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    Jarvi, Bergen - Tchaikovsky: Swan Lake (2013)

    Posted By: peotuvave
    Jarvi, Bergen - Tchaikovsky: Swan Lake (2013)

    Jarvi, Bergen - Tchaikovsky: Swan Lake (2013)
    EAC Rip | Flac (Tracks + cue + log) | 598 MB | MP3 320Kbps CBR | 364 MB | 2 CDs | Full Scans
    Genre: Classical | Label: Chandos | Catalog Number: 5124

    This is the second instalment in our series devoted to Tchaikovsky’s three great ballets. The first recording, of The Sleeping Beauty, was praised upon its release, described by a reviewer in American Record Guide as ‘one of the finest I’ve heard’. Here Neeme Järvi and the Bergen Philharmonic Orchestra present the complete version of Swan Lake, with the pre-eminent James Ehnes lending his magic to the violin solos. This was Tchaikovsky’s first full-length ballet, but its premiere in 1877, staged at Moscow’s Bolshoy Theatre, was by no means a resounding success. According to most accounts, the choreography was inept, the shabby sets and costumes were borrowed from other productions, and the orchestral playing was poor. Most ballet companies today base their productions on the 1895 revival by the distinguished choreographer Marius Petipa. Although this revival has been seen as more ‘danceable’, one may argue that the overall cuts and reordering ultimately destroyed Tchaikovsky’s ground plan of drama and tonality. Here we present Tchaikovsky’s original Bolshoy score of twenty-nine numbers across four acts, along with two supplementary numbers which Tchaikovsky provided not long after the premiere.

    Composer: Peter Ilyich Tchaikovsky
    Performer: Johannes Wik, James Ehnes, Robert deMaine
    Conductor: Neeme Järvi
    Orchestra/Ensemble: Bergen Philharmonic Orchestra

    Reviews: As has been noted in previous reviews of recordings of Tchaikovsky’s “complete” Swan Lake , there may well be as many different versions of the score as there have been productions of it. The problem is that Swan Lake is both the earliest (1875–1876) and the longest of the composer’s three great ballets, and Read more

    The generally known and accepted facts are these: The ballet, with original choreography by Julius Reisinger, was staged for the first time in February, 1877 by the Bolshoi Ballet at Moscow’s Bolshoi Theater. It was not well received; audience and critics alike felt it was too long and convoluted, its music too heavy, and its libretto, adapted from a story by a German author, an affront to Russian sensibilities. And thus began the tinkering and tampering. By the time the work was revived in 1895 by the Imperial Ballet at St. Petersburg’s Mariinsky Theater there was new choreography by Marius Petipa and Lev Ivanov, along with major musical revisions to the score by the Imperial Theater’s conductor and composer, Riccardo Drigo. It should be noted that by the time of the 1895 revival, Tchaikovsky was dead and had no hand in the new performing version. Tchaikovsky and Drigo had worked together previously, but according to accounts, they didn’t agree on much of anything and their relationship was strained.

    The upshot of all this is that there is no definitive Swan Lake . It was no longer a ballet by one composer, but rather a group effort; and you know the saying about a camel being a horse designed by a committee. It’s important to bear this in mind when considering the various recordings of Swan Lake that claim to be complete, for the drastic differences in timings cannot be explained by mere tempo differences alone. There have to be other factors involved, such as omission of some movements, cuts to others, and/or reliance on differing versions/editions. Let’s look at the timings of several well-known recordings, sorted in order by duration.

    Conductor Orchestra Label Timing
    Valery Gergiev St. Petersburg Mariinsky O Decca 106.59
    Antál Dorati Minneapolis SO Mercury 131:41
    Felix Slatkin St. Louis SO RCA 141:00
    Mikhail Pletnev Russian National O Ondine 142.52
    Dmitri Yablonsky Russian State SO Naxos 148:38
    Michael Tilson Thomas London SO Sony 149:05
    Mark Ermler Royal Opera House O Conifer 153.03
    André Previn London SO EMI 153:02
    Charles Dutoit Montréal SO Decca 153:56
    Neeme Järvi Bergen PO Chandos 154:41
    Wolfgang Sawallisch Philadelphia O EMI 158:45
    Right off the bat, I need to offer a disclaimer: My personal familiarity with the above-listed recordings is limited to only four of them—Gergiev, Pletnev, Yablonsky, and now this new one by Järvi. Of the four, Gergiev’s version is the worst in terms of the hatchet job it does on the score. Movements are reordered—for example, the act I Waltz has been moved to act III and its ending abridged—and it’s full of egregious cuts—some 40 minutes of music are sacrificed. Gergiev’s Swan Lake is presumptively based on the Mariinsky performing version; i.e., the above-mentioned Drigo edition prepared for the 1895 St. Petersburg revival.

