Fou Ts'ong - Domenico Scarlatti: Piano Sonatas (1992)
EAC | FLAC (image+.cue, log) | Covers Included | 01:13:10 | 330 MB
Genre: Classical | Label: Collins Classics | Catalog: 30162
EAC | FLAC (image+.cue, log) | Covers Included | 01:13:10 | 330 MB
Genre: Classical | Label: Collins Classics | Catalog: 30162
Domenico Scarlatti is a great composer disguised as a mediocre one. Part of the disguise is that he’s a formulaic miniaturist. It’s easy to dismiss his sonatas with the airy notion that if you’ve heard a few of them, you’ve heard them all. So pianists usually dispatch them as twee appetizers, played with a wink and a smirk, setting the table for meatier fare. But such dismissal dissolves under the sheer inventiveness of the sonatas. Like the protagonist in Ilse Aichinger’s “The Bound Man,” Scarlatti finds endless possibilities within his self-imposed confines.
Although it’s an oversimplification to say so, pianists tend toward three approaches to Scarlatti. There’s the “piano as harpsichord” approach, exemplified by Glenn Gould and Ivo Pogorelić. Then there’s “screw the harpsichord, I’m a pianist” embodied by Mikhail Pletnev and Yevgeny Sudbin. Finally, there’s a more elusive approach that downplays the instrument itself and contemplates the music qua music—two pianists who took this path were Marcelle Meyer and, counter-intuitively, Vladimir Horowitz.
Into the last category add Syrian born Racha Arodaky. Although relatively young (she was 30 when this recording was first released), she finds much to say in Scarlatti. Many of the most often performed sonatas are here. But Arodaky’s playing digs deep, showing old friends in a new light. Her instincts are intensely lyrical. In this, she runs the risk of ennui, but her playing is so fraught with intriguing detail that boredom isn’t an issue. It helps that she never dithers pointlessly. Even in slower tempos there’s an inevitable momentum that carries forward the narrative.
That’s not to say Arodaky can’t fly. She shrewdly dots her program with fleeter fare, and does so with a muscular aplomb that seems to say “yes, I can do that too.” While I wouldn’t class her above Pletnev or Sudbin as a pianist, she certainly holds her own. There’s always a roundness and warmth to her sound, regardless of the tempo. Indeed, more than most pianists, she avoids the brittleness that often afflicts Scarlatti on the piano. Purists who wave garlic at pianists using pedal in Scarlatti may find Arodaky blasphemous. Then again, their cavils might melt away at hearing her supple touch. Even when she does staccato, it’s always with a tasteful fluidity. It’s a reminder that Wanda Landowska’s dictum: “my staccato is always legato” can, in the right hands, ring true.
While previously unknown to me, Arodaky vaults to the top in my pantheon of Scarlatti players. It’s easy to overlook her. But what a mistake that would be. In its frantic search for the next big thing, the music industry often ignores a rare gem right under its nose. Racha Arodaky’s Scarlatti is one such gem. Treat yourself.
Track List:
1. Sonata K32 In D Minor
2. Sonata K164 In D
3. Sonata K484 In D
4. Sonata K138 In F#
5. Sonata K500 In A
6. Sonata K474 In E Flat
7. Sonata K550 In B Flat
8. Sonata K208 In A
9. Sonata K107 In F
10. Sonata K380 In E
11. Sonata K531 In E
12. Sonata K210 In G
13. Sonata K461 In C
14. Sonata K304 In G
15. Sonata K99 In C Minor
16. Sonata K540 In F
17. Sonata K162 In E
18. Sonata K163 In E
19. Sonata K246 In C# Minor
20. Sonata K247 In C# Minor
21. Sonata In K378 In F
22. Sonata K379 In F
23. Sonata K213 In D Minor
24. Sonata K443 In D
25. Sonata K262 In B
26. Sonata K215 In E
27. Sonata K158 In C Minor
28. Sonata K193 In E Flat
29. Sonata K481 In F Minor
30. Sonata K513 In C
31. Sonata K394 In E Minor
32. Sonata K95 In C
Performers:
Fou Ts'ong (piano)
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 6. August 2018, 16:57
Fou Ts'ong / Scarlatti: 32 Sonatas
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Extraction speed 2.2 X
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==== Log checksum B70A7D250061096D88953E38A9E556FD8FC48721B03701B622D35D634078A261 ====
EAC extraction logfile from 6. August 2018, 16:57
Fou Ts'ong / Scarlatti: 32 Sonatas
Used drive : TSSTcorpDVDWBD SE-406AB Adapter: 1 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
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11 | 21:33.07 | 1:31.03 | 96982 | 103809
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30 | 65:29.27 | 2:42.18 | 294702 | 306869
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32 | 71:16.17 | 2:04.00 | 320717 | 330016
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Filename K:\Rips\Scarlatti D - Piano Sonatas - Ts'ong\Fou Ts'ong - Scarlatti- 32 Sonatas.wav
Peak level 100.0 %
Extraction speed 2.2 X
Range quality 100.0 %
Test CRC AFCFF6C7
Copy CRC AFCFF6C7
Copy OK
No errors occurred
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==== Log checksum B70A7D250061096D88953E38A9E556FD8FC48721B03701B622D35D634078A261 ====
Thanks to the Original ripper (unknown)!
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