Barockorchester and Kammerchor Stuttgart, Frieder Bernius - Wolfgang Amadeus Mozart: Requiem, KV 626 (2000)
Wolfgang Amadeus Mozart: Requiem, KV 626 (2000)
Vasiljka Jezovsek, Soprano; Claudia Schubert, Contralto
Marcus Ullmann, Tenor; Michael Voile, Bass
Barockorchester and Kammerchor Stuttgart, conducted by Frieder Bernius
EAC | FLAC | Image (Cue&Log) ~ 191 Mb | Mp3 (CBR320) ~ 108 Mb | Scans ~ 50 Mb
Classical, Choral | Label: Carus | # 83.207 | Time: 00:46:15
Vasiljka Jezovsek, Soprano; Claudia Schubert, Contralto
Marcus Ullmann, Tenor; Michael Voile, Bass
Barockorchester and Kammerchor Stuttgart, conducted by Frieder Bernius
EAC | FLAC | Image (Cue&Log) ~ 191 Mb | Mp3 (CBR320) ~ 108 Mb | Scans ~ 50 Mb
Classical, Choral | Label: Carus | # 83.207 | Time: 00:46:15
Frieder Bernius and his Stuttgart forces weigh in with one of the finer Mozart Requiems in a very crowded field–and to ensure this performance’s relative exclusivity, it’s one of only a handful of recordings that use the edition by Franz Beyer, an intelligent and persuasive 1971 effort to correct “obvious textural errors” and some decidedly un-Mozartian features in the orchestration attributable to Franz Süssmayr, Mozart’s pupil/assistant who completed the work after the master’s death. This live concert performance from 1999 offers well-set tempos (including a vigorous Kyrie fugue), infectious rhythmic energy from both chorus and orchestra, robust, precise, musically compelling choral singing, a first rate quartet of soloists–and, especially considering its concert-performance setting, impressively detailed and vibrant sonics. The CD also features informative notes by Beyer himself.
Neville Marriner’s classic recording from 1977 (the one used for parts of the Amadeus soundtrack) doesn’t have quite the depth or dynamic range of this Carus disc, and in comparison the Kyrie feels a bit too methodical, but it remains a strong first choice owing to its keen sense of the work’s drama and its inspired, committed singing and orchestral playing. Another Beyer-edition performance, a 1989 recording by Franz Welser-Möst and the London Philharmonic and Choir (EMI) is a good alternative with generally fine sound and solid music-making, suffering only from some interpretive lapses (over-exuberant soloists in the “Tuba mirum”, for example). Comparisons aside, if you’re looking either for a reference copy or a supplement to your existing Requiem recordings, you’ll save yourself a bundle of trouble (and potential disappointment) by simply choosing this one from among the multitudes of clamoring contenders.Review by David Vernier, ClassicsToday.com
Barockorchester and Kammerchor Stuttgart, Frieder Bernius - Wolfgang Amadeus Mozart: Requiem, KV 626 (2000)
Vasiljka Jezovsek, Soprano
Claudia Schubert, Contralto
Marcus Ullmann, Tenor
Michael Voile, Bass
Kammerchor Stuttgart
Barockorchester Stuttgart
Frieder Bernius, conductor
Tracklist:
Wolfgang Amadeus Mozart (1756-1791)
Requiem, KV 626
Introitus et Kyrie
01. Introitus (Solo S, Coro) 5:02
02. Kyrie (Coro) 2:20
Sequentia
03. Dies irae (Coro) 1:45
04. Tuba mirum (Solo B, Coro) 3:10
05. Rex tremendae (Coro) 1:52
06. Recordare (Soli SATB) 4:39
07. Confutatis (Coro) 2:26
08. Lacrimosa (Coro) 3:02
Offertorium
09. Domine Jesu Christe (Coro) 3:20
10. Hostias et preces (Coro) 3:46
Sanctus - Benedictus
11. Sanctus (Coro) 1:39
12. Benedictus (Soli SATB) 4:38
Agnus Dei et Communio
13. Agnus Dei (Coro) 3:11
14. Lux aeterna (Solo S, Coro) 2:56
15. Cum Sanctis tuis (Coro) 2:23
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 6. April 2013, 15:57
Barockorchester and Kammerchor Stuttgart, Frieder Bernius / Wolfgang Amadeus Mozart - Requiem, KV 626
Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
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Range status and errors
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End of status report
==== Log checksum 1F2344D085D4086CC284607F0BBFE2850DD3CE5202BA77CEBE978CE30875FB25 ====
EAC extraction logfile from 6. April 2013, 15:57
Barockorchester and Kammerchor Stuttgart, Frieder Bernius / Wolfgang Amadeus Mozart - Requiem, KV 626
Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:02.50 | 0 | 22699
2 | 5:02.50 | 2:20.30 | 22700 | 33229
3 | 7:23.05 | 1:45.50 | 33230 | 41154
4 | 9:08.55 | 3:10.62 | 41155 | 55466
5 | 12:19.42 | 1:52.00 | 55467 | 63866
6 | 14:11.42 | 4:39.13 | 63867 | 84804
7 | 18:50.55 | 2:26.55 | 84805 | 95809
8 | 21:17.35 | 3:02.20 | 95810 | 109479
9 | 24:19.55 | 3:20.02 | 109480 | 124481
10 | 27:39.57 | 3:46.28 | 124482 | 141459
11 | 31:26.10 | 1:39.17 | 141460 | 148901
12 | 33:05.27 | 4:38.28 | 148902 | 169779
13 | 37:43.55 | 3:11.57 | 169780 | 184161
14 | 40:55.37 | 2:56.03 | 184162 | 197364
15 | 43:51.40 | 2:23.52 | 197365 | 208141
Range status and errors
Selected range
Filename Z:\NetLab\Mozart - Requiem, KV 626 (Barockorchester and Kammerchor Stuttgart, Frieder Bernius) (2000) {Carus 83.207}\Mozart - Requiem, KV 626.wav
Peak level 98.1 %
Extraction speed 6.0 X
Range quality 99.9 %
Test CRC BACEB88C
Copy CRC BACEB88C
Copy OK
No errors occurred
AccurateRip summary
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Track 10 accurately ripped (confidence 7) [EB5DE544] (AR v1)
Track 11 accurately ripped (confidence 7) [EFBE60D8] (AR v1)
Track 12 accurately ripped (confidence 7) [463EEA4F] (AR v1)
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Track 14 accurately ripped (confidence 7) [1C3F396C] (AR v1)
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End of status report
==== Log checksum 1F2344D085D4086CC284607F0BBFE2850DD3CE5202BA77CEBE978CE30875FB25 ====
[CUETools log; Date: 11.08.2023 14:40:44; Version: 2.1.7]
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[CTDB TOCID: _UFo.188Hf0E2rO0LEDMacos3jY-] found.
