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    Hagai Shaham, Arnon Erez - Joseph Achron: Complete Suites for Violin & Piano (2012) 2CDs

    Posted By: Designol
    Hagai Shaham, Arnon Erez - Joseph Achron: Complete Suites for Violin & Piano (2012) 2CDs

    Joseph Achron: Complete Suites for Violin & Piano (2012) 2CDs
    Hagai Shaham (violin), Arnon Erez (piano)

    EAC | FLAC | Image (Cue&Log) ~ 690 Mb | Mp3 (CBR320) ~ 365 Mb | Artwork included
    Genre: Classical | Label: Hyperion | # CDA67841 | Time: 02:38:33

    Admired by Schoenberg (who described him as ‘one of the most underestimated of modern composers’), Joseph Achron was a boundary defying violinist-composer of extraordinary gifts. He drew on his Jewish faith to profound effect, from the early influence of his cantor father to his enthusiastic championing of the Society for Jewish Folk Music (which did for Jewish music what Bartók did for Eastern European folk culture). It’s hardly surprising that much of Achron’s music is for violin—he was a consummate player himself and a prolific recitalist. But what’s striking is how varied and exploratory his output is, delighting in experimentation, as the wonderfully named Suite bizarre demonstrates, just as much as the direct emotionalism of his transcriptions of Hebraic melodies. Who better to present this music than two artists steeped in similar traditions to Achron: Hagai Shaham and Arnon Erez.

    Joseph Achron (1886-1943), a pupil of Leopold Auer and Lyadov, extended the 19th-century tradition of the violin virtuoso able to provide much of his own repertoire. He was born in Lithuania and, after a career based first in Berlin, then in Russia, emigrated in the 1920s to Palestine, later to America, settling eventually in Los Angeles. His music developed from turn-of-the-century elegance, through Scriabin-like chromaticism, to a more sharply defined, quite dissonant style – particularly well displayed here in the Children’s Suite. Along the way, he developed a deep interest in Jewish folk music, using traditional melodies as well as incorporating its idioms into his original music.

    Throughout these two discs, we’re aware of Shaham and Erez’s regard for Achron’s music and their understanding of all its different facets. Achron frequently demands virtuosity and, in movements such as the ‘Marche grotesque’ that ends the Suite bizarre, Hagai Shaham is able to amaze us with his brilliance and dexterity. Most of these pieces are genuine duos and Arnon Erez’s highly expressive, colourful playing brings out all their harmonic and textural subtleties. I’m sure this experienced team’s sensitive collaboration would have delighted the composer. If you know Achron’s music, you’ll want to acquire this set; if he’s new to you, I can assure you he’s well worth investigating.

    Review by Duncan Druce, Gramophone Magazine

    Hagai Shaham, Arnon Erez - Joseph Achron: Complete Suites for Violin & Piano (2012) 2CDs



    Hagai Shaham, Arnon Erez - Joseph Achron: Complete Suites for Violin & Piano (2012) 2CDs



    Hagai Shaham, Arnon Erez - Joseph Achron: Complete Suites for Violin & Piano (2012) 2CDs



    Hagai Shaham (violin)
    Arnon Erez (piano)
    rec. Jerusalem Music Center, Israel, February 1996 and March 2009

    Tracklist:

    Joseph Achron (1886-1943)

    CD1 (01:18:45)

    01. Hebrew Melody, Op.33 (5:49)

    Two Hebrew Pieces, Op.35
    02. 1. Hebrew Dance (6:07)
    03. 2. Hebrew Lullaby (3:03)

    04. Eli Zion (6:20)
    05. Prelude, Op.13 (3:40)
    06. Souvenir de Varsovie, Op.14 (3:30)
    07. Coquetterie, Op.15 (2:21)
    08. Serenade, Op.17 (2:50)
    09. Les sylphides, Op.18 (3:10)
    10. Berceuse, Op.20 (3:46)
    11. Dance Improvisation, Op.37 (3:08)
    12. Scher, Op.42 (2:00)
    13. Marchen, Op.46 (3:43)
    14. Liebeswidmung, Op.51 (2:16)
    15. Canzonetta, Op.52/2 (2:38)

