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    Janacek: Taras Bulba, Lachian Dances - Wit, Warsaw Philharmonic (2012)

    Posted By: peotuvave
    Janacek: Taras Bulba, Lachian Dances - Wit, Warsaw Philharmonic (2012)

    Janacek: Taras Bulba, Lachian Dances - Wit, Warsaw Philharmonic (2012)
    X Lossless Decoder | Flac (Tracks + cue + log) | 1 CD | Full Scans | 253 MB
    Genre: Classical | Label: Naxos | Catalog Number: 8572695

    Leoš Janáček was an authority on his native folk-music, and the Lachian and Moravian Dances preserve and celebrate culture and traditions which were vanishing even in his own lifetime. Based on Gogol’s historical novel, Janáček’s inspired orchestral rhapsody on Taras Bulba depicts three moving and dramatic episodes in the violent life of the Cossack leader, climaxing in his stirring and triumphant prophecy of liberation. This release follows Antoni Wit’s acclaimed Warsaw recording of Janáček’s Glagolitic Mass and Sinfonietta.

    This release follows hot on the heels of Antoni Wit’s recording of Janáček’s Glagolitic Mass (8572639 and Blu-ray Audio NBD0026), which was described as “gripping from start to finish” by Gramophone and “a major release – a mandatory purchase” in a 10/10 review from ClassicsToday.com. With its mixture of the powerfully emotive Taras Bulba and more pastoral Dances, and the Warsaw Philharmonic’s proven track record in Janáček’s remarkable scores, this release will generate its own substantial following.

    Composer: Leos Janácek
    Conductor: Antoni Wit
    Orchestra/Ensemble: Warsaw Philharmonic Orchestra

    Reviews: Everything about this disc is fabulous: the performances, the coupling, and the sonics. Antoni Wit’s Taras Bulba sounds like no other. It’s full of details that you won’t have heard before, particularly in the layering of textures and shades of woodwind color. This is particularly obvious in the second movement, “The Death of Ostap”, but these personal touches never get in the way of an idiomatic, indeed visceral response to the music’s high drama. Wit builds the tension in the first movement’s successive episodes as well as anyone ever has, and releases it in a truly menacing battle sequence, with vicious contributions from the low brass. In the finale the Naxos engineers balance the organ and orchestra uncannily in the concluding apotheosis, which Wit conducts with a wholly individual combination of grandeur and serenity. It’s just plain wonderful.

    Wit’s first Janácek disc contained the Glagolitic Mass and the Sinfonietta, and finding appropriate couplings for the composer’s scant orchestral output is never easy. There are the two other symphonic poems (The Ballad of Blaník and The Fiddler’s Child), some assorted overtures, the Schluck und Jau incidental music, the early works for string orchestra, and very little else. Wit’s choice of the two dance suites turns out to be an inspired decision, since they offer music that marries very well with Taras Bulba. The Lachian Dances are somewhat well known from recordings, though still a rarity in concert, but the Moravian Dances of 1891, a five-movement suite lasting about nine minutes, remains the preserve of Janácek specialists. They are delightful, and I offer a sample of No. 2 (“Kalamajka”). For the record, Wit omits the optional organ part in the Lachian Dances (the score refers to it as “inobligato”), a smart idea as the orchestration is already somewhat thick. Strongest recommendation.

    Tracklisting:

    1. Taras Bulba by Leos Janácek
    Conductor: Antoni Wit
    Orchestra/Ensemble: Warsaw Philharmonic Orchestra
    Period: 20th Century
    Written: 1915-1918; Brno, Czech Republic

    2. Moravian Dances (5) for Orchestra by Leos Janácek
    Conductor: Antoni Wit
    Orchestra/Ensemble: Warsaw Philharmonic Orchestra
    Period: 20th Century
    Written: 1888-1892; Brno, Czech Republic

    3. Lachian Dances by Leos Janácek
    Conductor: Antoni Wit
    Orchestra/Ensemble: Warsaw Philharmonic Orchestra
    Period: 20th Century
    Written: 1924; Brno, Czech Republic

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