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Jubilant Sykes, Baltimore SO, Marin Alsop - Leonard Bernstein: Mass (2009) 2CDs

Posted By: Designol
Jubilant Sykes, Baltimore SO, Marin Alsop - Leonard Bernstein: Mass (2009) 2CDs

Leonard Bernstein - Mass (2009) 2CDs
Jubilant Sykes, Celebrant; Asher Edward Wulfman, Boy Soprano; Morgan State University Choir;
Peabody Children's Chorus; Baltimore Symphony Orchestra, conducted by Marin Alsop

EAC | FLAC | Tracks (Cue&Log) ~ 490 Mb | Mp3 (CBR320) ~ 241 Mb | Scans ~ 115 Mb
Genre: Classical | Label: Naxos | # 8.559622-23 | Time: 01:43:59

When Leonard Bernstein was asked by Jacqueline Kennedy Onassis to compose the inaugural work for the opening of The John F. Kennedy Center for the Performing Arts in Washington, D.C., he wrote: “The Mass is also an extremely dramatic event in itself—it even suggests a theater work.” Premiered on September 8, 1971, with additional words by Stephen Schwartz of Godspell fame, Mass is a remarkable, visionary work with a kaleidoscope of musical styles that touches on themes of political protest, existential crisis and religious faith lost and found.

Leonard Bernstein's own version bettered? Yes, indeed! This is, handily, the best sung, best played, most intelligently interpreted recording of Mass currently available. Of course, Bernstein's rendition always will have sterling qualities, including some wonderful solo singers with really characterful “pop” and Broadway voices, but for its sheer musical integrity combined with the advantage of the composer's final revisions to the score, this version is unbeatable. Jubilant Sykes, as the Celebrant, easily outclasses Alan Titus' very fine premiere recording of the role. His voice has more edge; he's more at ease with the various pop idioms; he sounds radiant at the work's opening and grows increasingly desperate as it proceeds. This only serves to make his climactic breakdown tragically believable.

The various street singers are, one and all, terrific. “God Said” becomes the work's comic climax, which is as it should be. “I believe in God”, “Confession”, “World Without End”, and “Thank You” are both idiomatic and beautifully sung. The children's choir sounds luminous in the Sanctus, while the adult chorus, from Morgan State University, sings with gusto as well as immaculate diction, with every word clearly comprehensible. Marin Alsop knits the whole ensemble together with infallible insight and verve. Her tempos, a bit different from Bernstein's, quicker here (“God Said”), a touch slower there (the wild dance in the Offertory), are no less right.

It's all fabulously recorded with a glittering impact that never turns unduly aggressive. The multi-textural layering in the climactic Dona Nobis Pacem comes across as both musically and physically overwhelming. Mass has its detractors, but when performed with this kind of conviction the piece can be inexpressibly moving. Alsop never has made a finer recording – it's both a tribute to her mentor Leonard Bernstein, as well as to her exceptional talent as an exponent of his music.

Review by David Hurwitz, Classics Today

To all the naysayers, bug-eyed sceptics and disapproving doubting Thomases, listen up: a third apostle has spoken.

If Leonard Bernstein's own 1971 recording of his Mass (yes, italics – it's a “Theatre Piece for Singers, Players and Dancers”, not a setting of the liturgy) is Gospel, Marin Alsop is the latest disciple to evangelise Bernstein's most ecstatic, charismatic and sanctified music. Compared to the intellectual fence-sitting and crackerbarrel mysticism that – since Holy Minimalism became the latest must-have lifestyle soundtrack – is every place, Bernstein's relationship with God is dangerous, probing, transformational. There are those, of course, who proffer that Bernstein thought he was God, that's why he could stand in defiance against Him. But, no – Mass reveals a man thirsting for faith but petrified of blind acceptance. Bernstein's religion was muscular and intellectualised, and the experience of Mass expands, rather than contracts, the further you travel towards the essence of its cosmology. When Kent Nagano brought down the tablets of stone in 2003, frankly, he dropped some. Jerry Hadley sang the anchoring role of the Celebrant with obedient accuracy but lacked the lusty, unselfconscious mania with which Alan Titus sexed up Bernstein's account. Released earlier this year, Randall Scarlata in Kristjan Järvi's performance preached with soul and fervour: but Alsop's Jubilant Sykes is the best of all possible Celebrants.

There can be few roles in contemporary music theatre that demand so many sides of a performer. The Celebrant is a near-constant presence on stage throughout the just-short-of-two- hour duration. He must disentangle music of gnarly complexity (“The Word of the Lord”), and bringing appropriate sincerity to writing that could slide towards doe-eyed naivety (“Simple Song”). “The Lord's Prayer”, segueing into “I Go On”, needs an operatic sensibility, while the Celebrant must also swing like a hipster jazzer and declaim with authentic rockist swank.

And those are just the technical riders. Mass follows the Celebrant to the darkest place a proselytiser for faith can travel – from sneaking doubt towards a full-scale breakdown as, in Bernstein's climactic scene, he trashes the altar and sends the sacraments scattering. Sykes brings an intensity that chills. In his joy is pain; in the agony of his crack-up is hope that does, indeed, ultimately blossom. His voice shakes with James Brown's ecstasy, snarls with Janis Joplin-like indigence and projects through the labyrinth of Bernstein's tricky melodic contours like any trained voice would. Sykes was born to play this part.

The stage action was Bernstein's parable for 1970s America; an America fighting a controversial war, ravaged by political and racial conflict, and the assassination of anybody who was a force for good. To portray a society in freefall, Bernstein illuminates all its music. At the beginning vocal and percussive fragments leer at the audience from out of quadraphonic speakers like latter-day Ives, and musical modernity breaks out everywhere. An atonal oboe solo sounds like calculated blasphemy, stretching chromatic choral fragments leave singers grasping free-for-all notes in aleatoric freak-outs; tonality gets refracted through tone-rows and clusters. Over this shifting abstraction, Bernstein layers church music, blues, jazz, even a brief quote from Beethoven. This is our world now, Bernstein proclaims: no place for art that thinks it knows itself.

Just as the Celebrant flips comes the most remarkable passage of all – a funky 10-bar refrain of “Dona nobis pacem” which is reiterated deliriously as blues singers improvise added lines and, eventually, the orchestra is invited to holler above “anything from the entire musical literature”. Although she doesn't drive things quite as far as Bernstein, Alsop ensures this passage pushes the Celebrant over the top and Sykes's portrayal of the breakdown is moving and sensitive; the orchestral playing too, here and throughout, is lusty and unafraid to let go. Järvi's handling of that same moment is more contained, and his tendency is to stress points of demarcation within Bernstein's stylistic smorgasbord. Alsop is pacier, creating a dramatic slipstream that is powered relentlessly onwards by the awkward discontinuities and jagged narrative.

Even if this atheist cannot quite love the God-fearing D major affirmation of the final scene, as the Celebrant reconnects with his faith, it doesn't matter. The journey – the process of discovery – counts for more. The haughty certainty of bad religious music is bad religion, worse music. Beethoven's Credo from his Missa solemnis, Tippett's A Child of Our Time and Bernd Alois Zimmermann's Requiem for a Young Poet probe the terror of God. Bernstein's Mass sits in that tradition: make our garden grow – go tell it on the mountain.

