Elizabeth Wallfisch, L'Orfeo Barockorchester - Georg Philipp Telemann: Complete Violin Concertos, Vol. 4 (2012)
Elizabeth Wallfisch, L'Orfeo Barockorchester - Georg Philipp Telemann: Complete Violin Concertos, Vol. 4 (2012)
EAC | FLAC | Image (Cue & Log) ~ 332 Mb | Total time: 61:30 | Scans included
Classical | Label: CPO | # 777 242-2 | Recorded: 2006
EAC | FLAC | Image (Cue & Log) ~ 332 Mb | Total time: 61:30 | Scans included
Classical | Label: CPO | # 777 242-2 | Recorded: 2006
The fourth volume of CPO’s set of Telemann’s “complete violin concertos” contains three overture-concertos, two works of which kind appeared in a previous volume (in D, TWV 55:D14; in A, TWV 55: colla parte , but woodwind highlights don’t distract from the sometimes brilliant solos that emerge not only in the fast sections of the first movements (ouvertures), but in the jaunty movements like the G-Major Concerto’s Bourée (these concertos usually consist of an ouverture followed by sets of dances, including entrées, bourées, loures, menuets, siciliennes, gigues, and rondeaus, mixed in various orders). The engineers seem to have placed Elizabeth Wallfisch within, rather than in front of, the orchestra (which they’ve captured at some distance), though she plays the violin parts brilliantly when the music calls for her to do so. Still, these aren’t Vivaldi-like, no-holds-barred virtuosic romps that anticipate the spotlight Paganini directed on the violin part. Yet they aren’t concertos in the style of Torelli, with solos suddenly springing out from the background, either. Telemann wove the violin’s figuration from bariolages and swirling passages, usually setting it against a chunky, rhythmically vigorous orchestral backdrop (strongly accentuated in these readings) that serves as at least a textural equal of the solo violin so seamlessly woven into it. However that may be, the Ouverture to the Concerto in G Minor contains passages that could command the spotlight in Italian concertos from the period and later.
The vigor of the performances by Wallfisch and L’Orfeo Baroque Orchestra emerges perhaps most overtly in movements like the Bourée from the Concerto in E Major, and the strongest lyricism of the performances in the loures. But Wallfisch’s tone remains astringent and bracing throughout, arguably tailored to the vigor of the ruddiest dances rather than to the works’ tenderer moments. Occasionally, as in the G-Minor Concerto’s Gavotte, the oboes fleetingly draw the spotlight, and Carin van Hearden and Domenika Trefflinger flicker and flash in these soloistic moments.— Robert Maxham
Performer:
L'Orfeo Barockorchester
Elizabeth Wallfisch, violin & direction
Tracklist:
Georg Philipp Telemann (1681-1767)
Overture (Suite) in G major, TWV 55:G6
01. I. Overture
02. II. Entrée
03. III. Bourrée
04. IV. Loure: Grave
05. V. Menuet I (alternativement) / [Menuet II]
06. VI. Rondeau
Overture (Suite) in E major, TWV 55:E3
07. I. Overture
08. II. Bourrée
09. III. Sarabande
10. IV. Menuet I & II
11. V. Sicilienne
12. VI. Gigue
Overture (Suite) in G minor, TWV 55:g7
13. I. Overture [Gravement-] Trés vite - [Gravement-] Trés vite - [Gravement]
14. II. Cajolerie
15. III. Rondeau
16. IV. Loure
17. V. Gavotte
18. VI. Menuet I (alternativement) / Menuet II
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 19. October 2023, 20:22
Elizabeth Wallfisch, L'Orfeo Barockorchester / Telemann: Complete Violin Concertos Vol. 4
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Elizabeth Wallfisch, L'Orfeo Barockorchester - Georg Philipp Telemann: Complete Violin Concertos, Vol. 4 (2012)
