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Goldfrapp - Albums Collection 2000-2017 (7CD)

Posted By: Designol

Date: 27 May 2023 11:42:50

Goldfrapp are an English electronic music duo from London, formed in 1999. The duo consists of Alison Goldfrapp (vocals, synthesiser) and Will Gregory (synthesiser). Collection includes: Felt Mountain (2000); Black Cherry (2003); Supernature (2005); Seventh Tree (2008); Head First (2010); Tales Of Us (2013); Silver Eye (2017).

As Goldfrapp, singer/composer/keyboardist Alison Goldfrapp and composer Will Gregory craft stylish electronic pop that's as wide-ranging as it is distinctive. Though their most danceable work was often their most successful – 2005's Supernature and 2010's Head First both debuted in the top 10 in the UK and earned Grammy nominations in the US – quieter albums like 2000's Felt Mountain and 2013's Tales of Us were just as powerful in their own right. Alison's quicksilver vocals, which could change from angelic to sultry and back again in an instant, and Gregory's lavish arrangements were Goldfrapp's only constants as they transformed influences including folk, cabaret, classical, disco, techno, '80s pop and glam rock into an adventurous body of work.

Born in Bath, England, Alison Goldfrapp first performed with Dance Company Catherine Massin and later incorporated music as part of her studies as a fine art painting major at Middlesex University, where she mixed sound, visuals, and performances in her installation pieces. While she was still in college, she appeared on her friend Tricky's 1995 debut, Maxinquaye, which led to appearances on albums by other cutting-edge electronic artists, including Orbital's Snivilisation and Add N to (X)'s Avant Hard.

By the late '90s, Goldfrapp began writing her own songs. One of her friends passed some of her demos on to composer Will Gregory; finding much in common in their musical tastes and approaches, the duo took Alison's surname as the name for their collaboration. After signing to Mute in 1999, Goldfrapp sequestered themselves in a countryside bungalow to make their debut album. When Felt Mountain arrived in 2000, it reflected the trip-hop boom of its time, but also reflected more unexpected influences such as folk and cabaret. The album was shortlisted for the 2001 Mercury Prize, and that year's synth-pop heavy Utopia Genetically Enriched EP suggested Goldfrapp's sound was already evolving.

Due to the demanding nature of the Felt Mountain tour, which called for as many as 40 supporting musicians, the duo pared back on its next album. Recorded in a studio in Bath, 2003's Black Cherry grew out of extensive jam sessions as well as Gregory and Alison's fondness for disco, glam-rock and techno. The album's sexier approach was exemplified by the single "Strict Machine," a top 20 hit in the UK that earned Goldfrapp an Ivor Novello Award for Best Dance Single in 2004. Capitalizing on Black Cherry's success – the album went platinum in the UK and reached number four on Billboard's Top Electronic Albums chart in the US – the duo doubled down on its dance leanings with 2005's Supernature. A set of sardonic and romantic songs set to steady beats, Goldfrapp's third album was a breakthrough that went platinum in the UK, sold over a million copies worldwide and earned a Grammy nomination for Best Electronic/Dance Album in 2007 (the album's glammy single "Ooh La La" snagged a Grammy nomination for Best Dance Recording). The duo followed it with the 2006 remix compilation We Are Glitter, which included the Flaming Lips' reworking of the track "Satin Chic."

Goldfrapp moved in a very different direction with 2008's The Seventh Tree. Inspired by paganism and an acoustic radio performance, the duo's fourth album traded the dancefloor for soothing ambient and folk-tinged songs such as the UK top 10 hit "A&E." In 2009, the group released its score to Sam Taylor-Wood's film about John Lennon as a youth, Nowhere Boy, which they recorded with a full orchestra at Abbey Road Studios. Gregory and Alison changed gears again on their fifth full-length, and borrowed the exuberance of '80s pop for 2010's Head First. Touching on the joyous sounds of the Pointer Sisters, Van Halen and Olivia Newton-John, the album debuted at number six in the UK and earned a Grammy Nomination for Best Electronic/Dance Album in 2011; the single "Rocket" received a nomination for Best Dance Recording. In 2012, Goldfrapp issued the Singles collection, which featured the previously unreleased songs "Yellow Halo" and "Melancholy Sky."

For 2013's Tales of Us, Goldfrapp revisited the moody introspection of Felt Mountain and The Seventh Tree, and took inspiration from classic authors and auteurs such as Patricia Highsmith, David Lynch, Ingmar Bergman, and Michelangelo Antonioni. The album also included short films for five of its songs directed by Alison's partner, filmmaker Lisa Gunning. After scoring a Royal National Theatre production of Medea, Goldfrapp returned to the studio in 2015, joined by co-producers John Congleton and the Haxan Cloak as well as guitarist Leo Abrahams. The results were 2017's Silver Eye, which balanced the duo's danceable and reflective sides. A year later, a deluxe version of the album featuring a duet with Depeche Mode's Dave Gahan arrived.

Heather Phares, Allmusic.com

Goldfrapp Website
Goldfrapp at Wiki

Review by Heather Phares, Allmusic.com

Though her collaborations with Tricky, Orbital, and Add N To X focused on the sheer beauty and power of her singing, on her debut album Felt Mountain Allison Goldfrapp also explores more straightforward styles. Together with composer/multi-instrumentalist Will Gregory, Goldfrapp wraps her unearthly voice around songs that borrow from '60s pop, cabaret, folk, and electronica without sounding derivative or unfocused. From the sci-fi/spy film hybrids "Human" and "Lovely Head" to the title track's icy purity, the duo strikes a wide variety of poses, giving Felt Mountain a stylized, theatrical feel that never veers into campiness. Though longtime fans of Goldfrapp's voice may wish for more the exuberant, intoxicating side of her sound, lovelorn ballads like "Pilots," "Deer Stop," and "Horse's Tears" prove that she is equally able at carrying – and writing – more traditional tunes. A strange and beautiful mix of the romantic, eerie, and world-weary, Felt Mountain is one of 2000's most impressive debuts.

Review by Heather Phares, Allmusic.com

Tracklist:

01. Lovely Head (3:49)
02. Paper Bag (4:05)
03. Human (4:36)
04. Pilots (4:29)
05. Deer Stop (4:06)
06. Felt Mountain (4:17)
07. Oompa Radar (4:42)
08. Utopia (4:18)
09. Horse Tears (5:10)

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 20. October 2013, 15:27

Goldfrapp / Felt Mountain

Used drive : ASUS DRW-1814BLT Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "Date=%year%" -T "Genre=%genre%" -T "COMMENT=ripped by Mammonth66®" %source%

TOC of the extracted CD

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Peak level 98.8 %
Extraction speed 6.6 X
Range quality 99.9 %
Test CRC B37445BA
Copy CRC B37445BA
Copy OK

No errors occurred

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All tracks accurately ripped

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==== Log checksum C438B35E61B86F3B05337E9D1470597F9E3E55DA8EE2E08B3314BB80A2FD596E ====

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-10-21 23:46:57

––––––––––––––––––––––––––––––––––––––––
Analyzed: Goldfrapp / Felt Mountain
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR6 -0.10 dB -9.35 dB 3:50 01-Lovely Head
DR8 -0.10 dB -10.69 dB 4:06 02-Paper Bag
DR8 -0.10 dB -11.67 dB 4:36 03-Human
DR8 -0.10 dB -11.73 dB 4:30 04-Pilots
DR8 -0.20 dB -12.04 dB 4:07 05-Deer Stop
DR9 -0.10 dB -12.15 dB 4:17 06-Felt Mountain
DR12 -0.10 dB -15.36 dB 4:42 07-Oompa Radar
DR7 -0.10 dB -8.96 dB 4:18 08-Utopia
DR13 -0.10 dB -16.67 dB 5:10 09-Horse Tears
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR9

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 787 kbps
Codec: FLAC
================================================================================

Review by Heather Phares, Allmusic.com

In an admirably daring move, Goldfrapp's second album, Black Cherry, takes the duo in a very different direction than its instant-classic debut, Felt Mountain. Instead of just serving up more lush electronic torch songs – which certainly would've been welcome – Allison Goldfrapp and Will Gregory continue in the direction that their cover of Olivia Newton-John's "Physical" suggested, adding digital-sounding synths, electroclash-inspired drum machines, and more overtly sexual lyrics to their music. While their artistic risk-taking is commendable, unfortunately the same can't always be said for the results: Black Cherry sounds unbalanced, swinging between delicate, deceptively icy ballads and heavier, dance-inspired numbers without finding much of a happy medium between them. It's true that Felt Mountain's cinematic sweep owes a debt to the likes of Portishead, Björk, John Barry, and Shirley Bassey, but its mix of old-school glamour and more modern arrangements – not to mention Allison Goldfrapp's charms as a futuristic siren, at once sensual and aloof – were so compelling that the album felt fresh despite its roots. Black Cherry, however, is so dominated by its influences that all too often there doesn't seem to be enough room left in the music for Goldfrapp to really make the music its own. To be fair, most of the album isn't bad – it's just not as consistently amazing as Felt Mountain. Songs like "Crystalline Green," "Tiptoe," and "Train" are among the better synth pop-inspired tracks, keeping enough of Goldfrapp's previous sound to give a good balance of familiarity and invention, but they don't really show off the expressive range of Goldfrapp's voice that well.

Not surprisingly, Black Cherry's highlights apply Felt Mountain's eloquent restraint to a slightly different sonic palette: The title track has a spacy allure thanks to the flute-like synths and lighter-than-air drums and strings, while "Deep Honey" mixes harpsichords, strings, and foreboding analog synths to ominously beautiful effect. "Hairy Trees" conjures a digitally pristine utopia (though it does include the rather embarrassing lyric "touch my garden") and "Forever" is one of the few tracks that really allows the pure tonal beauty of Goldfrapp's singing to shine through. Problems crop up on Black Cherry when the group works too hard to change its trademark sound: Despite its very danceable groove, "Twist" overplays its hand by adding too many buzzing synths and operatically orgasmic vocals (though, admittedly, they do show off Goldfrapp's impressive pipes better than some of the other songs). "Strict Machine" and "Slippage" share a similar fate, piling on dominatrix-y drum machines to give the songs a dance edge but eventually sound weighed down by them in the process. It's possible that Black Cherry disappoints because it tries to go in two different directions at once; it might have been a more coherent listening experience if it were either more ballad-based or featured more synth pop homages. As it stands, it's merely a not entirely successful experiment that suffers from its ambitions and in comparison to its brilliant predecessor. While some Felt Mountain fans may not have the patience for this album's radical departures, Black Cherry is still worthwhile for those willing to take some risks along with the group.

Review by Heather Phares, Allmusic.com

Tracklist:

01. Crystalline Green (4:28)
02. Train (4:11)
03. Black Cherry (4:56)
04. Tiptoe (5:10)
05. Deep Honey (4:01)
06. Hairy Trees (4:37)
07. Twist (3:32)
08. Strict Machine (3:51)
09. Forever (4:14)
10. Slippage (3:55)

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 20. October 2013, 15:47

Goldfrapp / Black Cherry

Used drive : ASUS DRW-1814BLT Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "Date=%year%" -T "Genre=%genre%" -T "COMMENT=ripped by Mammonth66®" %source%

TOC of the extracted CD

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9 | 34:48.61 | 4:14.64 | 156661 | 175774
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Range status and errors

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Filename G:\1.Torrent\2.Out\Goldfrapp - Main Studios Discography (6 Albums)\2003-Black Cherry\Goldfrapp - Black Cherry.wav

Peak level 100.0 %
Extraction speed 7.1 X
Range quality 100.0 %
Test CRC 8E0C6F9F
Copy CRC 8E0C6F9F
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 154) [B0908CA5] (AR v2)
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All tracks accurately ripped

End of status report

==== Log checksum 41F162A746FA71FD4C59D4866E41A0B2D90A48E1ECC29C158841EF71D9F67056 ====

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-10-21 23:47:08

––––––––––––––––––––––––––––––––––––––––
Analyzed: Goldfrapp / Black Cherry
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR7 0.00 dB -8.97 dB 4:28 01-Crystalline Green
DR7 0.00 dB -8.44 dB 4:11 02-Train
DR8 0.00 dB -10.82 dB 4:56 03-Black Cherry
DR7 0.00 dB -9.26 dB 5:10 04-Tiptoe
DR9 0.00 dB -12.46 dB 4:01 05-Deep Honey
DR8 0.00 dB -11.61 dB 4:37 06-Hairy Trees
DR5 0.00 dB -7.00 dB 3:33 07-Twist
DR4 0.00 dB -7.15 dB 3:51 08-Strict Machine
DR9 0.00 dB -13.01 dB 4:15 09-Forever
DR5 0.00 dB -7.16 dB 3:55 10-Slippage
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR7

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 917 kbps
Codec: FLAC
================================================================================

Review by Heather Phares, Allmusic.com

It's something of a mystery why Mute Records waited until early 2006 to release Goldfrapp's third album, Supernature, in the U.S. After all, when it came out in the U.K. the previous summer, it made the duo into a bona fide chart success, to the point where the album's terrific lead single, "Ooh La La" – on which Allison Goldfrapp channels Marc Bolan's dippy-cool vocals and lyrics over a shuffling, glam-tastic beat – drew comparisons to former S Club 7 star Rachel Stevens' similarly glam-inspired hit "Some Girls." While Goldfrapp might balk at being called (or compared to) a pop act, it's undeniable that the duo has streamlined and simplified its sound since the baroque Felt Mountain days. It's also undeniable that Supernature is some of Goldfrapp's most accessible work. Coming across like the missing link between Black Cherry's sexy, sharp-edged dancefloor experiments and Felt Mountain's luxe soundscapes, Supernature sometimes combines the best elements from those two albums into something great, and at other times renders them into something surprisingly bland. Along with the aforementioned "Ooh La La," the upbeat tracks find Goldfrapp becoming the robo-glam-disco gods that Black Cherry suggested they might: the starkly catchy "Lovely 2 CU," the fabulously blasé "Ride a White Horse," and "Satin Chic," which could single-handedly make honky tonk pianos fashionable again, all use the duo's inherently theatrical style to very catchy, immediate ends. Interestingly, though, the sweeping ballads that used to be Goldfrapp's forte are the most uneven tracks on Supernature. It's not that tracks like "Time Out from the World" and "Koko" aren't pretty and ethereal enough, but they're just not that distinctive. Likewise, "Fly Me Away" is pleasant, but maybe a little too pleasant – it almost sounds like it was commissioned for a travel commercial. However, "Let It Take You" shows that Goldfrapp can still craft gorgeous, weightless ballads, and "Number 1" nails the laid-back sexiness that many of the other slower songs attempt. It's surprisingly heartfelt, too – is there a sweeter compliment than "you're my Saturday"? It would be unfair to say that Supernature's stripped-down pop is a dumbed-down version of what Goldfrapp has accomplished in the past, since it takes a certain kind of smarts to hone songs into instantly catchy essences like the album's best tracks. Yet, as delightfully stylish and immediate as Supernature is, it's still hard to escape the nagging feeling that Goldfrapp could make its ethereal sensuality and pop leanings into something even more compelling.

Review by Heather Phares, Allmusic.com

Tracklist:

01. Ooh La La (3:24)
02. Lovely 2 C U (3:25)
03. Ride a White Horse (4:41)
04. You Never Know (3:27)
05. Let It Take You (4:29)
06. Fly Me Away (4:25)
07. Slide In (4:17)
08. Koko (3:23)
09. Satin Chic (3:28)
10. Time Out From the World (4:47)
11. Number 1 (3:25)

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 20. October 2013, 15:59

Goldfrapp / Supernature

Used drive : ASUS DRW-1814BLT Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "Date=%year%" -T "Genre=%genre%" -T "COMMENT=ripped by Mammonth66®" %source%

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Range status and errors

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Filename G:\1.Torrent\2.Out\Goldfrapp - Main Studios Discography (6 Albums)\2005-Supernature\Goldfrapp - Supernature.wav

Peak level 99.8 %
Extraction speed 8.2 X
Range quality 100.0 %
Test CRC 33A4CDA4
Copy CRC 33A4CDA4
Copy OK

No errors occurred

AccurateRip summary

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All tracks accurately ripped

End of status report

==== Log checksum BF537A14D9E5DB8306694B94B2745E261EF1DF082DE562D7D00C6727B96E0103 ====

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-10-21 23:47:20

––––––––––––––––––––––––––––––––––––––––
Analyzed: Goldfrapp / Supernature
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR6 -0.30 dB -7.99 dB 3:24 01-Ooh La La
DR6 -0.29 dB -7.91 dB 3:25 02-Lovely 2 C U
DR6 -0.29 dB -7.76 dB 4:42 03-Ride A White Horse
DR6 -0.30 dB -9.19 dB 3:28 04-You Never Knew
DR7 -0.03 dB -10.59 dB 4:30 05-Let It Take You Away
DR5 -0.02 dB -6.69 dB 4:26 06-Fly Me Away
DR6 -0.29 dB -7.90 dB 4:17 07-Slide In
DR5 -0.29 dB -7.51 dB 3:24 08-Koko
DR6 -0.02 dB -8.46 dB 3:28 09-Satin Chic
DR7 -0.02 dB -9.65 dB 4:48 10-Time Out From The World
DR7 -0.30 dB -10.03 dB 3:25 11-Number 1
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR6

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 959 kbps
Codec: FLAC
================================================================================

Review by Heather Phares, Allmusic.com

After spending years on the dancefloor with Black Cherry and Supernature, Goldfrapp take a breather with Seventh Tree. Allison Goldfrapp and Will Gregory slow down the beats and break out the acoustic guitars on a set of songs that suggest chilling out in a field during a hazy, watercolor summer; this is music for after the party, not after-parties. "Clowns" opens the album with fingerpicked acoustic guitar, bird songs, and Allison's nearly wordless vocalizing, making a statement that's bold because it's so gentle – the effect is like stepping out into a sunny morning after spending all night in a club. At first, it's a shock, and then it feels great. Avoiding the glammy dance-pop of the duo's previous two albums is a bit of a risk, since Goldfrapp could probably make endless variations on "Ooh La La" and still have plenty of fans. However, Seventh Tree isn't so much a radical change for Goldfrapp as it is a shift in focus; even if it doesn't sound glam, it sounds glamorous. Sonic luxury has been the only constant in the duo's sound, from Felt Mountain's darkly lavish soundscapes to Black Cherry and Supernature's decadent dance hits, and there's plenty of it here, too. This is not Goldfrapp Unplugged, although acoustic guitars and strings waft in and out of the album effortlessly – if anything, Seventh Tree's electro hippie-chic is the duo's most polished and luxe work yet. "Little Bird"'s psychedelic trip-hop builds to a majesty that recalls "Strawberry Fields Forever," buoyed by layer upon layer of guitar, vocals, sparkling synths, and a massive, rolling bassline. "Caravan Girl" is some of Goldfrapp's finest escapist pop, capturing the irresistible appeal of running away with big hooks and an even bigger wall of sounds backing them up. Allison uses her voice more beautifully and expressively than she has since Felt Mountain, especially on "Eat Yourself" and the Air-esque "Cologne Cerrone Houdini," where her upper register shines. Goldfrapp expand their emotional palette as well as their musical one on Seventh Tree, digging deeper into the vulnerable territory they explored with Supernature's "Number One." On "Monster Love" and "A&E," where Allison confesses "think I want you still, but it may be pills at work," the duo pulls off the confessional, folktronic singer/songwriter style with more flair than their peers. "Happiness," on the other hand, offers some surprisingly cheeky irony, pondering how to find "real love" (answer: "donate all your money") while coming across like a cheery cult anthem about trading your worldly possessions for colorful robes. With all the sounds and feelings Seventh Tree explores, it's clear that Goldfrapp doesn't miss the style the pair perfected on their last two albums, nor should they – this is some of their most varied, balanced, and satisfying work.

Review by Heather Phares, Allmusic.com

Tracklist:

01. Clowns (4:08)
02. Little Bird (4:24)
03. Happiness (4:16)
04. Road To Somewhere (3:51)
05. Eat Yourself (4:06)
06. Some People (4:40)
07. A&E (3:17)
08. Cologne Cerrone Houdini (4:25)
09. Caravan Girl (4:05)
10. Monster Love (4:22)

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 20. October 2013, 16:13

Goldfrapp / Seventh Tree

Used drive : ASUS DRW-1814BLT Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "Date=%year%" -T "Genre=%genre%" -T "COMMENT=ripped by Mammonth66®" %source%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:08.00 | 0 | 18599
2 | 4:08.00 | 4:24.62 | 18600 | 38461
3 | 8:32.62 | 4:16.40 | 38462 | 57701
4 | 12:49.27 | 3:51.70 | 57702 | 75096
5 | 16:41.22 | 4:06.23 | 75097 | 93569
6 | 20:47.45 | 4:40.07 | 93570 | 114576
7 | 25:27.52 | 3:17.70 | 114577 | 129421
8 | 28:45.47 | 4:25.53 | 129422 | 149349
9 | 33:11.25 | 4:05.05 | 149350 | 167729
10 | 37:16.30 | 4:22.67 | 167730 | 187446

Range status and errors

Selected range

Filename G:\1.Torrent\2.Out\Goldfrapp - Main Studios Discography (6 Albums)\2008-Seventh Tree\Goldfrapp - Seventh Tree.wav

Peak level 99.8 %
Extraction speed 7.0 X
Range quality 99.9 %
Test CRC B1925979
Copy CRC B1925979
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 32) [84719AFD] (AR v2)
Track 2 accurately ripped (confidence 32) [140C907B] (AR v2)
Track 3 accurately ripped (confidence 32) [E9305B01] (AR v2)
Track 4 accurately ripped (confidence 32) [58285CE8] (AR v2)
Track 5 accurately ripped (confidence 32) [4CE5D613] (AR v2)
Track 6 accurately ripped (confidence 32) [7F637A55] (AR v2)
Track 7 accurately ripped (confidence 33) [D5B4576D] (AR v2)
Track 8 accurately ripped (confidence 32) [E833C542] (AR v2)
Track 9 accurately ripped (confidence 32) [D245CC8F] (AR v2)
Track 10 accurately ripped (confidence 32) [15EDDED2] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum 4FA7E0DD6749CC4D4D8E55CB9C4A64B6571BF7CB19E140989CF0D43FF743E1C7 ====

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-10-21 23:47:31

––––––––––––––––––––––––––––––––––––––––
Analyzed: Goldfrapp / Seventh Tree
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR5 -0.11 dB -9.03 dB 4:08 01-Clowns
DR5 -0.02 dB -8.09 dB 4:25 02-Little Bird
DR6 -0.01 dB -8.50 dB 4:17 03-Happiness
DR5 -0.02 dB -7.77 dB 3:52 04-Road To Somewhere
DR5 -0.02 dB -8.32 dB 4:06 05-Eat Yourself
DR5 -0.01 dB -9.51 dB 4:40 06-Some People
DR6 -0.01 dB -8.51 dB 3:18 07-A&E
DR5 -0.11 dB -8.53 dB 4:26 08-Cologne Cerrone Houdini
DR5 -0.01 dB -7.39 dB 4:05 09-Caravan Girl
DR6 -0.01 dB -8.44 dB 4:23 10-Monster Love
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR5

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 877 kbps
Codec: FLAC
================================================================================

Review by Heather Phares, Allmusic.com

Goldfrapp stepped off the dancefloor with The Seventh Tree’s folky reveries, but the duo couldn’t stay away for long. Head First dives into luscious, eminently danceable synth pop that's almost as far removed from the sleek shuffle beats of Black Cherry and Supernature as their previous album was. This time, Alison Goldfrapp and Will Gregory look to the ‘80s for inspiration, but not the brittle sound that was fashionable to ape in the late 2000s, like La Roux and Little Boots. Instead, they explore the uber-glossy productions, staccato melodies, and dramatic key shifts that were the hallmarks of anthems that some might not want to admit they liked decades later. The influence of Giorgio Moroder and Italo-disco in general can be heard throughout Head First, but ABBA and especially Xanadu-era Olivia Newton-John are even more prominent (the cover of “Physical” that appeared between Felt Mountain and Black Cherry feels more prescient with each album Goldfrapp releases). The pair makes more of these sounds than just pastiche, although the finesse with which they re-create this distinctive sound will give listeners serious déjà vu. Even the album’s length and structure feel retro: Head First is a svelte nine songs long, with the singles on its A-side and ballads on the B-side. And the singles – particularly the first three – are some of Goldfrapp’s most irresistible songs yet: “Rocket”’s driving minor-key verses and huge, shimmering choruses tap into the brain’s pleasure center as efficiently as possible; “Believer” sounds instantly familiar, but not tired or obvious; and “Alive” channels ABBA with percolating guitars, warm keyboards and synths that sparkle like a shower of glitter. These songs have a sugar rush-immediacy that is new to Goldfrapp’s music, even if it nods to a golden age of pop that was unabashedly joyous. These songs are so mainstream, they’re almost subversive; while Goldfrapp is no stranger to catchy singles, the brooding undercurrents that appeared in all of the duo's previous albums are missing. Song titles like “I Wanna Life” hint at the big, brightly colored strokes the duo is painting with this time, and the title track’s rainbow brightness and romantic ideals are miles away from the dark sensuality of their earlier work – only “Shiny and Warm,” which plays like a revamped “Satin Chic,” has any trace of that vibe. Even Head First’s moody songs aren’t as moody as before, though “Hunt” has a hazy, late-night glamour to it. As almost Goldfrapp album shows, the duo is unafraid of abandoning sounds that worked for them in favor of something else. Coupled with The Seventh Tree, this album proves that Goldfrapp’s skill at adopting and fully embodying different styles is what makes them distinctive, not necessarily one signature sound. If the album seems somewhat slight, it’s purposefully so: Head First is a love letter to the frothy, fleeting, but very vital joys of pop music.

Review by Heather Phares, Allmusic.com

Tracklist:

01. Rocket (3:51)
02. Believer (3:43)
03. Alive (3:28)
04. Dreaming (5:07)
05. Head First (4:30)
06. Hunt (4:34)
07. Shiny And Warm (3:58)
08. I Wanna Life (4:13)
09. Voicething (4:44)

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 20. October 2013, 16:27

Goldfrapp / Head First

Used drive : ASUS DRW-1814BLT Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "Date=%year%" -T "Genre=%genre%" -T "COMMENT=ripped by Mammonth66®" %source%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:51.26 | 0 | 17350
2 | 3:51.26 | 3:43.20 | 17351 | 34095
3 | 7:34.46 | 3:28.10 | 34096 | 49705
4 | 11:02.56 | 5:07.13 | 49706 | 72743
5 | 16:09.69 | 4:30.30 | 72744 | 93023
6 | 20:40.24 | 4:34.48 | 93024 | 113621
7 | 25:14.72 | 3:58.10 | 113622 | 131481
8 | 29:13.07 | 4:13.67 | 131482 | 150523
9 | 33:26.74 | 4:44.27 | 150524 | 171850

Range status and errors

Selected range

Filename G:\1.Torrent\2.Out\Goldfrapp - Main Studios Discography (6 Albums)\2010-Head First\Goldfrapp - Head First.wav

Peak level 97.7 %
Extraction speed 7.7 X
Range quality 100.0 %
Test CRC 5BDFAAE2
Copy CRC 5BDFAAE2
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 151) [52B2C002] (AR v2)
Track 2 accurately ripped (confidence 150) [55E1C7FC] (AR v2)
Track 3 accurately ripped (confidence 150) [6E1356CA] (AR v2)
Track 4 accurately ripped (confidence 150) [1B0D7B0E] (AR v2)
Track 5 accurately ripped (confidence 149) [2AE33B0B] (AR v2)
Track 6 accurately ripped (confidence 149) [D1AB2D26] (AR v2)
Track 7 accurately ripped (confidence 150) [4E587D96] (AR v2)
Track 8 accurately ripped (confidence 149) [47290C43] (AR v2)
Track 9 accurately ripped (confidence 150) [506B8A70] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum 48F5F42AE64C327DDC581ACE4FBA1C6A351D18FA329323739399038E6DE09726 ====

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-10-21 23:47:42

––––––––––––––––––––––––––––––––––––––––
Analyzed: Goldfrapp / Head First
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR6 -0.20 dB -7.86 dB 3:51 01-Rocket
DR6 -0.20 dB -8.27 dB 3:43 02-Believer
DR5 -0.20 dB -6.61 dB 3:28 03-Alive
DR7 -0.20 dB -9.00 dB 5:07 04-Dreaming
DR7 -0.20 dB -9.01 dB 4:30 05-Head First
DR8 -0.20 dB -9.79 dB 4:35 06-Hunt
DR6 -0.20 dB -9.86 dB 3:58 07-Shiny And Warm
DR6 -0.20 dB -8.31 dB 4:14 08-I Wanna Life
DR8 -0.20 dB -12.02 dB 4:44 09-Voicething
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR7

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 948 kbps
Codec: FLAC
================================================================================

Review by Heather Phares, Allmusic.com

Goldfrapp fans know to expect changes from album to album, but the switch in direction between Head First and Tales of Us is one of the duo's most drastic about-faces. Alison Goldfrapp and Will Gregory's sixth album trade the neon nostalgia of Head First's synth pop for a subtler, more complex sound that evokes Felt Mountain's lushness and Seventh Tree's acoustic confessions. Tales of Us could be seen as a cross between those two works – and Goldfrapp have certainly covered enough territory that they could live out their days making hybrids of their earlier music – but there's more to the album than that. There was a somber stillness to Felt Mountain's most haunting moments that made it uniquely compelling, and Goldfrapp returns to it here, delivering the set of unforgettable torch songs they always seemed destined to make. Above all, these songs are intimate: they bear the names of lovers as they unfurl several diaries' worth of memories and regrets. Tracks like "Simone" move between whispered sentiments and widescreen heartbreak as the duo blends orchestral and electronic elements into gorgeous arrangements and melodies that sound decades old and instantly familiar. As lavish as Tales of Us is at times, Goldfrapp sounds more genuine and natural than they ever have. On "Drew," strings sneak up on Alison's murmured remembrance of "dreams of your skin on my tongue" as the song gradually builds to heights that prove the duo really should record a James Bond theme. This filmic feel is no coincidence, since the works of David Lynch, Ingmar Bergman, and Michelangelo Antonioni served as inspiration. However, the album's cinematic nature goes deeper than its sound; Tales of Us also features some of Goldfrapp's strongest storytelling. "Annabel" explores a child's fluid gender identity, with Alison sighing "why couldn't they let you be both?" over a heartbreaking melody (on "Stranger," she wonders if the one she's been missing is a "boy or girl," emphasizing the all-encompassing sexuality of these songs). The duo also sets some of the album's most unsettling tales to its most beautiful music: "Jo" is a lullaby filled with gunshots and a blood red moon, while an almost sobbing melody gives "Laurel"'s sordid tale an added tragedy. While Tales of Us is Goldfrapp's most consistent album in terms of mood and sound, the duo still adds some variety. "Thea" brings film noir to the dancefloor with shivery synths and a beat that begins with footsteps, and "Clay" ends this collection of heartache on a (relatively) idealistic note. Even with these slight detours, Tales of Us isn't as immediate as, say, Supernature. Regardless, it's Goldfrapp's most sophisticated work to date, and one of their most consistently satisfying albums.

Review by Heather Phares, Allmusic.com

Tracklist:

01. Jo (4:39)
02. Annabel (4:01)
03. Drew (4:40)
04. Ulla (3:49)
05. Alvar (5:38)
06. Thea (4:51)
07. Simone (4:18)
08. Stranger (4:12)
09. Laurel (4:11)
10. Clay (4:20)

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 20. October 2013, 16:41

Goldfrapp / Tales Of Us

Used drive : ASUS DRW-1814BLT Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "Date=%year%" -T "Genre=%genre%" -T "COMMENT=ripped by Mammonth66®" %source%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:38.40 | 0 | 20889
2 | 4:38.40 | 4:00.56 | 20890 | 38945
3 | 8:39.21 | 4:39.44 | 38946 | 59914
4 | 13:18.65 | 3:48.70 | 59915 | 77084
5 | 17:07.60 | 5:37.55 | 77085 | 102414
6 | 22:45.40 | 4:50.36 | 102415 | 124200
7 | 27:36.01 | 4:17.68 | 124201 | 143543
8 | 31:53.69 | 4:11.67 | 143544 | 162435
9 | 36:05.61 | 4:10.26 | 162436 | 181211
10 | 40:16.12 | 4:19.62 | 181212 | 200698

Range status and errors

Selected range

Filename G:\1.Torrent\2.Out\Goldfrapp - Main Studios Discography (6 Albums)\2013-Tales Of Us\Goldfrapp - Tales Of Us.wav

Peak level 100.0 %
Extraction speed 8.4 X
Range quality 100.0 %
Test CRC C1A60077
Copy CRC C1A60077
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 28) [B5C48BBE] (AR v2)
Track 2 accurately ripped (confidence 28) [A3FB2B2C] (AR v2)
Track 3 accurately ripped (confidence 27) [A00C5573] (AR v2)
Track 4 accurately ripped (confidence 28) [0AD2C257] (AR v2)
Track 5 accurately ripped (confidence 28) [1F32766C] (AR v2)
Track 6 accurately ripped (confidence 28) [545B4901] (AR v2)
Track 7 accurately ripped (confidence 27) [40FC7E47] (AR v2)
Track 8 accurately ripped (confidence 28) [9C91E0AB] (AR v2)
Track 9 accurately ripped (confidence 28) [CA6C7BC9] (AR v2)
Track 10 accurately ripped (confidence 28) [3EA1D463] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum CBEB1DE4DB0FA2E980C7294E0C8AC44C52296C844FAC9BE9DDD6E7EF085713AF ====

DR log

foobar2000 1.6.3 / Dynamic Range Meter 1.1.1
log date: 2022-05-18 18:16:41

––––––––––––––––––––––––––––––––––––––––
Analyzed: Goldfrapp / Tales Of Us
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 0.00 dB -13.83 dB 4:39 01-Jo
DR8 0.00 dB -12.11 dB 4:01 02-Annabel
DR9 0.00 dB -12.82 dB 4:40 03-Drew
DR8 0.00 dB -10.78 dB 3:49 04-Ulla
DR9 -0.03 dB -13.01 dB 5:38 05-Alvar
DR6 0.00 dB -10.90 dB 4:50 06-Thea
DR7 0.00 dB -11.29 dB 4:18 07-Simone
DR9 0.00 dB -12.36 dB 4:12 08-Stranger
DR8 0.00 dB -11.61 dB 4:10 09-Laurel
DR8 0.00 dB -10.52 dB 4:20 10-Clay
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR8

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 778 kbps
Codec: FLAC
================================================================================

Review by Heather Phares, Allmusic.com

Given Goldfrapp's fondness for following one of their albums with its musical and emotional opposite, Alison Goldfrapp and Will Gregory were due for a fun album to balance 2013's gorgeously somber Tales of Us. What they deliver with Silver Eye, however, isn't quite so predictable; instead of swinging between extremes, they stake out a more intriguing middle ground. It's true that the album begins with a pair of cybersexy movers that are quintessentially Goldfrapp: "Anymore"'s hydraulic grooves and the Radiophonic Workshop disco of "Systemagic" are untouched by EDM or any other trends that surfaced since the last time the duo made its way to the dancefloor. However, as Silver Eye unfolds, things get more difficult to pin down easily. The hypnotic invocation "Tigerman" and the standout "Become the One," which pairs tweaked, Knife-like vocals with an undulating beat before shooting into orbit on silvery synths and harmonies, are the first signs that Goldfrapp aren't working from an obvious template. They continue to subvert expectations on the album's second half, where they combine reveries that might have been set to orchestral backdrops on previous albums with a largely electronic palette that balances fresh and familiar perfectly. "Faux Suede Drifter"'s languid majesty harks back to Felt Mountain, but the psychedelic contrails of guitars and backwards vocals feel new, emphasizing the contributions of co-producer the Haxan Cloak and guitarist Leo Abrahams. Similarly, the galloping percussion underpinning "Beast That Never Was" adds a newfound restlessness to its pristine beauty. Just when things might be getting too contemplative, Goldfrapp pick up the pace again with the breezy "Everything Is Never Enough," which somehow distills their entire body of work into a single song, and "Ocean," another Haxan Cloak collaboration that closes the album with operatic drama and industrial crunch. At once balanced and eclectic, Silver Eye may be the first Goldfrapp album to represent all the sides of their music equally well – no small feat, considering how long they've been dancing to the beat of their own drum machine.

Review by Heather Phares, Allmusic.com

Tracklist:

01. Anymore [0:03:54.49]
02. Systemagic [0:03:38.00]
03. Tigerman [0:04:14.12]
04. Become The One [0:04:44.04]
05. Faux Suede Drifter [0:05:02.28]
06. Zodiac Black [0:05:04.16]
07. Beast That Never Was [0:04:38.53]
08. Everything Is Never Enough [0:05:06.35]
09. Moon In Your Mouth [0:04:03.22]
10. Ocean [0:04:26.52]

EAC log

Exact Audio Copy V1.3 from 2. September 2016

EAC extraction logfile from 12. April 2017, 23:28

Goldfrapp / Silver Eye

Used drive : PLEXTOR DVDR PX-810SA Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : Low
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "Date=%year%" -T "Genre=%genre%" -T "COMMENT=ripped by bvstudio®" %source%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:54.49 | 0 | 17598
2 | 3:54.49 | 3:38.00 | 17599 | 33948
3 | 7:32.49 | 4:14.12 | 33949 | 53010
4 | 11:46.61 | 4:44.04 | 53011 | 74314
5 | 16:30.65 | 5:02.28 | 74315 | 96992
6 | 21:33.18 | 5:04.16 | 96993 | 119808
7 | 26:37.34 | 4:38.53 | 119809 | 140711
8 | 31:16.12 | 5:06.35 | 140712 | 163696
9 | 36:22.47 | 4:03.22 | 163697 | 181943
10 | 40:25.69 | 4:26.52 | 181944 | 201945

Range status and errors

Selected range

Filename F:\Goldfrapp\2017 - Silver Eye (2017 - Mute Artists Ltd. - Austria - CDSTUMM399)\Goldfrapp - Silver Eye.wav

Peak level 100.0 %
Extraction speed 6.7 X
Range quality 100.0 %
Test CRC DF7C3099
Copy CRC DF7C3099
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 6) [E377939E] (AR v2)
Track 2 accurately ripped (confidence 6) [D337A235] (AR v2)
Track 3 accurately ripped (confidence 6) [6715ED43] (AR v2)
Track 4 accurately ripped (confidence 6) [A2CF5B98] (AR v2)
Track 5 accurately ripped (confidence 6) [7E06F9C6] (AR v2)
Track 6 accurately ripped (confidence 6) [20BC301A] (AR v2)
Track 7 accurately ripped (confidence 6) [8B2E7FCF] (AR v2)
Track 8 accurately ripped (confidence 6) [8CFB8B0E] (AR v2)
Track 9 accurately ripped (confidence 6) [63B91415] (AR v2)
Track 10 accurately ripped (confidence 6) [E0DE451B] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.6

[CTDB TOCID: mhLgBEP_V3i2ECifAVcRFiXKunw-] found
Submit result: mhLgBEP_V3i2ECifAVcRFiXKunw- has been confirmed
Track | CTDB Status
1 | (82/82) Accurately ripped
2 | (82/82) Accurately ripped
3 | (82/82) Accurately ripped
4 | (82/82) Accurately ripped
5 | (82/82) Accurately ripped
6 | (82/82) Accurately ripped
7 | (82/82) Accurately ripped
8 | (82/82) Accurately ripped
9 | (82/82) Accurately ripped
10 | (82/82) Accurately ripped

==== Log checksum E95A650CB5E81EF9A88F2D5530F9DE66FE631F952768B12412B3836F8AA2E206 ====

DR log

foobar2000 1.3.15 / Dynamic Range Meter 1.1.1
log date: 2017-04-12 23:33:07

––––––––––––––––––––––––––––––––––––––––
Analyzed: Goldfrapp / Silver Eye
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR6 0.00 dB -7.82 dB 3:55 01-Anymore
DR4 -0.47 dB -7.72 dB 3:38 02-Systemagic
DR7 -0.30 dB -10.47 dB 4:14 03-Tigerman
DR6 -0.20 dB -9.04 dB 4:44 04-Become The One
DR6 -0.34 dB -9.45 dB 5:02 05-Faux Suede Drifter
DR7 -0.35 dB -11.23 dB 5:04 06-Zodiac Black
DR9 -0.37 dB -11.20 dB 4:39 07-Beast That Never Was
DR6 0.00 dB -8.57 dB 5:06 08-Everything Is Never Enough
DR5 -0.20 dB -8.24 dB 4:03 09-Moon In Your Mouth
DR5 -0.10 dB -8.85 dB 4:27 10-Ocean
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR6

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 877 kbps
Codec: FLAC
================================================================================

All thanks to original releasers: bvstudio for "Silver Eye", and Mammonth66 for all other albums

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