Fabio Bonizzoni, La Risonanza - Alessandro Scarlatti: Serenate a Filli (2011)
Fabio Bonizzoni, La Risonanza - Alessandro Scarlatti: Serenate a Filli (2011)
EAC | FLAC | Image (Cue & Log) ~ 321 Mb | Total time: 63:40 | Scans included
Classical | Label: Glossa | # GCD 921511 | Recorded: 2010
EAC | FLAC | Image (Cue & Log) ~ 321 Mb | Total time: 63:40 | Scans included
Classical | Label: Glossa | # GCD 921511 | Recorded: 2010
By the time that Alessandro Scarlatti was writing the two serenatas recorded here by Fabio Bonizzoni and La Risonanza and inaugurating an exciting new series on Glossa, that celebratory cantata form, often employing allegorical characters, had been in existence for a mere half century. Scarlatti, as Bonizzoni says, “was one of the main sources of inspiration for Handel whilst the latter was in Italy, and this creates a real continuity with what we have been doing in the recent past”; notably the much-admired septet of recordings devoted to the Saxon composers Italian chamber cantatas.
That sense of continuity extends to the fact that the two works on this new disc – Serenata a Filli and Le muse Urania e Clio lodano le bellezze di Filli – were written in Rome in 1706 and probably for the same patron in Francesco Maria Ruspoli who furthered Handel’s own career. Fresh from his harpsichord recording of Bach’s Die Kunst der Fuge, Fabio Bonizzoni now, with the subtle and stylish instrumentalists of La Risonanza, is not only choosing to illuminate an unexplored genre on record, but is also shedding light on an unknown facet of Alessandro Scarlatti’s own prodigious output. Here, the serenatas are given dramatic vitality by regular partners in Bonizzoni’s artistry: sopranos Emanuela Galli and Yetzabel Arias Fernández and countertenor Martín Oro.
As well as the elder Scarlatti producing examples of these courtly “dramatic cantatas” future releases on this new series will demonstrate the quality of the contributions in the serenata form by Handel himself and also by Antonio Vivaldi.
Performer:
Emanuela Galli, soprano
Yetzabel Arias Fernández, soprano
Martín Oro, alto
La Risonanza
Fabio Bonizzoni, conductor
Tracklist:
Alessandro Scarlatti (1660-1725)
‘Serenata à Filli’
a 3 con stromenti (Tacete, aure, tacete)
Serenata for 2 sopranos, alto and orchestra
01. Sinfonia
02. Recitativo (Fileno): Tacete, tacete aure
03. Aria (Fileno, Niso): A ragion
04. Recitativo (Niso): Dormite pur
05. Aria (Fileno, Niso): Al mio cordoglio
06. Recitativo (Doralbo): Ah no! Luci, stelle
07. A 2 (Fileno/Niso, Doralbo): Deh! fugate
08. Aria (Doralbo): Se da Filli
09. Recitativo (Doralbo): Ma stolto
10. A 2 (Fileno, Doralbo): Con durissimi legami
11. Recitativo (Fileno): Dunque se fian
12. A 3 (Fileno, Niso, Doralbo): Se v’aggrada
13. Recitativo (Niso): Lasso, che i miei sospiri
14. Aria (Niso): Ombre voi
15. Recitativo (Fileno): Dove si vidde mai
16. Aria (Fileno): No, non m’ingannate
17. Aria (Doralbo): Quell’ardor
18. Recitativo (Doralbo): Folle, ma che deliro!
19. A 3 (Fileno, Niso, Doralbo): Svegliati o bella
‘Le Muse Urania e Clio Lodano le bellezze di Filli’
a 3 con stromenti (O mie figlie canore)
Serenata for 2 sopranos, alto and orchestra
20. Introduzzione
21. Recitativo (Sole): O mie figlie canore
22. A 3 (Sole, Urania, Clio): Viva, viva
23. Recitativo (Clio): Sì, sì stupor non fia
24. Aria (Urania): Sua guancia vezzosa
25. Recitativo (Sole): Io, io che il Sole sono
26. Aria (Clio): O che serri
27. Recitativo (Sole): E la bellezza
28. Aria (Sole): Se rivolge
29. Recitativo (Urania): Per celebrarla
30. Aria (Urania): Dunque in lei
31. Recitativo (Clio): Anzi, se virtù
32. Aria (Clio): Questa sì ch’in petto
33. Recitativo (Sole): Cor, se invan s’affatica
34. Aria (Sole): Parto o bella
35. A 3 (Sole, Urania, Clio): Dormi o bella
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 7. October 2019, 10:31
Fabio Bonizzoni / Alessandro Scarlatti: Serenate a Filli
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==== Log checksum 8912252B95769B9BD261D7825822319DF82235F37E2D058DE8BC46C790B3649B ====
Fabio Bonizzoni, La Risonanza - Alessandro Scarlatti: Serenate a Filli (2011)
Thanks to the original releaser