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    Britten, Holst, Vaugh Williams, Warlock - English String Music

    Posted By: tapaz9
    Britten, Holst, Vaugh Williams, Warlock - English String Music

    Britten, Holst, Vaugh Williams, Warlock - English String Music
    Classical | EAC: FLAC+Cue+Log | 1 Cd, Cover+Booklet | 314 Mb
    Label: Naxos - Date: 1994

    With the arrival of Benjamin Britten on the international music scene, many felt that English music gained its greatest genius since Purcell. A composer of wide-ranging talents, Britten found in the human voice an especial source of inspiration, an affinity that resulted in a remarkable body of work, ranging from operas like Peter Grimes (1944-1945) and Death in Venice (1973) to song cycles like the Serenade for tenor, horn, and strings (1943) to the massive choral work War Requiem (1961). He also produced much music for orchestra and chamber ensembles, including symphonies, concerti, and chamber and solo works. Britten's father was a prosperous oral surgeon in the town of Lowestoft, Suffolk; his mother was a leader in the local choral society. When Benjamin's musical aptitude became evident, the family engaged composer Frank Bridge to supervise his musical education. Bridge's tutelage was one of the formative and lasting influences on Britten's compositional development; Britten eventually paid tribute to his teacher in his Op. 10, the Variations on a Theme by Frank Bridge (1937). Britten's formal training also included studies at the Royal College of Music (1930-1933).

    Upon graduation from the RCM, Britten obtained a position scoring documentaries (on prosaic themes like "Sorting Office") for the Royal Post Office film unit. Working on a tight budget, he learned how to extract the maximum variety of color and musical effectiveness from the smallest combinations of instruments, producing dozens of such scores from 1935 to 1938. He rapidly emerged as the most promising British composer of his generation and entered into collaborative relationships that exerted a profound influence upon his creative life. Among the most important of his professional associates were literary figures like W.H. Auden, and later, E.M. Forster. None, however, played as central a role in Britten's life as the tenor Peter Pears, who was Britten's closest intimate, both personally and professionally, from the late '30s to the composer's death. Pears' voice inspired a number of Britten's vocal cycles and opera roles, and the two often joined forces in song recitals and, from 1948, in the organization and administration of the Aldeburgh Festival.

    A steadfast pacifist, Britten left England in 1939 as war loomed over Europe. He spent four years in the United States and Canada, his compositional pace barely slackening, as evidenced by the production of works like the Sinfonia da Requiem (1940), the song cycle Seven Sonnets of Michelangelo (1940), and his first effort for the stage, Paul Bunyan (1940-1941). Eventually, the poetry of George Crabbe drew Britten back to England. With a Koussevitzky Commission backing him, the composer wrote the enormously successful opera Peter Grimes (1944-45), which marked the greatest turning point in his career. His fame secure, Britten over the next several decades wrote a dozen more operas, several of which – Albert Herring (1947), Billy Budd (1951), The Turn of the Screw (1954), A Midsummer Night's Dream (1960), Death in Venice (1973) – became instant and permanent fixtures of the repertoire. He also continued to produce much vocal, orchestral, and chamber music, including Songs and Proverbs of William Blake (1965), the three Cello Suites (1961-1964) and the Cello Symphony (1963), written for Mstislav Rostropovich, and the Third String Quartet (1975).

    Britten suffered a stroke during heart surgery in 1971, which resulted in something of a slowdown in his creative activities. Nonetheless, he continued to compose until his death in 1976, by which time he was recognized as one of the principal musical figures of the twentieth century.

    From Allmusic

    Besides Britten on this CD also music from Vaughan Williams, Holst and Warlock

    Tracks:

