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Ellen Hargis, Ensemble Ouabache - Bonporti: Motets (1996)

Posted By: tirexiss

Date: 17 Oct 2022 16:23:27

The Italian baroque seems to be an inexhaustible quarry for lovers of historical performance practice and beautifully balanced music. Francesco Antonio Bonporti was a composer-priest who, after studies in Innsbruck and Rome, spent most of his working life in his home town of Trento, once host to the Tridentinum, but in the early eighteenth century nothing more than a provincial nest. Of his twelve published works (of which only nine are still extant), eleven consisted of instrumental music, leaving only the set of six solo motets recorded here and a rumoured, but not extant, mass as his complete vocal works. These motets are written for a small group such as would have been delighted to perform them in the provincial surroundings of Trento and elsewhere, possibly for performing nuns, a phenomenon which was apparently not all that uncommon at the time. Each motet consists of four or five "movements", alternating arias and recitatives; the Latin texts are devotional (Roman Catholic, of course); and the simple but haunting melodies are of exceptional beauty.
The performance by Ellen Hargis and the Indianapolis-based Ensemble Ouabache (named for the Wabash river) reflects both the serenity and beauty of these works. Ellen Hargis's pure, high soprano is given pride of place, so to speak, but the lovely instrumental accompaniment, although placed decently in the background, supports her in every way, making this a disc that fans of high baroque music will love. Ellen Hargis's voice is, of course, an early-music voice, she is not an opera singer, at least, not in the modern sense. But that is only to her advantage in this context, and the beauty of her singing coupled with Dorian's excellent engineering led a critic in Germany's "Klassik heute" magazine to give this CD the highest rating - which, in turn, led to me buying the disc, albeit it many years later.
The production is lovingly made, with a beautifully-printed English-language booklet. Unfortunately, there is one drop of wormwood: The track-listing is out-of-sync with what you hear; it appears that one of the four-movement motets has been given five tracks, whereas the closing "Alleluia" of the last of the recorded motets is not listed at all. This can be a little disconcerting, but it certainly does not detract from the beauty and serenity of a very special disc which does honour to the early music scene in Indiana and to the efforts of Sono Luminus-Dorian.

discogs

Track List:

Motetti a canto solo con violini 1702
Vos Cheles * Opus 3 No. 5 "Motetto per ogni festa della Madonna"
1 Aria "Vos cheles" 2:48
2 Recitative "En hodierna" 0:50
3 Aria "Fides sonora" 2:53
4 Recitative "In tanta igtur" 0:47
5 Aria "Eia melos" 1:42

Mittite Dulces * Opus 3 No. 2 "Motetto per il Signore"
6 Aria "Mittite dulcis" 3:14
7 Recitative "Ut sit Iesus" 1:31
8 Aria "Arde mum cor" 1:07
9 Recitative "O divini amori" 3:33
10 Aria "Veni Iesu"" 3:07

Angelice Mentes * Opus 3 No. 3 "Motetto per ogni Santo"
11 Aria "Angelice mentes" 0:51
12 Recitative "Ardent fervore" 2:54
13 Aria "Bella stelle" 0:47
14 Recitative "O fortunata sidera" 1:29
15 Aria "Plaudite omnes" 2:31

Ite Molles * Opus 3 No. 4 "Motetto per il Signore"
16 Aria "Ite molles" 1:07
17 Recitative "Ardet amore" 4:04
18 Aria "Placidi Zefiri" 0:42
19 Recitative "Iam respiro" 4:54
20 Aria "O quad dulce" 3:52

Clare Stella * Opus 3 No. 1 "Motetto per la Madonnna"
21 Aria "Clare stelle" 1:19
22 Recitative "En Maria" 1:57
23 Aria "Surge, veni, vola" 2:44
24 Aria "Salva nos" 2:28

Ad Coelum * Opus 3 No. 6 "Motetto per ogni Santo"
25 Aria "Ad column" 1:53
26 Aria "Vos dilecte" 0:58
27 Aria "Resonate" 3:05
28 Aria "Cara mors" 1:18

Performers:
Ellen Hargis, soprano
Ensemble Ouabache

EAC Log

Exact Audio Copy V1.3 from 2. September 2016

EAC extraction logfile from 14. January 2018, 18:14

Ellen Hargis/Ensemble Ouabache / Bonporti Motets

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