Review by Philip Clark, Gramophone

Jubilant Sykes, Baltimore SO, Marin Alsop - Leonard Bernstein: Mass (2009) 2CDs



Performers:

Jubilant Sykes, Celebrant
Asher Edward Wulfman, Boy Soprano

Morgan State University Choir
Dr. Eric Conway, Director

Peabody Children's Chorus
Doreen Falby, Director

Street People: Sarah Uriate Berry, Matt Boehler, Susan Derry, Celisse Henderson,
Leah Horowitz, Morgan James, Amy Justman, Jodie Langel, Telly Leung, Theresa McCarthy,
Mike McGowan, Dan Micciche, Joe Paparclla, Max Perlman, Janet Saia, Caesar Samayoa,
Timothy Shew, Kevin Vortman, J.D. Webster, Laurie Williamson

Ilya Finkelshteyn, Cello

Baltimore Symphony Orchestra
Marin Alsop

Tracklist:

CD1:

01. I. Devotions before the Mass - Antiphon: Kyrie eleison (01:58)
02. Hymn and Psalm: 'A Simple Song' (04:10)
03. IN Responsory: Alleluia (01:08)
04. II. First Introit - Prefactory Prayers (04:59)
05. Thrice-Triple Canon: Dominus vobiscum (00:42)
06. III. Second Introit - In nomine Patris (01:57)
07. Prayer for the Congregation (Chorale: 'Almighty Father') (01:21)
08. Epiphany (00:54)
09. IV. Confession - Confiteor (02:10)
10. Trope: 'I Don't Know' (01:41)
11. Trope: 'Easy' (04:50)
12. V. Meditation No. 1 (05:09)
13. VI. Gloria - Gloria Tibi (01:54)
14. Gloria in Excelsis (01:15)
15. Trope: 'Half of the People' (00:59)
16. Trope: 'Thank You' (02:46)
17. VII. Meditation No. 2 (03:38)
18. VIII. Epistle: 'The Word of the Lord' (05:50)
19. IX. Gospel-Sermon: 'God Said' (04:22)
20. X. Credo - Credo in unum Deum (01:08)
21. Trope: 'Non Credo' (02:17)
22. Trope: 'Hurry' (01:20)
23. Trope: 'World without End' (01:38)
24. Trope: 'I believe in God' (02:06)
25. XI. Meditation No. 3 (De profundis, Part 1) (02:31)
26. XII. Offertory (De profundis, Part 2) (02:12)

CD2:

01. XIII. The Lord's Prayer - Our Father … (01:15)
02. Trope: 'I Go On' (02:24)
03. XIV. Sanctus (05:09)
04. XV. Agnus Dei (06:30)
05. XVI. Fraction: 'Things Get Broken' (14:21)
06. XVII. Pax: Communion ('Secret Songs') (09:06)


Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 20. August 2009, 15:13

Baltimore Symphony Orchestra, Marin Alsop / Leonard Bernstein: Mass [disk 1]

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Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

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Selected bitrate : 640 kBit/s
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Additional command line options : -8 -V -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s


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18 [feedfe9f] (03/34) Accurately ripped
19 [b01218df] (03/32) Accurately ripped
20 [e7b97ce7] (03/33) Accurately ripped
21 [8e911cc2] (03/33) Accurately ripped
22 [92e335c9] (03/34) Accurately ripped
23 [f5373409] (03/34) Accurately ripped
24 [e2e8c4fa] (03/34) Accurately ripped
25 [49c816aa] (03/33) Accurately ripped
26 [15582ef7] (03/34) Accurately ripped
Offsetted by 538:
01 [54d1e83c] (00/35) No match (V2 was not tested)
02 [b414dba2] (00/34) No match (V2 was not tested)
03 [c41e7aa3] (00/35) No match (V2 was not tested)
04 [4fff3fc7] (00/35) No match (V2 was not tested)
05 [a85536b9] (00/35) No match (V2 was not tested)
06 [9b3a9553] (00/35) No match (V2 was not tested)
07 [b0dd8aae] (00/35) No match (V2 was not tested)
08 [84534c4c] (00/35) No match (V2 was not tested)
09 [014f3cc9] (00/35) No match (V2 was not tested)
10 [d9d1bcd0] (00/35) No match (V2 was not tested)
11 [99e06718] (00/35) No match (V2 was not tested)
12 [98e84481] (00/35) No match (V2 was not tested)
13 [e666b1ae] (00/34) No match (V2 was not tested)
14 [ab4c8f22] (00/35) No match (V2 was not tested)
15 [7a3a1962] (00/35) No match (V2 was not tested)
16 [8b7cff50] (00/35) No match (V2 was not tested)
17 [47c95147] (00/35) No match (V2 was not tested)
18 [75448601] (00/34) No match (V2 was not tested)
19 [174bfa4d] (00/32) No match (V2 was not tested)
20 [ed0199c0] (00/33) No match (V2 was not tested)
21 [93586aaa] (00/33) No match (V2 was not tested)
22 [9d1d5fe6] (00/34) No match (V2 was not tested)
23 [510b60cf] (00/34) No match (V2 was not tested)
24 [6d2d6136] (00/34) No match (V2 was not tested)
25 [c2a6ac24] (00/33) No match (V2 was not tested)
26 [742344bc] (00/34) No match (V2 was not tested)

