Giovanni Antonini, Il Giardino Armonico - Vivaldi: Ottone in villa (2010)
EAC | FLAC | Image (Cue & Log) ~ 644 Mb | Total time: 135:08 | Scans included
Classical | Label: Naïve | # OP30493 | Recorded: 2010
EAC | FLAC | Image (Cue & Log) ~ 644 Mb | Total time: 135:08 | Scans included
Classical | Label: Naïve | # OP30493 | Recorded: 2010
Vivaldi's first opera, Ottone in Villa (loosely, Ottone's Vacation), is something of an anomaly in the composer's output of largely tragic, heroic works: a pastoral comedy. Written in 1713 when the composer was 35, Ottone demonstrates Vivaldi's instinctive grasp of the operatic form and his gifts for characterization and dramatic development. Naïve continues its admirable series, The Vivaldi Edition, with this outstanding recording of the opera, a real gem. Giovanni Antonini leads Il Giardino Armonico, which plays with gleaming transparency. The performance is wonderfully lively and the opera's dancing energy is conveyed with high spirits and humor. Vivaldi is not a composer usually associated with comedy, so Ottone surprises with its wealth of delightful, sly wit. The cast Antonini has assembled seems to be made up entirely of natural comedians; every role is strongly and lovingly delineated, but soprano Roberta Invernizzi in particular stands out for the almost manic humor she beings to the character of Tullia. All of the roles are written for coloraturas, and the soloists are simply dazzling in the sheer sensuous beauty of their voices and their effortless mastery of Vivaldi's daunting and extravagantly ornamented vocal lines; this is a dream cast for the opera. There is only one male role, Decio, written for a tenor and executed with clarity and grace by Topi Lehtipuu. The soprano role of Caio Silio was written for a castrato, and it is sung here by Julia Lezhneva. The part might have had more verisimilitude if it had been taken by a counter tenor, but given how sumptuous Lezhneva's voice is, it would be ungrateful to complain. As the Emperor Ottone, a part that was actually originally conceived for a female contralto, Sonia Prina comes across as impressively testosterone-driven and her voice is notable both for its substance and its agility. Soprano Verónica Cangemi, as Cleonilla, sings with simply radiant loveliness. Naïve's sound is characteristically clean, clear, and warmly ambient, but doesn't do much to create a sense of theatrical space.–Stephen Eddins
Performer:
Ottone - Sonia Prina
Caio Silio - Julia Lezhneva
Cleonilla - Veronica Cangemi
Tullia - Roberta Invernizzi
Decio - Topi Lehtipuu
Il Giardino Armonico
Conductor - Giovanni Antonini
Track List:
CD1:
01. Sinfonia: Allegro
02. Sinfonia: Larghetto
03. Sinfonia: Allegro
Atto I
04. Scene 1: Recitative: Nacqui a gran sorte … (Cleonilla)
05. Scene 1: Aria: Quanto m'alletta (Cleonilla)
06. Scene 2: Recitative: Caio … (Cleonilla, Caio)
07. Scene 2: Aria: Sole degl'occhi miei (Caio)
08. Scene 2: Recitative: Ma Cesare qui vien … (Caio, Cleonilla)
09. Scene 3: Recitative: Cleonilla, a te ne vengo … (Ottone, Cleonilla, Caio)
10. Scene 3: Aria: Caro bene (Cleonilla)
11. Scene 4: Recitative: Più fido amante, e chi miro giammai? … (Ottone, Caio)
12. Scene 4: Aria: Par tormento, ed e piacer (Ottone)
13. Scene 5: Recitative: Quanto di donna amante … (Caio, Tullia)
14. Scene 5: Aria: Chi seguir vuol la costanza (Caio)
15. Scene 6: Recitative: Ah! Traditor t'intendo … (Tullia)
16. Scene 6: Aria: Con l'amor di donna amante (Tullia)
17. Scene 7: Recitative: Quanto m'alletti, o cara … (Ottone, Cleonilla, Decio)
18. Scene 7: Aria: Frema pur, si lagni Roma (Ottone)
19. Scene 8: Recitative: Grande ho, Decio, il desio … (Cleonilla, Decio, Tullia)
