Joseph Rassam - Scheidemann: Keyboard Music (2017)

Previous albums on Brilliant Classics have illuminated significant figures in the school of North German organ music in the generations before Bach: among them Georg Ludwig Bohm (BC94612), Johann Gottfried Walther (BC94730) and Dieterich Buxtehude (BC94422). Here is the work of another, hardly less significant figure, Heinrich Scheidemann. Hamburg-based, Heinrich took over from his father as organist at the church of St Catherine’s in 1629 and remained in post until his death in 1663. He wrote almost exclusively for his instrument, and in the expected forms of chorale fantasias, motet arrangements, preludes, toccatas and fantasias which constituted the bread and butter of the 17th-century church musician’s diet.

On this newly recorded album, the French organist Joseph Rassam plays a selection of all these genres, juxtaposed for maximum variety. In fact Scheidemann invented the genre of chorale fantasia, later so refined and developed by J.S. Bach, where a well-known chorale melody is played as the soprano line and reworked by means of superimposition, canon and imitation for the effects of grandeur and spiritual elevation. There are several Praeambulum movements in which Scheidemann builds on the legacy of the Dutch master Sweelinck, more freely composed, allowing full rein for the performer/composer’s own virtuosity.

Until quite recently, all Scheidemann’s keyboard works were thought to have been written for the organ, but scholarly research has now shown that more than a quarter of the hundred or so pieces known to be by Scheidemann (or attributed to him) were actually written for the harpsichord and intended for performance in a secular context. Joseph Rassam’s recording is therefore one of the first to place such pieces in their original, intended context. In doing so, it reveals new and extrovert facets of the music which was hitherto characterised as more solemn and monumental according to an eccelesiastical context.

Joseph Rassam has chosen to use three instruments appropriate to the historical and stylistic context of Scheidemann’s music. The organ is a relatively new one, inaugurated in 2010 by Gustav Leonhardt in the church of St Martin, Amilly, and built by Bertrand Cattiaux in the style of North-German Baroque instruments. He also plays an original 17th-century harpsichord of unknown manufacture, beautifully decorated and recently restored by Alain Anselm, and one of Anselm’s own virginals.

This new recording presents both organ works and harpsichord works of Heinrich Scheidemann (c. 1596-1663). Chorales sung in the vernacular, the pillar of Lutheran Service, are the primary source of inspiration for Scheidemann’s organ music. In combining the simplicity of the original melody and the complexity of contrapuntal technique the organist-composer made the genre of chorale settings his own. Joseph Rassam plays on an organ built by Bertrand Cattiaux who draw his inspiration from the Netherlands and North German instruments of the 17th-century, as well as a historic two-manual harpsichord, built in 1650/55 by “CLF”. The booklet includes excellent liner notes written by a musicologist, in both English and German.

TRACKLIST

01. Præambulum in E Minor
02. Erbarm dich mein, o Herre Gott: I. Versus 1
03. Erbarm dich mein, o Herre Gott: II. Versus 2, on 2 Manuals
04. Cantzoenn in G Major
05. Vom Himmel hoch da komm ich her: I. Versus 1
06. Vom Himmel hoch da komm ich her: II. Versus 2
07. Vom Himmel hoch da komm ich her: III. Versus 3 & 4, on 2 manuals. Pedaliter
08. Præambulum No. 13 in G Major, WV 73
09. Toccata in G Major
10. Mensch, willst du leben seliglich: I. Versus 1, Choral in Tenor, Versus 2, Choral in Bass
11. Mensch, willst du leben seliglich: II. Versus 3 & 4, on 2 Manuals
12. Confitemini domino: I. Prima pars
13. Confitemini domino: II. Seconda pars
14. Christ lag in Todesbanden: I. Versus 1, Pedaliter
15. Christ lag in Todesbanden: II. Versus 2, on 2 Manuals. Pedaliter
16. Christ lag in Todesbanden: III. Versus 3
17. Præambulum in G Minor
18. Vater unser im Himmelreich
19. Fantasia in D Minor
20. Jesus Christus, unser Heiland on 2 manuals. Pedaliter
21. Præambulum in D Minor
22. Fuga in D Minor
23. Französischer Allemand
24. Courant & Variatio in D Minor
25. Omnia quæ fecisti nobis domine
26. Ballett & Variatio in F Major
27. Canzon in F Major
28. Mio cor, se vera sei salamandra
29. Courant & 2 Variatios in A Minor
30. Fantasia in G Major
31. Mascarata & Variatio in G Major
32. Toccata in C Major
33. Præambulum in C Major
34. Benedicam domino
35. Jesu, wollst uns weisen
36. Englische Mascarada oder Juden Tanzt
37. Allemand & Double in C Minor
38. Betrübet ist zu dieser Frist
39. Pavana lachrymae
40. Galliarda & Variatio in D Minor