    Looking at Pletnev’s timing of 142:52 vs. Yablonsky’s 148:58 and Järvi’s 154:41, it seems pretty obvious that that while tempo differences over the course of two and a half hours could account for the difference of approximately six minutes between Pletnev and Yablonsky and, in turn, between Yablonsky and Järvi, they’re unlikely to be the cause of the approximately 12-minute difference between Pletnev and Järvi.

    Upon closer examination of all three recordings, what I found was that Yablonsky and Järvi both include two often dropped numbers from act III, the Pas de deux that was written after the fact specifically for Anna Sobeshchanskaya, and the “Danse Russe,” added specifically for Pelageya Karpakova. Pletnev omits these two additions, as do a number of others. Whether they should be included or not is a rather complex question.

    Ballerinas of the day were not much different from their opera diva counterparts in terms of their egos. They had no shame when it came to demanding custom cadenzas to show off their voices or, in the case of danseuses, their fancy footwork and frilly tutus. The story surrounding Sobeshchanskaya and her Pas de deux is especially messy and borders on scandal. Originally picked to dance the lead role of Odette (the Swan) for the 1877 premiere, Sobeshchanskaya was ignominiously dropped from the cast at the last minute when a high-placed government official with whom she’d had a dalliance accused her of having taken expensive jewelry from him and then pawned it when she married a fellow danseur. On the spur of the moment, she was replaced by Pelageya Karpakova. Sobeshchanskaya survived the indignity and went on to dance the title role when the ballet was staged again a month later with no greater success than at its premiere.

    But the intrigue didn’t end there. The ballerina made no bones about the fact that she hated both the choreography and the music, and so off she went to St. Petersburg, where she engaged Petipa to choreograph a new Pas de deux for her that would replace the third act’s Grand pas. Petipa complied and choreographed the new number to music, not by Tchaikovsky, but by Ludwig Minkus, the Imperial Ballet’s composer in residence.

    When news of this change reached Tchaikovsky, he was miffed; his ego was probably bigger than Sobeshchanskaya’s. How dare she?! He was the composer, and he alone should take credit (or discredit) for the music. After some smoothing of his ruffled feathers, Tchaikovsky agreed to compose the music himself for Petipa’s new Pas de deux , but there was a problem. Tchaikovsky’s new music didn’t synch up with Petipa’s choreography, and Sobeshchanskaya, now back in Moscow, wasn’t about to travel back to St. Petersburg to go through the whole exercise again. She didn’t seem to care much one way or the other about the music, but she was adamant about keeping Petipa’s choreographed number. How exactly Tchaikovsky was prevailed upon to discard his newly composed music and essentially start over, this time following the outlines and rhythmic steps of Minkus’s music is not explained, but that’s what Tchaikovsky did. So, this particular episode apparently had a satisfactory ending for all involved, except, I suspect, for Minkus who surely must have felt put out. The original Grand pas with music by Tchaikovsky was replaced by Sobeshchanskaya’s Pas de deux with music first by Minkus and then by Tchaikovsky.

    Based on the foregoing, it would seem that there is every reason to include this number in complete performances of the ballet, yet many conductors, Pletnev among them, don’t. The situation regarding the “Danse Russe” (Russian Dance) is much simpler and appears to be the reverse; it’s one of deletion rather than addition. It was composed for and included in the original 1877 version of the score danced by Karpakova, the premiere’s last-minute substitute for Sobeshchanskaya. The number was then removed for subsequent performances in which Sobeshchanskaya took over the role, for reasons one can easily guess. If two competing sopranos could bitch-slap each other on stage during a production of a Handel opera, there was no telling what professional jealousy might provoke between two rival ballerinas.

