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    Ivor Bolton, Bavarian State Opera Orchestra - Händel: Xerxes (2005)

    Posted By: tirexiss
    Ivor Bolton, Bavarian State Opera Orchestra - Händel: Xerxes (2005)

    Ivor Bolton, Bavarian State Opera Orchestra - Händel: Xerxes (2005)
    EAC | FLAC (image+.cue, log) | Covers Included | 02:51:53 | 940 MB
    Genre: Classical, Opera | Label: Farao Classics | Catalog: B108010

    The aria Ombra mai fu at the start of Act I of Handel's opera seria Serse (Xerxes) is likely to be its best-known asset. Serse was written in 1733-38, at the end of Handel's career as an opera composer: he concentrated on oratorio after 1741. It is a great achievement. Not least because it uses the music, and the marriage of words and music, to evoke in the audience pathos, sympathy, delight, and as much tempered ridicule as tempered tenderness.
    Serse is an opera of circumstance - of feigned, genuine, misplaced, misguided and even mistaken (Serse's for a tree) love, of revenge and obsession. The pace that conductor Ivor Bolton follows (this is the Mackerras/Davies version) is a brisk one. It's one that allows us little time for indulgence, yet manages to bring out a full range of responses. It also throws the greatest attention onto the parts of the work that matter most – the key arias, the more elegant melodies and the character- and plot-defining moments.
    This is also a live recording; it was made in 1997 at the Munich Nationaltheater. Although there is plenty of stage atmosphere, it’s far from intrusive; applause follows not all of the numbers and tends to add to the experience.
    There is, of course, much fine music in Serse and this recording has much to recommend it for immediacy, vibrancy, and a great grasp of the work's structure. Sequence and contrast are important: it’s in the juxtaposition of numbers, monologues and groupings that the ironies emerge of someone so besotted that his lack of judgement becomes positively dangerous. These are often subtle juxtapositions for subtlety is called for - not burlesque - when foibles such as fickleness are concerned. And a dignified, not a mocking, revelation of Serse’s deviancy makes a clearer impression on listeners in harmony with the idiom Handel surely intended than overdoing it. Such fine-tuning is exemplified in the delightfully understated duetto for Serse and Amastre, Gran pena è gelosia [CD2 tr.32].
    These subtleties are compellingly conveyed by a top notch cast. Yet, although the standards of playing and singing are high, there is the inherent worry that Baroque singing styles have not been followed: vibrato is widely used, and what for many will be an over-emphasis on dramatic impact at the expense of purity threatens to push its way to the fore when we're used to something gentler. Notes are leaned into. Listen to the almost wobbling higher reaches of Ann Murray’s (Serse) Se bramate d’amore [CD2 tr.13]… quite out of place. Similarly Christopher Robson almost strains with Quella che tutto fè [CD2 tr.19]. More uncertainty can be heard at the very end of Sì, la voglio [CD2 tr.25]: his delivery is so mannered as to draw attention not to what he sings but to how he is singing it.
    Nevertheless, this is a stylish performance, which the recording reflects. It’s clear from the photographs in the set’s booklet that there were some striking and larger-than-life performances… the costumes, make-up and poses struck. All the singers are absorbed in their roles; it is a pleasure to follow as the involved - yet not improbable - plot unfolds. Handel’s success was to paint such depth into a relatively familiar set of circumstances as those treated in Serse. And then manage to give the characters interest enough for us to care for them despite the somewhat stock roles they play. The experienced and accomplished singers on this recording really take us with them dramatically. They do so as much through a sense of style and careful projection of the basic conflicts in the life of Serse himself (and those whom he affects as he manages his troubles) as from pure technique.
    The recording is open and clear; and the acoustic a good one. The booklet which the independent FARAO has provided is useful with an informative introductory essay and libretto in Italian, German and English.
    This is a communicative and sensitive account of Handel’s last drama per musica. It has much to recommend it – if faithfulness to Baroque singing conventions is less important than conviction.
    There is a total of five other complete recordings of the opera in the catalogue at present and the Bravissimo Opera Library devoted to Mirella Freni contains a Serse. The first choice would probably be McGegan on Conifer (51312, also live takes from the Göttingen Festival) for clarity, beauty and the most appropriate response to Handel’s intentions. But for sheer joie de vivre you may want to investigate this release; nothing new, startling or musically stunning. But every word is clear, every emotion communicated. It’s tempting to think Handel that would have approved. ~ Mark Sealey

