Goran Sollscher - The Renaissance Album (2005)
Göran Söllscher - The Renaissance Album (2005)
EAC | FLAC | Image (Cue&Log) ~ 277 Mb | Mp3 (CBR320) ~ 179 Mb | Scans included
Classical, Guitar | Label: Deutsche Grammophon | # 00289 477 5726 | Time: 01:05:17
EAC | FLAC | Image (Cue&Log) ~ 277 Mb | Mp3 (CBR320) ~ 179 Mb | Scans included
Classical, Guitar | Label: Deutsche Grammophon | # 00289 477 5726 | Time: 01:05:17
This project from Göran Söllscher is a follow-up to his previous CD, the highly successful 'Eleven-String Baroque'. With the balanced sound of Söllscher's eleven-string guitar combined with the Baroque repertoire, the album spoke to not only his fans but also a wider audience craving relaxing music and congenial guitar sounds. In this same spirit, Söllscher's upcoming Renaissance album can be marketed to a wide audience including both his fans and new listeners in search of dreamy, soothing Renaissance melodies. The stylish cover artwork emphasizes both the freshness and universality of Söllscher's art. The album contains Renaissance lute masterpieces by various composers from Italy, Spain, Germany, France and England, the most popular of which were written by John Dowland. Söllscher delivers a dozen of tracks by Dowland, a composer who embodies the 'golden age' of English lute music.
Mention the classical violin or cello and everyone knows exactly what you mean. Some of the very best instruments played by today’s concert artists were made three hundred years ago and fundamentally the design perfected by such master-makers as Stradivari and Guarneri has changed little during that period.
When it comes to the classical guitar you have to be a little more specific. If you mean the one that Andrès Segovia played, it has six strings and remains the most popular design. You may mean the version played by Mason Fish that has seven strings with an extra bass string tuned to B flat. Paul Galbraith plays an eight-string guitar and Narciso Yepes (1927-1997) made the ten-string guitar famous during his lifetime.
The guitar played on the review disc by Göran Söllscher is an eleven-stringed instrument made by Swedish luthier Georg Bolin. This is an alto guitar with the six highest strings tuned like a Renaissance lute and the five bass strings tuned diatonically. These innovations facilitate access to a huge repertoire from the 16th to 18th centuries; it is from this music that the present programme was taken.
Söllscher’s playing is characterised by great precision, accuracy, and mastery of the music. His repertory ranges from the Beatles (DG 447 104-2 and DG 459 692-2) to Alonso Mudarra (1510-1580).
The programme ranges over eleven different players and composers of music for the lute and vihuela from 1510-1630. They represent some of the greatest exponents of that period.
During the 16th century the Italian lutenists and their music had powerful influence on the rest of Europe. Franceso da Milano “il divino” was the best known and most important of them all. Contemporaries documented his great improvising capacity and profound effect on audiences. “Intavolatura di liuto” by Simone Molinaro was published in 1599 and marked the end of a glorious century of Italian lute music.
Arnolt Schlick and Hans Neusidler represent the German School of lutenists and composers of lute music from the first decade of the 16th century.
Alonso Mudarra, Luys Milán and Luys de Narváez were the foremost Spanish vihuelists of the 16th century. Very little of their music is found in manuscript form, the favoured publication format of the period being tablature.
The only French lutenist represented in this programme is Robert Ballard. It was not until the 17th century that French lutenists achieved significant European influence.
The “golden age” of English lute music spanned the period 1580-1610 and yielded some superb music. Although no evidence exists to conclusively prove he was a composer of lute music, Peter Philips’ works are believed to have been transcribed for that instrument. Antony Holborne was both a lutenist and a composer of lute music. John Dowland was the most outstanding player/composer of the Elizabethan period and probably the whole of the Renaissance.
Taken individually or severally, any of the 34 tracks would represent enjoyable listening. Played consecutively there is a propensity for the music to become a little bland. While thematically apposite, the programme’s resultant blandness is, to some degree, compensated by careful sequencing of tempi and the very lively “attack” with which Söllscher plays several of the pieces.
Probably the most favoured exponent of music from this era is Julian Bream and whether he plays the music on lute, vihuela or standard six-stringed guitar, the results are equally outstanding. To supplant his performances requires more than Söllscher manages on this recording.