    This describes only some of the butchery that turned Tchaikovsky’s finely feathered swan into a plucked chicken. It’s well to remember, however, that Swan Lake was not only the composer’s first completed ballet, it was really his first major stage undertaking to survive the ravages of time, even if not entirely intact. He was working on his opera Eugene Onegin at the same time, his first opera to achieve success; and though there had been earlier operatic efforts— The Voyevoda, Undina, The Oprichnik , and Vakula the Smith —they were either destroyed by the composer, recycled, later revised, or didn’t stir much interest at the time. Thus, at 37, Tchaikovsky’s greatest works still lay ahead of him, and he had yet to achieve the self-confidence that fame would bring him to be able to just say no to those who would mess with his music.

    Neeme Järvi’s Swan Lake follows his Sleeping Beauty , reviewed in 36:5. I would expect to see a Nutcracker in the near future, perhaps timed to coincide with Christmas (I’m writing this in November 2013). My only objection to Järvi’s Sleeping Beauty was his somewhat business-like approach, which struck me as missing some of the music’s fairy magic. But the Bergen Philharmonic’s polished playing, James Ehnes’s ravishing violin solos, and Chandos’s thrilling multi-channel SACD recording offered much allure.

    On relistening to that release, and in listening to this present one, in which Järvi, Ehnes, the Bergen orchestra, and Chandos repeat their earlier accomplishment, it occurred to me that my criticism of Järvi wasn’t entirely fair. There are two ways to conduct a ballet performance for a strictly audio recording. You can approach it as a concert work, in which case you will tend to emphasize the melodic, harmonic, and structural elements of the score, or you can approach it as a suite of dances, in which case you will emphasize the music’s rhythmic and terpsichorean aspects. Järvi falls into the former camp, and there’s nothing wrong in that, as long as he’s not directing a live production of the actual ballet, in which tempo, pacing, and phrasing need to be molded more flexibly to accommodate the movements of the dancers.

    I can’t say absolutely that this is the most authoritatively complete Swan Lake on record, though in taking up the original 1877 score and including additional material supplied by Tchaikovsky himself for subsequent performances, Järvi gives us a version that’s certainly more complete than are a number of others. What I can say is that of the four recordings of the score with which I’m familiar, Järvi’s would now be my first choice, and taking all other factors into account—superb playing by the Bergen Philharmonic, James Ehnes’s beguiling solo violin contributions, and a killer recording—I’d extrapolate from this that Järvi’s Swan Lake is now the one to have.

    Tracklisting:

    COMPACT DISC ONE

    1 Introduction. Moderato assai - Allegro ma non troppo - 2:39
    Tempo I

    Act I 46:08
    2 1. Scene. Allegro giusto 2:51
    3 2. Valse. Intrada. Tempo di valse - Valse 7:08
    4 3. Scene. Allegro moderato 3:37
    4. Pas de Trois
    5 I. Intrada. Allegro 2:19
    6 II. Andante sostenuto 2:42
    7 III. Allegro simplice - Presto 1:10
    8 IV. Moderato 1:07
    9 V. Allegro 1:17
    10 VI. Coda. Allegro vivace 1:38
    5. Pas de Deux
    11 I. Tempo di valse ma mon troppo vivo, quasi moderato 2:18
    12 II. Andante - Allegro - Molto più mosso 4:51
    James Ehnes violin
    13 III. Tempo di valse - 1:24
    14 IV. Coda. Allegro molto vivace 1:51
    15 6. Pas d'Action. Andantino quasi moderato - Allegro 2:04
    16 7. Sujet (Scene). [Moderato] - 0:48
    17 8. Danse des Coupes. Tempo di polacca 6:05
    18 9. Finale I. Andante 2:44

