Marie-Louise Duthoit, Le Concert Calotin, Fabien Armengaud - Louis-Antoine Dornel: Pieces de clavecin, airs et trios (2002)
Louis-Antoine Dornel: Pièces de clavecin, airs et trios (2002)
Marie-Louise Duthoit, soprano; Le Concert Calotin; Fabien Armengaud, clavecin & direction
EAC | FLAC | Image (Cue&Log) ~ 327 Mb | Mp3 (CBR320) ~ 150 Mb | Scans included
Classical, Baroque | Label: Arion | # ARN 68559 | Time: 01:00:37
Marie-Louise Duthoit, soprano; Le Concert Calotin; Fabien Armengaud, clavecin & direction
EAC | FLAC | Image (Cue&Log) ~ 327 Mb | Mp3 (CBR320) ~ 150 Mb | Scans included
Classical, Baroque | Label: Arion | # ARN 68559 | Time: 01:00:37
There is sadly little biographical information about the Parisian organist and composer Louis-Antoine Dornel. The date of his birth can be established at around 1680, though his place of birth remains unknown. His death is also unrecorded, though in 1780 La Borde’s Essai sur la musique ancienne et moderne reports that Dornel had died 25 years earlier at the age of 75, placing his death during the second half of the 1750s.
It is possible that Dornel was a pupil of the organist Nicolas Lebègue; in 1706 he succeeded François D’Agincourt as organist at Sainte Madeleine-en-la-Cité, following a competition with Jean-Philippe Rameau, who had been unable to persuade the church authorities to agree to his terms for accepting the post. Dornel left his post in 1716 to take up a temporary position at l’Abbaye Ste-Geneviève which became permanent on the death of André Raison in 1719. Dornel is also known to have played at Ste-Geneviève-des-Ardents, and St-Germain-le-Viel. His position as maître de musique at the Académie française between 1725 and 1742 afforded him opportunities to compose motets for choir and orchestra, many of which were performed at Paris’s pioneering public concert series, the Concert Spirituel.
Several of Dornel’s contemporaries speak highly of his accomplishments in the field of instrumental music. These include Nemeitz, the famous traveller and writer who visited Paris in 1713 (the same year that Dornel’s Sonates en Trio, Op. 3, appeared) and La Borde, who comments that Dornel “avait beaucoup de réputation dans son temps” (“had a great reputation in his time”). Dornel’s surviving instrumental works include the Livre de Simphonies contenant six Suittes en Trio…avec une Sonate en Quatuor, Op. 1 (1709), the Sonates à Violon seul et Suites pour la Flûte traversière, Op. 2 (1711), a set of Sonates en trio, Op.3 (1713), a further set of Concerts de Simphonies…contenant six Concerts en Trio…(1723), and the Pièces de clavecin (1731). A number of organ pieces has also survived along with the theoretical treatise Le tour du clavier sur tous les tons majeurs et mineurs (1745).
Dornel’s imaginative and dynamic compositional style was perfectly suited to the lively and ever-changing musical environment of Paris in the first decades of the eighteenth century. The glorious years of Louis XIV’s reign were coming to a close, and with it the Sun King’s uncompromising grip on permitted musical taste was beginning to weaken. As musical life at the royal court began to decline so the hub of French musical life shifted from Versailles to Paris, and a strong sense of new found freedom prevailed in the city’s cultured circles. The relative merits of French and Italian musical styles were hotly debated, and works by the likes of Corelli and Vivaldi became well known and were eagerly consumed. In addition, a tradition of public concerts (including Philidor’s famous Concert Spirituel) began in Paris, giving visiting artists from far afield a chance to demonstrate their skills as well as giving composers a chance to air new works.
In this more liberal environment many French composers developed a distinctly cosmopolitan slant in their works, and for smaller scale instrumental music the sonata slowly but surely began to displace the dance suite as the genre du jour. Similarly, Italian tempo indications started to be preferred over the usual courtly dance titles. Not all French composers, however, were so keen to give up all the conventions that defined their national style, and Dornel (along with François Couperin and others) was able to incorporate the harmonic logic and formal clarity of Corelli into a still unmistakeably Gallic music vocabulary. Dornel, along with fellow organist Dandrieux, presented the first French ‘Sonatas’ in Paris, but these were some way from being direct imitations of their Italian equivalents.
Dornel’s Pièces de clavecin were published in 1731. His keyboard pieces were highly praised in the Mercure de France, and are notable for how little they owe to Rameau’s seminal 1724 collection. Instead the influence of François Couperin’s Ordres from fifteen years or so before is much more strongly discernible. The Cinquième Suite in C has both dance movements and character-pieces, and just as in Couperin some ordering of pieces suggests little dramas, particularly notable here in the pairing of the downcast ‘L’absence’ and the positively rapturous ‘Le Retour’.
