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Elgar - Falstaff Op.68, Enigma Variations Op.36 (Charles Mackerras) [1998] (Re-UP)

Posted By: Sowulo

Date: 24 Jun 2014 04:04:00

Elgar - Falstaff Op.68, Enigma Variations Op.36 (Charles Mackerras) [1998] (Re-UP)

Sir Edward William Elgar, 1st Baronet OM, GCVO (2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.
Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-conscious society of Victorian and Edwardian Britain, he was acutely sensitive about his humble origins even after he achieved recognition. He nevertheless married the daughter of a senior British army officer. She inspired him both musically and socially, but he struggled to achieve success until his forties, when after a series of moderately successful works his Enigma Variations (1899) became immediately popular in Britain and overseas. He followed the Variations with a choral work, The Dream of Gerontius (1900), based on a Roman Catholic text that caused some disquiet in the Anglican establishment in Britain, but it became, and has remained, a core repertory work in Britain and elsewhere. His later full-length religious choral works were well received but have not entered the regular repertory. The first of his Pomp and Circumstance Marches (1901) is well known in the English-speaking world.
In his fifties, Elgar composed a symphony and a violin concerto that were immensely successful. His second symphony and his cello concerto did not gain immediate public popularity and took many years to achieve a regular place in the concert repertory of British orchestras. Elgar's music came, in his later years, to be seen as appealing chiefly to British audiences. His stock remained low for a generation after his death. It began to revive significantly in the 1960s, helped by new recordings of his works. Some of his works have, in recent years, been taken up again internationally, but the music remains more played in Britain than elsewhere.
Elgar has been described as the first composer to take the gramophone seriously. Between 1914 and 1925, he conducted a series of acoustic recordings of his works. The introduction of the microphone in 1925 made far more accurate sound reproduction possible, and Elgar made new recordings of most of his major orchestral works and excerpts from The Dream of Gerontius. These recordings were reissued on LP record in the 1970s and on CD in the 1990s.
wiki

Tracklisting:
1. Falstaff, Op.68: I. Falstaff and Prince Henry
2-12. II. Eastcheap - Gadshill - The Boar's Head, revelry and sleep
13. II. Dream Interlude:Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk ( Poco Allegretto)
14-17. III. Falstaff's march - The return through Gloucestershire
18. III. Interlude: Gloucestershire. Shallow's orchard (Allegretto)
19-20. III. The new King - The hurried ride to London
21-28. IV/a-h. King Henry V's progress - The repudiation of Falstaff, and his death
29. Enigma Variations Op.36. Theme (Enigma): I. C.A.E. (the composer's wife)
30. II. H.D.S.-P. ( Hew D. Stuart-Powwell)
31. III: R.B.T. (Richard Baxter Townshend)
32. IV. W.M.B. ( William Meath Baker)
33. V. R.P.A. ( Richard Penrose Arnold)
34. VI. Ysobel (Isabel Fitton)
35. VII. Troyte (Troyte Griffith)
36. VIII. W.N. (Winifred Norbury)
37. IX. Nimrod (A.E.Jaeger)
38. X. Intermezzo: Dorabell (Dora Penny)
39. XI. G.R.S. (George Robertson Sinclair)
40. XII. B.G.N. (Basil G. Nevinson)
41. XIII. Romanza: *** ( Lady Mary Lygon)
42. XIV. Finale. E.D.U. (the composer)

LOG

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 2. February 2012, 19:44

London Philarmonic Orchestra, Charles Mackerras / Elgar - Falstaff Op68, Enigma Variations Op.36

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Defeat audio cache : Yes
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Read offset correction : 6
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Null samples used in CRC calculations : Yes
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Used output format : User Defined Encoder
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Range status and errors

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Filename C:\Elgar - Falstaff Op68, Enigma Variations Op.36.wav

Peak level 93.3 %
Extraction speed 0.1 X
Range quality 100.0 %
Test CRC FAD639DD
Copy CRC FAD639DD
Copy OK

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==== Log checksum E92081DA76331549DF7E0DEFE3D8937CE73DADC63FF6B6523C8251B1D4DA151A ====

Performer:
David Bell (organ)
London Philarmonic Orchestra,
Conductor - Charles Mackerras

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90s Classical Lossless Romantic