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    Jubilant Sykes, Baltimore SO, Marin Alsop - Leonard Bernstein: Mass (2009) 2CDs

    Posted By: Designol
    Jubilant Sykes, Baltimore SO, Marin Alsop - Leonard Bernstein: Mass (2009) 2CDs

    Leonard Bernstein - Mass (2009) 2CDs
    Jubilant Sykes, Celebrant; Asher Edward Wulfman, Boy Soprano; Morgan State University Choir;
    Peabody Children's Chorus; Baltimore Symphony Orchestra, conducted by Marin Alsop

    EAC | FLAC | Tracks (Cue&Log) ~ 490 Mb | Mp3 (CBR320) ~ 241 Mb | Scans ~ 115 Mb
    Genre: Classical | Label: Naxos | # 8.559622-23 | Time: 01:43:59

    When Leonard Bernstein was asked by Jacqueline Kennedy Onassis to compose the inaugural work for the opening of The John F. Kennedy Center for the Performing Arts in Washington, D.C., he wrote: “The Mass is also an extremely dramatic event in itself—it even suggests a theater work.” Premiered on September 8, 1971, with additional words by Stephen Schwartz of Godspell fame, Mass is a remarkable, visionary work with a kaleidoscope of musical styles that touches on themes of political protest, existential crisis and religious faith lost and found.

    Leonard Bernstein's own version bettered? Yes, indeed! This is, handily, the best sung, best played, most intelligently interpreted recording of Mass currently available. Of course, Bernstein's rendition always will have sterling qualities, including some wonderful solo singers with really characterful “pop” and Broadway voices, but for its sheer musical integrity combined with the advantage of the composer's final revisions to the score, this version is unbeatable. Jubilant Sykes, as the Celebrant, easily outclasses Alan Titus' very fine premiere recording of the role. His voice has more edge; he's more at ease with the various pop idioms; he sounds radiant at the work's opening and grows increasingly desperate as it proceeds. This only serves to make his climactic breakdown tragically believable.

    The various street singers are, one and all, terrific. “God Said” becomes the work's comic climax, which is as it should be. “I believe in God”, “Confession”, “World Without End”, and “Thank You” are both idiomatic and beautifully sung. The children's choir sounds luminous in the Sanctus, while the adult chorus, from Morgan State University, sings with gusto as well as immaculate diction, with every word clearly comprehensible. Marin Alsop knits the whole ensemble together with infallible insight and verve. Her tempos, a bit different from Bernstein's, quicker here (“God Said”), a touch slower there (the wild dance in the Offertory), are no less right.

    It's all fabulously recorded with a glittering impact that never turns unduly aggressive. The multi-textural layering in the climactic Dona Nobis Pacem comes across as both musically and physically overwhelming. Mass has its detractors, but when performed with this kind of conviction the piece can be inexpressibly moving. Alsop never has made a finer recording – it's both a tribute to her mentor Leonard Bernstein, as well as to her exceptional talent as an exponent of his music.

    Review by David Hurwitz, Classics Today

    To all the naysayers, bug-eyed sceptics and disapproving doubting Thomases, listen up: a third apostle has spoken.

    If Leonard Bernstein's own 1971 recording of his Mass (yes, italics – it's a “Theatre Piece for Singers, Players and Dancers”, not a setting of the liturgy) is Gospel, Marin Alsop is the latest disciple to evangelise Bernstein's most ecstatic, charismatic and sanctified music. Compared to the intellectual fence-sitting and crackerbarrel mysticism that – since Holy Minimalism became the latest must-have lifestyle soundtrack – is every place, Bernstein's relationship with God is dangerous, probing, transformational. There are those, of course, who proffer that Bernstein thought he was God, that's why he could stand in defiance against Him. But, no – Mass reveals a man thirsting for faith but petrified of blind acceptance. Bernstein's religion was muscular and intellectualised, and the experience of Mass expands, rather than contracts, the further you travel towards the essence of its cosmology. When Kent Nagano brought down the tablets of stone in 2003, frankly, he dropped some. Jerry Hadley sang the anchoring role of the Celebrant with obedient accuracy but lacked the lusty, unselfconscious mania with which Alan Titus sexed up Bernstein's account. Released earlier this year, Randall Scarlata in Kristjan Järvi's performance preached with soul and fervour: but Alsop's Jubilant Sykes is the best of all possible Celebrants.