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foobar2000 1.6.3 / Dynamic Range Meter 1.1.1
log date: 2023-08-11 14:42:02
––––––––––––––––––––––––––––––––––––––––
Analyzed: Barockorchester and Kammerchor Stuttgart, Frieder Bernius / Mozart - Requiem, KV 626
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -0.25 dB -22.22 dB 5:03 01-Introitus (Solo S, Coro)
DR13 -0.27 dB -19.90 dB 2:20 02-Kyrie (Coro)
DR14 -0.16 dB -17.54 dB 1:46 03-Dies irae (Coro)
DR14 -5.66 dB -29.78 dB 3:11 04-Tuba mirum (Solo B, Coro)
DR15 -0.49 dB -20.76 dB 1:52 05-Rex tremendae (Coro)
DR14 -6.48 dB -27.41 dB 4:39 06-Recordare (Soli SATB)
DR13 -3.85 dB -24.04 dB 2:27 07-Confutatis (Coro)
DR15 -0.31 dB -21.72 dB 3:02 08-Lacrimosa (Coro)
DR15 -1.78 dB -23.40 dB 3:20 09-Domine Jesu Christe (Coro)
DR14 -0.98 dB -24.15 dB 3:46 10-Hostias et preces (Coro)
DR13 -0.31 dB -17.65 dB 1:39 11-Sanctus (Coro)
DR16 -4.89 dB -27.07 dB 4:38 12-Benedictus (Soli SATB)
DR12 -0.81 dB -24.48 dB 3:12 13-Agnus Dei (Coro)
DR14 -0.54 dB -22.78 dB 2:56 14-Lux aeterna (Solo S, Coro)
DR12 -0.18 dB -18.57 dB 2:24 15-Cum Sanctis tuis (Coro)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 580 kbps
Codec: FLAC
================================================================================
log date: 2023-08-11 14:42:02
––––––––––––––––––––––––––––––––––––––––
Analyzed: Barockorchester and Kammerchor Stuttgart, Frieder Bernius / Mozart - Requiem, KV 626
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -0.25 dB -22.22 dB 5:03 01-Introitus (Solo S, Coro)
DR13 -0.27 dB -19.90 dB 2:20 02-Kyrie (Coro)
DR14 -0.16 dB -17.54 dB 1:46 03-Dies irae (Coro)
DR14 -5.66 dB -29.78 dB 3:11 04-Tuba mirum (Solo B, Coro)
DR15 -0.49 dB -20.76 dB 1:52 05-Rex tremendae (Coro)
DR14 -6.48 dB -27.41 dB 4:39 06-Recordare (Soli SATB)
DR13 -3.85 dB -24.04 dB 2:27 07-Confutatis (Coro)
DR15 -0.31 dB -21.72 dB 3:02 08-Lacrimosa (Coro)
DR15 -1.78 dB -23.40 dB 3:20 09-Domine Jesu Christe (Coro)
DR14 -0.98 dB -24.15 dB 3:46 10-Hostias et preces (Coro)
DR13 -0.31 dB -17.65 dB 1:39 11-Sanctus (Coro)
DR16 -4.89 dB -27.07 dB 4:38 12-Benedictus (Soli SATB)
DR12 -0.81 dB -24.48 dB 3:12 13-Agnus Dei (Coro)
DR14 -0.54 dB -22.78 dB 2:56 14-Lux aeterna (Solo S, Coro)
DR12 -0.18 dB -18.57 dB 2:24 15-Cum Sanctis tuis (Coro)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 580 kbps
Codec: FLAC
================================================================================
Barockorchester and Kammerchor Stuttgart, Frieder Bernius - Wolfgang Amadeus Mozart: Requiem, KV 626 (2000)
Barockorchester and Kammerchor Stuttgart, Frieder Bernius - Wolfgang Amadeus Mozart: Requiem, KV 626 (2000)
