Jon Lord - Durham Concerto (2007)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Avie Records, AV 2145 | ~ 260 or 133 Mb | Scans(jpg) -> 61 Mb
Classical
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Avie Records, AV 2145 | ~ 260 or 133 Mb | Scans(jpg) -> 61 Mb
Classical
Jon Lord, founder and organist of the English rock band Deep Purple, calls his piece on this Avie disc the Durham Concerto, and one can only agree with the aptness of the title. Written for the 175th anniversary of the founding of Durham University and composed to invoke the town, the university, and the cathedral, the work is clearly rooted in the earth of northern England. And with its complement of four soloists – cellist Matthew Barley, violinist Ruth Palmer, Northumbrian piper Kathryn Tickell, and Lord himself on Hammond organ. It is clearly a concerto, albeit it more of a concerto grosso in practice than a concerto proper since the main argument is carried on mostly by the orchestra, in this case, the Royal Philharmonic under conductor Mischa Damev.
How well the Durham Concerto works is up to the listener to decide. For some, the romantic themes, sumptuous colors, atmospheric touches, and resounding climaxes of Lord's piece will be sometimes thrilling, often touching, and always entertaining. The jaunty violin march in Durham Awakes and the big-hearted theme for full orchestra in Durham Nocturne will be wholly convincing to them. For others, however, memories of rock bands, film scores, and especially the pastoral music of Ralph Vaughan Williams will crowd out Lord's originality. The waves of sound that gradually illuminate The Cathedral at Dawn will be too similar to Vaughan Williams' Tallis Fantasia for them, and Rags and Galas' rambunctious clash of classical and rock music will be too harsh.
One thing is certain: the conductor, soloists and orchestra are doing their best to make the Durham Concerto succeed. Damev is firmly in control of both his forces and Lord's score, guiding the former through the latter's six movements with a skillful and sympathetic hand. The soloists are all impressive, particularly Tickell, whose pipes have some of the work's most memorable melodies. While not for everyone, those who approach Lord's Durham Concerto with open ears and an open mind may find the piece is well worth hearing. Recorded at Philharmonic Hall in Liverpool, Avie's digital sound is big, detailed, and colorful if a bit congested at some of the biggest climaxes.by James Leonard, AMG
Jon Lord - Durham Concerto (2007):
Tracklist:
1. Part1: Morning - The Cathedral at Dawn
2. Part1: Morning - Durham Awakes
3. Part2: Afternoon - The Road from Lindisfarne
4. Part2: Afternoon - From Prebends Bridge
5. Part3: Evening - Rags & Galas
6. Part3: Evening - Durham Nocturne
Musicians:
Matthew Barley - cello
Jon Lord - Hammond organ
Ruth Palmer - violin
Kathryn Tickell - Northumbrian pipes
Royal Liverpool Philharmonic Orchestra (Leader: Thelma Handy)
Conducted by Mischa Damev
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 3. May 2008, 18:52
Jon Lord / Durham Concerto
Used drive : TSSTcorpCD/DVDW SH-S182M Adapter: 4 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 11:31.00 | 0 | 51824
2 | 11:31.00 | 8:28.46 | 51825 | 89970
3 | 19:59.46 | 7:18.67 | 89971 | 122887
4 | 27:18.38 | 8:31.42 | 122888 | 161254
5 | 35:50.05 | 8:25.19 | 161255 | 199148
6 | 44:15.24 | 12:11.64 | 199149 | 254037
Range status and errors
Selected range
Filename F:\Release\Jon Lord - Durham Concerto\Jon Lord - Durham Concerto.wav
Peak level 100.0 %
Range quality 100.0 %
Test CRC 9D4103B1
Copy CRC 9D4103B1
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
None of the tracks are present in the AccurateRip database
End of status report
EAC extraction logfile from 3. May 2008, 18:52
Jon Lord / Durham Concerto
Used drive : TSSTcorpCD/DVDW SH-S182M Adapter: 4 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 11:31.00 | 0 | 51824
2 | 11:31.00 | 8:28.46 | 51825 | 89970
3 | 19:59.46 | 7:18.67 | 89971 | 122887
4 | 27:18.38 | 8:31.42 | 122888 | 161254
5 | 35:50.05 | 8:25.19 | 161255 | 199148
6 | 44:15.24 | 12:11.64 | 199149 | 254037
Range status and errors
Selected range
Filename F:\Release\Jon Lord - Durham Concerto\Jon Lord - Durham Concerto.wav
Peak level 100.0 %
Range quality 100.0 %
Test CRC 9D4103B1
Copy CRC 9D4103B1
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
None of the tracks are present in the AccurateRip database
End of status report
foobar2000 1.2.9 / Dynamic Range Meter 1.1.1
log date: 2016-03-24 18:07:23
––––––––––––––––––––––––––––––––––––––––
Analyzed: Jon Lord / Durham Concerto
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 0.00 dB -17.52 dB 11:31 01-Part1: Morning - The Cathedral at Dawn
DR13 -0.07 dB -18.38 dB 8:29 02-Part1: Morning - Durham Awakes
DR14 -2.02 dB -21.47 dB 7:19 03-Part2: Afternoon - The Road from Lindisfarne
DR15 -1.05 dB -24.58 dB 8:32 04-Part2: Afternoon - From Prebends Bridge
DR9 0.00 dB -14.45 dB 8:25 05-Part3: Evening - Rags & Galas
DR9 0.00 dB -15.17 dB 12:12 06-Part3: Evening - Durham Nocturne
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 6
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 626 kbps
Codec: FLAC
log date: 2016-03-24 18:07:23
––––––––––––––––––––––––––––––––––––––––
Analyzed: Jon Lord / Durham Concerto
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 0.00 dB -17.52 dB 11:31 01-Part1: Morning - The Cathedral at Dawn
DR13 -0.07 dB -18.38 dB 8:29 02-Part1: Morning - Durham Awakes
DR14 -2.02 dB -21.47 dB 7:19 03-Part2: Afternoon - The Road from Lindisfarne
DR15 -1.05 dB -24.58 dB 8:32 04-Part2: Afternoon - From Prebends Bridge
DR9 0.00 dB -14.45 dB 8:25 05-Part3: Evening - Rags & Galas
DR9 0.00 dB -15.17 dB 12:12 06-Part3: Evening - Durham Nocturne
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 6
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 626 kbps
Codec: FLAC
[CUETools log; Date: 24.03.2016 12:37:19; Version: 2.1.4]
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Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
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[AccurateRip ID: 000d6a16-0046dec7-410d3b06] found.
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Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 100,0 [9D4103B1] [97319E7A] CRC32
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