    There can be few roles in contemporary music theatre that demand so many sides of a performer. The Celebrant is a near-constant presence on stage throughout the just-short-of-two- hour duration. He must disentangle music of gnarly complexity (“The Word of the Lord”), and bringing appropriate sincerity to writing that could slide towards doe-eyed naivety (“Simple Song”). “The Lord's Prayer”, segueing into “I Go On”, needs an operatic sensibility, while the Celebrant must also swing like a hipster jazzer and declaim with authentic rockist swank.

    And those are just the technical riders. Mass follows the Celebrant to the darkest place a proselytiser for faith can travel – from sneaking doubt towards a full-scale breakdown as, in Bernstein's climactic scene, he trashes the altar and sends the sacraments scattering. Sykes brings an intensity that chills. In his joy is pain; in the agony of his crack-up is hope that does, indeed, ultimately blossom. His voice shakes with James Brown's ecstasy, snarls with Janis Joplin-like indigence and projects through the labyrinth of Bernstein's tricky melodic contours like any trained voice would. Sykes was born to play this part.

    The stage action was Bernstein's parable for 1970s America; an America fighting a controversial war, ravaged by political and racial conflict, and the assassination of anybody who was a force for good. To portray a society in freefall, Bernstein illuminates all its music. At the beginning vocal and percussive fragments leer at the audience from out of quadraphonic speakers like latter-day Ives, and musical modernity breaks out everywhere. An atonal oboe solo sounds like calculated blasphemy, stretching chromatic choral fragments leave singers grasping free-for-all notes in aleatoric freak-outs; tonality gets refracted through tone-rows and clusters. Over this shifting abstraction, Bernstein layers church music, blues, jazz, even a brief quote from Beethoven. This is our world now, Bernstein proclaims: no place for art that thinks it knows itself.

    Just as the Celebrant flips comes the most remarkable passage of all – a funky 10-bar refrain of “Dona nobis pacem” which is reiterated deliriously as blues singers improvise added lines and, eventually, the orchestra is invited to holler above “anything from the entire musical literature”. Although she doesn't drive things quite as far as Bernstein, Alsop ensures this passage pushes the Celebrant over the top and Sykes's portrayal of the breakdown is moving and sensitive; the orchestral playing too, here and throughout, is lusty and unafraid to let go. Järvi's handling of that same moment is more contained, and his tendency is to stress points of demarcation within Bernstein's stylistic smorgasbord. Alsop is pacier, creating a dramatic slipstream that is powered relentlessly onwards by the awkward discontinuities and jagged narrative.

    Even if this atheist cannot quite love the God-fearing D major affirmation of the final scene, as the Celebrant reconnects with his faith, it doesn't matter. The journey – the process of discovery – counts for more. The haughty certainty of bad religious music is bad religion, worse music. Beethoven's Credo from his Missa solemnis, Tippett's A Child of Our Time and Bernd Alois Zimmermann's Requiem for a Young Poet probe the terror of God. Bernstein's Mass sits in that tradition: make our garden grow – go tell it on the mountain.

    Review by Philip Clark, Gramophone

    Jubilant Sykes, Baltimore SO, Marin Alsop - Leonard Bernstein: Mass (2009) 2CDs



    Performers:

    Jubilant Sykes, Celebrant
    Asher Edward Wulfman, Boy Soprano

    Morgan State University Choir
    Dr. Eric Conway, Director

    Peabody Children's Chorus
    Doreen Falby, Director

    Street People: Sarah Uriate Berry, Matt Boehler, Susan Derry, Celisse Henderson,
    Leah Horowitz, Morgan James, Amy Justman, Jodie Langel, Telly Leung, Theresa McCarthy,
    Mike McGowan, Dan Micciche, Joe Paparclla, Max Perlman, Janet Saia, Caesar Samayoa,
    Timothy Shew, Kevin Vortman, J.D. Webster, Laurie Williamson

    Ilya Finkelshteyn, Cello

    Baltimore Symphony Orchestra
    Marin Alsop

    Tracklist:

    CD1:

    01. I. Devotions before the Mass - Antiphon: Kyrie eleison (01:58)
    02. Hymn and Psalm: 'A Simple Song' (04:10)
    03. IN Responsory: Alleluia (01:08)
    04. II. First Introit - Prefactory Prayers (04:59)
    05. Thrice-Triple Canon: Dominus vobiscum (00:42)
    06. III. Second Introit - In nomine Patris (01:57)
    07. Prayer for the Congregation (Chorale: 'Almighty Father') (01:21)
    08. Epiphany (00:54)
    09. IV. Confession - Confiteor (02:10)
    10. Trope: 'I Don't Know' (01:41)
    11. Trope: 'Easy' (04:50)
    12. V. Meditation No. 1 (05:09)
    13. VI. Gloria - Gloria Tibi (01:54)
    14. Gloria in Excelsis (01:15)
    15. Trope: 'Half of the People' (00:59)
    16. Trope: 'Thank You' (02:46)
    17. VII. Meditation No. 2 (03:38)
    18. VIII. Epistle: 'The Word of the Lord' (05:50)
    19. IX. Gospel-Sermon: 'God Said' (04:22)
    20. X. Credo - Credo in unum Deum (01:08)
    21. Trope: 'Non Credo' (02:17)
    22. Trope: 'Hurry' (01:20)
    23. Trope: 'World without End' (01:38)
    24. Trope: 'I believe in God' (02:06)
    25. XI. Meditation No. 3 (De profundis, Part 1) (02:31)
    26. XII. Offertory (De profundis, Part 2) (02:12)

    CD2:

    01. XIII. The Lord's Prayer - Our Father … (01:15)
    02. Trope: 'I Go On' (02:24)
    03. XIV. Sanctus (05:09)
    04. XV. Agnus Dei (06:30)
    05. XVI. Fraction: 'Things Get Broken' (14:21)
    06. XVII. Pax: Communion ('Secret Songs') (09:06)


    Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

    EAC extraction logfile from 20. August 2009, 15:13

    Baltimore Symphony Orchestra, Marin Alsop / Leonard Bernstein: Mass [disk 1]

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    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

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    25 [e33658ae|ac0ef96f] (04+14/33) Accurately ripped
    26 [6f2f5e18|8be22fda] (04+14/34) Accurately ripped
    Offsetted by 568:
    01 [a80ef97f] (03/35) Accurately ripped
    02 [4d719ee6] (03/34) Accurately ripped
    03 [18bbaf36] (03/35) Accurately ripped
    04 [daf3b2c0] (03/35) Accurately ripped
    05 [bc4b20cb] (03/35) Accurately ripped
    06 [10f49eb0] (03/35) Accurately ripped
    07 [e92e97f9] (03/35) Accurately ripped
    08 [0f663fe1] (03/35) Accurately ripped
    09 [f1cd3b5b] (03/35) Accurately ripped
    10 [8375b4cd] (03/35) Accurately ripped
    11 [b69a7f57] (03/35) Accurately ripped
    12 [d0d237ab] (03/35) Accurately ripped
    13 [e2c5377f] (03/34) Accurately ripped
    14 [2db775ca] (03/35) Accurately ripped
    15 [a08f3ba9] (03/35) Accurately ripped
    16 [552c62f6] (03/35) Accurately ripped
    17 [623bbea6] (03/35) Accurately ripped
    18 [feedfe9f] (03/34) Accurately ripped
    19 [b01218df] (03/32) Accurately ripped
    20 [e7b97ce7] (03/33) Accurately ripped
    21 [8e911cc2] (03/33) Accurately ripped
    22 [92e335c9] (03/34) Accurately ripped
    23 [f5373409] (03/34) Accurately ripped
    24 [e2e8c4fa] (03/34) Accurately ripped
    25 [49c816aa] (03/33) Accurately ripped
    26 [15582ef7] (03/34) Accurately ripped
    Offsetted by 538:
    01 [54d1e83c] (00/35) No match (V2 was not tested)
    02 [b414dba2] (00/34) No match (V2 was not tested)
    03 [c41e7aa3] (00/35) No match (V2 was not tested)
    04 [4fff3fc7] (00/35) No match (V2 was not tested)
    05 [a85536b9] (00/35) No match (V2 was not tested)
    06 [9b3a9553] (00/35) No match (V2 was not tested)
    07 [b0dd8aae] (00/35) No match (V2 was not tested)
    08 [84534c4c] (00/35) No match (V2 was not tested)
    09 [014f3cc9] (00/35) No match (V2 was not tested)
    10 [d9d1bcd0] (00/35) No match (V2 was not tested)
    11 [99e06718] (00/35) No match (V2 was not tested)
    12 [98e84481] (00/35) No match (V2 was not tested)
    13 [e666b1ae] (00/34) No match (V2 was not tested)
    14 [ab4c8f22] (00/35) No match (V2 was not tested)
    15 [7a3a1962] (00/35) No match (V2 was not tested)
    16 [8b7cff50] (00/35) No match (V2 was not tested)
    17 [47c95147] (00/35) No match (V2 was not tested)
    18 [75448601] (00/34) No match (V2 was not tested)
    19 [174bfa4d] (00/32) No match (V2 was not tested)
    20 [ed0199c0] (00/33) No match (V2 was not tested)
    21 [93586aaa] (00/33) No match (V2 was not tested)
    22 [9d1d5fe6] (00/34) No match (V2 was not tested)
    23 [510b60cf] (00/34) No match (V2 was not tested)
    24 [6d2d6136] (00/34) No match (V2 was not tested)
    25 [c2a6ac24] (00/33) No match (V2 was not tested)
    26 [742344bc] (00/34) No match (V2 was not tested)

    Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
    – 98,9 [EE67BD42] [17420504]
    01 53,4 [A92166F6] [C43240E0] CRC32
    02 85,1 [515AEB2B] [B6174986] CRC32
    03 46,8 [3F1959B5] [A3C8251F] CRC32
    04 98,9 [36E04C65] [CC9A4BD2] CRC32
    05 34,4 [D0885D93] [4371FD4C] CRC32
    06 32,7 [96F786FC] [663641BF] CRC32
    07 8,6 [E08AC1FC] [8E1706D0] CRC32
    08 79,7 [CF583043] [A03ED201] CRC32
    09 98,9 [858386E1] [8A910984] CRC32
    10 98,9 [C4226698] [60543CDF] CRC32
    11 98,8 [DFA4BCAA] [93916B4D] CRC32
    12 98,8 [3E642186] [506E0646] CRC32
    13 98,8 [26D5C785] [13337AD4] CRC32
    14 98,8 [0BEA6CBB] [70B5967C] CRC32
    15 98,8 [22594286] [2D08A52F] CRC32
    16 47,6 [81889022] [5BADEFDD] CRC32
    17 98,9 [4590C2B0] [656E2486] CRC32
    18 73,0 [A3C1C757] [3C2A8D43] CRC32
    19 98,8 [90331E86] [327EC564] CRC32
    20 61,0 [D524784A] [40E836BD] CRC32
    21 89,6 [7C12A9C0] [55790A8C] CRC32
    22 48,2 [14C1C6F0] [546C7A03] CRC32
    23 78,6 [8D828CAB] [09B6F160] CRC32
    24 98,9 [4F47AD92] [B3207894] CRC32
    25 98,9 [E104018E] [28F33400] CRC32
    26 98,9 [2945F4A7] [F877C9B7] CRC32

    foobar2000 1.6.3 / Dynamic Range Meter 1.1.1
    log date: 2022-11-13 22:43:56

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Baltimore Symphony Orchestra, Marin Alsop / Leonard Bernstein: Mass [disk 1]
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR12 -5.44 dB -21.75 dB 1:59 01-I. Devotions before the Mass - Antiphon
    DR13 -1.39 dB -20.79 dB 4:11 02-I. Devotions before the Mass - Hymn and Psalm
    DR12 -6.59 dB -24.60 dB 1:09 03-I. Devotions before the Mass - Responsory
    DR13 -0.09 dB -16.18 dB 5:00 04-II. First Introit - Prefactory Prayers
    DR13 -9.26 dB -26.21 dB 0:42 05-II. First Introit - Thrice-Triple Canon
    DR11 -9.69 dB -24.90 dB 1:58 06-III. Second Introit - In nomine Patris
    DR11 -21.30 dB -36.54 dB 1:22 07-III. Second Introit - Prayer for the Congregation
    DR14 -1.96 dB -24.38 dB 0:55 08-III. Second Introit - Epiphany
    DR14 -0.09 dB -20.22 dB 2:10 09-IV. Confession - Confiteor
    DR12 -0.10 dB -16.36 dB 1:41 10-IV. Confession - Trope: I don't know
    DR14 -0.10 dB -20.08 dB 4:51 11-IV. Confession - Trope: Easy
    DR17 -0.10 dB -23.89 dB 5:10 12-V. Meditation No. 1
    DR15 -0.10 dB -19.72 dB 1:55 13-VI. Gloria - Gloria Tibi
    DR12 -0.10 dB -16.34 dB 1:16 14-VI. Gloria - Gloria in Excelsis
    DR12 -0.10 dB -15.14 dB 1:00 15-VI. Gloria - Trope: Half of the People
    DR14 -6.44 dB -26.84 dB 2:46 16-VI. Gloria - Trope: Thank You
    DR15 -0.10 dB -22.34 dB 3:39 17-VII. Meditation No. 2
    DR13 -2.72 dB -21.41 dB 5:50 18-VIII. Epistle - The Word of the Lord
    DR13 -0.10 dB -18.05 dB 4:22 19-IX. Gospel-Sermon - God said
    DR15 -4.28 dB -24.30 dB 1:08 20-X. Credo - Credo in unum Deum
    DR15 -0.95 dB -21.91 dB 2:17 21-X. Credo - Trope: Non Credo
    DR13 -6.33 dB -24.03 dB 1:20 22-X. Credo - Trope: Hurry
    DR11 -2.09 dB -19.40 dB 1:39 23-X. Credo - Trope: World without End
    DR12 -0.10 dB -16.98 dB 2:07 24-X. Credo - Trope: I believe in God
    DR11 -0.10 dB -15.15 dB 2:31 25-XI. Meditation No. 3
    DR11 -0.10 dB -14.30 dB 2:13 26-XII. Offertory
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 26
    Official DR value: DR13

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 837 kbps
    Codec: FLAC
    ================================================================================


    Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

    EAC extraction logfile from 20. August 2009, 20:44

    Baltimore Symphony Orchestra, Marin Alsop / Leonard Bernstein: Mass [disk 2]

    Used drive : Optiarc DVD RW AD-7561S Adapter: 0 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
    Selected bitrate : 640 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\FLAC\flac.exe
    Additional command line options : -8 -V -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 1:15.58 | 0 | 5682
    2 | 1:15.58 | 2:24.58 | 5683 | 16540
    3 | 3:40.41 | 5:09.64 | 16541 | 39779
    4 | 8:50.30 | 6:30.03 | 39780 | 69032
    5 | 15:20.33 | 14:21.42 | 69033 | 133649
    6 | 29:42.00 | 9:06.00 | 133650 | 174599


    Track 1

    Filename C:\Users\elemental5\Desktop\Bernstein_Mass_Alsop\Baltimore Symphony Orchestra, Marin Alsop\Leonard Bernstein- Mass [disk 2]\01 - XIII. The Lord's Prayer.wav

    Pre-gap length 0:00:02.00

    Peak level 5.1 %
    Track quality 100.0 %
    Test CRC CB9CBCC4
    Copy CRC CB9CBCC4
    Track not present in AccurateRip database
    Copy OK

    Track 2

    Filename C:\Users\elemental5\Desktop\Bernstein_Mass_Alsop\Baltimore Symphony Orchestra, Marin Alsop\Leonard Bernstein- Mass [disk 2]\02 - XIII. The Lord's Prayer - Trope- I Go On.wav

    Peak level 13.3 %
    Track quality 99.9 %
    Test CRC 817E2FA2
    Copy CRC 817E2FA2
    Track not present in AccurateRip database
    Copy OK

    Track 3

    Filename C:\Users\elemental5\Desktop\Bernstein_Mass_Alsop\Baltimore Symphony Orchestra, Marin Alsop\Leonard Bernstein- Mass [disk 2]\03 - XIV. Sanctus.wav

    Peak level 98.9 %
    Track quality 100.0 %
    Test CRC E59FAD92
    Copy CRC E59FAD92
    Track not present in AccurateRip database
    Copy OK

    Track 4

    Filename C:\Users\elemental5\Desktop\Bernstein_Mass_Alsop\Baltimore Symphony Orchestra, Marin Alsop\Leonard Bernstein- Mass [disk 2]\04 - XV. Agnus Dei.wav

