Giuseppe Verdi – From La Scala: Aida (1981)

Aida, an Arabic female name meaning "visitor" or "returning") is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni, based on a scenario written by French Egyptologist Auguste Mariette. Aida was first performed at the Khedivial Opera House in Cairo on 24 December 1871, conducted by Giovanni Bottesini. Ismail Pasha, Khedive of Egypt, commissioned Verdi to write the opera for performance in January 1871, paying him 150,000 francs, but the premiere was delayed because of the Franco-Prussian War. One scholar has argued that the scenario was written by Temistocle Solera and not by Auguste Mariette. Contrary to popular belief, the opera was not written to celebrate the opening of the Suez Canal in 1869, nor that of the Khedivial Opera House (which opened with Verdi's Rigoletto) in the same year. (Verdi had been asked to compose an ode for the opening of the Canal, but declined on the grounds that he did not write "occasional pieces".) Verdi originally chose not to write an overture for the opera, but merely a brief orchestral prelude. He then composed an overture of the "potpourri" variety to replace the original prelude. However, in the end he decided not to have the overture performed because of its - his own words - 'pretentious insipidity'. Aida met with great acclaim when it finally opened in Cairo on 24 December 1871. The costumes, accessories and stages for the premiere were designed by Auguste Mariette. Although Verdi did not attend the premiere in Cairo, he was most dissatisfied with the fact that the audience consisted of invited dignitaries, politicians and critics, but no members of the general public. He therefore considered the Italian (and European) premiere, held at La Scala, Milan on 8 February 1872, and in which he was heavily involved at every stage, to be its real premiere. Verdi had also written the role of Aida for the voice of Teresa Stolz, who sang it for the first time at the Milan premiere. Verdi had asked her fiancé, Angelo Mariani, to conduct the Cairo premiere, but he declined, so Giovanni Bottesini filled the gap. The Milan Amneris, Maria Waldmann, was his favourite in the role and she repeated it a number of times at his request. Aida was received with great enthusiasm at its Milan premiere. The opera was soon mounted at major opera houses throughout Italy, including the Teatro Regio di Parma (20 April 1872), the Teatro di San Carlo (30 March 1873), La Fenice (11 June 1873), the Teatro Regio di Torino (26 December 1874), the Teatro Comunale di Bologna (30 September 1877, with Giuseppina Pasqua as Amneris and Franco Novara as the King), and the Teatro Costanzi (8 October 1881, with Theresia Singer as Aida and Giulia Novelli as Amneris) among others. As of 2007, the Metropolitan Opera of New York alone has given more than 1,100 performances of the opera, making it the second most frequently performed work by the company behind La Bohème.

Coro E Orchestra Del Teatro Alla Scala
Claudio Abbado: conductor
Ruggero Raimondi: Il re Dell'Egipto
Elena Obratztsova: Amneris
Katia Ricciarelli: Aida
Plácido Domingo: Radamès
Nicolai Ghiaurov: Ramfis
Leo Nucci: Amonasro
Piero de Palma: Un messagero
Lucia Valentini Terrani: Sacerdotessa

cd1:
01. Preludio (3:34)
02. Act I, Scene 1- Introduzione e scena: "Si: corre voce che l'Etiope ardisca" (Ramfis, Radames) (1:35)
03. Act I, Scene 1- Romanza: "Se quel guerrier io fossi! …Celeste Aida" (Radames) (4:32)
04. Act I, Scene 1- Duetto: "Quale insolito gioia nel tuo sguardo" (Amneris, Radames) (3:11)
05. Act I, Scene 1- Terzetto: "Vieni, o diletta, appressati" (Amneris, Aida, Radames) (2:40)
06. Act I, Scene 1- Scena e pezzo d'assieme: "Alta cagion v'aduna" (Il Re, Messaggero, Radames, etc.) (3:09)
07. Act I, Scene 1- Scena e pezzo d'assieme: "Su! del Nilo al sacro lido" (Il Re, Ramfis, etc.) (2:54)
08. Act I, Scene 1- Scena: "Ritorna vincitor" (Aida) (5:30)
09. Act I, Scene 2- Gran scena della consacrazione: "Possente Ftha … Tu che dal nulla" (3:16)
10. Act I, Scene 2- Danza sacra delle Sacerdotesse "Immenso Ftha! … Mortal, diletto ai Numi" (3:18)
11. Act I, Scene 2- Finale I: "Nume, custode e vindice" (Ramfis, Radames, Sacerdoti, Sacerdotesse) (4:09)
cd2:
01. Chi mai fra gl'inni e i plausi (2:58)
02. Danza di piccoli schiavi mori: Vieni: sul crin ti piovano (2:56)
03. Fu la sorte dell'armi a' tuoi funesta (5:06)
04. Pietà ti prenda del mio dolor (4:06)
05. Gloria all'Egitto, ad Iside (3:26)
06. Marcia trionfale (1:35)
07. Ballabile (4:22)
08. Vieni, o guerriero vindice (2:23)
09. Salvator della patria (2:18)
10. Che Veggo! Egli? Mio Padre! … Anch'io Pugnai … (3:26)
11. Il dolor che in quel volto favella… Ma tu, o Re (2:13)
12. O Re, pei sacri Numi…. Gloria all'egito (5:21)
cd3:
01. O tu che sei d'osiride … vieni d'iside al tempio (4:11)
02. Qui Radam s verr !…O patria mia (6:34)
03. Ciel! mio padre………Rivedrai le foreste imbalsamate (7:37)
04. Pur ti riveggo, mia dolce A da…Nel fiero anelito (3:15)
05. Fuggiam gli ardori Inospiti…L, tra foreste vergini (6:07)
06. Ma dimmi: per qual via (3:21)
07. L'aborrita rivale a me sfuggia (3:04)
08. Gi i Sacerdoti adunansi (6:32)
09. Ohim ! morir mi sento!…Spirito del nume (7:56)
10. A lui vibo la tomba… Sacerdoti: compiste un delitto! (3:12)
11. La fatal pietra sovra me si chiuse (5:22)
12. Immenso Fth …O terra, addio (5:20)

FLAC Part1 – FLAC Part2 – FLAC Part3 – FLAC Part4 – FLAC Part5 – FLAC Part6
MP3 Part1 – MP3 Part2 – MP3 Part3 – MP3 Part4

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