Elizabeth Wallfisch, Richard Tunnicliffe, Malcolm Proud - Vivaldi: Violin Sonatas, Op. 2 (2004)
Elizabeth Wallfisch, Richard Tunnicliffe, Malcolm Proud - Vivaldi: Violin Sonatas, Op. 2 (2004)
EAC | FLAC (tracks+.cue, log) | Covers Included | 59:05 | 362 MB
Genre: Classical | Label: Hyperion Records | Catalog: CDA67467
EAC | FLAC (tracks+.cue, log) | Covers Included | 59:05 | 362 MB
Genre: Classical | Label: Hyperion Records | Catalog: CDA67467
Vivaldi’s sonatas for violin and continuo follow his volume of trio sonatas, which, like these, paid homage to the acknowledged master of the form, Arcangelo Corelli, but staked out new, personal territory. Michael Talbot’s notes trace the origins of these sonatas in duets and various changes in their editions’ title pages—if not thoroughgoingly in the nature of their conception. Individual movements make reference to Corelli’s Sonata da camera: Preludio, Allemande, Corrente, Sarabanda, and Giga; and their number varies from three (Sonatas 5–6) to four (Sonatas 1–4, although Wallfisch and her colleagues have topped off the Second Sonata with a fifth movement, Pastorale ad libitum, by Nicholas Chédeville). But if they hint at things past (the opening Sonata No. 1 seems to make a reference, not entirely oblique, to the opening of Corelli’s Sonata, op. 5/8 and the Allemande of Sonata No. 4 seems quite as closely related to the older master, though the specific reference may not be so clear), these sonatas also foreshadow things to come—the Third Sonata’s Preludio bears a strong affinity to the “Domine Deus” of the Gloria, RV 589.
If, at one time, Elizabeth Wallfisch nearly epitomized the nasal, viol-like sound ideal embraced by many period instrumentalists, these performances, still mildly acidic, should hardly offend even the most stubborn defenders of modern instruments in this literature. She creates such excitement with her strappingly vigorous approach that listening to these works never degenerates into an exercise in “wrong-end-of-the-telescope perspective.” Her partnership with Richard Tunnicliffe and Malcolm Proud captures the spirit if not the letter of the supposed original intent of the sonatas as duos for violin and cello. The group employs “various” 6th-comma temperaments; Wallfisch plays on a 2001 Roger Hargrave violin “after Andreas Amati”; while Tunnicliffe employs a 1720 four-string cello by Maussiell (Sonatas 1, 2, 4, and 5) and a 1724 five-string cello by Malahar (Sonata 3). Proud plays a Ransom and Hammett harpsichord after Grimaldi. The engineers have balanced these instruments almost perfectly in lively recorded sound.
Vivaldi’s sonatas have lagged behind his concertos in popularity. Displaying neither their rhythmic incisiveness nor their flamboyant virtuosity, they nevertheless possess an energy and melodic coherence that sets them in advance of even Corelli’s sonatas, then not yet a generation old but already famous. Wallfisch and company have arguably made a more modern case for their appeal to our own times by restoring their élan vital. For the ardor of their championship and the bracing exhilaration of their camaraderie, their performances deserve to be strongly recommended to general listeners. (Those who wish to acquire the complete set of op. 2 and can’t, or don’t want to, wait for Wallfisch to record the last six sonatas can turn to Walter Reiter and Cordaria on Signum SIGCD014, 24:2 or, preferably, to Fabrizio Cipriani—Cantus 9608/9—both on period instruments, or to Salvatore Accardo’s eloquent version on modern instruments from 1977, now part of the Vivaldi Edition, Philips 456 185-2.) – Robert Maxham
Elizabeth Wallfisch, Richard Tunnicliffe, Malcolm Proud - Vivaldi: Violin Sonatas, Op. 2 (2004)
Track List:
01-04. Sonata in G minor Op. 2 No. 1
05-09. Sonata in A major Op. 2 No. 2
10-13. Sonata in D minor Op. 2 No. 3
14-17. Sonata in F major Op. 2 No. 4
18-20. Sonata in B minor Op. 2 No. 5
21-23. Sonata in C major Op. 2 No. 6
Performers:
Elizabeth Wallfisch, violin
Richard Tunnicliffe, cello
Malcolm Proud, harpsichord
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 21. June 2011, 12:50
Vivaldi / Op.2 Six Violin Sonatas # E. Wallfisch - R. Tunnicliffe - M. Proud
Used drive : _NEC DVD_RW ND-3570A Adapter: 3 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
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Quality : High
Add ID3 tag : No
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Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -8" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
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1 | 0:00.00 | 3:46.36 | 0 | 16985
2 | 3:46.36 | 2:07.28 | 16986 | 26538
3 | 5:53.64 | 2:21.61 | 26539 | 37174
4 | 8:15.50 | 2:16.22 | 37175 | 47396
5 | 10:31.72 | 1:10.33 | 47397 | 52679
6 | 11:42.30 | 1:54.28 | 52680 | 61257
7 | 13:36.58 | 1:01.11 | 61258 | 65843
8 | 14:37.69 | 2:29.29 | 65844 | 77047
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22 | 55:21.36 | 1:29.54 | 249111 | 255839
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Accurately ripped (confidence 3) [440FE7C0]
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Accurately ripped (confidence 3) [7BB2B0D5]
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Accurately ripped (confidence 3) [49E36B84]
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End of status report
EAC extraction logfile from 21. June 2011, 12:50
Vivaldi / Op.2 Six Violin Sonatas # E. Wallfisch - R. Tunnicliffe - M. Proud
Used drive : _NEC DVD_RW ND-3570A Adapter: 3 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -8" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:46.36 | 0 | 16985
2 | 3:46.36 | 2:07.28 | 16986 | 26538
3 | 5:53.64 | 2:21.61 | 26539 | 37174
4 | 8:15.50 | 2:16.22 | 37175 | 47396
5 | 10:31.72 | 1:10.33 | 47397 | 52679
6 | 11:42.30 | 1:54.28 | 52680 | 61257
7 | 13:36.58 | 1:01.11 | 61258 | 65843
8 | 14:37.69 | 2:29.29 | 65844 | 77047
9 | 17:07.23 | 2:44.57 | 77048 | 89404
10 | 19:52.05 | 6:36.01 | 89405 | 119105
11 | 26:28.06 | 2:02.12 | 119106 | 128267
12 | 28:30.18 | 1:21.71 | 128268 | 134413
13 | 29:52.14 | 2:05.45 | 134414 | 143833
14 | 31:57.59 | 3:19.19 | 143834 | 158777
15 | 35:17.03 | 2:15.14 | 158778 | 168916
16 | 37:32.17 | 3:10.02 | 168917 | 183168
17 | 40:42.19 | 2:44.11 | 183169 | 195479
18 | 43:26.30 | 3:09.47 | 195480 | 209701
19 | 46:36.02 | 2:34.28 | 209702 | 221279
20 | 49:10.30 | 1:25.13 | 221280 | 227667
21 | 50:35.43 | 4:45.68 | 227668 | 249110
22 | 55:21.36 | 1:29.54 | 249111 | 255839
23 | 56:51.15 | 2:12.21 | 255840 | 265760
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Accurately ripped (confidence 3) [4F964B9F]
Copy OK
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Accurately ripped (confidence 3) [64A531D8]
Copy OK
Track 3
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Accurately ripped (confidence 3) [1CF801C5]
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Accurately ripped (confidence 3) [440FE7C0]
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Accurately ripped (confidence 3) [759DF71E]
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Accurately ripped (confidence 3) [7BB2B0D5]
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Accurately ripped (confidence 3) [00818651]
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Accurately ripped (confidence 3) [49E36B84]
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Track 9
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Accurately ripped (confidence 3) [6E332F36]
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Accurately ripped (confidence 3) [444C9770]
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Accurately ripped (confidence 3) [5170EA35]
Copy OK
Track 12
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Accurately ripped (confidence 3) [094AA2FA]
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Accurately ripped (confidence 3) [FA841078]
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Accurately ripped (confidence 3) [1F4C5586]
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Accurately ripped (confidence 3) [74AE48D0]
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Track 16
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Accurately ripped (confidence 3) [2F046D32]
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Accurately ripped (confidence 3) [AF229B2D]
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Track 18
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Test CRC 212CD3CA
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Accurately ripped (confidence 3) [93620B60]
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Track 19
Filename D:\Мои документы\Exact Audio Copy\Vivaldi - Sonatas, Op.2 - Wallfisch, Proud\19 - Sonata No.5 in B minor -2 Corrente- Allegro.wav
Pre-gap length 0:00:00.80
Peak level 63.9 %
Track quality 99.9 %
Test CRC 75F5EF7F
Copy CRC 75F5EF7F
Accurately ripped (confidence 3) [D2A8FA59]
Copy OK
Track 20
Filename D:\Мои документы\Exact Audio Copy\Vivaldi - Sonatas, Op.2 - Wallfisch, Proud\20 - Sonata No.5 in B minor -3 Giga- Presto.wav
Peak level 55.4 %
Track quality 100.0 %
Test CRC A99C8BB2
Copy CRC A99C8BB2
Accurately ripped (confidence 3) [A404909C]
Copy OK
Track 21
Filename D:\Мои документы\Exact Audio Copy\Vivaldi - Sonatas, Op.2 - Wallfisch, Proud\21 - Sonata No.6 in C major -1 Preludio- Andante.wav
Pre-gap length 0:00:06.80
Peak level 58.5 %
Track quality 99.9 %
Test CRC B983F85F
Copy CRC B983F85F
Accurately ripped (confidence 3) [92DBA88D]
Copy OK
Track 22
Filename D:\Мои документы\Exact Audio Copy\Vivaldi - Sonatas, Op.2 - Wallfisch, Proud\22 - Sonata No.6 in C major -2 Allemanda- Presto.wav
Pre-gap length 0:00:00.24
Peak level 50.4 %
Track quality 100.0 %
Test CRC 0E831BF6
Copy CRC 0E831BF6
Accurately ripped (confidence 3) [0E75B02F]
Copy OK
Track 23
Filename D:\Мои документы\Exact Audio Copy\Vivaldi - Sonatas, Op.2 - Wallfisch, Proud\23 - Sonata No.6 in C major -3 Giga- Allegro.wav
Peak level 42.1 %
Track quality 100.0 %
Test CRC C54BC6A0
Copy CRC C54BC6A0
Accurately ripped (confidence 3) [7CF7914A]
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
Thanks to the Original ripper Святогор Иванович!
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