Andrès Segovia was always sceptical, and often critical, about the practice of adding additional strings to the standard guitar. Listening to several pieces on this recording (e.g. Mudarra, “Fantasia que contrahaze la harpa en la manera de Ludovico” (1), de Narvaez, “Quatro differencias sobre Guardame las vacas” (26)) and comparing them with renditions of similar standard on a conventional six-stringed instrument, it is easy to understand his point of view because little, if anything, is added.
On balance the most fascinating track on this album is Dowland’s “My Lord Chamberlain his Galliard.” (34) which Dowland wrote for duet to be played on a single lute. This recording exploits the virtues of the alto guitar. Regarding this particular composition, the accompanying notes comment thus: the visual effect of this work, possibly designed to be played by a seated woman with a man standing behind and embracing her in order to be able to execute the second part, must have been quite remarkable.
Characteristically the playing on the review disc does not disappoint and exhibits those aforementioned attributes that have made Göran Söllscher one of the most admired and respected guitarists of his generation. Maximum enjoyment from this new release will go to those with a strong penchant for music of the period; others may find a sense of “sameness” pervading the recording. That is one observation which could never be made of his recording, also on the same guitar, of the four Lute Suites by J.S. Bach, DG 445 563-2. This is one of the very best guitar recordings of these works.
The eclectic programme to be found on Söllscher’s “preludes · songs · homages” DG 459 1382, makes that a disc with a much wider draw, and his recording of Schubert with Gil Shaham, DG 471 5682, is magic.
This new disc presents enjoyable, first-class guitar playing but the programme has narrower audience-appeal than some of Göran Söllscher’s earlier recordings.Review by Zane Turner, MusicWeb-International.com
Swedish classical guitarist Göran Söllscher has a certain following among guitar buffs of all kinds thanks to a unique contraption he plays – an 11-string guitar, built specifically to allow him, like some of his famous predecessors on the classical guitar, to explore the lute repertory of the Renaissance and Baroque periods more fully. He has previously released an album of Baroque music featuring the instrument, and here he turns his attention to a tour of lute and vihuela music from the High Renaissance, with stops mostly in Spain, Germany, and England. Depending entirely on personal reaction, his guitar is either a brilliant innovation in instrument-building or the kind of invention that tends to imprison its inventor. When Narciso Yepes played the more virtuosically oriented Spanish repertory on a guitar, the technical restrictions of the instrument had a way of adding to the tension in the performance. Söllscher's readings of the Fantasía que contrahaze la harpa en la manera de Ludovico (Fantasy That Imitates the Harp in the Manner of Ludovico, track 1) by Alonso de Mudarra, or the Fantasía de consonancias y redobles (Fantasy of Consonances and Scales), track 23) by Luys Milán, are technical marvels but a trifle mechanical. On the other hand, his way with English music is extremely appealing, and his guitar seems to give him a relaxed, playful quality. All the Dowland pieces have the requisite degree of knowing melancholy; the brief and obtuse A Piece without Title (track 10) will give the Internet sampler a little taste of what's best about this set. Maybe Söllscher is an artist for the Internet era, using technology and skill to bring an intriguing variety of music within his grasp even if he lacks some of the compelling qualities of the players who did it the old-fashioned way.Review by James Manheim, Allmusic.com
Goran Sollscher - The Renaissance Album (2005)
Göran Söllscher, 11-string alto guitar.
rec. Mol (Belgium), Galaxy Studios, 5/2005
Tracklist:
Alonso MUDARRA (c.1510-1580)
01. Fantasía que contrahaze la harpa en la manera de Ludovico (1:50)
02. Pavana de Alexandre (0:57)
03. Gallarda (1:21)
Peter PHILIPS (1560/1-1628)
04. Chromatic Pavan (Pavan dolorosa) (3:58)
05. The Galliard to the Chromatic Pavan (1:20)
Francesco da MILANO (1497-1543)
06. Fantasia in F major (1:02)
07. Ricercare in G minor (3:05)
08. Fantasia in C major (0:53)
09. Fantasia in C minor (0:44)
10. Fantasia in F major (1:30)
John DOWLAND (1563-1626)
11. My Lady Hunsdon's Allmande (1:23)
12. A Piece without Title (0:48)
13. The Shoemaker's Wife - A Toy (1:12)
Arnolt SCHLICK (c.1460-after1521)
14. Wer gnad durch klaff (1:14)
Hans NEUSIDLER (c.1508/9-1563)
15. Eil Welischer tantz - Der Königin tanzt (0:57)
16. Ach Elselein (1:42)
17. In Liebes brunst (0:54)
18. Ein welscher tantz Wascha mesa - Hupff auff (1:37)
John DOWLAND
19. Mr. Dowland's Midnight (1:30)
20. Sir John Smith, his Almain (2:23)
21. Semper Dowland semper dolens (3:48)
Simone MOLINARO (c.1570-after 1633)
22. Ballo detto 'Il Conte Orlando' - Saltarello del predetto ballo (2:16)
Luys MILÁN (c.1500-after 1560)
23. Fantasía de consonancias y redobles (2:00)
24. Pavana V & VI (2:02)
Luys de NARVÁEZ (fl.1526-49)
25. La canción del Emperador (2:46)
26. Quatro diferencias sobre Guárdame las vacas (1:22)
John DOWLAND
27. Forlorn Hope Fancy (4:11)
Antony HOLBORNE (c.1545-1602)
28. Hartes Ease (0:54)
29. The Fairy Round (1:27)
Robert BALLARD (c.1575-after 1649)
30. Branles de village (4:32)
John DOWLAND
31. The Right Honourable Ferdinando, Earl of Derby, his Galliard (2:21)
32. The Most Sacred Queen Elizabeth, Her Galliard (1:15)
33. A Fantasia (4:07)
34. My Lord Chamberlain, His Galliard (1:56)
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 25. January 2012, 8:20
Goran Sollscher / The Renaissance Album
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Filename J:\ICE\GS.TRA\Goran Sollscher - The Renaissance Album.wav
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==== Log checksum 5905B73C412E66CAC69ABFB9E48979954818BF539CD33815114016CE90DAF11A ====
EAC extraction logfile from 25. January 2012, 8:20
Goran Sollscher / The Renaissance Album
Used drive : TSSTcorpCDDVDW SE-S224Q Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
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Filename J:\ICE\GS.TRA\Goran Sollscher - The Renaissance Album.wav
Peak level 99.9 %
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Range quality 100.0 %
Test CRC 8FE18966
Copy CRC 8FE18966
Copy OK
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13 [2a24a10b|56e6df5e] (16+21/37) Accurately ripped
14 [8d8c106b|bd19c47b] (16+21/37) Accurately ripped
15 [281dc9c8|0e8d17ff] (16+21/37) Accurately ripped
16 [98d66431|481c0938] (16+21/37) Accurately ripped
17 [5dcb66ee|f5230bb1] (16+21/37) Accurately ripped
18 [cc84051d|5519ee0b] (15+21/36) Accurately ripped
19 [1345f9f6|a7a3a255] (15+21/36) Accurately ripped
20 [928b8627|d14856fc] (15+21/36) Accurately ripped
21 [305cf789|6c84d7fe] (14+21/35) Accurately ripped
22 [ae58584f|83b33a07] (15+21/36) Accurately ripped
23 [2a9e5ba8|da760999] (15+21/36) Accurately ripped
24 [eec4b2bc|a378161f] (15+21/36) Accurately ripped
25 [895aaf1c|c780b39a] (15+21/36) Accurately ripped
26 [17be9e00|f52acbc6] (15+21/36) Accurately ripped
27 [cc38d2b9|5a6d008c] (15+21/36) Accurately ripped
28 [7c640e0c|b5f2bee2] (15+21/36) Accurately ripped
29 [f574a01e|eec84591] (15+21/36) Accurately ripped
30 [8227e923|b3372b25] (17+21/38) Accurately ripped
31 [78e4786b|b34f4f57] (16+21/37) Accurately ripped
32 [f9838217|8dde00cf] (16+21/37) Accurately ripped
33 [26e7807a|75252878] (17+21/38) Accurately ripped
34 [360d991b|d216a1de] (15+21/36) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 99,9 [8FE18966] [62919F3A] CRC32
01 80,3 [2DC32A87] [C227A330]
02 57,5 [2A55329A] [EF575E74]
03 62,9 [796B911A] [D58E42D2]
04 79,9 [1BED8FFE] [9B1C5EA5]
05 77,8 [24C9B32C] [FB4001BB]
06 60,3 [D3E302B8] [6BA12B67]
07 71,7 [5EE4EEAA] [E994304A]
08 84,6 [EB100080] [F4683343]
09 54,4 [A67B8B45] [B187EA48]
10 97,7 [DD9DC925] [9DC0667C]
11 67,7 [6D50929E] [72BCEB95]
12 78,8 [7DB190AA] [BCFAF888]
13 90,3 [75AE3B23] [7A056CA7]
14 57,8 [F2515475] [7C379AA3]
15 84,6 [B7625C26] [8BC68B5D]
16 48,6 [2D89BF9A] [3C9A71EA]
17 47,8 [4018FAEC] [7F6B74D7]
18 99,9 [B79C8EE0] [7A65BD4A]
19 44,0 [E21D4F16] [5F24FDD7]
20 77,4 [693B2742] [03575747]
21 54,8 [C62DAE82] [F256FC8D]
22 86,9 [97088408] [1C15EADE]
23 60,0 [4A58EB29] [25FA0DC4]
24 73,3 [19A9A007] [2E89FA8E]
25 58,3 [615B12DE] [EFEE1037]
26 46,4 [2A5EC401] [9743FFC5]
27 80,8 [50341560] [5F39A0CF]
28 73,5 [6623367B] [238DE53F]
29 98,0 [9F7E299D] [4BCC3F8B]
30 90,0 [EDCA7ED8] [B4963E73]
31 67,4 [CECEC4E9] [55ACBC0B]
32 73,5 [CEB882CA] [B18A5CBF]
33 83,9 [79EB64A5] [FAFEDAF0]
34 70,6 [B70D4B72] [47323FA2]
[CTDB TOCID: 7UTRkqRY_qPpnyNww0BXZUg7sDw-] found.
Track | CTDB Status
1 | (63/64) Accurately ripped
2 | (63/64) Accurately ripped
3 | (62/64) Accurately ripped
4 | (63/64) Accurately ripped
5 | (62/64) Accurately ripped
6 | (63/64) Accurately ripped
7 | (63/64) Accurately ripped
8 | (63/64) Accurately ripped
9 | (63/64) Accurately ripped
10 | (62/64) Accurately ripped
11 | (63/64) Accurately ripped
12 | (63/64) Accurately ripped
13 | (62/64) Accurately ripped
14 | (63/64) Accurately ripped
15 | (63/64) Accurately ripped
16 | (63/64) Accurately ripped
17 | (63/64) Accurately ripped
18 | (62/64) Accurately ripped
19 | (63/64) Accurately ripped
20 | (63/64) Accurately ripped
21 | (62/64) Accurately ripped
22 | (63/64) Accurately ripped
23 | (63/64) Accurately ripped
24 | (63/64) Accurately ripped
25 | (63/64) Accurately ripped
26 | (62/64) Accurately ripped
27 | (62/64) Accurately ripped
28 | (63/64) Accurately ripped
29 | (63/64) Accurately ripped
30 | (62/64) Accurately ripped
31 | (63/64) Accurately ripped
32 | (63/64) Accurately ripped
33 | (63/64) Accurately ripped
34 | (63/64) Accurately ripped
[AccurateRip ID: 0045f376-06adf81f-e10f4c22] found.
Track [ CRC | V2 ] Status
01 [570642d2|4aeb1924] (16+21/37) Accurately ripped
02 [c3c62f71|766158c8] (16+21/37) Accurately ripped
03 [46558082|a2f4dc58] (16+21/37) Accurately ripped
04 [cc386035|1f758da4] (16+21/37) Accurately ripped
05 [0a7d69af|32bd7bfa] (16+21/37) Accurately ripped
06 [418f4b80|0503631d] (16+21/37) Accurately ripped
07 [7664a29d|a2e52b99] (16+21/37) Accurately ripped
08 [263d72f4|15a52883] (16+21/37) Accurately ripped
09 [8bbf75cc|055fbad3] (15+21/36) Accurately ripped
10 [3065506e|0ecd6c81] (15+21/36) Accurately ripped
11 [fccb2816|d00ee12a] (16+21/37) Accurately ripped
12 [e84d5389|9460904e] (16+21/37) Accurately ripped
13 [2a24a10b|56e6df5e] (16+21/37) Accurately ripped
14 [8d8c106b|bd19c47b] (16+21/37) Accurately ripped
15 [281dc9c8|0e8d17ff] (16+21/37) Accurately ripped
16 [98d66431|481c0938] (16+21/37) Accurately ripped
17 [5dcb66ee|f5230bb1] (16+21/37) Accurately ripped
18 [cc84051d|5519ee0b] (15+21/36) Accurately ripped
19 [1345f9f6|a7a3a255] (15+21/36) Accurately ripped
20 [928b8627|d14856fc] (15+21/36) Accurately ripped
21 [305cf789|6c84d7fe] (14+21/35) Accurately ripped
22 [ae58584f|83b33a07] (15+21/36) Accurately ripped
23 [2a9e5ba8|da760999] (15+21/36) Accurately ripped
24 [eec4b2bc|a378161f] (15+21/36) Accurately ripped
25 [895aaf1c|c780b39a] (15+21/36) Accurately ripped
26 [17be9e00|f52acbc6] (15+21/36) Accurately ripped
27 [cc38d2b9|5a6d008c] (15+21/36) Accurately ripped
28 [7c640e0c|b5f2bee2] (15+21/36) Accurately ripped
29 [f574a01e|eec84591] (15+21/36) Accurately ripped
30 [8227e923|b3372b25] (17+21/38) Accurately ripped
31 [78e4786b|b34f4f57] (16+21/37) Accurately ripped
32 [f9838217|8dde00cf] (16+21/37) Accurately ripped
33 [26e7807a|75252878] (17+21/38) Accurately ripped
34 [360d991b|d216a1de] (15+21/36) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 99,9 [8FE18966] [62919F3A] CRC32
01 80,3 [2DC32A87] [C227A330]
02 57,5 [2A55329A] [EF575E74]
03 62,9 [796B911A] [D58E42D2]
04 79,9 [1BED8FFE] [9B1C5EA5]
05 77,8 [24C9B32C] [FB4001BB]
06 60,3 [D3E302B8] [6BA12B67]
07 71,7 [5EE4EEAA] [E994304A]
08 84,6 [EB100080] [F4683343]
09 54,4 [A67B8B45] [B187EA48]
10 97,7 [DD9DC925] [9DC0667C]
11 67,7 [6D50929E] [72BCEB95]
12 78,8 [7DB190AA] [BCFAF888]
13 90,3 [75AE3B23] [7A056CA7]
14 57,8 [F2515475] [7C379AA3]
15 84,6 [B7625C26] [8BC68B5D]
16 48,6 [2D89BF9A] [3C9A71EA]
17 47,8 [4018FAEC] [7F6B74D7]
18 99,9 [B79C8EE0] [7A65BD4A]
19 44,0 [E21D4F16] [5F24FDD7]
20 77,4 [693B2742] [03575747]
21 54,8 [C62DAE82] [F256FC8D]
22 86,9 [97088408] [1C15EADE]
23 60,0 [4A58EB29] [25FA0DC4]
24 73,3 [19A9A007] [2E89FA8E]
25 58,3 [615B12DE] [EFEE1037]
26 46,4 [2A5EC401] [9743FFC5]
27 80,8 [50341560] [5F39A0CF]
28 73,5 [6623367B] [238DE53F]
29 98,0 [9F7E299D] [4BCC3F8B]
30 90,0 [EDCA7ED8] [B4963E73]
31 67,4 [CECEC4E9] [55ACBC0B]
32 73,5 [CEB882CA] [B18A5CBF]
33 83,9 [79EB64A5] [FAFEDAF0]
34 70,6 [B70D4B72] [47323FA2]
foobar2000 1.6.3 / Dynamic Range Meter 1.1.1
log date: 2025-04-22 14:09:56
––––––––––––––––––––––––––––––––––––––––
Analyzed: Goran Sollscher / The Renaissance Album
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -1.90 dB -18.92 dB 1:50 01-Alonso Mudarra - Fantasia que contrahaze la harpa en la manera de Ludovico
DR12 -4.79 dB -21.02 dB 0:57 02-Alonso Mudarra - Pavana de Alexandre
DR13 -4.01 dB -19.35 dB 1:21 03-Alonso Mudarra - Gallarda
DR15 -1.94 dB -21.16 dB 3:58 04-Peter Philips - Chromatic Pavan (Pavan dolorosa)
DR13 -2.18 dB -17.66 dB 1:20 05-Peter Philips - The Galliard to the Chromatic Pavan
DR12 -4.38 dB -18.59 dB 1:02 06-Francesco da Milano - Fantasia in F major
DR13 -2.89 dB -20.16 dB 3:05 07-Francesco da Milano - Ricercare in G minor
DR12 -1.44 dB -17.66 dB 0:53 08-Francesco da Milano - Fantasia in C minor
DR12 -5.27 dB -20.94 dB 0:44 09-Francesco da Milano - Fantasia in C minor
DR11 -0.19 dB -18.10 dB 1:30 10-Francesco da Milano - Fantasia in F major
DR13 -3.38 dB -19.54 dB 1:23 11-John Dowland - My Lady Hunsdon's Allmande
DR14 -2.07 dB -22.04 dB 0:48 12-John Dowland - A Piece without Title
DR12 -0.88 dB -19.30 dB 1:12 13-John Dowland - The Shoemaker's Wife - A Toy
DR12 -4.75 dB -21.49 dB 1:14 14-Arnolt Schlick - Wer gnad durch klaff
DR12 -1.45 dB -16.14 dB 0:57 15-Hans Neusidler - Ein welscher tantz: der Konigin tants
DR13 -6.26 dB -22.82 dB 1:42 16-Hans Neusidler - Ach Elselein
DR11 -6.39 dB -21.93 dB 0:54 17-Hans Neusidler - In Liebes brunst
DR12 0.00 dB -14.77 dB 1:37 18-Hans Neusidler - Ein welscher tantz Wascha mesa - Hupff auff
DR12 -7.12 dB -22.79 dB 1:30 19-John Dowland - Mr. Dowland's Midnight
DR14 -2.22 dB -19.72 dB 2:23 20-John Dowland - Sir John Smith, his Almain
DR14 -5.21 dB -22.60 dB 3:48 21-John Dowland - Semper Dowland semper dolens
DR13 -1.21 dB -18.36 dB 2:16 22-Simone Molinaro - Ballo detto 'Il Conte Orlando' - Saltarello del predetto ballo
DR13 -4.43 dB -21.19 dB 2:00 23-Luys Milan - Fantasia de consonancias y redobles
DR14 -2.69 dB -20.31 dB 2:02 24-Luys Milan - Pavana V & VI
DR14 -4.68 dB -22.03 dB 2:46 25-Luys de Narvaez / La cancion del Emperador
DR12 -6.66 dB -21.66 dB 1:22 26-Luys de Narvaez - Quatro diferencias sobre Gu'ardame las vacas
DR14 -1.85 dB -22.09 dB 4:11 27-John Dowland - Forlorn Hope Fancy
DR12 -2.67 dB -18.87 dB 0:54 28-Antony Holborne - Hartes Ease
DR13 -0.17 dB -17.69 dB 1:27 29-Antony Holborne - The Fairy Round
DR13 -0.91 dB -17.16 dB 4:32 30-Robert Ballard - Branles de village
DR15 -3.42 dB -21.72 dB 2:21 31-John Dowland - The Right Honourable Ferdinando, Earl of Derby, his Galliard
DR13 -2.66 dB -18.55 dB 1:15 32-John Dowland - The Most Sacred Queen Elizabeth, Her Galliard
DR14 -1.52 dB -19.25 dB 4:07 33-John Dowland - A Fantasia
DR13 -3.01 dB -19.27 dB 1:56 34-John Dowland / My Lord Chamberlain, His Galliard
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 34
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 532 kbps
Codec: FLAC
================================================================================
log date: 2025-04-22 14:09:56
––––––––––––––––––––––––––––––––––––––––
Analyzed: Goran Sollscher / The Renaissance Album
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -1.90 dB -18.92 dB 1:50 01-Alonso Mudarra - Fantasia que contrahaze la harpa en la manera de Ludovico
DR12 -4.79 dB -21.02 dB 0:57 02-Alonso Mudarra - Pavana de Alexandre
DR13 -4.01 dB -19.35 dB 1:21 03-Alonso Mudarra - Gallarda
DR15 -1.94 dB -21.16 dB 3:58 04-Peter Philips - Chromatic Pavan (Pavan dolorosa)
DR13 -2.18 dB -17.66 dB 1:20 05-Peter Philips - The Galliard to the Chromatic Pavan
DR12 -4.38 dB -18.59 dB 1:02 06-Francesco da Milano - Fantasia in F major
DR13 -2.89 dB -20.16 dB 3:05 07-Francesco da Milano - Ricercare in G minor
DR12 -1.44 dB -17.66 dB 0:53 08-Francesco da Milano - Fantasia in C minor
DR12 -5.27 dB -20.94 dB 0:44 09-Francesco da Milano - Fantasia in C minor
DR11 -0.19 dB -18.10 dB 1:30 10-Francesco da Milano - Fantasia in F major
DR13 -3.38 dB -19.54 dB 1:23 11-John Dowland - My Lady Hunsdon's Allmande
DR14 -2.07 dB -22.04 dB 0:48 12-John Dowland - A Piece without Title
DR12 -0.88 dB -19.30 dB 1:12 13-John Dowland - The Shoemaker's Wife - A Toy
DR12 -4.75 dB -21.49 dB 1:14 14-Arnolt Schlick - Wer gnad durch klaff
DR12 -1.45 dB -16.14 dB 0:57 15-Hans Neusidler - Ein welscher tantz: der Konigin tants
DR13 -6.26 dB -22.82 dB 1:42 16-Hans Neusidler - Ach Elselein
DR11 -6.39 dB -21.93 dB 0:54 17-Hans Neusidler - In Liebes brunst
DR12 0.00 dB -14.77 dB 1:37 18-Hans Neusidler - Ein welscher tantz Wascha mesa - Hupff auff
DR12 -7.12 dB -22.79 dB 1:30 19-John Dowland - Mr. Dowland's Midnight
DR14 -2.22 dB -19.72 dB 2:23 20-John Dowland - Sir John Smith, his Almain
DR14 -5.21 dB -22.60 dB 3:48 21-John Dowland - Semper Dowland semper dolens
DR13 -1.21 dB -18.36 dB 2:16 22-Simone Molinaro - Ballo detto 'Il Conte Orlando' - Saltarello del predetto ballo
DR13 -4.43 dB -21.19 dB 2:00 23-Luys Milan - Fantasia de consonancias y redobles
DR14 -2.69 dB -20.31 dB 2:02 24-Luys Milan - Pavana V & VI
DR14 -4.68 dB -22.03 dB 2:46 25-Luys de Narvaez / La cancion del Emperador
DR12 -6.66 dB -21.66 dB 1:22 26-Luys de Narvaez - Quatro diferencias sobre Gu'ardame las vacas
DR14 -1.85 dB -22.09 dB 4:11 27-John Dowland - Forlorn Hope Fancy
DR12 -2.67 dB -18.87 dB 0:54 28-Antony Holborne - Hartes Ease
DR13 -0.17 dB -17.69 dB 1:27 29-Antony Holborne - The Fairy Round
DR13 -0.91 dB -17.16 dB 4:32 30-Robert Ballard - Branles de village
DR15 -3.42 dB -21.72 dB 2:21 31-John Dowland - The Right Honourable Ferdinando, Earl of Derby, his Galliard
DR13 -2.66 dB -18.55 dB 1:15 32-John Dowland - The Most Sacred Queen Elizabeth, Her Galliard
DR14 -1.52 dB -19.25 dB 4:07 33-John Dowland - A Fantasia
DR13 -3.01 dB -19.27 dB 1:56 34-John Dowland / My Lord Chamberlain, His Galliard
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 34
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 532 kbps
Codec: FLAC
================================================================================
Goran Sollscher - The Renaissance Album (2005)
Goran Sollscher - The Renaissance Album (2005)
