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    Franco Fagioli, Armonia Atenea, George Petrou - Rossini (2016)

    Posted By: Designol
    Franco Fagioli, Armonia Atenea, George Petrou - Rossini (2016)

    Franco Fagioli, Armonia Atenea, George Petrou - Gioachino Rossini (2016)
    EAC | FLAC | Image (Cue&Log) ~ 315 Mb | Mp3 (CBR320) ~ 175 Mb | Scans included
    Classical, Vocal | Label: Deutsche Grammophon | # 479 5681 | Time: 01:15:21

    Countertenor performances of 19th century opera are a historical and, ultimately, true novelty. This said, for those who love the sound of the countertenor voice and want to give it a try, there are several factors that recommend this release by countertenor Franco Fagioli, with the small orchestra Armonia Atenea under George Petrou. First is that castrati were still around in Rossini's time, although on the decline, and the composer was reportedly intrigued by their voices. Second, Fagioli, unlike the vast majority of other countertenors, studied bel canto singing rather than Baroque repertory exclusively, and a certain distance present in the work of other countertenors is absent here. And third, and most important, is Fagioli's voice itself. Of the countertenors active today, he's the one with the range, the power, the attitude to make you suspend disbelief and think for a moment that you're actually listening to a castrato. He enters into the various Rossini roles represented on this recording, several of which were mezzo-soprano "pants" roles; this adds to the layers of identity-switching happening, and the parts hit Fagioli's vocal sweet spot. A bonus is that several of these are from Rossini opere serie that are little played or recorded. Semiramide is one that has continued to hold the stage, however; sample one of Fagioli's arias of Arsace, the Assyrian commander, and marvel at the power and dramatic sense. This could be a breakthrough for Fagioli in the crowded countertenor field.

    Review by James Manheim, Allmusic.com

    There’s a perverse irony that the only operatic role Gioachino Rossini wrote for a castrato – Arsace in Aureliano in Palmira – isn’t included on Franco Fagioli’s new disc devoted to the composer. Rossini composed it for Giambattista Velluti (1780-1861), regarded as the last great castrato, but also famed for being a bit of a diva. Bernhard Neuhoff’s booklet-note tells us that apparently Rossini himself narrowly missed the snip as a child, so perhaps he had a special affinity with the unbroken voice. Castration was going out of fashion – Napoleon even banned the practice – so ‘trouser roles’ were part of Rossini’s compositional armoury. Fagioli essays half a dozen of them here.

    The Argentinian countertenor certainly has a distinctive, plum-coloured voice, very mezzo ish in timbre, ranging somewhere between Cecilia Bartoli and Ewa Podles´. However, while Fagioli has quite remarkable florid agility, he lacks Bartoli’s evenness of tone across the registers, with the odd alarming descent into baritone territory. He certainly throws himself into high notes with abandon – a white-knuckle ride on occasions, with the sense that he’s just about clinging on by his coat-tails.

    Two excerpts showcase Ottone from Adelaide di Borgogna, the Act 2 cabaletta coming off splendidly. Edoardo’s ‘Ah, perché, perché la morte’ from Matilde di Shabran is even more virtuoso, scuppered by some rather fruity horn intonation in the terrifying obbligato passages. The most familiar aria is Arsace’s ‘Ah, quel giorno ognor rammento’ from Semiramide, athletically dispatched. This is the only crossover in repertoire with Max Emanuel Cencic’s all-Rossini disc (Erato, A/07), with Fagioli’s darker tone preferable. Greater duplication occurs on Angelo Manzotti’s 2002 Bongiovanni album, which is worth hearing (once) for some distressing intonation.

