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Kevin Hays - Variations (2011) {Pirouet}

Posted By: tiburon

Date: 16 May 2021 10:50:45

Kevin Hays - Variations (2011) {Pirouet}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 161MB + 5% Recovery
MP3 CBR 320 Kbps | 126MB + 5% Recovery
Genre: Jazz, Modern Creative

When famed jazz scholar Gunther Schuller first coined the term "Thematic Improvisation," he wasn't introducing a new concept so much as shedding light on how jazz artists had come to use the age-old "Theme And Variations" format in their own sweet way. While nobody would argue that grand compositional gestures or outré improvisations from a master musician can be revealing, hearing an artist dissect and rebuild a musical theme on the spot is the real window into their mind. A musician may have all of the usual musical tools at their disposal, like key changes, tempo changes, rhythmic diminution and augmentation, and harmonic and melodic alteration, but they're only tools, and the artist still has to do the heavy lifting with the head, hands and heart.
Noted pianist Kevin Hays explores the virtues of variants on this simply titled CD, as he delivers 24 musical miniatures in just over fifty minutes. The music itself can be alternately prosaic, romantic, staid, somber, unsettling, or stirring, but all of it paints Hays as a wizard of harmony and clarity. His touch places him in a class by himself and he seems to be one of the few ivory ticklers that understand how to use the full range of the instrument. Few pianists dare to spend time in the deepest recesses of the eighty-eights, and most who try end up creating a muddy mess, but Hays has big ears and fine fingers that coax rich and wondrous harmonies from the piano's deepest, darkest places.
While a clear choice was made not to program the thematically linked pieces in order, skipping around to hear all of the variations on the same idea in sequence may be the best way to visit this music and appreciate his method of development and creation. Hays uses simplicity as an entry point to more Romantic notions, eventually ending up in dirge-like environs with deeply resonant bass tones that resemble a tolling bell of doom on his "Variations On A Theme By Schumann," but that's only one of several scenarios explored herein. Elsewhere, he milks angular piano paranoia for all it's worth ("The Dervish Of Harlem" variations), plays the part of a pseudo-minimalist with repeated arpeggiated lines ("Bluetude" variants), and deals with Baroque ideals as subtext in his work during parts of the "Contrapunctus" and "Countermyth" collections.
On the whole, Variations tends to lean toward the modern classical side of music, with improvisatory creationism being its one and only true link to jazz, but labeling is beside the point. Variations is pure pianism on parade.

Track List
01. Variations on a Theme by Schumann I (Hays) - 1:02
02. Bluetude I (Hays) - 3:05
03. The Dervish of Harlem I (Hays) - 1:16
04. Song for the Amiable Child I (Hays) - 2:17
05. Contrapunctus I (Hays) - 2:46
06. Rumi's View I (Hays) - 3:27
07. Countermyth I (Hays) - 0:47
08. Rhyming Game I (Hays) - 1:19
09. The Dervish of Harlem II (Hays) - 2:50
10. Countermyth II (Hays) - 1:06
11. Langsam (Hays) - 2:14
12. The Long Line (Hays) - 0:49
13. Song for the Amiable Child II (Hays) - 1:15
14. Countermyth III (Hays) - 0:55
15. Variations on a Theme by Schumann II (Hays) - 2:26
16. Bluetude II (Hays) - 2:29
17. Rhyming Game II (Hays) - 1:45
18. Countermyth IV (Hays) - 0:57
19. Rumi's View II (Hays) - 2:11
20. Contrapunctus II (Hays) - 3:04
21. Song for the Amiable Child III (Hays) - 2:18
22. The Dervish of Harlem III (Hays) - 3:04
23. Bluetude III (Hays) - 3:54
24. Variations on a Theme by Schumann III (Hays) - 3:45

Kevin Hays - piano

Produced by Jason Seizer

EAC Logfile

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 25. October 2014, 18:06

Kevin Hays / Variations

Used drive : PHILIPS SPD3400CC Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUM ARTIST=%albumartist%" -T "ALBUMARTIST=%albumartist%" -T "COMMENT=EAC V1.0 beta 3, Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:01.38 | 0 | 4612
2 | 1:01.38 | 3:04.72 | 4613 | 18484
3 | 4:06.35 | 1:16.27 | 18485 | 24211
4 | 5:22.62 | 2:17.36 | 24212 | 34522
5 | 7:40.23 | 2:45.51 | 34523 | 46948
6 | 10:25.74 | 3:26.54 | 46949 | 62452
7 | 13:52.53 | 0:47.36 | 62453 | 66013
8 | 14:40.14 | 1:18.69 | 66014 | 71932
9 | 15:59.08 | 2:49.71 | 71933 | 84678
10 | 18:49.04 | 1:05.65 | 84679 | 89618
11 | 19:54.69 | 2:14.10 | 89619 | 99678
12 | 22:09.04 | 0:49.07 | 99679 | 103360
13 | 22:58.11 | 1:15.31 | 103361 | 109016
14 | 24:13.42 | 0:55.32 | 109017 | 113173
15 | 25:08.74 | 2:25.48 | 113174 | 124096
16 | 27:34.47 | 2:28.46 | 124097 | 135242
17 | 30:03.18 | 1:45.00 | 135243 | 143117
18 | 31:48.18 | 0:57.18 | 143118 | 147410
19 | 32:45.36 | 2:11.24 | 147411 | 157259
20 | 34:56.60 | 3:04.35 | 157260 | 171094
21 | 38:01.20 | 2:18.20 | 171095 | 181464
22 | 40:19.40 | 3:04.28 | 181465 | 195292
23 | 43:23.68 | 3:54.26 | 195293 | 212868
24 | 47:18.19 | 3:45.01 | 212869 | 229744