    Zwei Stimmungen, Op.32
    16. No.1 in D minor (2:04)
    17. No.2 in B minor (3:45)

    Zwei Stimmungen, Op.36
    18. No.1 in G minor (3:38)
    19. No.2 in B major (1:47)

    Two Pastels, Op.44
    20. No.1 in A minor (3:58)
    21. No.2 in E minor (2:37)

    Stempenyu Suite
    22. 1. Stempenyu Plays (2:07)
    23. 2. Scher (1:41)
    24. 3. Freilachs (2:48)


    CD2 (1:19:49)

    Suite No.1, Op.21
    01. 1. Prelude: Tempo giusto (2:44)
    02. 2. Gavotte: Allegro moderato (3:18)
    03. 3. Sicilienne: Andantino (3:18)
    04. 4. Fughetta: Non troppo allegro (1:21)
    05. 5. Gigue: Allegro comodo (2:46)

    Suite No.2, Op.22
    06. 1. En passant: Vivo & scorrendo (1:49)
    07. 2. Menuet: Allegretto aperto; Trio: Un poco meno mosso (4:13)
    08. 3. Moulin: Vivace & gajamente assai (1:25)
    09. 4. Intermezzo: Cantabile & molto dramatico (4:45)
    10. 5. Marionettes: Allegro molto & scherzando (3:19)

    Quatre Tableaux fantastiques, Op.23
    11. 1. Andantino espressivo (1:39)
    12. 2. Allegretto con grazia (3:35)
    13. 3. Largo & fantastico (4:14)
    14. 4. Allegro con agilitа (6:04)

    Suite bizarre, Op.41
    15. 1. Etincelles: Allegro molto (1:07)
    16. 2. Quasi valse: Allegro (2:33)
    17. 3. Grace: Allegretto (1:46)
    18. 4. Terrasses du palais: Calmato (2:58)
    19. 5. Grimaces: Moderato (1:45)
    20. 6. Galanterie: Andantino (1:51)
    21. 7. Pastorale: Allegro vivo (1:28)
    22. 8. Moment dramatique: Adagio & molto espressivo (3:09)
    23. 9. Marche grotesque: Allegro giocoso (2:03)

    Children's Suite
    24. 1. Jumping with tongue out (Op.57/2) (1:17)
    25. 2. Sleep, my puppy (Op.57/11) (0:53)
    26. 3. Birdies (Op.57/12) (1:43)
    27. 4. March of Toys (Op.57/10) (1:19)
    28. 5. Mamma, tell a fairy tale (Op.57/4) (1:26)
    29. 6. The Top (Op.57/8) (1:02)
    30. 7. The Caravan (Op.57/18) (1:15)
    31. 8. Parade with presents (Op.57/20) (1:41)

    32. Pensee de Leopold Auer (2:24)

    33. La romanesca (3:39)


    Exact Audio Copy V1.0 beta 3 from 29. August 2011

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    foobar2000 1.2 / Dynamic Range Meter 1.1.1
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    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Hagai Shaham, Arnon Erez / Achron - Complete Suites for Violin & Piano - CD1
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR14 -4.13 dB -23.98 dB 5:49 01-Hebrew Melody, Op.33
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    Number of tracks: 24
    Official DR value: DR13

