Leonardo Garcia Alarcon, Cappella Mediterranea, Clematis - Gioseffo Zamponi: Ulisse all'Isola di Circe (2014)
Leonardo García Alarcón, Cappella Mediterranea, Clematis, Chœur de Chambre de Namur - Gioseffo Zamponi: Ulisse all'Isola di Circe (2014)
EAC | FLAC | Image (Cue & Log) ~ 672 Mb | Total time: 138:11 | Scans included
Classical | Label: Ricercar | # RIC342 | Recorded: 2012
EAC | FLAC | Image (Cue & Log) ~ 672 Mb | Total time: 138:11 | Scans included
Classical | Label: Ricercar | # RIC342 | Recorded: 2012
Ulisse all’isola di Circe was the first opera to be staged in the Southern Netherlands. It was first performed in Brussels on the occasion of Philip IV of Spain’s wedding to Maria-Anna of Austria on 24 February 1650, although we know that the spectacle was revived in 1655 at the express wish of Queen Christina of Sweden.
Gioseffo Zamponi was most likely born in Rome between 1610 and 1620. He made his career in the Southern Netherlands, entering the service of Archduke Leopold-Wilhelm, governor of the Netherlands, in 1648, for whose establishment he composed sacred music and also played.
Ulisse was composed in the new Venetian style and made use of clearly defined character types. The opera not only blends the recitar cantando style with arias but also alternates theatricality with episodes charged with emotion. The splendour of such a rediscovery fired every musician who took part in the work’s resurrection with enthusiasm.
Such a large-scale project as this required the participation of all three ensembles that are regularly led by Leonardo Garcia Alarcón. The Clematis ensemble had first presented the first modern performance of the opera in 2006 as part of the Printemps Baroque du Sablon in Brussels. For this new realisation of the opera, Clematis committed themselves totally to presenting the work with all the splendour that it would have had when it was first performed in Brussels in 1650.
As is always the case with productions mounted for royal weddings, the means employed were impressive: Clematis was expanded to thirty musicians for the occasion - as well as the strings and a large continuo group, the ensemble was also joined by several wind instruments that provided extra orchestral colour and gave each character his own musical identity, given that a number of orchestral ritornelli are provided for each scene.
Led by Leonardo Garcia Alarcón, the singers of the Capella Mediterranea form a perfect cast of soloists for the opera. The solo voices of the Choeur de Chambre de Namur take the remaining roles of Circe’s handmaidens, the chorus of Tritons, the chorus of statues etc.
Performer:
Céline Scheen (Circé)
Furio Zanasi (Ulisse)
Sergio Foresti (Nettuno)
Fernando Guimarães (Euriloco, Tritone secondo, Statua prima, Marte)
Zachary Wilder (Mercurio, Apollo)
Mariana Flores (Venere)
Dominique Visse (Argesta)
Fabian Schofrin (Satiro)
Matteo Bellotto (Giove)
Fernando Guimaraes (Euriloco)
Chœur de Chambre de Namur
Clematis
Cappella Mediterranea
Leonardo García Alarcón, direction
Tracklist:
Gioseffo Zamponi (1600/10-1662)
Ulisse all'Isola di Circe
CD1:
Prologo
01. Sinfonia per Introduttione del Prologo
02. “O voi del vasto Oceano estremi lidi” (Nettuno, Tritone primo, Tritone secondo)
Atto Primo
03. Scena prima - “Doppo lunghe tempeste” (Ulisse)
04. Scena prima - “Il mondo non ha più fi eri terrori” (Ulisse)
05. Scena seconda - “Ecco Euriloco a punto” (Ulisse, Euriloco)
06. Scena terza - “Nova gioia” (Mercurio, Ulisse)
07. Scena quarta - Sinfonia soave
08. Scena quarta - “E pur sei giunto al fine” (Venere)
09. Scena quinta - “Ecco l’ombra gradita” (Circe, Argesta, Lisetta, Dorinda)
10. Scena sesta - “Ma chi fia questi audace” (Circe, Ulisse, Argesta, Lisetta, Dorinda)
11. Scena sesta - “Credo si, o no” (Ulisse, Argesta, Circe)
12. Scena sesta - “Languisco” (Circe, Ulisse)
13. Scena settima - “L’auretta gradita” (Argesta, Choro d’Aure, Circe)
14. Scena ottava - “Huom superbo” (Satiro)
Atto Secondo
15. Scena prima - Sinfonia per Introduttione del secondo Atto
16. Scena prima - “Non è maggior tormento” (Argesta)
17. Scena seconda - “Deh ti mova à pietade” (Prima statua, Ulisse, Seconda statua, Choro di statue)
18. Scena terza - “Scender dal ciel viddi io” (Mercurio)
19. Scena quarta - “Credi à me che tal hor da un guardo affi so” (Venere, Circe)
CD2:
01. Scena quarta - “Da lo strale d’Amor fugga chi può” (Venere)
02. Scena quinta - “Ancor non resti” (Mercurio, Venere)
03. Scena sesta - “Come fuor del costume ti veggio si dolente amato Ulisse?” (Circe, Ulisse, Choro di statue)
Atto Terzo
04. Scena prima - Sinfonia
05. Scena prima - “Vaghe chiome dorate” (Circe, 2 damigelle, Argesta)
06. Scena prima - “Questa fi na e bianca polvere” (Circe)
07. Scena seconda - “La mia stella vincitrice” (Venere)
08. Scena terza - “Dunque, ancora si teme” (Mercurio, Ulisse)
09. Scena quarta - “Con si breve intervallo” (Circe, Ulisse, Argesta, Choro di damigelle)
10. Scena quinta - “Già spirano sì lieti” (Euriloco, Ulisse)
11. Scena sesta - “Agitati pensieri” (Venere, Mercurio)
12. Scena ultima - Sinfonia
13. Scena ultima - “Dal mio Trono di Luce ove giocondo” (Giove)
14. Scena ultima - “Gran Tonante” (Choro di Marte, Pallade, Apollo et Venere)
15. Scena ultima - “Così saggia e così forte” (Choro di Tutti)
Exact Audio Copy V1.2 from 12. August 2016
EAC extraction logfile from 13. May 2019, 23:56
Leonardo García Alarcón, Clematis / Ulisse all’Isola di Circe (Disc 1 of 2)
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Defeat audio cache : Yes
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==== Log checksum CF63D664DCEBAE1FB32FDA2F3B41F8E99EDC663D497F79516E3331DF2EAD9A33 ====
Exact Audio Copy V1.2 from 12. August 2016
EAC extraction logfile from 13. May 2019, 23:00
Leonardo García Alarcón, Clematis / Ulisse all’Isola di Circe (Disc 2 of 2)
Used drive : MATSHITADVD-RAM UJ8G6 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 103
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
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Peak level 100.0 %
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Copy CRC 09D9B4F0
Copy OK
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==== Log checksum 8D245EAD89955A9483F0CDC3A79F670E8FBD6B6BE611ED58BC9F2D1960AA9177 ====
Leonardo Garcia Alarcon, Cappella Mediterranea, Clematis - Gioseffo Zamponi: Ulisse all'Isola di Circe (2014)
Thanks to the original releaser