Track 1

Filename C:\Users\Maison\Downloads\Rips\01 - Variations on a Theme by Schumann I.wav

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Accurately ripped (confidence 4) [EF0AD45C] (AR v2)
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Track 2

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Accurately ripped (confidence 4) [99DFDE07] (AR v2)
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Track 3

Filename C:\Users\Maison\Downloads\Rips\03 - The Dervish of Harlem I.wav

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Accurately ripped (confidence 4) [1D2B395C] (AR v2)
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Track 4

Filename C:\Users\Maison\Downloads\Rips\04 - Song for the Amiable Child I.wav

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Track 5

Filename C:\Users\Maison\Downloads\Rips\05 - Contrapunctus I.wav

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Track 6

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Accurately ripped (confidence 4) [B6587C46] (AR v2)
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Track 7

Filename C:\Users\Maison\Downloads\Rips\07 - Countermyth I.wav

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Track 8

Filename C:\Users\Maison\Downloads\Rips\08 - Rhyming Game I.wav

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Track 9

Filename C:\Users\Maison\Downloads\Rips\09 - The Dervish of Harlem II.wav

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Track 10

Filename C:\Users\Maison\Downloads\Rips\10 - Countermyth II.wav

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Track 11

Filename C:\Users\Maison\Downloads\Rips\11 - Langsam.wav

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Track 12

Filename C:\Users\Maison\Downloads\Rips\12 - The Long Line.wav

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Track 13

Filename C:\Users\Maison\Downloads\Rips\13 - Song for the Amiable Child II.wav

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Track 14

Filename C:\Users\Maison\Downloads\Rips\14 - Countermyth III.wav

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Track 15

Filename C:\Users\Maison\Downloads\Rips\15 - Variations on a Theme by Schumann II.wav

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Track 16

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Track 17

Filename C:\Users\Maison\Downloads\Rips\17 - Rhyming Game II.wav

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Accurately ripped (confidence 4) [5219BEF2] (AR v2)
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Track 18

Filename C:\Users\Maison\Downloads\Rips\18 - Countermyth IV.wav

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Accurately ripped (confidence 4) [DF2DB636] (AR v2)
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Track 19

Filename C:\Users\Maison\Downloads\Rips\19 - Rumi's View II.wav

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Accurately ripped (confidence 4) [12194417] (AR v2)
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Track 20

Filename C:\Users\Maison\Downloads\Rips\20 - Contrapunctus II.wav

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Track 21

Filename C:\Users\Maison\Downloads\Rips\21 - Song for the Amiable Child III.wav

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Accurately ripped (confidence 4) [FF0E59B7] (AR v2)
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Track 22

Filename C:\Users\Maison\Downloads\Rips\22 - The Dervish of Harlem III.wav

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Track 23

Filename C:\Users\Maison\Downloads\Rips\23 - Bluetude III.wav

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Track 24

Filename C:\Users\Maison\Downloads\Rips\24 - Variations on a Theme by Schumann III.wav

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Accurately ripped (confidence 4) [FB0554CC] (AR v2)
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All tracks accurately ripped

No errors occurred

End of status report

==== Log checksum 66575365CDCF0525FE16583DD2E8F87205D929A26D4E93EAF251AED7F4AB174C ====

Dynamic Range

foobar2000 1.3.13 / Dynamic Range Meter 1.1.1
log date: 2021-05-16 13:26:14

––––––––––––––––––––––––––––––––––––––––
Analyzed: Kevin Hays / Variations
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -4.46 dB -24.37 dB 1:02 01-Variations on a Theme by Schumann I
DR12 -1.12 dB -17.94 dB 3:05 02-Bluetude I
DR12 -1.79 dB -18.82 dB 1:16 03-The Dervish of Harlem I
DR14 -2.23 dB -22.57 dB 2:17 04-Song for the Amiable Child I
DR11 -1.52 dB -16.30 dB 2:46 05-Contrapunctus I
DR15 -6.91 dB -30.41 dB 3:27 06-Rumi's View I
DR11 -3.83 dB -19.88 dB 0:47 07-Countermyth I
DR12 -1.13 dB -21.01 dB 1:19 08-Rhyming Game I
DR11 -0.03 dB -15.17 dB 2:50 09-The Dervish of Harlem II
DR11 -3.71 dB -18.95 dB 1:06 10-Countermyth II
DR15 -4.42 dB -28.29 dB 2:14 11-Langsam
DR10 -4.72 dB -18.33 dB 0:49 12-The Long Line
DR14 -1.99 dB -22.11 dB 1:15 13-Song for the Amiable Child II
DR10 -5.12 dB -19.48 dB 0:55 14-Countermyth III
DR12 -0.68 dB -19.55 dB 2:26 15-Variations on a Theme by Schumann II
DR12 -0.01 dB -14.98 dB 2:29 16-Bluetude II
DR13 -0.49 dB -19.93 dB 1:45 17-Rhyming Game II
DR11 -3.29 dB -19.95 dB 0:57 18-Countermyth IV
DR14 -6.32 dB -28.76 dB 2:11 19-Rumi's View II
DR12 -1.55 dB -18.17 dB 3:04 20-Contrapunctus II
DR16 -7.64 dB -29.21 dB 2:18 21-Song for the Amiable Child III
DR13 -6.20 dB -23.94 dB 3:04 22-The Dervish of Harlem III
DR15 -0.01 dB -19.87 dB 3:54 23-Bluetude III
DR15 -1.60 dB -25.02 dB 3:45 24-Variations on a Theme by Schumann III
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 24
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 369 kbps
Codec: FLAC
================================================================================

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