20. Scene 8: Aria: Il tuo pensiero è lusinghiero (Decio)
21. Scene 9: Recitative: Porgimi il manto, caro … (Cleonilla, Tullia)
22. Scene 9: Aria: Che fe, che amor (Cleonilla)
23. Scene 10: Recitative: E Caio aborriro per fin ch'io viva? … (Caio, Tullia)
24. Scene 10: Aria: Sì, sì, deggio partir (Tullia)
25. Scene 11: Recitative: E Caio aborriro per fin ch'io viva? … (Caio)
26. Scene 11: Aria: Gelosia (Jealousy) (Caio)
Atto II
27. Scene 1: Recitative: Spinto Signor son' io … (Decio, Ottone)
28. Scene 1: Aria: Come l'onda (Ottone)
29. Scene 2: Recitative: A Cesare tradito io dir non volli … (Deccio, Caio)
30. Scene 2: Aria: Che giova it trono al Re (Decio)
31. Scene 3: Recitative: Parli Decio che vuol … (Caio, Tullia)
32. Scene 3: Aria: L'ombre, l'aure, e ancora il rio (Caio, Tullia)
33. Scene 4: Recitative: Qual duolo, o Caio, frenetico ti rende? … (Tullia, Caio)
34. Scene 4: Aria: Su gl'occhi del tuo ben (Caio)
35. Scene 5: Recitative: Disperato è l'infido … (Tullia)
36. Scene 5: Aria: Due tiranni ho nel mio cor[e] (Tullia)
CD2:
01. Scene 6: Recitative: Felice è il volto mio … (Cleonilla, Caio)
02. Scene 6: Aria: Leggi almeno, tiranna infedele (Caio)
03. Scene 7: Recitative: Che mai scrisse qui Caio? … (Cleonilla, Ottone)
04. Scene 7: Aria: Tu vedrai (Cleonilla)
05. Scene 8: Recitative: Cesare, io gia prevedo … (Decio, Ottone, Cleonilla)
06. Scene 8: Aria: Povera fedeltà (Cleonilla)
07. Scene 9: Recitative: Ah Decio, i tuio ricordi … (Ottone, Decio)
08. Scene 9: Aria: Ben talor favella il Cielo (Decio)
09. Scene 10: Recitative: Oh! qual error fec'io … (Ottone, Caio)
10. Scene 10: Aria: Compatisco il tuo fiero tormento (Ottone)
11. Scene 11: Recitative: Quanto Cleonilla e scaltra … (Caio)
12. Scene 11: Aria: Io sembro appunto (Caio)
13. Scene 12: Recitative: Ah, che non vuol sentirmi il traditore … (Tullia)
14. Scene 12: Aria: Misero spirto mio (Tullia)
Atto III
15. Scene 1: Recitative: Signor … (Decio, Ottone)
16. Scene 1: Aria: Tutto sprezzo, e trono, e impero (Ottone)
17. Scene 2: Recitative: Già di Ottone preveggo … (Decio)
18. Scene 2: Aria: L'esser amante (Decio)
19. Scene 3: Recitative: Cerchi in van ch'io t'ascolti … (Cleonilla, Caio)
20. Scene 3: Aria: No, per te non ho più amor, no (Cleonilla)
21. Scene 4: Recitative: Cleonilla … (Tullia, Caio, Cleonilla)
22. Scene 4: Aria: Guarda in quest'occhi (Caio)
23. Scene 5: Recitative: Quant'ha di vago Amor nel suo gran regno … (Cleonilla, Tullia)
24. Scene 5: Aria: Che bel contento (Tullia)
25. Scene 6: Recitative: Più soffrir non poss'io … (Caio, Cleonilla, Tullia)
26. Final Scene: Recitative: Caio infierito … (Ottone, Decio, Cleonilla, Caio, Tullia)
27. Final Scene: Grande è il contento (Coro)
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 26. December 2020, 23:49
Sonia Prina, Julia Lezhneva, Veronica Cangemi, Roberta Invernizzi, Topi Lehtipuu / Ottone in villa (Disc 1)
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Delete leading and trailing silent blocks : No
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==== Log checksum 32CF9EA6CC58846CCA1761001BE242E429E4A44EF6EC2B0205715A2117F7C034 ====
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 27. December 2020, 0:20
Sonia Prina, Julia Lezhneva, Veronica Cangemi, Roberta Invernizzi, Topi Lehtipuu / Ottone in villa (Disc 2)
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Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
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Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
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==== Log checksum BBEC14D99DE765A02A4729C79854291E6870D71F2758FFCECB9E956792CFB0B4 ====
Thanks to the original releaser