    Ivor Bolton, Bavarian State Opera Orchestra - Händel: Xerxes (2005)

    Track List:

    CD 1:
    1. Ov - Bavarian State Orch/Ivor Bolton

    2. Act I: Recitativo Serse - Ann Murray
    3. Arioso Serse: Ombra Mai Fu - Ann Murray
    4. Recitativo Arsamene/Elviro - Christopher Robson/Jan Zinkler
    5. Recitativo E Arioso Romilda: O Voi, Che Penate - Yvonne Kenny
    6. Recitativo Serse/Arsamene - Ann Murray/Christopher Robson
    7. Aria Romilda: Va Godendo - Yvonne Kenny
    8. Recitativo Serse/Arsamene - Ann Murray/Christopher Robson
    9. Duetto Serse/Arsamene: Lo Le Diro Che L'amo - Ann Murray/Christopher Robson
    10. Recitativo Romilda/Arsamene - Yvonne Kenny/Chrostopher Robson
    11. Aria Atalanta: Si, Si, Mio Ben - Julie Kaufmann
    12. Recitativo Elviro/Arsamene/Serse/Romilda - Jan Zinkler/Christopher Robson/Ann Murray/Yvonne Kenny
    13. Aria Arsamene: Meglio In Voi Col Mio Partire - Christopher Robson
    14. Recitativo Serse - Ann Murray
    15. Aria Serse: Di Tacere E Di Schernirmi - Ann Murray
    16. Recitativo Romilda - Yvonne Kenny
    17. Aria Romilda: Ne Men Con L'ombre - Yvonne Kenny
    18. Aria Amastre: Se Cangio Spoglia - Patricia Bardon
    19. Recitativo Ariodate/Amastre - Umberto Chiummo/Patricia Bardon
    20. Coro Soldati: Gia La Tromba - Chor Of The Bavarian State Opr/Ivor Bolton
    21. Recitativo Amastre/Serse/Ariodate - Patricia Bardon/Ann Murray/Umberto Chiummo
    22. Aria Ariodate: Soggietto Al Mio Volere - Umberto Chiummo
    23. Coro Soldati: Gia La Tromba - Chor Of The Bavarian State Opr/Ivor Bolton
    24. Recitativo Serse/Amastre - Ann Murray/Patricia Bardon
    25. Aria Serse: Piu Che Penso - Ann Murray
    26. Recitativo Arsamene/Elviro - Christopher Robson/Jan Zinkler
    27. Arietta Elviro: Signor, Signor, Lasciate Far A Me - Jan Zinkler
    28. Aria Arsamene: Non So Se Sia La Speme - Christopher Robson
    29. Recitativo Amastre - Patricia Bardon
    30. Aria Amastre: Sapra Delle Mie Offese - Patricia Bardon
    31. Recitativo Atalanta/Romilda - Julie Kaufmann/Yvonne Kenny
    32. Aria Romilda: Se L'idol Mio - Yvonne Kenny
    33. Recitativo Atalanta - Julie Kaufmann
    34. Aria Atalanta: Un Cenno Leggiadretto - Julie Kaufmann
    35. (Blank) - Georg Friedrich Handel