    Peak level 98.9 %
    Track quality 100.0 %
    Test CRC B7EF36F6
    Copy CRC B7EF36F6
    Track not present in AccurateRip database
    Copy OK

    Track 5

    Filename C:\Users\elemental5\Desktop\Bernstein_Mass_Alsop\Baltimore Symphony Orchestra, Marin Alsop\Leonard Bernstein- Mass [disk 2]\05 - XVI. Fraction- Things Get Broken.wav

    Peak level 98.9 %
    Track quality 100.0 %
    Test CRC CA109095
    Copy CRC CA109095
    Track not present in AccurateRip database
    Copy OK

    Track 6

    Filename C:\Users\elemental5\Desktop\Bernstein_Mass_Alsop\Baltimore Symphony Orchestra, Marin Alsop\Leonard Bernstein- Mass [disk 2]\06 - XVII. Pax- Communion.wav

    Peak level 92.2 %
    Track quality 100.0 %
    Test CRC 034858F6
    Copy CRC 034858F6
    Track not present in AccurateRip database
    Copy OK


    None of the tracks are present in the AccurateRip database

    No errors occurred

    End of status report

    [CUETools log; Date: 13.11.2022 22:52:19; Version: 2.1.7]
    [CTDB TOCID: 2Bsq0QrxT7QGClGXp9W1oghDaJ4-] found.
    Track | CTDB Status
    1 | (62/62) Accurately ripped
    2 | (62/62) Accurately ripped
    3 | (62/62) Accurately ripped
    4 | (62/62) Accurately ripped
    5 | (61/62) Accurately ripped
    6 | (62/62) Accurately ripped
    [AccurateRip ID: 0006b3f7-002782bf-41091806] found.
    Track [ CRC | V2 ] Status
    01 [839489b5|be99bb4f] (05+14/34) Accurately ripped
    02 [30290816|e84157a0] (05+14/34) Accurately ripped
    03 [f5a80772|efaa3a5b] (05+14/34) Accurately ripped
    04 [c4a89371|4364b125] (05+14/34) Accurately ripped
    05 [30f7cd30|6a8f73d0] (04+14/33) Accurately ripped
    06 [0c18cedc|779a14be] (05+14/34) Accurately ripped
    Offsetted by 598:
    01 [6875ff22] (04/34) Accurately ripped
    02 [de20a49a] (04/34) Accurately ripped
    03 [c66d11b4] (04/34) Accurately ripped
    04 [2400eb8b] (04/34) Accurately ripped
    05 [ec8b33a9] (04/33) Accurately ripped
    06 [a9319890] (04/34) Accurately ripped

    Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
    – 98,9 [B9466663] [6B507949]
    01 5,1 [CB9CBCC4] [887291A8] CRC32
    02 13,3 [817E2FA2] [B695BD31] CRC32
    03 98,9 [E59FAD92] [0087E26B] CRC32
    04 98,9 [B7EF36F6] [8BC784E3] CRC32
    05 98,9 [CA109095] [0DB95849] CRC32
    06 92,2 [034858F6] [C069E202] CRC32

    foobar2000 1.6.3 / Dynamic Range Meter 1.1.1
    log date: 2022-11-13 22:44:06

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Baltimore Symphony Orchestra, Marin Alsop / Leonard Bernstein: Mass [disk 2]
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR14 -25.69 dB -42.75 dB 1:16 01-XIII. The Lord's Prayer
    DR12 -17.50 dB -33.90 dB 2:25 02-XIII. The Lord's Prayer - Trope: I Go On
    DR12 -0.10 dB -17.95 dB 5:10 03-XIV. Sanctus
    DR10 -0.09 dB -14.26 dB 6:30 04-XV. Agnus Dei
    DR17 -0.09 dB -22.60 dB 14:22 05-XVI. Fraction: Things Get Broken
    DR15 -0.70 dB -22.66 dB 9:06 06-XVII. Pax: Communion
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 6
    Official DR value: DR13

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 549 kbps
    Codec: FLAC
    ================================================================================

    Jubilant Sykes, Baltimore SO, Marin Alsop - Leonard Bernstein: Mass (2009) 2CDs

    Jubilant Sykes, Baltimore SO, Marin Alsop - Leonard Bernstein: Mass (2009) 2CDs

    All thanks to original releaser

    More interesting music in My Blog