    Review by Mark Pullinger, Gramophone

    Franco Fagioli, Armonia Atenea, George Petrou - Rossini (2016)



    Franco Fagioli, Armonia Atenea, George Petrou - Rossini (2016)



    Franco Fagioli countertenor
    Armonia Atenea Choir
    Armonia Atenea (on period instruments)
    George Petrou

    rec. November 2015, Dimitris Mitropoulos Hall, Megaron, Athens, Greece

    Tracklist:

    Demetrio e Polibio
    01. Pien di contento in seno (04:10)

    Matilde di Shabran
    02. Sazia tu fossi alfine (02:08)
    03. Ah, perché, perché la morte (09:30)

    Adelaide di Borgogna
    04. Serti intrecciar le vergini (02:23)
    05. Questi che a me presenta (00:53)
    06. Vieni, tuo sposo e amante (03:00)
    07. Al trono tuo primiero (03:43)

    Tancredi
    08. O sospirato lido (05:25)
    09. Dolci d'amor parole (06:20)

    Adelaide di Borgogna
    10. Salve, Italia (01:44)
    11. O sacra alla virtù (01:53)
    12. Soffri la tua sventura… Amica speme (05:36)

    Semiramide
    13. Eccomi alfine in Babilonia (05:58)
    14. Ah, quel giorno ognor rammento… Oh, come da quel di (06:27)

    Eduardo e Cristina
    15. Nel misero tuo stato (04:04)
    16. Ah! Chi sa dirmi se la sposa (02:03)
    17. La pietà che in sen serbate… Come rinascere vi sento in core (09:56)


    Exact Audio Copy V1.1 from 23. June 2015

    EAC extraction logfile from 26. February 2017, 18:06

    Franco Fagioli, Armonia Atenea, George Petrou / Franco Fagioli - Rossini

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    Filename C:\temp\Franco Fagioli - Rossini\Franco Fagioli - Rossini.wav

    Peak level 97.6 %
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    Test CRC 2DB5FF07
    Copy CRC 2DB5FF07
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    No errors occurred


    AccurateRip summary

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    End of status report

    ==== Log checksum CE57ECCCBB67CCD367BA5E0306CFDA95783A053221EEF487BBD415A70D26F764 ====

    foobar2000 1.2 / Dynamic Range Meter 1.1.1
    log date: 2017-03-05 23:26:15

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Franco Fagioli, Armonia Atenea, George Petrou / Franco Fagioli - Rossini
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR13 -1.05 dB -19.36 dB 4:10 01-Demetrio e Polibio - Pien di contento in seno
    DR13 -1.66 dB -20.04 dB 2:09 02-Matilde di Shabran - Sazia tu fossi alfine
    DR13 -1.89 dB -20.14 dB 9:30 03-Matilde di Shabran - Ah, perché, perché la morte
    DR12 -1.37 dB -17.56 dB 2:23 04-Adelaide di Borgogna - Serti intrecciar le vergini
    DR12 -7.84 dB -23.64 dB 0:53 05-Adelaide di Borgogna - Questi che a me presenta
    DR12 -2.98 dB -20.63 dB 3:01 06-Adelaide di Borgogna - Vieni, tuo sposo e amante
    DR12 -0.26 dB -16.94 dB 3:44 07-Adelaide di Borgogna - Al trono tuo primiero
    DR15 -3.44 dB -24.35 dB 5:26 08-Tancredi - O sospirato lido
    DR13 -1.97 dB -21.16 dB 6:20 09-Tancredi - Dolci d'amor parole
    DR12 -0.27 dB -16.00 dB 1:44 10-Adelaide di Borgogna - Salve, Italia
    DR13 -2.74 dB -21.14 dB 1:53 11-Adelaide di Borgogna - O sacra alla virtù
    DR14 -0.40 dB -19.74 dB 5:36 12-Adelaide di Borgogna - Soffri la tua sventura… Amica speme
    DR14 -3.18 dB -24.18 dB 5:59 13-Semiramide - Eccomi alfine in Babilonia
    DR14 -0.71 dB -20.21 dB 6:28 14-Semiramide - Ah, quel giorno ognor rammento… Oh, come da quel di
    DR12 -0.24 dB -18.37 dB 4:04 15-Eduardo e Cristina - Nel misero tuo stato
    DR13 -0.26 dB -20.72 dB 2:04 16-Eduardo e Cristina - Ah! Chi sa dirmi se la sposa
    DR12 -0.21 dB -17.63 dB 9:57 17-Eduardo e Cristina - La pietà che in sen serbate… Come rinascere vi sento i…
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 17
    Official DR value: DR13

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 578 kbps
    Codec: FLAC
    ================================================================================

    Franco Fagioli, Armonia Atenea, George Petrou - Rossini (2016)

    All thanks to original releaser

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