Hille Perl, Friederike Heumann - Why Not Here: Music for Two Lyra Viols (2008) (Repost)
Hille Perl, Friederike Heumann - Why Not Here: Music for Two Lyra Viols (2008)
EAC | FLAC (image+.cue, log) | Covers Included | 68:06 | 297 MB
Genre: Classical | Label: Accent | Catalog: ACC 24205
EAC | FLAC (image+.cue, log) | Covers Included | 68:06 | 297 MB
Genre: Classical | Label: Accent | Catalog: ACC 24205
Why Not Here is not the title of this disc, although from a casual glance it might look like it is so. The device "Why not here" is actually the name of the duo formed by gambists Hille Perl and Friederike Heumann; they are joined on many pieces by lutenists Lee Santana and Michael Freimuth, and the latter pair even have several pieces to themselves. The "lyra viol" is not a special instrument like a viola da braccio, but refers to a specific way of playing the viol, as an instrument capable of harmony and melody rather than melody only, or used in a purely basso context. This set of pieces reflects the usual fare that Perl and Heumann employ in their concert appearances in Europe. While weighted toward Thomas Ford, a key English exponent of lyra viol playing during the late Renaissance and early Baroque periods, the stated purpose of Music for Two Lyra Viols is to "celebrate and overcome melancholy … to change the chemistry in your brain by putting music into it rather than other drugs." Perl contributes an engaging and highly personal album note, which wanders into topics far from music, but is a refreshing change from the usual blah blah blah about the composer. The disc provides a responsible canvassing of the requisite literature, covering in addition to Ford the work of several of his English contemporaries and that of the younger Alfonso Ferrabosco. However, the repertoire is not the main event here so much as building an asylum of Renaissance melancholy into which post-modern, twenty first century types can escape. In this sense, Why not here's Music for two Lyra Viols is extremely successful in a way it might not have been had it been exclusively devoted to Ford or otherwise had taken its musicological mission with a more rigorous tack; maintaining a consistent sense of mood is the key organizing principal. The playing throughout, from all four musicians, is tight, scrupulously careful, artistic, and personable, and the recording will make it feel as if Why Not Here is playing right in your living room. Music for Two Lyra Viols was recorded in 2001 and originally released on the Carpe Diem label; this version was issued in 2008 by the German label Accent.
Hille Perl, Friederike Heumann - Why Not Here: Music for Two Lyra Viols (2008) (Repost)
Track List:
Thomas Ford
01. A Paven, M. Maynes choice
02. The Galiard
03. Forget me not
04. The Baggepipes, Sir Charles Howards delight
05. Why not here, M. Crosse his choice
06. Cate of Bardie, The Queenes Jig
John Jenkins
07. Fantasia
John Danyel
08. Passymeasures
09. A Fancy
Alfonso Ferrabosco II
10. Almaine
11. Galliard
12. Coranto
Anthony Holborne
13. Goe from my window
Richard Alison
14. Goe from my window
Thomas Ford
15. A Paven, Sir Richard Westons delight
16. The Galiard
17. An Almaine, M. Westovers farewell
18. Whipit and Tripit, M. Southcotes Jig
Alfonso Ferrabosco
19. The Spanish Paven
William Lawes
20. Paven
21. Aire
Performers:
Hille Perl - Viola da Gamba
Friederike Heumann - Viola da Gamba, Treble Viol
Lee Santana - Renaissance Lute, Cittern
Michael Freimuth - Renaissance Lute
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 18. October 2009, 18:52
Why not here / Music for two Lyra Viols
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EAC extraction logfile from 18. October 2009, 18:52
Why not here / Music for two Lyra Viols
Used drive : HL-DT-STDVDRAM GSA-T50N Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:59.58 | 0 | 26982
2 | 5:59.58 | 2:52.45 | 26983 | 39927
3 | 8:52.28 | 1:05.42 | 39928 | 44844
4 | 9:57.70 | 1:23.60 | 44845 | 51129
5 | 11:21.55 | 1:47.32 | 51130 | 59186
6 | 13:09.12 | 1:49.34 | 59187 | 67395
7 | 14:58.46 | 3:57.15 | 67396 | 85185
8 | 18:55.61 | 4:06.21 | 85186 | 103656
9 | 23:02.07 | 1:12.00 | 103657 | 109056
10 | 24:14.07 | 4:01.57 | 109057 | 127188
11 | 28:15.64 | 3:25.20 | 127189 | 142583
12 | 31:41.09 | 1:25.72 | 142584 | 149030
13 | 33:07.06 | 3:18.74 | 149031 | 163954
14 | 36:26.05 | 3:57.59 | 163955 | 181788
15 | 40:23.64 | 6:34.20 | 181789 | 211358
16 | 46:58.09 | 1:53.50 | 211359 | 219883
17 | 48:51.59 | 1:28.20 | 219884 | 226503
18 | 50:20.04 | 1:33.24 | 226504 | 233502
19 | 51:53.28 | 3:46.62 | 233503 | 250514
20 | 55:40.15 | 8:00.29 | 250515 | 286543
21 | 63:40.44 | 4:23.58 | 286544 | 306326
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Copy CRC A097EE7F
Copy OK
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