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 98,9 [EE67BD42] [17420504]
01 53,4 [A92166F6] [C43240E0] CRC32
02 85,1 [515AEB2B] [B6174986] CRC32
03 46,8 [3F1959B5] [A3C8251F] CRC32
04 98,9 [36E04C65] [CC9A4BD2] CRC32
05 34,4 [D0885D93] [4371FD4C] CRC32
06 32,7 [96F786FC] [663641BF] CRC32
07 8,6 [E08AC1FC] [8E1706D0] CRC32
08 79,7 [CF583043] [A03ED201] CRC32
09 98,9 [858386E1] [8A910984] CRC32
10 98,9 [C4226698] [60543CDF] CRC32
11 98,8 [DFA4BCAA] [93916B4D] CRC32
12 98,8 [3E642186] [506E0646] CRC32
13 98,8 [26D5C785] [13337AD4] CRC32
14 98,8 [0BEA6CBB] [70B5967C] CRC32
15 98,8 [22594286] [2D08A52F] CRC32
16 47,6 [81889022] [5BADEFDD] CRC32
17 98,9 [4590C2B0] [656E2486] CRC32
18 73,0 [A3C1C757] [3C2A8D43] CRC32
19 98,8 [90331E86] [327EC564] CRC32
20 61,0 [D524784A] [40E836BD] CRC32
21 89,6 [7C12A9C0] [55790A8C] CRC32
22 48,2 [14C1C6F0] [546C7A03] CRC32
23 78,6 [8D828CAB] [09B6F160] CRC32
24 98,9 [4F47AD92] [B3207894] CRC32
25 98,9 [E104018E] [28F33400] CRC32
26 98,9 [2945F4A7] [F877C9B7] CRC32

