Tags
Language
Tags
July 2025
Su Mo Tu We Th Fr Sa
29 30 1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28 29 30 31 1 2
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

    ( • )( • ) ( ͡⚆ ͜ʖ ͡⚆ ) (‿ˠ‿)
    SpicyMags.xyz

    Hilary Hahn - Barber, Meyer: Violin Concertos (2000) (Repost)

    Posted By: tirexiss
    Hilary Hahn - Barber, Meyer: Violin Concertos (2000) (Repost)

    Hilary Hahn - Barber, Meyer: Violin Concertos (2000)
    EAC | FLAC (image+.cue, log) | Covers Included | 49:43 | 252 MB
    Genre: Classical | Label: Sony Classical | Catalog: SK 89029

    Samuel Barber’s Violin Concerto is well-suited to Hilary Hahn’s expressive range and technical proficiency. Perhaps it is also an ideal vehicle for her impressive musicality, which always overrides virtuosic flashiness. Hahn’s seriousness is matched by the work’s earnest style, and her intellectual grasp of the music is as strong as her emotional commitment to it. Hahn opens the neo-Romantic Allegro with a full sound, complemented by the artful writing for winds. Barber’s orchestration is transparent, leaving room for the solo violin to be distinctly heard at all times. The writing in the violin’s low register lets Hahn display her richest tone, though her higher passages are also beautifully colored. The Andante begins with a long oboe solo – a clear nod to the Brahms Violin Concerto – its plaintive tone setting the second movement’s darker mood. Hahn’s solo grows out of this opening material and arches above the brooding harmonies, almost rising to an elegiac level. The devilishly difficult Presto in moto is a perfect foil to the melancholy atmosphere of the previous two movements, and Hahn shows genuine skill in her crisp articulation of this scurrying finale. Hugh Wolff and the Saint Paul Chamber Orchestra provide a lush background, enhancing Hahn’s resonant performance. Through no failing of her own, Hahn's premiere recording of Edgar Meyer’s Violin Concerto is less than satisfying because her performance is stronger than the piece itself, which is at times banal and insufficiently developed to exploit the form’s dramatic potential. The simple melody of the introduction leads to, and ultimately frames, the faster material that follows. Hahn’s high, ringing arabesques and tricky runs, played against the shifting compound meters, are the most attractive features of the movement. Although the accompaniment is rhythmically active, and occasionally interesting, the orchestra never breaks out of its restricted background role. The second movement’s main theme evolves from a trite double-turn, which is passed around the orchestra several times before the soloist’s entrance. Hahn controls her double-voiced passages, carefully maintaining both lines without noticeably breaking. When the music picks up in pace and complexity, the change is welcome. Hahn, held back for too long, finally breaks loose with some colorful playing. The return to the opening material sets up a cadenza, more of a reverie than an overt display of technique. In this performance, Wolff and the orchestra give understated support, perhaps all that can be drawn from Meyer's score.

    Hilary Hahn - Barber, Meyer: Violin Concertos (2000) (Repost)

    Track List:

    Samuel Barber (1910-1981)
    [1]-[3] Concerto for Violin and Orchestra, Op.14

    Edgar Meyer (*1960)
    [4]-[5] Violin Concerto

    Performers:
    Hilary Hahn violin
    The Saint Paul Chamber Orchestra
    Hugh Wolff

    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 16. December 2014, 21:37

    Hilary Hahn, The Saint Paul Chamber Orchestra, Hugh Wolff / Barber, Meyer - Violin Concertos

    Used drive : HL-DT-STDVDRAM GU70N Adapter: 0 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 48
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 128 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 10:33.05 | 0 | 47479
    2 | 10:33.05 | 9:07.27 | 47480 | 88531
    3 | 19:40.32 | 3:33.73 | 88532 | 104579
    4 | 23:14.30 | 10:24.25 | 104580 | 151404
    5 | 33:38.55 | 16:04.40 | 151405 | 223744


    Range status and errors

    Selected range

    Filename C:\temp\Barber, Meyer - Violin Concertos - Hilary Hahn\Barber, Meyer - Violin Concertos.wav

    Peak level 98.9 %
    Extraction speed 4.8 X
    Range quality 100.0 %
    Test CRC A21516F5
    Copy CRC A21516F5
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 59) [0A2A3A5E] (AR v2)
    Track 2 accurately ripped (confidence 59) [EF43AA75] (AR v2)
    Track 3 accurately ripped (confidence 58) [C9779F3C] (AR v2)
    Track 4 accurately ripped (confidence 59) [EDDD1230] (AR v2)
    Track 5 accurately ripped (confidence 59) [04359DA9] (AR v2)

    All tracks accurately ripped

    End of status report

    ==== Log checksum 4E1BB17F873B92F6C9C6EF64291BF867103DEDB1A93EB28966775A88BC5C3FB8 ====

    Thanks to the Original ripper (A-Z)!

    Welcome to my blog!

    Download: