Tags
Language
Tags
June 2025
Su Mo Tu We Th Fr Sa
1 2 3 4 5 6 7
8 9 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28
29 30 1 2 3 4 5
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

    ( • )( • ) ( ͡⚆ ͜ʖ ͡⚆ ) (‿ˠ‿)
    SpicyMags.xyz

    Kuhnau, Zelenka, Bach: Magnificat (Repost)

    Posted By: First Amendment
    Kuhnau, Zelenka, Bach: Magnificat (Repost)

    Kuhnau, Zelenka, Bach: Magnificat (Suzuki)
    EAC Rip | FLAC+LOG+CUE | Booklet & Covers | RAR 317MB
    CD | Classical | 1999 | Bis | Playing Time: 68'56"

    In the early 1730s Bach revised his E flat major Magnificat of 1723, transposing it to D major and omitting the interpolations peculiar to Christmas performances in Leipzig. (Recent research suggests such richly scored Latin Magnificats could be performed in Lutheran churches at some 15 annual festivals, not just the three – Xmas, Easter, Ascension – previously supposed.) The D major was apparently Bach’s preferred version and is the one commonly played today, as on this latest instalment of Masaaki Suzuki’s acclaimed survey of Bach’s sacred vocal music. Suzuki’s Magnificat, like his earlier Bach recordings, is sharply focused and performed with engaging conviction. My benchmark disc, by Philippe Herreweghe, grips with its palpable air of excitement. Suzuki’s reading is cooler, more nuanced and has a clearer acoustic; yet Herreweghe’s soloists retain a slight edge – few could match Barbara Schlick and oboist Marcel Ponseele in rapt duet on ‘Quia respexit’. Herreweghe’s coupling is the splendid Cantata, BWV 80; Suzuki offers a trio of fascinating rareties. The Magnificat by Kuhnau, Bach’s predecessor at Leipzig, resembles Bach’s in instrumentation and division of text: it’s a lively, attractive piece, trumpets ringing out boldly in the bright opening chorus. Two shorter Magnificats by Bach’s Dresden-based contemporary Zelenka represent a very different and highly individual approach, the C major’s tripartite structure creating an almost concerto-like framework for soprano soloist. Suzuki’s excellent, scrupulous performances should provoke greater interest in Kuhnau’s and Zelenka’s church music – the latter’s Missa Dei Filii, by Tafelmusik/Frieder Bernius (DHM), is also highly recommended. Performance: 5 (out of 5), Sound: 5 (out of 5)

    – Graham Lock, BBC Music Magazine


    TRACKS:


    01/12 - Johann Kuhnau: Magnificat in C major
    13/16 - Jan Dismas Zelenka: Magnificat In C major, ZWV 107
    07/19 - Jan Dismas Zelenka: Magnificat in D major, ZWV 108
    20/31 - Johann Sebastian Bach: Magnificat in D major, BWV 243



    Kuhnau, Zelenka, Bach: Magnificat (Repost)

    Bach Collegium Japan
    conducted by Masaaki Suzuki

    Miah Persson (Soprano)
    Yukari Nonoshita (Soprano)
    Akira Tachikawa (Countertenor)
    Gerd Turk (Tenor)
    Chiyuki Urano (Bass)

    EAC extraction logfile from 25. January 2006, 20:27 for CD
    Unknown Artist / Unknown Title

    Used drive : PLEXTOR CD-R PX-W4012A Adapter: 0 ID: 0
    Read mode : Secure with NO C2, accurate stream, disable cache
    Read offset correction : 0
    Overread into Lead-In and Lead-Out : No

    Used output format : Monkey's Audio Lossless Encoder v3.99 DLL
    Fast Lossless Compression

    Other options :
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Installed external ASPI interface


    Range status and errors
    Selected range
    Filename I:\Archivos de programa\eMule\Incoming\CDImage.ape

    Peak level 100.0 %
    Range quality 100.0 %
    CRC E4F87569
    Copy OK

    No errors occured

    End of status report