foobar2000 1.6.3 / Dynamic Range Meter 1.1.1
log date: 2022-11-13 22:43:56

––––––––––––––––––––––––––––––––––––––––
Analyzed: Baltimore Symphony Orchestra, Marin Alsop / Leonard Bernstein: Mass [disk 1]
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -5.44 dB -21.75 dB 1:59 01-I. Devotions before the Mass - Antiphon
DR13 -1.39 dB -20.79 dB 4:11 02-I. Devotions before the Mass - Hymn and Psalm
DR12 -6.59 dB -24.60 dB 1:09 03-I. Devotions before the Mass - Responsory
DR13 -0.09 dB -16.18 dB 5:00 04-II. First Introit - Prefactory Prayers
DR13 -9.26 dB -26.21 dB 0:42 05-II. First Introit - Thrice-Triple Canon
DR11 -9.69 dB -24.90 dB 1:58 06-III. Second Introit - In nomine Patris
DR11 -21.30 dB -36.54 dB 1:22 07-III. Second Introit - Prayer for the Congregation
DR14 -1.96 dB -24.38 dB 0:55 08-III. Second Introit - Epiphany
DR14 -0.09 dB -20.22 dB 2:10 09-IV. Confession - Confiteor
DR12 -0.10 dB -16.36 dB 1:41 10-IV. Confession - Trope: I don't know
DR14 -0.10 dB -20.08 dB 4:51 11-IV. Confession - Trope: Easy
DR17 -0.10 dB -23.89 dB 5:10 12-V. Meditation No. 1
DR15 -0.10 dB -19.72 dB 1:55 13-VI. Gloria - Gloria Tibi
DR12 -0.10 dB -16.34 dB 1:16 14-VI. Gloria - Gloria in Excelsis
DR12 -0.10 dB -15.14 dB 1:00 15-VI. Gloria - Trope: Half of the People
DR14 -6.44 dB -26.84 dB 2:46 16-VI. Gloria - Trope: Thank You
DR15 -0.10 dB -22.34 dB 3:39 17-VII. Meditation No. 2
DR13 -2.72 dB -21.41 dB 5:50 18-VIII. Epistle - The Word of the Lord
DR13 -0.10 dB -18.05 dB 4:22 19-IX. Gospel-Sermon - God said
DR15 -4.28 dB -24.30 dB 1:08 20-X. Credo - Credo in unum Deum
DR15 -0.95 dB -21.91 dB 2:17 21-X. Credo - Trope: Non Credo
DR13 -6.33 dB -24.03 dB 1:20 22-X. Credo - Trope: Hurry
DR11 -2.09 dB -19.40 dB 1:39 23-X. Credo - Trope: World without End
DR12 -0.10 dB -16.98 dB 2:07 24-X. Credo - Trope: I believe in God
DR11 -0.10 dB -15.15 dB 2:31 25-XI. Meditation No. 3
DR11 -0.10 dB -14.30 dB 2:13 26-XII. Offertory
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 26
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 837 kbps
Codec: FLAC
================================================================================


Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 20. August 2009, 20:44

Baltimore Symphony Orchestra, Marin Alsop / Leonard Bernstein: Mass [disk 2]

Used drive : Optiarc DVD RW AD-7561S Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 640 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\FLAC\flac.exe
Additional command line options : -8 -V -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:15.58 | 0 | 5682
2 | 1:15.58 | 2:24.58 | 5683 | 16540
3 | 3:40.41 | 5:09.64 | 16541 | 39779
4 | 8:50.30 | 6:30.03 | 39780 | 69032
5 | 15:20.33 | 14:21.42 | 69033 | 133649
6 | 29:42.00 | 9:06.00 | 133650 | 174599


Track 1

Filename C:\Users\elemental5\Desktop\Bernstein_Mass_Alsop\Baltimore Symphony Orchestra, Marin Alsop\Leonard Bernstein- Mass [disk 2]\01 - XIII. The Lord's Prayer.wav

Pre-gap length 0:00:02.00

Peak level 5.1 %
Track quality 100.0 %
Test CRC CB9CBCC4
Copy CRC CB9CBCC4
Track not present in AccurateRip database
Copy OK

Track 2

Filename C:\Users\elemental5\Desktop\Bernstein_Mass_Alsop\Baltimore Symphony Orchestra, Marin Alsop\Leonard Bernstein- Mass [disk 2]\02 - XIII. The Lord's Prayer - Trope- I Go On.wav

Peak level 13.3 %
Track quality 99.9 %
Test CRC 817E2FA2
Copy CRC 817E2FA2
Track not present in AccurateRip database
Copy OK

Track 3

Filename C:\Users\elemental5\Desktop\Bernstein_Mass_Alsop\Baltimore Symphony Orchestra, Marin Alsop\Leonard Bernstein- Mass [disk 2]\03 - XIV. Sanctus.wav

Peak level 98.9 %
Track quality 100.0 %
Test CRC E59FAD92
Copy CRC E59FAD92
Track not present in AccurateRip database
Copy OK

Track 4

Filename C:\Users\elemental5\Desktop\Bernstein_Mass_Alsop\Baltimore Symphony Orchestra, Marin Alsop\Leonard Bernstein- Mass [disk 2]\04 - XV. Agnus Dei.wav

Peak level 98.9 %
Track quality 100.0 %
Test CRC B7EF36F6
Copy CRC B7EF36F6
Track not present in AccurateRip database
Copy OK