    01. Britten / Britten - Bridge Variations 1. Intro & Theme [0:02:01.17]
    02. Britten / Bridge Variations 2. Adagio [0:02:20.13]
    03. Britten / Bridge Variations 3. March [0:01:09.42]
    04. Britten / Bridge Variations 4. Romance [0:01:36.68]
    05. Britten / Bridge Variations 5. Aria Italiana [0:01:27.12]
    06. Britten / Bridge Variations 6. Bourree Classique [0:01:22.53]
    07. Britten / Bridge Variations 7. Wiener Walzer [0:02:52.52]
    08. Britten / Bridge Variations 8. Moto Perpetuo [0:01:11.28]
    09. Britten / Bridge Variations 9. Funeral March [0:03:23.10]
    10. Britten / Bridge Variations 10. Chant [0:01:36.20]
    11. Britten / Bridge Variations 11. Fugue and Finale [0:07:13.60]
    12. Holst / Holst - St Paul's Suite: 1. Jig [0:02:56.60]
    13. Holst / St Paul's Suite: 2. Ostinato [0:01:56.72]
    14. Holst / St Paul's Suite: 3. Intermezzo [0:04:12.50]
    15. Holst / St Paul's Suite: 4. Finale [0:03:23.43]
    16. Delius / Delius - 2 Aquarelles: 1. Lento [0:02:27.30]
    17. Delius / 2 Aquarelles: 2. Gaily [0:02:29.45]
    18. Vaughan Williams / Vaughn Williams - Five Variants of Dives & Lazarus [0:12:34.00]
    19. Warlock / Warlock - Capriol Suite: 1. Basse - Danse [0:01:23.40]
    20. Warlock / Capriol Suite: 2. Pavanne [0:01:55.52]
    21. Warlock / Capriol Suite: 3. Tordion [0:00:59.45]
    22. Warlock / Capriol Suite: 4. Bransles [0:01:56.58]
    23. Warlock / Capriol Suite: 5. Pieds-en-l'air [0:02:16.57]
    24. Warlock / Capriol Suite: 6. Mattachins [0:01:00.53]


    Exact Audio Copy V1.0 beta 1 from 15. November 2010

    EAC extraction logfile from 10. December 2011, 22:53

    Various / English String Music (Richard Studt, Bournemou

    Used drive : TSSTcorpCDDVDW SH-S223C Adapter: 0 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 697
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : No
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 896 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -V -0 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.25 | 2:01.17 | 25 | 9116
    2 | 2:01.42 | 2:20.13 | 9117 | 19629
    3 | 4:21.55 | 1:09.42 | 19630 | 24846
    4 | 5:31.22 | 1:36.68 | 24847 | 32114
    5 | 7:08.15 | 1:27.12 | 32115 | 38651
    6 | 8:35.27 | 1:22.53 | 38652 | 44854
    7 | 9:58.05 | 2:52.52 | 44855 | 57806
    8 | 12:50.57 | 1:11.28 | 57807 | 63159
    9 | 14:02.10 | 3:23.10 | 63160 | 78394
    10 | 17:25.20 | 1:36.20 | 78395 | 85614
    11 | 19:01.40 | 7:13.60 | 85615 | 118149
    12 | 26:15.25 | 2:56.60 | 118150 | 131409
    13 | 29:12.10 | 1:56.72 | 131410 | 140181
    14 | 31:09.07 | 4:12.50 | 140182 | 159131
    15 | 35:21.57 | 3:23.43 | 159132 | 174399
    16 | 38:45.25 | 2:27.30 | 174400 | 185454
    17 | 41:12.55 | 2:29.45 | 185455 | 196674
    18 | 43:42.25 | 12:34.00 | 196675 | 253224
    19 | 56:16.25 | 1:23.40 | 253225 | 259489
    20 | 57:39.65 | 1:55.52 | 259490 | 268166
    21 | 59:35.42 | 0:59.45 | 268167 | 272636
    22 | 60:35.12 | 1:56.58 | 272637 | 281394
    23 | 62:31.70 | 2:16.57 | 281395 | 291651
    24 | 64:48.52 | 1:00.53 | 291652 | 296204


    Range status and errors

    Selected range

    Filename F:\Musique\Britten, Benjamin\English String Music\Various - English String Music (Richard Studt, Bournemou.wav

    Peak level 81.8 %
    Extraction speed 0.2 X
    Range quality 100.0 %
    Test CRC 1BEF8B2E
    Copy CRC 1BEF8B2E
    Copy OK

    No errors occurred


    AccurateRip summary

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    Track 24 accurately ripped (confidence 3) [8D694C5F]

    All tracks accurately ripped

    End of status report

    ==== Log checksum 15FFCD0642D9AB1A9C1BD5B14C2C70710F64E665AFF0EF7C64BDDBC6439B7EB7 ====


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