    Act II 32:20
    19 10. Scene. Moderato - Più mosso 2:40
    20 11. Scene. Allegro moderato - Moderato - Più mosso - 5:09
    Allegro vivo - L'istesso tempo -
    21 12. Scene. Allegro - Moderato assai quasi andante 3:39
    13. Danses des Cygnes
    22 I. Tempo di valse 2:22
    23 II. (Solo d'Odette.) Moderato più mosso 2:06
    24 III. Tempo di valse 1:50
    25 IV. [Pas de Quatre.] Allegro moderato 1:37
    26 Vi. Pas d'Action (Odette et le Prince.) 7:02
    Andante - Andante non troppo - Più mosso - Tempo I - Allegro - Più mosso
    James Ehnes violin
    Johannes Wik harp
    Robert deMaine cello
    27 VI. (Tour le Monde Danse.) Tempo di valse 1:30
    28 VII. Coda. Allegro vivo 1:39
    29 14. Scene (Finale II). Moderato - Più mosso 2:42
    81:17

    Exact Audio Copy V1.0 beta 4 from 7. December 2014

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    Neeme Järvi, James Ehnes, Bergen Philarmonic / Swan Lake

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    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
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    1 | 0:00.00 | 2:40.38 | 0 | 12037
    2 | 2:40.38 | 2:51.10 | 12038 | 24872
    3 | 5:31.48 | 7:08.35 | 24873 | 57007
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    13 | 33:46.18 | 1:24.10 | 151968 | 158277
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    28 | 76:52.40 | 1:39.10 | 345940 | 353374
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    Track 1

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    Track 26

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    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\127 - VI. (tout le mondo danse.) Tempo di valse.wav

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    Track 28

    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\128 - VII. Coda. allegro vivo.wav

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    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\129 - Scene (finale II). Moderato - Piu mosso.wav

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    ==== Log checksum 029AD16EC885A84EA7C5BA1012AF5CDAED0B36C3A0AE570AA1EB847368CDB585 ====


    COMPACT DISC TWO

    1 15. Allegro giusto 2:20
    2 16. Danses du Corps de Ballet et des Nains. 2:25
    Moderato assai - (Ballabile.) Allegro vivo - Trio
    3 17. Scene. La Sortie des Invités et la Valse. 8:13
    Allegro - Tempo di valse - Allegro - Tempo di valse - Allegro - Tempo di valse
    4 18. Scene. Allegro - [Allegro] - Allegro giusto 1:41
    19. Pas de Six
    5 Intrada. Moderato assai 2:32
    6 Variation I. Allegro 1:19
    7 [Variation II.] Andante con moto 2:53
    8 Variation [III]. Moderato 1:11
    9 Variation [V]. Allegro 0:57
    10 Variation [V]. Moderato - Allegro simplice - Più mosso 1:24
    Johannes Wik harp
    11 Coda. Allegro molto 1:56
    19a. Pas de Deux (pour Mlle Anna Sobeshchanskaya)
    12 Moderato - Andante 3:52
    James Ehnes violin
    13 [Variation I.] Allegro moderato 0:49
    14 [Variation II.] Allegro 0:58
    15 [Coda.] Allegro molto vivace 2:29
    16 20. Danse Hongroise (Czardas). 3:37
    Moderato assai - Allegro moderato - Vivace
    17 20a. Danse Russe (pour Mlle Pelagia Karpakova). 4:12
    Moderato - Cadenza - Andante simplice - Allegro vivo - Presto
    James Ehnes violin
    18 21. Danse Espagnole. Allegro non troppo - Tempo di bolero - 2:29
    L'istesso tempo - Più mosso
    19 22. Danse Napolitaine. Allegro moderato - 2:31
    Andantino quasi moderato - Molto più mosso - Presto
    Gary Peterson cornet
    20 23. Mazurka. Tempo di mazurka - Più mosso 3:59
    21 24. Scene (Finale III). 3:13
    Allegro - Valse - Allegro vivo - L'istesso tempo

    Act IV 18:02
    22 25. Entr'acte. Moderato - 2:05
    Johannes Wik harp
    23 26. Scene. Allegro non troppo - 1:59
    24 27. Danses des Petits Cygnes. Moderato 4:24
    25 28. Scene. Allegro agitato - Molto meno mosso - Allegro vivace - 3:06
    26 29. Scene Finale. Andante - Allegro agitato - 6:26
    Alla breve. Moderato e maestoso - Meno mosso - Moderato
    73:24

    Exact Audio Copy V1.0 beta 4 from 7. December 2014

    EAC extraction logfile from 17. February 2015, 11:23

    Neeme Järvi, James Ehnes, Bergen Philarmonic / Swan Lake

    Used drive : HL-DT-STBD-RE WH14NS40 Adapter: 1 ID: 0

    Read mode : Secure
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    Make use of C2 pointers : No

