Giuseppe Sigismondi de Risio, Armonia Atenea - Christoph Willibald Gluck: Il trionfo di Clelia (2012)
Giuseppe Sigismondi de Risio, Armonia Atenea - Christoph Willibald Gluck: Il trionfo di Clelia (2012)
EAC | FLAC | Image (Cue & Log) ~ 929 Mb | Total time: 76:23+67:43+51:23 | Scans included
Classical | Label: MDG | # 609 1733-2 | Recorded: 2011
EAC | FLAC | Image (Cue & Log) ~ 929 Mb | Total time: 76:23+67:43+51:23 | Scans included
Classical | Label: MDG | # 609 1733-2 | Recorded: 2011
On May 14, 1763, Bologna’s Teatro Comunale opened with the world premiere of Il trionfo di Clelia. Completed a year after Orfeo ed Euridice, Gluck’s setting of Metastasio’s story of romantic fidelity put to the test against the background of the Siege of Rome, was tailored both to display the new theatre’s capacity for spectacle (Act II calls for the collapse of a bridge and a heroic swim across the rising waters of the Tiber) and a cast hand-picked for their fioritura (embellishment of a melodic line). Thus while musicologists may cherish Il trionfo di Clelia for its pivotal role in the composer’s progress from the gilded cage of opera seria to the grand austerity of his reform operas, the rest of us can enjoy an inventive score.
Giuseppe Sigismondi de Risio’s performance with Armonia Atenea is one of tireless dynamism, the trumpets, oboes and kettle drums parade-ground smart in the overture and tempestuous sinfonias. Gluck’s bravura instrumentation extends to unusual effects, using horns to add a subtle blush of colour to Orazio’s limpid serenade ‘Saper ti basti’, while the styles employed range from coloratura showpieces to concise French-accented palate-cleansers. The casting favours clear, agile voices, the sweetest of which is Burçu Uyar’s Larissa, the warmest Mary-Ellen Nesi’s Orazio, the most heroic Hélène Le Corre’s Clelia and Irini Karaianni’s Tarquinio.– Anna Picard
Performer:
Clelia - Hélène Le Corre, soprano
Orazio - Mary-Ellen Nesi, mezzo-soprano
Tarquinio - Irini Karaianni, mezzo-soprano
Larissa - Burçu Uyar, soprano
Porsenna - Vassilis Kavayas, tenor
Mannio - Florin Cezar Ouatu, countertenor
Armonia Atenea
Giuseppe Sigismondi de Risio, conductor
Tracklist:
Christoph Willibald Gluck (1714-1787)
Il trionfo di Clelia
CD1:
01. Overtura. Moderato - (Allegro)
02. Overtura. Andante
03. Overtura. Minuetto
04. Atto I. Scena 1 & 2. Recitativo: Come! Oh ardir temerario! (Clelia, Tarquinio, Larissa)
05. Aria: Sì, tacerò, se vuoi (Tarquinio)
06. Scena 3. Recitativo: Vedesti, o principessa (Clelia, Larissa)
07. Aria: Ah, celar la bella face (Larissa)
08. Scena 4 & 5. Recitativo: Io più pace non ho; tutto m'ingombra (Clelia, Orazio, Mannio)
09. Aria: Resta, o cara; e per timore (Orazio)
10. Scena 6. Recitativo: Prence, un istante… (Clelia, Mannio)
11. Scena 7. Recitativo accompagnato: Grazie, o Dei protettori; è vostro dono (Clelia)
12. Aria: Tempeste il mar minaccia (Clelia)
13. Scena 8. Recitativo: Signor, pronto al tuo cenno (Mannio, Porsenna, Orazio)
14. Aria: Sai che piegar si vede (Porsenna)
15. Scena 9. Recitativo: Che più pensar? La libertà di Roma (Orazio, Tarquinio)
16. Scena 10. Recitativo accompagnato: Che crudel sacrifizio (Orazio, Clelia)
17. Aria: Saper ti basti, o cara (Orazio)
CD2:
01. Scena 11. Recitativo: Misera, ah qual m'asconde (Clelia)
02. Aria: Mille dubbi mi destano in petto (Clelia)
03. Atto II. Scena 1. Recitativo: Dei! Scorre l'ora, e col bramato avviso (Tarquinio)
04. Aria: Dei di Roma, ah, perdonate (Orazio)
05. Scena 2 & 3. Recitativo: Alla tua tenerezza (Orazio, Clelia)
06. Duetto: Sì, ti fido al tuo gran core (Clelia, Orazio)
07. Scena 4 & 5. Recitativo: Larissa, io non t'intendo (Porsenna, Larissa, Clelia)
08. Aria: Sol del Tebro in su la sponda (Porsenna)
09. Scena 6, 7, 8. Recitativo: Troppo, amica, eccedesti (Larissa, Clelia, Mannio)
10. Aria: Dico che ingiusto sei (Larissa)
11. Scena 9. Recitativo: Ma fra tutti gli amanti (Mannio)
12. Aria: Vorrei che almen per gioco (Mannio)
13. Scena 10 & 11. Marcia
14. Recitativo accompagnato: No, traditori, in Ciel di Roma il fato (Orazio)
15. Sinfonia
16. Recitativo accompagnato: Ecco il trmpo, o Romani. Ardir; gli dei (Orazio, Tarquinio)
17. Sinfonia
18. Scena 12. Recitativo: Ah da' cardini suoi (Clelia, Orazio)
19. Recitativo accompagnato: Padre, Tebro (Orazio, Clelia)
20. Scena 13. Recitativo: Barbaro fato! Ah, dunque (Tarquinio, Clelia)
21. Aria: Io nemica? A torto il dici (Clelia)
22. Scena 14. Recitativo: Ma qual mai si possente (Tarquinio)
23. Aria: Non speri onusto il pino (Tarquinio)
CD3:
01. Atto III. Scena 1. Recitativo: Ma Larissa che fa? (Clelia)
02. Aria: Tanto esposta alle sventure (Clelia)
03. Recitativo: Eccola alfin… No, m'ingannai: di Mannio (Clelia)
04. Recitativo accompagnato: Ah, già vorrei che scoperta ogni frode (Clelia)
05. Scena 2 & 3. Recitativo: Dove s'asconde mai? So pur che altrove (Tarquinio, Larissa)
06. Aria: Ah ritorna, età dell'oro (Larissa)
07. Scena 4 & 5. Recitativo: Tarquinio, il so: del violato patto (Porsenna, Tarquinio, Mannio)
08. Aria: Spesso, se ben l'affretta (Porssena)
09. Scena 6. Recitativo: Ah m'abbandoni, empia fortuna, e teco (Tarquinio)
10. Aria: In quest selva oscura (Tarquinio)
11. Scena 7 & 8. Recitativo: Olà; venga, e s'ascolti (Porsenna, Tarquinio, Orazio)
12. Recitativo accompagnato: Violatrice Roma de' giuramenti! (Orazio)
13. Aria: De' folgori di Giove (Orazio)
14. Scena 9 & 10. Recitativo: (Respiro. Al fin parti.):Tempo è una volta (Tarquinio, Porsenna, Clelia, Larissa, Mannio)
15. Coro: Oggi a te, gran re toscano
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 13. April 2024, 14:05
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Exact Audio Copy V1.6 from 23. October 2020
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Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 13. April 2024, 18:39
Giuseppe Sigismondi de Risio, Armonia Atenea / Gluck: Il trionfo di Clelia CD3
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==== Log checksum 6A2B4B809755924199E236A13BFA2677B9883F6EB80524F15C58A694FD08524B ====
Giuseppe Sigismondi de Risio, Armonia Atenea - Christoph Willibald Gluck: Il trionfo di Clelia (2012)