Louis-Antoine Dornel at Allmusic
Louis-Antoine Dornel at Wiki
Marie-Louise Duthoit, Le Concert Calotin, Fabien Armengaud - Louis-Antoine Dornel: Pieces de clavecin, airs et trios (2002)
Marie-Louise Duthoit, Le Concert Calotin, Fabien Armengaud - Louis-Antoine Dornel: Pieces de clavecin, airs et trios (2002)
Marie-Louise Duthoit soprano*
Le Concert Calotin
Fabien Armengaud clavecin & direction
Tracklist:
Louis-Antoine Dornel (c.1680–c.1757)
[1]-[6] Quatrième suitte en trio
[6] Après la froidure*
[7]-[14] Cinquième suitte pour clavecin
[15] Vos gémissements*
[16] Ah! mon cher Amour*
[17]-[22] Troisième suitte pour clavecin
[23]-[28] Sixième suitte en trio
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 10. November 2018, 22:04
Le Concert Calotin, Fabien Armengaud / Dornel - Pièces de clavecin, airs et trios
Used drive : PLDS DVD-RW DU8A6SH Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:27.45 | 0 | 11069
2 | 2:27.45 | 1:06.57 | 11070 | 16076
3 | 3:34.27 | 0:38.40 | 16077 | 18966
4 | 4:12.67 | 4:06.15 | 18967 | 37431
5 | 8:19.07 | 2:40.43 | 37432 | 49474
6 | 10:59.50 | 4:11.22 | 49475 | 68321
7 | 15:10.72 | 2:44.03 | 68322 | 80624
8 | 17:55.00 | 1:31.02 | 80625 | 87451
9 | 19:26.02 | 3:22.45 | 87452 | 102646
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14 | 30:00.15 | 1:52.57 | 135015 | 143471
15 | 31:52.72 | 1:53.05 | 143472 | 151951
16 | 33:46.02 | 2:15.43 | 151952 | 162119
17 | 36:01.45 | 3:38.10 | 162120 | 178479
18 | 39:39.55 | 1:34.17 | 178480 | 185546
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27 | 55:44.15 | 0:55.05 | 250815 | 254944
28 | 56:39.20 | 3:57.27 | 254945 | 272746
Range status and errors
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Filename C:\temp\Dornel - Pieces de clavecin, airs et trios - 2002\Dornel - Pieces de clavecin, airs et trios.wav
Peak level 99.9 %
Extraction speed 3.7 X
Range quality 100.0 %
Test CRC 7E92BE1E
Copy CRC 7E92BE1E
Copy OK
No errors occurred
AccurateRip summary
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==== Log checksum 3A53C0B8C4F004DAD727FF86EFA231CBF875D201AFEAF87CA6B1735372FBCC6A ====
EAC extraction logfile from 10. November 2018, 22:04
Le Concert Calotin, Fabien Armengaud / Dornel - Pièces de clavecin, airs et trios
Used drive : PLDS DVD-RW DU8A6SH Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:27.45 | 0 | 11069
2 | 2:27.45 | 1:06.57 | 11070 | 16076
3 | 3:34.27 | 0:38.40 | 16077 | 18966
4 | 4:12.67 | 4:06.15 | 18967 | 37431
5 | 8:19.07 | 2:40.43 | 37432 | 49474
6 | 10:59.50 | 4:11.22 | 49475 | 68321
7 | 15:10.72 | 2:44.03 | 68322 | 80624
8 | 17:55.00 | 1:31.02 | 80625 | 87451
9 | 19:26.02 | 3:22.45 | 87452 | 102646
10 | 22:48.47 | 0:44.00 | 102647 | 105946
11 | 23:32.47 | 2:05.07 | 105947 | 115328
12 | 25:37.54 | 3:21.36 | 115329 | 130439
13 | 28:59.15 | 1:01.00 | 130440 | 135014
14 | 30:00.15 | 1:52.57 | 135015 | 143471
15 | 31:52.72 | 1:53.05 | 143472 | 151951
16 | 33:46.02 | 2:15.43 | 151952 | 162119
17 | 36:01.45 | 3:38.10 | 162120 | 178479
18 | 39:39.55 | 1:34.17 | 178480 | 185546
19 | 41:13.72 | 1:28.23 | 185547 | 192169
20 | 42:42.20 | 2:17.35 | 192170 | 202479
21 | 44:59.55 | 1:26.42 | 202480 | 208971
22 | 46:26.22 | 1:18.63 | 208972 | 214884
23 | 47:45.10 | 2:30.67 | 214885 | 226201
24 | 50:16.02 | 2:54.60 | 226202 | 239311
25 | 53:10.62 | 1:32.25 | 239312 | 246236
26 | 54:43.12 | 1:01.03 | 246237 | 250814
27 | 55:44.15 | 0:55.05 | 250815 | 254944
28 | 56:39.20 | 3:57.27 | 254945 | 272746
Range status and errors
Selected range
Filename C:\temp\Dornel - Pieces de clavecin, airs et trios - 2002\Dornel - Pieces de clavecin, airs et trios.wav
Peak level 99.9 %
Extraction speed 3.7 X
Range quality 100.0 %
Test CRC 7E92BE1E
Copy CRC 7E92BE1E
Copy OK
No errors occurred
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==== Log checksum 3A53C0B8C4F004DAD727FF86EFA231CBF875D201AFEAF87CA6B1735372FBCC6A ====
[CUETools log; Date: 14.12.2018 12:20:30; Version: 2.1.4]
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Track [ CRC | V2 ] Status
01 [c21453d9|1e25e96e] (0+1/1) Accurately ripped
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07 30,1 [22058040] [DD3E139D]
08 26,1 [53B536C4] [067AA0C8]
09 30,6 [316CCC7B] [C9D3624F]
10 24,7 [F52CAC38] [7B9BD792]
11 41,1 [930D7381] [00BE7DC1]
12 12,6 [F92DA3CE] [147DE8AA]
13 38,9 [C5269D82] [1F0C847D]
14 28,8 [E68678AC] [65FC7E66]
15 80,8 [17F90379] [CC27D884]
16 92,6 [990F821F] [59AB2455]
17 29,0 [806045A4] [AFAF7D1E]
18 26,0 [A2334C3B] [5813C661]
19 16,2 [19A74025] [882451AE]
20 20,8 [CE843C60] [2AD4B679]
21 30,7 [F001749B] [B767AD1D]
22 38,7 [FD50C3B3] [1E1EEA90]
23 71,5 [256E4335] [D0D671F2]
24 73,9 [C0D33E98] [2DF0E022]
25 38,5 [8EE7DB04] [D95A7F34]
26 56,1 [B07CCA48] [161CCC8E]
27 52,8 [C8155676] [76337C84]
28 71,9 [AE4F1540] [91165453]
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-12-14 12:10:58
––––––––––––––––––––––––––––––––––––––––
Analyzed: Le Concert Calotin, Fabien Armengaud / Dornel - Pièces de clavecin, airs et trios
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -3.70 dB -17.55 dB 2:28 01-Quatrième suitte en trio - I. Ouverture
DR10 -5.58 dB -18.59 dB 1:07 02-Quatrième suitte en trio - II. Sarabande
DR11 -4.48 dB -19.80 dB 0:39 03-Quatrième suitte en trio - III. Gavotte
DR11 -2.39 dB -17.45 dB 4:06 04-Quatrième suitte en trio - IV. Chaconne
DR12 -4.91 dB -19.02 dB 2:41 05-Quatrième suitte en trio - V. Rigodon 1 & 2
DR12 -10.41 dB -25.04 dB 2:44 07-Cinquième suitte pour clavecin - I. L'Amour reciproque
DR12 -11.64 dB -26.04 dB 1:31 08-Cinquième suitte pour clavecin - II. Rondeau
DR13 -10.27 dB -25.85 dB 3:23 09-Cinquième suitte pour clavecin - III. La Plaintive
DR12 -12.13 dB -25.86 dB 0:44 10-Cinquième suitte pour clavecin - IV. Menuet
DR12 -7.72 dB -22.13 dB 2:05 11-Cinquième suitte pour clavecin - V. Gigue
DR12 -17.95 dB -31.66 dB 3:21 12-Cinquième suitte pour clavecin - VI. L'Absence
DR13 -8.20 dB -25.03 dB 1:01 13-Cinquième suitte pour clavecin - VII. Le Retour en Echo
DR11 -10.80 dB -23.66 dB 1:53 14-Cinquième suitte pour clavecin - VIII. La St Jean de Paris
DR11 -10.74 dB -24.76 dB 3:38 17-Troisième suitte pour clavecin - I. L'Affectueuse
DR12 -11.69 dB -24.72 dB 1:34 18-Troisième suitte pour clavecin - II. La Marquise
DR12 -15.78 dB -31.13 dB 1:28 19-Troisième suitte pour clavecin - III. Le Chant de Lalloüette
DR11 -13.60 dB -26.98 dB 2:17 20-Troisième suitte pour clavecin - IV. Le petit Ramage
DR11 -10.24 dB -23.50 dB 1:27 21-Troisième suitte pour clavecin - V. Le Tourniquet
DR12 -8.22 dB -22.74 dB 1:19 22-Troisième suitte pour clavecin - VI. Leveillée
DR10 -2.91 dB -17.02 dB 2:31 23-Sixième suitte en trio - I. Prélude
DR10 -2.62 dB -16.55 dB 2:55 24-Sixième suitte en trio - II. Allemande
DR9 -8.28 dB -20.38 dB 1:32 25-Sixième suitte en trio - III. Ritournelle
DR10 -5.02 dB -17.61 dB 1:01 26-Sixième suitte en trio - IV. Rondeau
DR10 -5.54 dB -18.69 dB 0:55 27-Sixième suitte en trio - V. Menuet
DR11 -2.86 dB -17.21 dB 3:57 28-Sixième suitte en trio - VI. Chaconne
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 25
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 728 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Marie-Louise Duthoit, Le Concert Calotin, Fabien Armengaud / Dornel - Pièces de clavecin, airs et trios
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR16 0.00 dB -20.29 dB 4:11 06-Après la froidure
DR13 -1.84 dB -23.49 dB 1:53 15-Vos gémissements
DR15 -0.67 dB -21.67 dB 2:16 16-Ah! mon cher Amour
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 3
Official DR value: DR15
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 728 kbps
Codec: FLAC
================================================================================
log date: 2018-12-14 12:10:58
––––––––––––––––––––––––––––––––––––––––
Analyzed: Le Concert Calotin, Fabien Armengaud / Dornel - Pièces de clavecin, airs et trios
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -3.70 dB -17.55 dB 2:28 01-Quatrième suitte en trio - I. Ouverture
DR10 -5.58 dB -18.59 dB 1:07 02-Quatrième suitte en trio - II. Sarabande
DR11 -4.48 dB -19.80 dB 0:39 03-Quatrième suitte en trio - III. Gavotte
DR11 -2.39 dB -17.45 dB 4:06 04-Quatrième suitte en trio - IV. Chaconne
DR12 -4.91 dB -19.02 dB 2:41 05-Quatrième suitte en trio - V. Rigodon 1 & 2
DR12 -10.41 dB -25.04 dB 2:44 07-Cinquième suitte pour clavecin - I. L'Amour reciproque
DR12 -11.64 dB -26.04 dB 1:31 08-Cinquième suitte pour clavecin - II. Rondeau
DR13 -10.27 dB -25.85 dB 3:23 09-Cinquième suitte pour clavecin - III. La Plaintive
DR12 -12.13 dB -25.86 dB 0:44 10-Cinquième suitte pour clavecin - IV. Menuet
DR12 -7.72 dB -22.13 dB 2:05 11-Cinquième suitte pour clavecin - V. Gigue
DR12 -17.95 dB -31.66 dB 3:21 12-Cinquième suitte pour clavecin - VI. L'Absence
DR13 -8.20 dB -25.03 dB 1:01 13-Cinquième suitte pour clavecin - VII. Le Retour en Echo
DR11 -10.80 dB -23.66 dB 1:53 14-Cinquième suitte pour clavecin - VIII. La St Jean de Paris
DR11 -10.74 dB -24.76 dB 3:38 17-Troisième suitte pour clavecin - I. L'Affectueuse
DR12 -11.69 dB -24.72 dB 1:34 18-Troisième suitte pour clavecin - II. La Marquise
DR12 -15.78 dB -31.13 dB 1:28 19-Troisième suitte pour clavecin - III. Le Chant de Lalloüette
DR11 -13.60 dB -26.98 dB 2:17 20-Troisième suitte pour clavecin - IV. Le petit Ramage
DR11 -10.24 dB -23.50 dB 1:27 21-Troisième suitte pour clavecin - V. Le Tourniquet
DR12 -8.22 dB -22.74 dB 1:19 22-Troisième suitte pour clavecin - VI. Leveillée
DR10 -2.91 dB -17.02 dB 2:31 23-Sixième suitte en trio - I. Prélude
DR10 -2.62 dB -16.55 dB 2:55 24-Sixième suitte en trio - II. Allemande
DR9 -8.28 dB -20.38 dB 1:32 25-Sixième suitte en trio - III. Ritournelle
DR10 -5.02 dB -17.61 dB 1:01 26-Sixième suitte en trio - IV. Rondeau
DR10 -5.54 dB -18.69 dB 0:55 27-Sixième suitte en trio - V. Menuet
DR11 -2.86 dB -17.21 dB 3:57 28-Sixième suitte en trio - VI. Chaconne
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 25
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 728 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Marie-Louise Duthoit, Le Concert Calotin, Fabien Armengaud / Dornel - Pièces de clavecin, airs et trios
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR16 0.00 dB -20.29 dB 4:11 06-Après la froidure
DR13 -1.84 dB -23.49 dB 1:53 15-Vos gémissements
DR15 -0.67 dB -21.67 dB 2:16 16-Ah! mon cher Amour
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 3
Official DR value: DR15
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 728 kbps
Codec: FLAC
================================================================================
Marie-Louise Duthoit, Le Concert Calotin, Fabien Armengaud - Louis-Antoine Dornel: Pieces de clavecin, airs et trios (2002)
