Cannonball Adderley Quintet - Liederhalle Stuttgart '69 (2018)
Cannonball Adderley Quintet - Liederhalle Stuttgart '69 (2018)
Jazz | WEB FLAC (tracks) & d. booklet | 238 MB
Label: 2xHD | Tracks: 05 | Time: 38:30 min
Jazz | WEB FLAC (tracks) & d. booklet | 238 MB
Label: 2xHD | Tracks: 05 | Time: 38:30 min
This 1959 album captured a famous date indeed, with Cannonball and brother Nat leading the way through This Here among other tunes. Throughout the decade when pop ruthlessly swept jazz aside, the Adderley brothers managed to stay in business with their distinctive “spirit of the south” – an optimistic, life-affirming style of modern jazz, bursting with colour yet steeped in the blues. The Liederhalle concert was the highlight of the Cannonball Adderley Quintet’s 1969 European tour.
From soul and blues (Sweet Emma, Oh Babe) to free-form contemporary (The Painted Desert) and lollypops cleverly combined with commercialism ((Work Song), the audience that night witnessed the sublime art of the quintet
„Hot on the heels of session work with Miles Davis and his Kind of Blue-era group, alto saxophonist Cannonball Adderley recorded this excellent live date with his brother, cornetist Nat Adderley, along with pianist Bobby Timmons, bassist Sam Jones, and drummer Louis Hayes. The Cannonball Adderley Quintet in San Francisco defined the accessible, yet technically challenging, soul-jazz that Adderley would be associated with for the rest of his career. The warm, exuberant feel of the quintet is especially evident on the set's two finest tracks – a spirited take on Randy Weston's "Hi-Fly," and on Timmons' swinging "This Here." Two of Adderley's own compositions, "Spontaneous Combustion" and "You Got It!," blend blazing post-bop dexterity with pulsing, infectious blues structures. Both Cannonball and Nat Adderley play with stunning, bluesy brilliance here, while the rhythm section ably anchors the proceedings. Outside of Somethin' Else, Adderley's 1958 masterpiece, In San Francisco may be the saxophonist's defining moment.“ (Anthony Tognazzini, AMG)
Tracklist:
1 Work Song 04:47
2 Rumpelstiltskin 12:11
3 Sweet Emma 04:26
4 Why Am I Treated so Bad 08:09
5 Painted Desert 08:55
Personnel:
Cannonball Adderley, saxophone
Nat Adderley, cornet
Bobby Timmons, piano
Sam Jones, bass
Louis Hayes, drums
Recorded live October 18 and 20, 1959 at The Jazz Workshop, San Francisco
Engineered by Reice Hamel
Produced by Orrin Keepnews
Digitally remastered
PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1
Copyright © 2008-2010 y-soft. All rights reserved
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
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FILE: 03. Sweet Emma.flac
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Conclusion: CDDA 100%
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FILE: 02. Rumpelstiltskin.flac
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FILE: 01. Work Song.flac
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Conclusion: CDDA 100%
Signature: D12587BFF4291B7405B6DA391278D91F1584DE0C
Copyright © 2008-2010 y-soft. All rights reserved
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
FILE: 05. Painted Desert.flac
Size: 53116753 Hash: 414812ED5CF3C90F4369FE7FFEC04985 Accuracy: -m0
Conclusion: CDDA 94%
Signature: DEAB44220D46BCD13DC967499A352398425A4F24
FILE: 04. Why Am I Treated so Bad.flac
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Signature: F9EE42B452E15D5FD229F19B263A79DEA839646B
FILE: 03. Sweet Emma.flac
Size: 26574359 Hash: 723CFA7A14B381804AA84C3FCFEB7FBC Accuracy: -m0
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FILE: 02. Rumpelstiltskin.flac
Size: 83757848 Hash: 39A51CF1AA396F320F39503B0E9636A4 Accuracy: -m0
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FILE: 01. Work Song.flac
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Conclusion: CDDA 100%
Signature: D12587BFF4291B7405B6DA391278D91F1584DE0C
Thanks to the Original customer.