John Eliot Gardiner - Francois Couperin: L'Apotheose de Lully, L'Apotheose de Corelli, Concert "Dans le Gout Theatral" (1990)
John Eliot Gardiner - Francois Couperin: L'Apotheose de Lully, L'Apotheose de Corelli, Concert "Dans le Gout Theatral" (1990)
EAC | FLAC (image+.cue, log) | Covers Included | 70:07 | 384 MB
Genre: Classical | Label: Erato | Catalog: 2292-45011-2
EAC | FLAC (image+.cue, log) | Covers Included | 70:07 | 384 MB
Genre: Classical | Label: Erato | Catalog: 2292-45011-2
John Eliot Gardiner has proved himself a doughty champion of the later French Baroque, cultivating credible performing methods and unearthing undeservedly neglected repertoire. These nine CDs offer both rich musical rewards and an insight into developing approaches to interpretation. The earliest repertoire in the set is the volume of Francois Couperin's 'apotheoses' of Lully and Corelli, a sensual and programmatic feast in which this charmingly didactic composer attempts to reconcile the best of French and Italian taste. The recording, from 1988, is the most recent in vintage, with stylish solo performances which are at their most natural in L 'apotheose de Lully. The makeweight on diis disc is Peter Holman's inflation for orchestra of Couperin's suite Dans legout theatral of 1724 - an engaging oddity which, played here widi verve and commitment, makes a fine effect. At the other end of the performance practice spectrum is the 1977 recording of Rameau's ballet La dansefmm the opera-ballet Les fetes d'Hebe. Both the solo singing and orchestral sound of the Monteverdi Orchestra have a distincdy Romantic glow which, on its own terms, is enjoyable if slightly soporific. Five years later, in the unfailingly delightful orchestral music from Rameau's opera Dardanus, the playing of the English Baroque Soloists is far more at ease with French style, though it lacks the punch they bring to Les boreades, also recorded in 1982. Viewed by many as one of the greatest of Rameau's operas, the score is both dramatically effective and a riot of orchestral colour. Gardiner conducts with a real feeling for the way in which instrumental timbre underpins the drama, while in a strong cast Philip Langridge is both stylish and superbly theatrical as Abaris. Leclair's single opera Scylla et Glaucus may lack the sheer audacity of his teacher Rameau, but it's enormously likeable. If anything, the performers respond better and more stylishly to Leclair's charming if slightly predictable sound-world than in Les boreades, and the conducting preserves a neat balance between drama and ornament. Here as elsewhere it is clear that Gardiner favours intervention over chilly authenticity; whether or not you agree with all his decisions, the clarity of the image he presents is often provocative and always bracing. – Jan Smaczny
John Eliot Gardiner - Francois Couperin: L'Apotheose de Lully, L'Apotheose de Corelli, Concert "Dans le Gout Theatral" (1990)
Track List:
Le Parnasse Ou L'Apothéose De Corelli – Grande Sonade, En Trio 14:23
1 Corelli Au Piéd Du Parnasse Prie Les Muses De Le Recevoir Parmi Elles. 2:14
2 Corelli Charmé De La Bonne Réception Qu'on Lui Fait Au Parnasse, En Marque Sa Joye. Il Continuë Avec Ceux Qui L'accompagnent. 2:01
3 Corelli Buvant À La Source D'hypocrêne. Sa Troupe Continue. 2:31
4 Entouziasme De Corelli Causé Par Les Eaux D'hypocréne. 4:32
5 Les Muses Reveillent Corelli, Et Le Placent Auprês D'Apollon. 0:41
6 Remerciment De Corelli. 2:12
Concert "Dans Le Goût Théatral" (Version Orchestrale Réalisée Par Peter Holman) 21:27
7 Ouverture 2:27
8 Grande Ritournéle 3:13
9 Noblement 2:11
10 Air Tendre 1:27
11 Air Léger 1:06
12 Loure 2:25
13 Air Animé 0:58
14 Sarabande 1:47
15 Air Léger 1:18
16 Air Tendre 3:18
17 Air De Baccantes 1:00
Concert Instrumental Sous Le Titre D'Apothéose – Composé À La Mémoire Immortelle De L'incomparable Monsieur De Lully 34:04
18 Lully Aux Champs Elisés: Concertant Avec Les Ombres Liriques 2:53
19 Air Pour Les Mêmes 2:42
20 Vol De Mercure Aux Champs Elisés, Pour Avertir Qu'Apollon Y Va Descendre 0:29
21 Descente D'Apollon: Qui Vient Offrir Son Violon À Lully; Et Sa Place Au Parnasse 2:41
22 Rumeur Souteraine: Causée Par Les Auteurs Contemporains De Lulli 0:26
23 Plaintes Des Mêmes: Pour Des Flûtes, Ou Des Violons Tres Adoucis 3:41
24 Enlévement De Lulli Au Parnasse 1:14
25 Accüeil Entre-Doux, Et Agard, Fait À Lulli Par Corelli, Et Par Les Muses Jtaliénes 2:16
26 Remerciment De Lulli: À Apollon 3:15
Apollon, Persuade Lulli, Et Corelli, Que La Réünion Des Goûts François Et Italien Doit Faire La Perfection De La Musique – Essai En Forme D'Ouverture
27 Lulli Et Les Muses Françoises - Corelli Et Les Muses Italiénes 2:51
28 Lulli, Joüant Le Sujet; Et Corelli L'acompagnant / Corelli Joüant Le Sujet À Son Tour, Que Lulli Acompagne 4:05
La Paix De Parnasse Faite Aux Conditions Sur La Remontrance Des Muses Françoises Que Lorsqu'on Y Parleroit Leur Langue, On Diroit Dorénavant Sonade, Cantade; Ainsi Qu'on Pronance Ballade, Sérénade, Etc.
