue pour le clavessin et les violes
Louis Couperin (1626-1661)
06. Simphonie
07. Dialogue
François Couperin (1668-1733)
La Superbe
08. I.
09. II. Légèrement
10. III. Très lantement
11. IV. Légèrement
12. V. Air tendre
13. VI. Gayement
Gaspard Le Roux (1660-1707)
Suite No.2 in D major
14. I. Allement grave
15. II. Courante
16. III. Sarabande
17. IV. Gavotte en Rondeau
Louis-Nicolas Clérambault (1676-1749)
Sonata in G major La Félicité
18. I. Lentement - Allegro - Lent
19. II. Allegro
20. III. Piano
21. IV. Allegro
Marin Marais (1656-1728)
Suite in G minor from Pièces en Trio
22. Prélude
23. Sarabande I
24. Gigue
25 Menuet I & II
26. Plainte
27. Petitte Passacaille
28. Air
Jean-Féry Rebel (1666-1747)
Tombeau de Monsieur Lully for two violins and b.c.
29. I. Lentement
30. II. Vif
31. III. Lentement
32. IV. Vivement
33. V. Les Regrets
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 11. July 2013, 11:54
London Baroque / The Trio Sonata in 17th-Century France
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==== Log checksum B35EBFE046B413E7E6788637C78CDBF0C7CF6F5CC97090159A6FE3F2A3F3C396 ====
London Baroque - The Trio Sonata in 17th-Century France (2005)
Thanks to the original releaser