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    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
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    Gap handling : Appended to previous track

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    1 | 0:00.00 | 2:21.38 | 0 | 10612
    2 | 2:21.38 | 2:25.35 | 10613 | 21522
    3 | 4:46.73 | 8:13.30 | 21523 | 58527
    4 | 13:00.28 | 1:41.55 | 58528 | 66157
    5 | 14:42.08 | 2:32.60 | 66158 | 77617
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    7 | 18:34.70 | 2:53.35 | 83620 | 96629
    8 | 21:28.30 | 1:11.55 | 96630 | 102009
    9 | 22:40.10 | 0:57.00 | 102010 | 106284
    10 | 23:37.10 | 1:24.65 | 106285 | 112649
    11 | 25:02.00 | 1:59.00 | 112650 | 121574
    12 | 27:01.00 | 3:52.55 | 121575 | 139029
    13 | 30:53.55 | 0:49.40 | 139030 | 142744
    14 | 31:43.20 | 0:58.25 | 142745 | 147119
    15 | 32:41.45 | 2:29.15 | 147120 | 158309
    16 | 35:10.60 | 3:37.55 | 158310 | 174639
    17 | 38:48.40 | 4:12.20 | 174640 | 193559
    18 | 43:00.60 | 2:29.35 | 193560 | 204769
    19 | 45:30.20 | 2:31.40 | 204770 | 216134
    20 | 48:01.60 | 3:59.45 | 216135 | 234104
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    23 | 57:24.40 | 1:59.10 | 258340 | 267274
    24 | 59:23.50 | 4:24.10 | 267275 | 287084
    25 | 63:47.60 | 3:06.45 | 287085 | 301079
    26 | 66:54.30 | 6:26.45 | 301080 | 330074


    Track 1

    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\201 - Act III. Allegro giusto.wav

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    Track 2

    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\202 - Danses du Corps de ballet et des Nains. Moderato assai - allegro vivo - trio.wav

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    Track 3

    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\203 - Scene. La sortie des invités et la Valse.wav

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    Track 4

    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\204 - Scène. Allegro - allegro giusto.wav

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    Track 5

    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\205 - Intrada. Moderato assai.wav

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    Track 6

    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\206 - Variation I. Allegro.wav

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    Track 7

    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\207 - Variation II. Andante con moto.wav

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    Track 8

    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\208 - III. Moderato.wav

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    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\209 - IV. Allegro.wav

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    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\210 - V. Moderato - Allegro simplice - piu mosso.wav

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    Track 11

    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\211 - Coda. Allegro Molto.wav

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    Track 12

    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\212 - Moderato - Andante.wav

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    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\213 - Variation I. Allegro Moderato.wav

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    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\214 - Variation II. Allegro.wav

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    Track 15

    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\215 - Coda. Allegro molto vivace.wav

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    Track 16

    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\216 - Danse Hongroise. Moderato assai - Allegro moderato - Vivace.wav

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    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\217 - Danse Russo - Moderato - cadanze - andante simplice - Allegro vivo - Presto.wav

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    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\218 - Danse Espagnole. Allegro non troppo- Tempo di bolero - L'istesso tempo - Piu mosso.wav

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    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\219 - Danse Napolitaine. Allegro moderato - Andantino quasi moderato - molto piu mosso - presto.wav

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    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\221 - Scène (Finale III.) Allegro - Valse - Allegro vivo - L'istesso tempo.wav

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    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\222 - Act IV. Entr'acte. Moderato.wav

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    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\224 - Danses des petits Cygnes. Moderato.wav

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    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\225 - Scène. Allegro agitato - Molto meno mosso - Allegro vivace.wav

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    Track 26

    Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\226 - Scène Finale. Andante - allegro agiato - Alla breve. Moderato e maestoso - Meno mosso - Moderato.wav

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    End of status report

    –– CUETools DB Plugin V2.1.4

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    ==== Log checksum C02EC5F96B829053A1164852841FEB11C8AD32FB6C83501FA7F7AADCE5B33794 ====



    Thanks to the original releaser
    Download:

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