John Eliot Gardiner, English Baroque Soloists - George Frideric Handel: Agrippina (2007)
John Eliot Gardiner, English Baroque Soloists - George Frideric Handel: Agrippina (2007)
EAC | FLAC | Image (Cue & Log) ~ 1.10 Gb | Total time: 74:52+73:43+69:08 | Scans included
Classical | Label: Philips | # 475 8285 | Recorded: 1991-1992
EAC | FLAC | Image (Cue & Log) ~ 1.10 Gb | Total time: 74:52+73:43+69:08 | Scans included
Classical | Label: Philips | # 475 8285 | Recorded: 1991-1992
Agrippina – a portrayal of lust and power set in first century Rome – was first performed in December 1709 at the Teatro San Giovanni Crisostomo, Venice. This "arrangement" by John Eliot Gardiner was recorded in 1991/2 in London and has now been re-released. It was Handel's second and last opera to be composed during his time in Italy, from 1706 to 1710. Written against some resistance (the composer at first saw "no good reason" to write (such) an opera) in three weeks while in Venice, it represented the first such popular acclaim of Handel's career being performed over two dozen times in succession.
As befits a piece pointedly caricaturing contemporary Roman intrigue, Agrippina is closer in style to opera buffa, commedia dell'arte even, than a anguished study in untrammeled human frailty. Although – like all good comedy – it is very serious. The balance – and indeed the pace and musicality of much of the recitative – is positively Mozartian in its straightforward, unfolding simplicity. The characters are almost uniformly well drawn and this cast reflects a sense of passion and commitment by not overplaying the farcical side of their interaction, as has happened all too often in some Handel productions… one thinks of the recent English National Operas staging, which descended at times into gratuitous and somewhat juvenile slapstick, completely missing the subtleties and nuances of the plot in the interests of spurious populism.
So Agrippina allows the frailties, foibles, immorality and amorality of the principals to reveal themselves: Gardiner's more restrained approach does nothing but assist and underline. Simply put, Agrippina plots the downfall of Claudius in order for her son, Nero, to become emperor in his place. It would be too easy to ridicule and condemn such intrigue, exploitative manipulation and lust for power. As it is, Handel's dispassionate and non-judgmental observation makes us more likely to care about the characters and their fates. This production works that way. It's not farce. There is humanity. The result: a sense that nothing, particularly evil, is simple. Gardiner's forces have understood this.
To some extent this compassion and balance are achieved by remarkable musical invention by Handel. Poppea's arias, for example, strike just the right balance between frivolity, superficiality, shallowness and detachment. Of particular note is the excellent singing of the three countertenors, Michael Chance, Jonathan Peter Kenny and Derek Lee Ragin: each shines in his own way; collectively their contributions enliven the performance immensely. On the other hand Alastair Miles as Claudio sings with a superb blend of authority and pathos. Donna Brown achieves the effects of nastiness and a certain hubris convincingly, while Della Jones perfects the blend between evil schemer and nonchalant confidence, which must not become overblown to make maximum impact. It's not necessarily easy to sing insincerity sincerely! She does so convincingly. Indeed, Gardiner's forces achieve very well the balance between the idea of belligerent and bitter plotting and the actual minds and behaviors of those who abandon all principle to do so. Although at the time this set was first released Gardiner had neither recorded nor directed a large number of Handel operas, his interpretative depth and intuition shone through.–Mark Sealey
Performer:
Agrippina - Della Jones
Claudio - Alastair Miles
Nerone - Derek Lee Ragin
Poppea - Donna Brown
Ottone - Michael Chance
Pallante - George Mosley
Narciso - Jonathan Peter Kenny
Lesbo - Julian Clarkson
Giunone - Anne Sofie von Otter
English Baroque Soloists
Conductor - John Eliot Gardiner
Track List:
CD1:
01. Sinfonia
02. Atto I. Recitativo: Nerone, amato, figlio! (Agrippina, Nerone)
03. Aria: Col saggio tuo consiglio (Nerone)
04. Recitativo: Per così grande impresa (Agrippina, Pallante)
05. Aria: La mia sorte fortunata (Pallante)
06. Recitativo: Or che Pallante è vinto (Agrippina, Narciso)
07. Aria: Volo pronto, e lieto il core (Narciso)
08. Recitativo: Quanto fa, quanto puote / Aria: L'alma mia fra le tempeste (Agrippina)
09. Arioso: Qual piacere a un cor pietoso / Recitativo: Prendi tu ancora, prendi / Arioso: Ma rassembra tormentoso (Nerone)
10. Recitativo: Amici, al sen vi stringo (Nerone, Pallante, Narciso, Agrippina)
11. Recitativo: Voi, che dell'alta Roma (Agrippina) / Quartetto: Il tuo figlio (Pallante, Narciso, Agrippina, Nerone)
12. Recitativo: Ma qual di liete trombe (Agrippina) / Arietta: Allegrezza, allegrezza (Lesbo)
13. Recitativo: Alle tue piante, o Augusta (Ottone, Agrippina, Narciso, Pallante)
14. Aria: Tu ben degno (Agrippina)
15. Recitativo: L'ultima del gioir mèta gradita / Aria: Lusinghiera mia speranza (Ottone)
16. Aria: Vaghe perle, eletti fiori. Poppea
17. Recitativo: Otton, Claudio, Nerone (Poppea, Lesbo, Agrippina)
18. Aria: È un foco quel d'amore (Poppea)
19. Recitativo: Ma qui Agrippina viene (Poppea, Agrippina)
20. Aria: Ho un non so nel cor (Agrippina)
21. Recitativo: Cieli, quai strani casi / Aria: Fa quanto vuoi (Poppea)
22. Recitativo: Non veggo alcun. Lesbo
23. Aria: Pur ritorno a rimirarvi (Claudio)
24. Recitativo: Ma, oh ciel, mesta e confusa (Claudio, Poppea)
25. Arietta: Vieni, o cara (Claudio)
CD2:
01. Recitativo: Che mai farò! / Terzetto: E quando mai i frutti (Claudio, Poppea, Lesbo) / Recitativo: Pur al fin si riandò (Poppea, Agrippina)
02. Aria: Non ho cor che per amarti (Agrippina)
03. Recitativo: Se Ottone m'ingannò / Aria: Se giunge un dispetto (Poppea)
04. Atto II. Recitativo: Dunque noi siam traditi? (Pallante, Narciso)
05. Aria: Coronato il crin d'alloro (Ottone) / Recitativo: Roma, più ch'il tronfo (Pallante, Narciso, Ottone, Agrippina, Poppea, Nerone)
06. Recitativo: Ecco il superbo (Agrippina, Poppea, Nerone, Ottone, Narciso)
07. Coro: Di timpani e trombe (Poppea, Nerone, Agrippina, Ottone, Narciso, Pallante, Lesbo)
08. Recitativo: Nelle Britannia vinta / Aria: Cade il mondo soggiogato (Claudio)
09. Recitativo: Signor, quanto il mio core (Agrippina, Claudio, Poppea, Nerone, Narciso, Pallante, Ottone)
10. Arietta: Nulla sperar da me (Agrippina) / Recitativo: E tu, Poppea (Ottone) / Aria: Tuo ben è 'l trono (Poppea) / Recitativo: Soccorri almen, Nerone! (Ottone) / Aria: Sotto il lauro ch'hai sul crine (Nerone)
11. Recitativo: Otton, qual portentoso fulmine (Ottone)
12. Aria: Voi che udite il mio lamento (Ottone)
13. Aria: Bella pur del mio diletto / Recitativo: Il tormento d'Ottone (Poppea)
14. Arioso: Vaghe fonti / Recitativo: Ma qui che veggo, oh cieli! (Ottone)
15. Aria: Ti vo' giusta e non pietosa (Ottone)
16. Recitativo: Di quali ordite trame (Poppea, Lesbo, Nerone)
17. Recitativo: Pur al fine ti ritrovo! (Lesbo, Poppea)
18. Aria: Col peso del tuo amor (Poppea)
19. Recitativo: Qual bramato piacere / Aria: Quando invita la donna l'amante (Nerone)
20. Aria: Pensieri, voi mi tormentate! / Recitativo: Quel ch' oprai è soggetto a gran periglio / Aria: Pensieri, voi mi tormentate! (Agrippina)
21. Recitativo: Se ben nemica sorte (Pallante, Agrippina)
22. Aria: Col raggio placido (Pallante)
CD3:
01. Recitativo: Di giunger non dispero al mio desire (Agrippina, Narciso)
02. Aria: Spererò, poi che mel dice (Narciso)
03. Recitativo: Per dar la pace al core (Agrippina, Claudio, Lesbo)
04. Aria: Basta sol che tu chieda (Claudio)
05. Recitativo: Favorevol la sorte oggi m'arride / Aria: Ogni vento ch'ai porto lo spinga (Agrippina)
06. Atto III. Recitativo: Il caro Ottone al precipizio io spinsi (Poppea, Ottone)
07. Aria: Tacerò, tacerò (Ottone)
08. Recitativo: Attendo qui Nerone e Claudio ancora (Poppea, Nerone, Ottone)
09. Aria: Coll'ardor del tuo bel core (Nerone)
10. Recitativo: Amico ciel, seconda il mio disegno (Poppea, Lesbo, Claudio, Nerone, Ottone)
11. Aria: Io di Roma il Giove sono (Claudio)
12. Recitativo: Pur al fin se ne andò (Poppea, Ottone)
13. Aria: Pur ch'io ti stringa al sen (Ottone)
14. Recitativo: Piega pur del mio cor / Aria: Bel piacer (Poppea)
15. Recitativo: Cotanto osò Poppea? (Agrippina, Nerone)
16. Aria: Come nube che fugge dal vento (Nerone)
17. Recitativo: Evvi donna più empia? (Pallante, Narciso, Claudio, Agrippina)
18. Recitativo: Adorato mio sposo (Agrippina, Claudio, Narciso, Pallante)
19. Aria: Se vuoi pace, o volto amato (Agrippina)
20. Recitativo: Ecco la mia rivale (Agrippina, Poppea, Nerone, Ottone, Claudio)
21. Coro: Lieto il Tebro increspi l'onda
22. Recitativo: D'Otton e di Poppea sul grande innesto / Aria: V'accendano le tede (Giunone)
23. Ballo
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 21. December 2021, 19:09
John Eliot Gardiner, English Baroque Soloists / Handel - Agrippina CD1
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Exact Audio Copy V1.6 from 23. October 2020
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Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 21. December 2021, 21:36
John Eliot Gardiner, English Baroque Soloists / Handel - Agrippina CD3
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Track 20 accurately ripped (confidence 16) [BEB3BD1B] (AR v2)
Track 21 accurately ripped (confidence 16) [05A3AD59] (AR v2)
Track 22 accurately ripped (confidence 16) [01583A67] (AR v2)
Track 23 accurately ripped (confidence 16) [3708EC98] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: 7kesyIIe5XGLqptOpAubShSUMRs-] found
Submit result: 7kesyIIe5XGLqptOpAubShSUMRs- has been confirmed
Track | CTDB Status
1 | (55/55) Accurately ripped
2 | (55/55) Accurately ripped
3 | (55/55) Accurately ripped
4 | (55/55) Accurately ripped
5 | (55/55) Accurately ripped
6 | (55/55) Accurately ripped
7 | (55/55) Accurately ripped
8 | (55/55) Accurately ripped
9 | (55/55) Accurately ripped
10 | (55/55) Accurately ripped
11 | (55/55) Accurately ripped
12 | (55/55) Accurately ripped
13 | (54/55) Accurately ripped
14 | (55/55) Accurately ripped
15 | (55/55) Accurately ripped
16 | (55/55) Accurately ripped
17 | (55/55) Accurately ripped
18 | (55/55) Accurately ripped
19 | (55/55) Accurately ripped
20 | (54/55) Accurately ripped
21 | (55/55) Accurately ripped
22 | (54/55) Accurately ripped
23 | (55/55) Accurately ripped
==== Log checksum E0E834484EFB1407A5B18E8718298A80E00587A5D2C68E48B623294A2EC4C1E5 ====
John Eliot Gardiner, English Baroque Soloists - George Frideric Handel: Agrippina (2007)