29 Sonade En Trio 2:12
30 Saillie 1:31
31 Rondement 1:41
32 Vivement 1:41
Performers:
Alison Bury - violin
Elizabeth Wilcock - violin
Richard Campbell - viola da gamba
Alastair Ross - harpsichord
English Baroque Soloists [on period instruments]
John Eliot Gardiner - conductor
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 29. September 2012, 22:33
John Eliot Gardner / Couperin - Orchestral works - Gardiner
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Make use of C2 pointers : No
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Copy CRC 089A2F4E
Copy OK
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EAC extraction logfile from 29. September 2012, 22:33
John Eliot Gardner / Couperin - Orchestral works - Gardiner
Used drive : TSSTcorpCDDVDW TS-L633M Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "TITLE=%title%" -T "ARTIST=%artist%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TRACKTOTAL=%numtracks%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %source% -o %dest%
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Copy CRC 089A2F4E
Copy OK
No errors occurred
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04 [28738cf6|5d8228b3] (3+5/8) Accurately ripped
05 [0cecb9c9|022636e5] (3+5/8) Accurately ripped
06 [ffbc6545|ba916aaf] (3+5/8) Accurately ripped
07 [5de3f10d|9f976a08] (3+5/8) Accurately ripped
08 [b244c714|84fe8f30] (3+5/8) Accurately ripped
09 [d207b124|e583e564] (3+5/8) Accurately ripped
10 [acc9f78e|9c245a01] (3+5/8) Accurately ripped
11 [0ff6fb83|f1184642] (3+5/8) Accurately ripped
12 [acbc1327|0888754a] (3+5/8) Accurately ripped
13 [ebaae981|688ce925] (3+5/8) Accurately ripped
14 [350aeaca|6158302d] (3+5/8) Accurately ripped
15 [ec031c0e|22f65164] (3+5/8) Accurately ripped
16 [6200af0e|01673052] (3+5/8) Accurately ripped
17 [789fa04f|73778e7e] (3+5/8) Accurately ripped
18 [3f5c4d46|c97252c1] (3+5/8) Accurately ripped
19 [49a46254|20b8f697] (3+5/8) Accurately ripped
20 [48bd791b|42b55138] (3+5/8) Accurately ripped
21 [733a6622|b7223a7f] (3+5/8) Accurately ripped
22 [c784782b|befa7f14] (3+5/8) Accurately ripped
23 [189db840|d9a39794] (3+5/8) Accurately ripped
24 [390c73ed|f9da328d] (3+5/8) Accurately ripped
25 [328e2172|5b1fbade] (3+5/8) Accurately ripped
26 [30c9fcf2|ab03b875] (3+5/8) Accurately ripped
27 [c45253e1|33d9aa95] (3+5/8) Accurately ripped
28 [2237a711|57bf441d] (3+5/8) Accurately ripped
29 [cc96c330|fb422a84] (3+5/8) Accurately ripped
30 [4a2d16d1|98507cb6] (3+5/8) Accurately ripped
31 [fc5e22c0|f06cd0ff] (3+5/8) Accurately ripped
32 [a01c20bf|f85a857a] (3+5/8) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 94,4 [089A2F4E] [FADCF4A6] CRC32
01 40,1 [27E264F7] [1B99ED7B]
02 62,1 [076C1EE9] [D53CE8D2]
03 29,2 [396AF38E] [0E8B4ED6]
04 34,1 [D14C5E5E] [AC44D62C]
05 40,8 [807120C0] [B7DF9538]
06 45,3 [18C38A23] [15CD02A0]
07 84,8 [EC0A81E8] [6291C7CB]
08 65,6 [A1B8183F] [2DD1CE5A]
09 83,9 [BA3E7399] [6C98C5AD]
10 59,9 [5B4D3050] [49B7D96D]
11 46,0 [0C1AC2E4] [6D3F599F]
12 94,4 [DF56AA5A] [7155095C]
13 78,7 [278F3BDC] [383CE091]
14 42,4 [505BAFA4] [B0536A2A]
15 67,5 [96883F42] [33F125F3]
16 66,7 [7F340027] [F4098CFF]
17 78,1 [942B2FD6] [D779E8FD]
18 38,7 [901EC57D] [B12BE99B]
19 48,1 [9717184C] [D87216A4]
20 30,3 [56E7622E] [8A243AF7]
21 77,8 [E0C153BE] [8AE7B890]
22 21,4 [2BAC0212] [13E42F0B]
23 29,5 [B8FB4C23] [E60B3C61]
24 30,7 [B3A06C6E] [DD5A829D]
25 57,1 [60DBC38D] [88F3F846]
26 31,6 [5043F7B2] [81DDDA18]
27 56,6 [C79CA162] [A7EFB1E5]
28 30,1 [961650F7] [BEC91433]
29 36,3 [1B88EA4E] [C6A4B609]
30 32,0 [77DC85B3] [1F83DF76]
31 30,4 [8E940934] [821B9257]
32 24,9 [E0D0D484] [1FD52BC0]
Thanks to the Original ripper (unknown)!
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