Track 5

Filename C:\Users\elemental5\Desktop\Bernstein_Mass_Alsop\Baltimore Symphony Orchestra, Marin Alsop\Leonard Bernstein- Mass [disk 2]\05 - XVI. Fraction- Things Get Broken.wav

Peak level 98.9 %
Track quality 100.0 %
Test CRC CA109095
Copy CRC CA109095
Track not present in AccurateRip database
Copy OK

Track 6

Filename C:\Users\elemental5\Desktop\Bernstein_Mass_Alsop\Baltimore Symphony Orchestra, Marin Alsop\Leonard Bernstein- Mass [disk 2]\06 - XVII. Pax- Communion.wav

Peak level 92.2 %
Track quality 100.0 %
Test CRC 034858F6
Copy CRC 034858F6
Track not present in AccurateRip database
Copy OK


None of the tracks are present in the AccurateRip database

No errors occurred

End of status report

[CUETools log; Date: 13.11.2022 22:52:19; Version: 2.1.7]
[CTDB TOCID: 2Bsq0QrxT7QGClGXp9W1oghDaJ4-] found.
Track | CTDB Status
1 | (62/62) Accurately ripped
2 | (62/62) Accurately ripped
3 | (62/62) Accurately ripped
4 | (62/62) Accurately ripped
5 | (61/62) Accurately ripped
6 | (62/62) Accurately ripped
[AccurateRip ID: 0006b3f7-002782bf-41091806] found.
Track [ CRC | V2 ] Status
01 [839489b5|be99bb4f] (05+14/34) Accurately ripped
02 [30290816|e84157a0] (05+14/34) Accurately ripped
03 [f5a80772|efaa3a5b] (05+14/34) Accurately ripped
04 [c4a89371|4364b125] (05+14/34) Accurately ripped
05 [30f7cd30|6a8f73d0] (04+14/33) Accurately ripped
06 [0c18cedc|779a14be] (05+14/34) Accurately ripped
Offsetted by 598:
01 [6875ff22] (04/34) Accurately ripped
02 [de20a49a] (04/34) Accurately ripped
03 [c66d11b4] (04/34) Accurately ripped
04 [2400eb8b] (04/34) Accurately ripped
05 [ec8b33a9] (04/33) Accurately ripped
06 [a9319890] (04/34) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 98,9 [B9466663] [6B507949]
01 5,1 [CB9CBCC4] [887291A8] CRC32
02 13,3 [817E2FA2] [B695BD31] CRC32
03 98,9 [E59FAD92] [0087E26B] CRC32
04 98,9 [B7EF36F6] [8BC784E3] CRC32
05 98,9 [CA109095] [0DB95849] CRC32
06 92,2 [034858F6] [C069E202] CRC32

foobar2000 1.6.3 / Dynamic Range Meter 1.1.1
log date: 2022-11-13 22:44:06

––––––––––––––––––––––––––––––––––––––––
Analyzed: Baltimore Symphony Orchestra, Marin Alsop / Leonard Bernstein: Mass [disk 2]
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -25.69 dB -42.75 dB 1:16 01-XIII. The Lord's Prayer
DR12 -17.50 dB -33.90 dB 2:25 02-XIII. The Lord's Prayer - Trope: I Go On
DR12 -0.10 dB -17.95 dB 5:10 03-XIV. Sanctus
DR10 -0.09 dB -14.26 dB 6:30 04-XV. Agnus Dei
DR17 -0.09 dB -22.60 dB 14:22 05-XVI. Fraction: Things Get Broken
DR15 -0.70 dB -22.66 dB 9:06 06-XVII. Pax: Communion
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 6
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 549 kbps
Codec: FLAC
================================================================================

Jubilant Sykes, Baltimore SO, Marin Alsop - Leonard Bernstein: Mass (2009) 2CDs

Jubilant Sykes, Baltimore SO, Marin Alsop - Leonard Bernstein: Mass (2009) 2CDs

All thanks to original releaser

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