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    CD 2:
    1. Act II: Arioso Amastre: Speranze Mi Fermate - Patricia Bardon
    2. Arioso Elviro: Ah! Chi Voler Fiora - Jan Zinkler
    3. Recitativo Elviro/Amastre - Jan Zinkler/Patricia Bardon
    4. Aria Amastre: Or Che Siete Speranze Tradite - Patricia Bardon
    5. Recitativo Elviro - Jan Zinkler
    6. Arioso Atalanta: A Piangere Ogn'ora - Julie Kaufmann
    7. Arietta Elviro: Ah! Tigre Infedele - Jan Zinkler
    8. Arioso Serse: E Tormento Troppo Fiero - Ann Murray
    9. Recitativo Serse/Atalanta - Ann Murray/Julie Kaufmann
    10. Aria Atalanta: Dira, Che Amor Per Me - Julie Kaufmann
    11. Recitativo Serse/Romilda - Ann Murray/Yvonne Kenny
    12. Duetto Serse/Romilda: L'ammerete? - Ann Murray/Yvonne Kenny
    13. Aria Serse: Se Bramate D'amar - Ann Murray
    14. Recitativo Romilda - Yvonne Kenny
    15. Aria Romilda: E Gelosia Quella Tiranna - Yvonne Kenny
    16. Recitativo Amastre/Elviro - Patricia Bardon/Jan Zinkler
    17. Aria Amastre: Anima Infida - Patricia Bardon
    18. Recitativo Elviro/Arsamene - Jan Zinkler/Christopher Robson
    19. Aria Arsamene: Quella Che Tutta Fe - Christopher Robson
    20. Coro Marinari: La Virtute So Potea - Chor Of The Bavarian State Opr/Ivor Bolton
    21. Recitativo Serse/Ariodate - Ann Murray/Umberto Chiummo
    22. Coro Marinari: La Virtute So Potea - Chor Of The Bavarian State Opr/Ivor Bolton
    23. Arioso Arsamene: Per Dar Fine - Christopher Robson
    24. Recitativo Serse/Arsamene - Ann Murray/Christopher Robson
    25. Aria Arsamene: Si, La Voglio - Christopher Robson
    26. Recitativo Atalanta/Serse - Julie Kaufmann/Ann Murray
    27. Aria Atalanta: Voi Mi Dite - Julie Kaufmann
    28. Recitativo Serse - Ann Murray
    29. Aria Serse: Il Core Spera E Teme - Ann Murray
    30. Recitativo Elviro - Jan Zinkler
    31. Arietta Elviro: Del Mio Caro Baco - Jan Zinkler
    32. Duetto Serse/Amastre: Gran Pena E Gelosia - Ann Murray/Patricia Bardon
    33. Recitativo Serse/Amastre - Ann Murray/Patricia Bardon
    34. Arietta Romilda: Val Piu Contento Core - Yvonne Kenny
    35. Recitativo Serse/Romilda/Amastre - Ann Murray/Yvonne Kenny/Patricia Bardon
    36. Aria Romilda: Chi Cede Al Furore - Yvonne Kenny
    37. (Blank) - Georg Friedrich Handel

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    ==== Log checksum 31D04ECFD518DF11E55A9D97020AF5E500E73AD7CA7420766DD56B933D23B23A ====

    CD 3:
    1. Act III: Sinf - Bavarian State Orch/Ivor Bolton
    2. Recitativo Arsamene/Romilda/Atalanta/Elviro - Christopher Robson/Yvonne Kenny/Julie Kaufmann/Jan Zinkler
    3. Arietta Atalanta: No, No, Se Tu Mi Sprezzi - Julie Kaufmann
    4. Recitativo Romilda/Elviro/Arsamene/Serse - Yvonne Kenny/Jan Zinkler/Christopher Robson/Ann Murray
    5. Aria Serse: Per Rendermi Beato - Ann Murray
    6. Recitativo Arsamene/Romilda - Christopher Robson/Yvonne Kenny
    7. Aria Arsamene: Amor, Tiranno Amor - Christopher Robson
    8. Recitativo Serse/Ariodate - Ann Murray/Umberto Chiummo
    9. Aria Ariodate: Del Ciel D'amore - Umberto Chiummo
    10. Recitativo Romilda/Serse/Amastre - Yvonne Kenny/Ann Murray/Patricia Bardon
    11. Aria Amastre: Cagion Son Io - Patricia Bardon
    12. Recitativo Arsamene/Romilda - Christopher Robson/Yvonne Kenny
    13. Duetto Romilda/Arsamene: Troppo Oltraggi La Mia Fede - Yvonne Kenny/Christopher Robson
    14. Coro Ministri: Cio Che Giove Destino - Chor Of The Bavarian State Opr/Ivor Bolton
    15. Recitativo Ariodate/Arsamene/Romilda - Umberto Chiummo/Christopher Robson/Yvonne Kenny
    16. Coro Ministri: Chi Infelice Si Trovo - Chor Of The Bavarian State Opr/Ivor Bolton
    17. Recitativo Serse/Ariodate - Ann Murray/Umberto Chiummo
    18. Aria Serse: Crude Furie - Ann Murray
    19. Recitativo Tutti - Ann Murray/Christopher Robson/Patricia Bardon/Umberto Chiummo/Yvonne Kenny/Julie Kaufmann…
    20. Aria Romilda: Caro Voi Siete All'alma - Yvonne Kenny
    21. Finale Tutti - Ann Murray/Christopher Robson/Patricia Bardon/Umberto Chiummo/Yvonne Kenny/Julie Kaufmann…
    22. (Blank) - Georg Friedrich Handel

