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Jane's Addiction - Kettle Whistle (1997)

Posted By: Designol

Date: 5 Apr 2021 09:17:52

Cult heroes Jane's Addiction are the Grateful Dead for the should-I-be-a-punk-or-a-hippy-or-metal-head-or-just-get-high-and-become-one-with-the-music underground; so Kettle Whistle, the band's collection of live recordings, a few new songs, and B-sides from their two albums, would be as must-have for fans as all those Dead bootlegs–even if it sucked. This is definitely an album for the converted, and the extended jams and live ramblings would be hard to endure without a frame of reference. The electronic filler and robotic knob-twiddling on the new songs, "Kettle Whistle" and "So What," suggest that Jane's Addiction's breakup was well timed, but the demos and live cuts ooze the band's tremendous energy and chemistry. In the 1988 demo of "Ocean Size," Perry Farrell's charismatic, raspy howl mingling with Dave Navarro's screeching guitar sucks you into the music and sends you to an alternate groove-plane.

Review by Megan O. Steintrager

According to alterna-rock legend, Jane's Addiction was the band responsible for laying the groundwork of the alternative rock explosion in the early '90s, but like most legends, that's half true and half lie. Jane's was instrumental in making alternative rock accessible to the metal audience, mainly because they were essentially a metal band with neo-psychedelic, neo-prog pretensions – two genres that have always appealed to metal and hard rock audiences. Nothing confirms that fact like Kettle Whistle, an odds and ends collection of live tracks, demos, alternate takes, and new tracks recorded by a "relapsed" Jane's featuring all the original members minus Eric Avery, who is replaced by Flea. Unfortunately, Kettle Whistle isn't the best place to hear their achievements, whether you're a diehard or a curious fan. Simply put, nothing here needed to be released, and there are no revelations. If anything, cuts like the embarrassing "My Cat's Name Is Maceo" detract from the Jane's myth, and the reunited cuts sound like standard-issue Porno for Pyros. The demos and alternate takes are all unnecessary, sounding like miniature, emasculated versions of the finished product, with the exception of the swinging "Been Caught Stealing." The live tracks are another matter, capturing both the power and the transcendence of Jane's Addiction's live performances. That's still not enough to make Kettle Whistle a worthy release because there is no sense or logic to its sequencing, and only a few tracks capture the power of Jane's (and even those will be familiar to diehards through bootlegs). It's not a terrible record, but it isn't a very good one, and it's hard to picture Kettle Whistle as anything other than an attempt to cash in on their legend.

Review by Stephen Thomas Erlewine, Allmusic.com

Jane's Addiction at Allmusic
Jane's Addiction Website
Jane's Addiction at Wiki

Tracklist:

01. Kettle Whistle [new] (07:47)
02. Ocean Size [demo 1988] (04:31)
03. My Cat's Name Is Maceo [demo 1987 w/ex 1997] (04:23)
04. Had a Dad [studio outtake 1988] (03:45)
05. So What! [new] (04:41)
06. Jane Says [live Irvine Meadows 1991] (06:31)
07. Mountain Song [demo 1986] (04:08)
08. Slow Divers [live Roxy 1986 w/ex 1997] (04:35)
09. Three Days [live Hollywood Palladium 1990] (12:06)
10. Ain't No Right [live Hollywood Palladium 1990] (03:23)
11. Up the Beach [live Hollywood Palladium 1990] (03:20)
12. Stop [live Hollywood Palladium 1990] (04:23)
13. Been Caught Stealing [studio outtake 1989] (04:20)
14. Whores [live Pyramid 1986] (03:58)
15. City [Soul Kiss 1988] (02:30)

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 29. January 2012, 16:00

Jane's Addiction / Kettle Whistle

Used drive : LITE-ON DVDRW LH-20A1L Adapter: 4 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 7:47.50 | 0 | 35074
2 | 7:47.50 | 4:31.40 | 35075 | 55439
3 | 12:19.15 | 4:23.20 | 55440 | 75184
4 | 16:42.35 | 3:45.50 | 75185 | 92109
5 | 20:28.10 | 4:41.40 | 92110 | 113224
6 | 25:09.50 | 6:31.10 | 113225 | 142559
7 | 31:40.60 | 4:08.32 | 142560 | 161191
8 | 35:49.17 | 4:35.23 | 161192 | 181839
9 | 40:24.40 | 12:06.40 | 181840 | 236329
10 | 52:31.05 | 3:23.32 | 236330 | 251586
11 | 55:54.37 | 3:20.45 | 251587 | 266631
12 | 59:15.07 | 4:23.70 | 266632 | 286426
13 | 63:39.02 | 4:20.20 | 286427 | 305946
14 | 67:59.22 | 3:58.33 | 305947 | 323829
15 | 71:57.55 | 2:30.45 | 323830 | 335124

Range status and errors

Selected range

Filename Z:\data2\Seeding Archive\Jane's Addiction\1997-Kettle Whistle\Kettle Whistle.wav

Peak level 99.8 %
Extraction speed 9.4 X
Range quality 100.0 %
Test CRC F53F2CA4
Copy CRC F53F2CA4
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 18) [9DB70098] (AR v2)
Track 2 accurately ripped (confidence 19) [11D16804] (AR v2)
Track 3 accurately ripped (confidence 19) [ABF80F49] (AR v2)
Track 4 accurately ripped (confidence 19) [506765B7] (AR v2)
Track 5 accurately ripped (confidence 19) [8D70D766] (AR v2)
Track 6 accurately ripped (confidence 18) [5EAA9565] (AR v2)
Track 7 accurately ripped (confidence 18) [4CDBA219] (AR v2)
Track 8 accurately ripped (confidence 19) [0A8F6DCE] (AR v2)
Track 9 accurately ripped (confidence 19) [A4439EE9] (AR v2)
Track 10 accurately ripped (confidence 19) [055F21AA] (AR v2)
Track 11 accurately ripped (confidence 19) [77A66F3B] (AR v2)
Track 12 accurately ripped (confidence 18) [D1539A93] (AR v2)
Track 13 accurately ripped (confidence 18) [C3C93385] (AR v2)
Track 14 accurately ripped (confidence 18) [8A8E5AF5] (AR v2)
Track 15 accurately ripped (confidence 17) [87F1FE46] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum 48536D8A2878F8FB08F7F9F608131F5CE2572D06612BB82EFACC22C1FBA94E02 ====

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-11-05 02:21:38

––––––––––––––––––––––––––––––––––––––––
Analyzed: Jane's Addiction / Kettle Whistle
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -0.01 dB -11.84 dB 7:48 01-Kettle Whistle [new]
DR8 -0.09 dB -9.25 dB 4:32 02-Ocean Size [demo 1988]
DR7 -0.06 dB -9.64 dB 4:23 03-My Cat's Name Is Maceo [demo 1987 w/ex 1997]
DR7 -0.01 dB -8.66 dB 3:46 04-Had a Dad [studio outtake 1988]
DR6 -0.01 dB -7.65 dB 4:42 05-So What! [new]
DR8 -0.01 dB -9.30 dB 6:31 06-Jane Says [live Irvine Meadows 1991]
DR7 -0.13 dB -8.43 dB 4:08 07-Mountain Song [demo 1986]
DR7 -0.28 dB -8.38 dB 4:35 08-Slow Divers [live Roxy 1986 w/ex 1997]
DR7 -0.01 dB -8.45 dB 12:07 09-Three Days [live Hollywood Palladium 1990]
DR8 -0.23 dB -10.48 dB 3:23 10-Ain't No Right [live Hollywood Palladium 1990]
DR8 -0.01 dB -10.27 dB 3:21 11-Up the Beach [live Hollywood Palladium 1990]
DR8 -0.19 dB -9.57 dB 4:24 12-Stop [live Hollywood Palladium 1990]
DR8 -0.01 dB -10.19 dB 4:20 13-Been Caught Stealing [studio outtake 1989]
DR7 -0.01 dB -8.97 dB 3:58 14-Whores [live Pyramid 1986]
DR8 -0.27 dB -9.98 dB 2:31 15-City [Soul Kiss 1988]
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 15
Official DR value: DR8

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 953 kbps
Codec: FLAC
================================================================================

All thanks to original releaser - hexonut

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