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    Bitrate: 609 kbps
    Codec: FLAC
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    19 [28819e76|49326d8a] (0+5/5) Accurately ripped
    20 [ba043339|d90ddfc5] (0+5/5) Accurately ripped
    21 [a55b7c55|f47a4ef0] (0+5/5) Accurately ripped
    22 [89714e95|3ccd8775] (0+5/5) Accurately ripped
    23 [0c82b550|81969c73] (0+5/5) Accurately ripped
    24 [d7f23d58|8b876afc] (0+5/5) Accurately ripped
    25 [9ce80925|9685fb1c] (0+5/5) Accurately ripped
    26 [d7dbb568|3fa21724] (0+4/4) Accurately ripped
    27 [5205fac8|798d6f39] (0+5/5) Accurately ripped
    28 [1a21abbe|3024c6e0] (0+5/5) Accurately ripped
    29 [f07fbd70|cbb4a81b] (0+5/5) Accurately ripped
    30 [943eac85|b3606d52] (0+4/4) Accurately ripped
    31 [89529452|254e49c1] (0+5/5) Accurately ripped
    32 [39e77a62|1de35916] (0+5/5) Accurately ripped
    33 [76292647|c6a73854] (0+5/5) Accurately ripped

    Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
    – 90,3 [0124FCA6] [45BDEF12] CRC32
    01 85,9 [E1436405] [F94CF7EC]
    02 53,6 [D9D85D71] [D3D4DA1B]
    03 35,4 [CB685C63] [9DF04AB0]
    04 78,4 [CD180A0A] [89635505]
    05 47,3 [A383F5E8] [E3E25EE5]
    06 49,5 [A0D67BB2] [C515AB48]
    07 54,0 [E99C02B3] [56603633]
    08 48,9 [D0112E37] [203D1D58]
    09 70,3 [5ACD581C] [8F93BECA]
    10 45,2 [E1554C14] [780E5228]
    11 31,4 [CAD4E804] [76A1988F]
    12 59,3 [2E566C3D] [9B7CB8DD]
    13 68,2 [E02929DE] [352610DA]
    14 76,4 [18FDC134] [A566A8F7]
    15 40,6 [F5A7F4BC] [640C2226]
    16 53,2 [A4CD217B] [4BD4381B]
    17 43,1 [722F3065] [F41B56AD]
    18 17,6 [62501AA0] [CBB24BA2]
    19 43,9 [6F9F2DA5] [25AC8A40]
    20 33,3 [B7FEFF7A] [92918021]
    21 34,3 [4879D1C5] [7201A9AE]
    22 79,9 [92DB9B0B] [53EF52D8]
    23 71,8 [04BD4CD5] [399C78B4]
    24 41,2 [BE6352A9] [8642F082]
    25 24,8 [C105D011] [A3B7D3AC]
    26 20,2 [DCB3498A] [D42A02E1]
    27 64,2 [D09EEC8E] [4ABC86C8]
    28 32,5 [A3038152] [D7820BBE]
    29 49,5 [60FBBC50] [50C96D9B]
    30 34,7 [150BFA33] [7805EE59]
    31 90,3 [7A9F2E00] [0DF27839]
    32 53,5 [70027ED6] [0CBBB45C]
    33 50,4 [A8CCBF5B] [2BE359F5]

    foobar2000 1.2 / Dynamic Range Meter 1.1.1
    log date: 2018-08-23 00:00:54

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Hagai Shaham, Arnon Erez / Achron - Complete Suites for Violin & Piano - CD2
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR13 -1.31 dB -18.83 dB 2:44 01-Suite No.1, Op.21 - 1. Prelude: Tempo giusto
    DR13 -5.40 dB -22.11 dB 3:18 02-Suite No.1, Op.21 - 2. Gavotte: Allegro moderato
    DR12 -9.02 dB -26.39 dB 3:18 03-Suite No.1, Op.21 - 3. Sicilienne: Andantino
    DR11 -2.11 dB -18.37 dB 1:21 04-Suite No.1, Op.21 - 4. Fughetta: Non troppo allegro
    DR13 -6.49 dB -24.19 dB 2:46 05-Suite No.1, Op.21 - 5. Gigue: Allegro comodo
    DR11 -6.10 dB -21.62 dB 1:49 06-Suite No.2, Op.22 - 1. En passant: Vivo & scorrendo
    DR14 -5.35 dB -23.48 dB 4:13 07-Suite No.2, Op.22 - 2. Menuet: Allegretto aperto; Trio: Un poco meno mosso
    DR12 -6.21 dB -21.45 dB 1:25 08-Suite No.2, Op.22 - 3. Moulin: Vivace & gajamente assai
    DR14 -3.06 dB -23.63 dB 4:45 09-Suite No.2, Op.22 - 4. Intermezzo: Cantabile & molto dramatico
    DR13 -6.88 dB -22.98 dB 3:19 10-Suite No.2, Op.22 - 5. Marionettes: Allegro molto & scherzando
    DR11 -10.05 dB -26.67 dB 1:39 11-Quatre Tableaux fantastiques, Op.23 - 1. Andantino espressivo
    DR13 -4.53 dB -21.86 dB 3:35 12-Quatre Tableaux fantastiques, Op.23 - 2. Allegretto con grazia
    DR17 -3.32 dB -25.03 dB 4:14 13-Quatre Tableaux fantastiques, Op.23 - 3. Largo & fantastico
    DR15 -2.33 dB -21.90 dB 6:04 14-Quatre Tableaux fantastiques, Op.23 - 4. Allegro con agilitа
    DR12 -7.82 dB -23.86 dB 1:07 15-Suite bizarre, Op.41 - 1. Etincelles: Allegro molto
    DR14 -5.48 dB -23.85 dB 2:33 16-Suite bizarre, Op.41 - 2. Quasi valse: Allegro
    DR12 -7.30 dB -24.77 dB 1:46 17-Suite bizarre, Op.41 - 3. Grace: Allegretto
    DR13 -15.08 dB -32.42 dB 2:58 18-Suite bizarre, Op.41 - 4. Terrasses du palais: Calmato
    DR12 -7.13 dB -21.93 dB 1:45 19-Suite bizarre, Op.41 - 5. Grimaces: Moderato
    DR12 -9.54 dB -26.32 dB 1:51 20-Suite bizarre, Op.41 - 6. Galanterie: Andantino
    DR13 -9.27 dB -25.75 dB 1:28 21-Suite bizarre, Op.41 - 7. Pastorale: Allegro vivo
    DR15 -1.95 dB -22.73 dB 3:09 22-Suite bizarre, Op.41 - 8. Moment dramatique: Adagio & molto espressivo
    DR15 -2.87 dB -21.30 dB 2:03 23-Suite bizarre, Op.41 - 9. Marche grotesque: Allegro giocoso
    DR15 -7.70 dB -27.28 dB 1:17 24-Children's Suite - 1. Jumping with tongue out (Op.57/2)
    DR9 -12.09 dB -27.50 dB 0:53 25-Children's Suite - 2. Sleep, my puppy (Op.57/11)
    DR13 -13.85 dB -31.47 dB 1:43 26-Children's Suite - 3. Birdies (Op.57/12)
    DR13 -3.84 dB -20.20 dB 1:19 27-Children's Suite - 4. March of Toys (Op.57/10)
    DR12 -9.74 dB -26.02 dB 1:26 28-Children's Suite - 5. Mamma, tell a fairy tale (Op.57/4)
    DR11 -6.10 dB -23.23 dB 1:02 29-Children's Suite - 6. The Top (Op.57/8)
    DR11 -9.18 dB -26.49 dB 1:15 30-Children's Suite - 7. The Caravan (Op.57/18)
    DR14 -0.88 dB -19.15 dB 1:41 31-Children's Suite - 8. Parade with presents (Op.57/20)
    DR12 -5.43 dB -23.20 dB 2:24 32-Pensee de Leopold Auer
    DR12 -5.95 dB -22.91 dB 3:39 33-La romanesca
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 33
    Official DR value: DR13

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 605 kbps
    Codec: FLAC
    ================================================================================

    Hagai Shaham, Arnon Erez - Joseph Achron: Complete Suites for Violin & Piano (2012) 2CDs

    All thanks to original releaser

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