    Exact Audio Copy V1.3 from 2. September 2016

    EAC extraction logfile from 7. April 2018, 14:36

    Ivor Bolton / Händel: Xerxes CD3

    Used drive : ASUS BC-12B1ST b Adapter: 1 ID: 0

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    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 768 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 2:53.54 | 0 | 13028
    2 | 2:53.54 | 1:36.38 | 13029 | 20266
    3 | 4:30.17 | 1:01.48 | 20267 | 24889
    4 | 5:31.65 | 1:13.28 | 24890 | 30392
    5 | 6:45.18 | 3:51.02 | 30393 | 47719
    6 | 10:36.20 | 0:52.42 | 47720 | 51661
    7 | 11:28.62 | 4:20.23 | 51662 | 71184
    8 | 15:49.10 | 0:41.23 | 71185 | 74282
    9 | 16:30.33 | 2:01.57 | 74283 | 83414
    10 | 18:32.15 | 2:38.60 | 83415 | 95324
    11 | 21:11.00 | 2:43.25 | 95325 | 107574
    12 | 23:54.25 | 0:16.55 | 107575 | 108829
    13 | 24:11.05 | 2:33.43 | 108830 | 120347
    14 | 26:44.48 | 0:30.34 | 120348 | 122631
    15 | 27:15.07 | 1:11.03 | 122632 | 127959
    16 | 28:26.10 | 0:31.15 | 127960 | 130299
    17 | 28:57.25 | 2:13.47 | 130300 | 140321
    18 | 31:10.72 | 3:36.38 | 140322 | 156559
    19 | 34:47.35 | 2:02.00 | 156560 | 165709
    20 | 36:49.35 | 1:52.67 | 165710 | 174176
    21 | 38:42.27 | 1:41.03 | 174177 | 181754
    22 | 40:23.30 | 0:04.29 | 181755 | 182083


    Range status and errors

    Selected range

    Filename R:\JDownloader downloads\Händel - Xerxes\Händel - Xerxes\Xerxes - Bolton - CD3\Ivor Bolton - Händel- Xerxes CD3.wav

    Peak level 98.8 %
    Extraction speed 1.6 X
    Range quality 100.0 %
    Test CRC 4046C847
    Copy CRC 4046C847
    Copy OK

    No errors occurred


    AccurateRip summary

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    [CTDB TOCID: vjQLC.T.qM4AhWtLzo0KdP3xvQc-] found
    Submit result: vjQLC.T.qM4AhWtLzo0KdP3xvQc- has been confirmed
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    ==== Log checksum 077372304CE28CB8542A5AC817700CF15C8A94A58B6930FF52822390C4910108 ====

    Performers:
    Ann Murray (Serse - soprano)
    Christopher Robson (Arsamene - countertenor)
    Patricia Bardon (Amastre - mezzo-soprano)
    Umberto Chiummo (Ariodate - bass)
    Yvonne Kenny (Romilda - soprano)
    Julie Kaufmann (Atalanta - soprano)
    Jan Zinkler (Elviro - baritone)

    Bavarian State Opera Chorus
    Bavarian State Opera Orchestra
    Ivor Bolton, conductor

    Thanks to the Original ripper (unknown)!

    Download: