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Hagai Shaham, Arnon Erez - Joseph Achron: Complete Suites for Violin & Piano (2012) 2CDs

Posted By: Designol
Hagai Shaham, Arnon Erez - Joseph Achron: Complete Suites for Violin & Piano (2012) 2CDs

Joseph Achron: Complete Suites for Violin & Piano (2012) 2CDs
Hagai Shaham (violin), Arnon Erez (piano)

EAC | FLAC | Image (Cue&Log) ~ 690 Mb | Mp3 (CBR320) ~ 365 Mb | Artwork included
Genre: Classical | Label: Hyperion | # CDA67841 | Time: 02:38:33

Admired by Schoenberg (who described him as ‘one of the most underestimated of modern composers’), Joseph Achron was a boundary defying violinist-composer of extraordinary gifts. He drew on his Jewish faith to profound effect, from the early influence of his cantor father to his enthusiastic championing of the Society for Jewish Folk Music (which did for Jewish music what Bartók did for Eastern European folk culture). It’s hardly surprising that much of Achron’s music is for violin—he was a consummate player himself and a prolific recitalist. But what’s striking is how varied and exploratory his output is, delighting in experimentation, as the wonderfully named Suite bizarre demonstrates, just as much as the direct emotionalism of his transcriptions of Hebraic melodies. Who better to present this music than two artists steeped in similar traditions to Achron: Hagai Shaham and Arnon Erez.

Joseph Achron (1886-1943), a pupil of Leopold Auer and Lyadov, extended the 19th-century tradition of the violin virtuoso able to provide much of his own repertoire. He was born in Lithuania and, after a career based first in Berlin, then in Russia, emigrated in the 1920s to Palestine, later to America, settling eventually in Los Angeles. His music developed from turn-of-the-century elegance, through Scriabin-like chromaticism, to a more sharply defined, quite dissonant style – particularly well displayed here in the Children’s Suite. Along the way, he developed a deep interest in Jewish folk music, using traditional melodies as well as incorporating its idioms into his original music.

Throughout these two discs, we’re aware of Shaham and Erez’s regard for Achron’s music and their understanding of all its different facets. Achron frequently demands virtuosity and, in movements such as the ‘Marche grotesque’ that ends the Suite bizarre, Hagai Shaham is able to amaze us with his brilliance and dexterity. Most of these pieces are genuine duos and Arnon Erez’s highly expressive, colourful playing brings out all their harmonic and textural subtleties. I’m sure this experienced team’s sensitive collaboration would have delighted the composer. If you know Achron’s music, you’ll want to acquire this set; if he’s new to you, I can assure you he’s well worth investigating.

Review by Duncan Druce, Gramophone Magazine

Hagai Shaham, Arnon Erez - Joseph Achron: Complete Suites for Violin & Piano (2012) 2CDs



Hagai Shaham, Arnon Erez - Joseph Achron: Complete Suites for Violin & Piano (2012) 2CDs



Hagai Shaham, Arnon Erez - Joseph Achron: Complete Suites for Violin & Piano (2012) 2CDs



Hagai Shaham (violin)
Arnon Erez (piano)
rec. Jerusalem Music Center, Israel, February 1996 and March 2009

Tracklist:

Joseph Achron (1886-1943)

CD1 (01:18:45)

01. Hebrew Melody, Op.33 (5:49)

Two Hebrew Pieces, Op.35
02. 1. Hebrew Dance (6:07)
03. 2. Hebrew Lullaby (3:03)

04. Eli Zion (6:20)
05. Prelude, Op.13 (3:40)
06. Souvenir de Varsovie, Op.14 (3:30)
07. Coquetterie, Op.15 (2:21)
08. Serenade, Op.17 (2:50)
09. Les sylphides, Op.18 (3:10)
10. Berceuse, Op.20 (3:46)
11. Dance Improvisation, Op.37 (3:08)
12. Scher, Op.42 (2:00)
13. Marchen, Op.46 (3:43)
14. Liebeswidmung, Op.51 (2:16)
15. Canzonetta, Op.52/2 (2:38)

Zwei Stimmungen, Op.32
16. No.1 in D minor (2:04)
17. No.2 in B minor (3:45)

Zwei Stimmungen, Op.36
18. No.1 in G minor (3:38)
19. No.2 in B major (1:47)

Two Pastels, Op.44
20. No.1 in A minor (3:58)
21. No.2 in E minor (2:37)

Stempenyu Suite
22. 1. Stempenyu Plays (2:07)
23. 2. Scher (1:41)
24. 3. Freilachs (2:48)


CD2 (1:19:49)

Suite No.1, Op.21
01. 1. Prelude: Tempo giusto (2:44)
02. 2. Gavotte: Allegro moderato (3:18)
03. 3. Sicilienne: Andantino (3:18)
04. 4. Fughetta: Non troppo allegro (1:21)
05. 5. Gigue: Allegro comodo (2:46)

Suite No.2, Op.22
06. 1. En passant: Vivo & scorrendo (1:49)
07. 2. Menuet: Allegretto aperto; Trio: Un poco meno mosso (4:13)
08. 3. Moulin: Vivace & gajamente assai (1:25)
09. 4. Intermezzo: Cantabile & molto dramatico (4:45)
10. 5. Marionettes: Allegro molto & scherzando (3:19)

Quatre Tableaux fantastiques, Op.23
11. 1. Andantino espressivo (1:39)
12. 2. Allegretto con grazia (3:35)
13. 3. Largo & fantastico (4:14)
14. 4. Allegro con agilitа (6:04)

Suite bizarre, Op.41
15. 1. Etincelles: Allegro molto (1:07)
16. 2. Quasi valse: Allegro (2:33)
17. 3. Grace: Allegretto (1:46)
18. 4. Terrasses du palais: Calmato (2:58)
19. 5. Grimaces: Moderato (1:45)
20. 6. Galanterie: Andantino (1:51)
21. 7. Pastorale: Allegro vivo (1:28)
22. 8. Moment dramatique: Adagio & molto espressivo (3:09)
23. 9. Marche grotesque: Allegro giocoso (2:03)

Children's Suite
24. 1. Jumping with tongue out (Op.57/2) (1:17)
25. 2. Sleep, my puppy (Op.57/11) (0:53)
26. 3. Birdies (Op.57/12) (1:43)
27. 4. March of Toys (Op.57/10) (1:19)
28. 5. Mamma, tell a fairy tale (Op.57/4) (1:26)
29. 6. The Top (Op.57/8) (1:02)
30. 7. The Caravan (Op.57/18) (1:15)
31. 8. Parade with presents (Op.57/20) (1:41)

32. Pensee de Leopold Auer (2:24)

33. La romanesca (3:39)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 6. September 2012, 20:07

Hagai Shaham, Arnon Erez / Achron - Complete Suites for Violin & Piano - CD1

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Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
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No errors occurred

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foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-08-22 23:59:49

––––––––––––––––––––––––––––––––––––––––
Analyzed: Hagai Shaham, Arnon Erez / Achron - Complete Suites for Violin & Piano - CD1
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -4.13 dB -23.98 dB 5:49 01-Hebrew Melody, Op.33
DR12 -5.12 dB -22.79 dB 6:07 02-Two Hebrew Pieces, Op.35 - 1. Hebrew Dance
DR13 -11.15 dB -29.91 dB 3:03 03-Two Hebrew Pieces, Op.35 - 2. Hebrew Lullaby
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––––––––––––––––––––––––––––––––––––––––

Number of tracks: 24
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 609 kbps
Codec: FLAC
================================================================================


Exact Audio Copy V1.0 beta 3 from 29. August 2011

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Hagai Shaham, Arnon Erez / Achron - Complete Suites for Violin & Piano - CD2

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– 90,3 [0124FCA6] [45BDEF12] CRC32
01 85,9 [E1436405] [F94CF7EC]
02 53,6 [D9D85D71] [D3D4DA1B]
03 35,4 [CB685C63] [9DF04AB0]
04 78,4 [CD180A0A] [89635505]
05 47,3 [A383F5E8] [E3E25EE5]
06 49,5 [A0D67BB2] [C515AB48]
07 54,0 [E99C02B3] [56603633]
08 48,9 [D0112E37] [203D1D58]
09 70,3 [5ACD581C] [8F93BECA]
10 45,2 [E1554C14] [780E5228]
11 31,4 [CAD4E804] [76A1988F]
12 59,3 [2E566C3D] [9B7CB8DD]
13 68,2 [E02929DE] [352610DA]
14 76,4 [18FDC134] [A566A8F7]
15 40,6 [F5A7F4BC] [640C2226]
16 53,2 [A4CD217B] [4BD4381B]
17 43,1 [722F3065] [F41B56AD]
18 17,6 [62501AA0] [CBB24BA2]
19 43,9 [6F9F2DA5] [25AC8A40]
20 33,3 [B7FEFF7A] [92918021]
21 34,3 [4879D1C5] [7201A9AE]
22 79,9 [92DB9B0B] [53EF52D8]
23 71,8 [04BD4CD5] [399C78B4]
24 41,2 [BE6352A9] [8642F082]
25 24,8 [C105D011] [A3B7D3AC]
26 20,2 [DCB3498A] [D42A02E1]
27 64,2 [D09EEC8E] [4ABC86C8]
28 32,5 [A3038152] [D7820BBE]
29 49,5 [60FBBC50] [50C96D9B]
30 34,7 [150BFA33] [7805EE59]
31 90,3 [7A9F2E00] [0DF27839]
32 53,5 [70027ED6] [0CBBB45C]
33 50,4 [A8CCBF5B] [2BE359F5]

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-08-23 00:00:54

––––––––––––––––––––––––––––––––––––––––
Analyzed: Hagai Shaham, Arnon Erez / Achron - Complete Suites for Violin & Piano - CD2
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DR Peak RMS Duration Track
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DR13 -1.31 dB -18.83 dB 2:44 01-Suite No.1, Op.21 - 1. Prelude: Tempo giusto
DR13 -5.40 dB -22.11 dB 3:18 02-Suite No.1, Op.21 - 2. Gavotte: Allegro moderato
DR12 -9.02 dB -26.39 dB 3:18 03-Suite No.1, Op.21 - 3. Sicilienne: Andantino
DR11 -2.11 dB -18.37 dB 1:21 04-Suite No.1, Op.21 - 4. Fughetta: Non troppo allegro
DR13 -6.49 dB -24.19 dB 2:46 05-Suite No.1, Op.21 - 5. Gigue: Allegro comodo
DR11 -6.10 dB -21.62 dB 1:49 06-Suite No.2, Op.22 - 1. En passant: Vivo & scorrendo
DR14 -5.35 dB -23.48 dB 4:13 07-Suite No.2, Op.22 - 2. Menuet: Allegretto aperto; Trio: Un poco meno mosso
DR12 -6.21 dB -21.45 dB 1:25 08-Suite No.2, Op.22 - 3. Moulin: Vivace & gajamente assai
DR14 -3.06 dB -23.63 dB 4:45 09-Suite No.2, Op.22 - 4. Intermezzo: Cantabile & molto dramatico
DR13 -6.88 dB -22.98 dB 3:19 10-Suite No.2, Op.22 - 5. Marionettes: Allegro molto & scherzando
DR11 -10.05 dB -26.67 dB 1:39 11-Quatre Tableaux fantastiques, Op.23 - 1. Andantino espressivo
DR13 -4.53 dB -21.86 dB 3:35 12-Quatre Tableaux fantastiques, Op.23 - 2. Allegretto con grazia
DR17 -3.32 dB -25.03 dB 4:14 13-Quatre Tableaux fantastiques, Op.23 - 3. Largo & fantastico
DR15 -2.33 dB -21.90 dB 6:04 14-Quatre Tableaux fantastiques, Op.23 - 4. Allegro con agilitа
DR12 -7.82 dB -23.86 dB 1:07 15-Suite bizarre, Op.41 - 1. Etincelles: Allegro molto
DR14 -5.48 dB -23.85 dB 2:33 16-Suite bizarre, Op.41 - 2. Quasi valse: Allegro
DR12 -7.30 dB -24.77 dB 1:46 17-Suite bizarre, Op.41 - 3. Grace: Allegretto
DR13 -15.08 dB -32.42 dB 2:58 18-Suite bizarre, Op.41 - 4. Terrasses du palais: Calmato
DR12 -7.13 dB -21.93 dB 1:45 19-Suite bizarre, Op.41 - 5. Grimaces: Moderato
DR12 -9.54 dB -26.32 dB 1:51 20-Suite bizarre, Op.41 - 6. Galanterie: Andantino
DR13 -9.27 dB -25.75 dB 1:28 21-Suite bizarre, Op.41 - 7. Pastorale: Allegro vivo
DR15 -1.95 dB -22.73 dB 3:09 22-Suite bizarre, Op.41 - 8. Moment dramatique: Adagio & molto espressivo
DR15 -2.87 dB -21.30 dB 2:03 23-Suite bizarre, Op.41 - 9. Marche grotesque: Allegro giocoso
DR15 -7.70 dB -27.28 dB 1:17 24-Children's Suite - 1. Jumping with tongue out (Op.57/2)
DR9 -12.09 dB -27.50 dB 0:53 25-Children's Suite - 2. Sleep, my puppy (Op.57/11)
DR13 -13.85 dB -31.47 dB 1:43 26-Children's Suite - 3. Birdies (Op.57/12)
DR13 -3.84 dB -20.20 dB 1:19 27-Children's Suite - 4. March of Toys (Op.57/10)
DR12 -9.74 dB -26.02 dB 1:26 28-Children's Suite - 5. Mamma, tell a fairy tale (Op.57/4)
DR11 -6.10 dB -23.23 dB 1:02 29-Children's Suite - 6. The Top (Op.57/8)
DR11 -9.18 dB -26.49 dB 1:15 30-Children's Suite - 7. The Caravan (Op.57/18)
DR14 -0.88 dB -19.15 dB 1:41 31-Children's Suite - 8. Parade with presents (Op.57/20)
DR12 -5.43 dB -23.20 dB 2:24 32-Pensee de Leopold Auer
DR12 -5.95 dB -22.91 dB 3:39 33-La romanesca
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 33
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 605 kbps
Codec: FLAC
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Hagai Shaham, Arnon Erez - Joseph Achron: Complete Suites for Violin & Piano (2012) 2CDs

All thanks to original releaser

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