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David Bowie - 1. Outside (The Nathan Adler Diaries: A Hyper Cycle) (1995) [Japanese Blu-spec CD2]

Posted By: v3122

Date: 10 Sep 2019 17:20:34

David Bowie - 1. Outside (The Nathan Adler Diaries: A Hyper Cycle) (1995) [Japanese Blu-spec CD2]

David Bowie - 1. Outside (The Nathan Adler Diaries: A Hyper Cycle) (1995)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2013 | Sony Music Japan, SICP-30151 | ~ 538 or 142 Mb | Artwork(png) -> 323 Mb
Leftfield, Industrial, Experimental, Alternative Rock

1. Outside bears the subtitle "The Diary of Nathan Adler or The Art-Ritual Murder of Baby Grace Blue. A Non-Linear Gothic Drama Hyper-Cycle." Alright, so it reeks of pretension. One belabors the point because Bowie at his best has always been pretentious, risque, creatively (if sometimes contrivedly) over the top. 1. Outside marks the first in a planned series of collaborations with multi-instrumentalist, producer, and conceptualist Brian Eno based on a Bowie short story. In this end-of-millennium setting, "art-crimes" and "concept muggings" merit their own police division funded by the "Arts Protectorate of London." Echoes of the Berlin "outsider" Bowie/Eno '70s trilogy of Low, Heroes, and Lodger reverberate throughout, including a return to the "cut-and-paste" lyric-assembly method then employed, only this time fed through a Mac rather than more labor-intensive paper-and-scissors tools. The thusly fragmented "narrative" follows the investigations of Detective Professor Adler into the murder and subsequent dismembered body parts exhibition of 14-year-old runaway Baby Grace Blue. In this cut-up, composite world, each character, including Adler, Baby Grace, mixed-race youth Leon Blank, septuagenarian Algeria Touchshriek, and art-terrorist Ramona A. Stone, reflects a different aspect of Bowie himself and is therefore a component of all the previous personas Bowie has enacted over the years. The music also randomly dices and displays many of the previous album settings such personas have populated. To complete the cube, Bowie then draws on musicians that form a kind of anagram band from his past. The closest "Ziggy" link comes courtesy of pianist Mike Garson, whose icy, tinkling jazz runs evoke many a spine-tingly moment from Aladdin Sane and Diamond Dogs. Besides Garson and Eno, other names familiar to those who follow the Bowie canon include guitarists Carlos Alomar (Station to Station through Scary Monsters) and Reeves Grabels (Tin Machine), and '90s collaborators such as drummer Sterling Campbell (Black Tie White Noise) and multi-instrumentalist Erdal Kizilcay (Buddha). Diamond Dogs, inspired by George Orwell's 1984, is another obvious precursor to 1. Outside's dissection of a post-apocalyptic, technological society in the name of Art. Bowie inflicts "in-character" spoken word segments as between-song segues, several of which evoke the Cockney campiness of such '60s period pieces as "Please Mr. Gravedigger" and "The Laughing Gnome" – humor (intentional or not) that softens an otherwise bleak landscape. So, should you actually care about this dense, dark, difficult story and its generally unsympathetic characters? The effort required to adequately "process" 1. Outside pays off in a richly voyeuristic experience where Bowie once again reflects fringe culture onto the mainstream and forces us to consider that the differences are not so great.

by Roch Parisien, allmusic

David Bowie - 1. Outside (The Nathan Adler Diaries: A Hyper Cycle) (1995):

Tracklist:

01. Leon Takes Us Outside 01:25
02. Outside 04:04
03. The Hearts Filthy Lesson 04:57
04. A Small Plot Of Land 06:34
05. Segue - Baby Grace (A Horrid Cassette) 01:40
06. Hallo Spaceboy 05:14
07. The Motel 06:50
08. I Have Not Been To Oxford Town 03:49
09. No Control 04:33
10. Segue - Algeria Touchshriek 02:03
11. The Voyeur Of Utter Destruction (As Beauty) 04:21
12. Segue - Ramona A. Stone / I Am With Name 04:01
13. Wishful Beginnings 05:08
14. We Prick You 04:35
15. Segue - Nathan Adler 01:00
16. I'm Deranged 04:31
17. Thru' These Architects Eyes 04:22
18. Segue - Nathan Adler 00:28
19. Strangers When We Meet 05:07
20. Get Real 02:51

EAC Log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 11. April 2013, 18:09

David Bowie / Outside

Used drive : PLEXTOR BD-R PX-B950SA Adapter: 6 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:25.03 | 0 | 6377
2 | 1:25.03 | 4:04.65 | 6378 | 24742
3 | 5:29.68 | 4:57.42 | 24743 | 47059
4 | 10:27.35 | 6:34.63 | 47060 | 76672
5 | 17:02.23 | 1:40.00 | 76673 | 84172
6 | 18:42.23 | 5:14.32 | 84173 | 107754
7 | 23:56.55 | 6:50.68 | 107755 | 138572
8 | 30:47.48 | 3:49.17 | 138573 | 155764
9 | 34:36.65 | 4:33.15 | 155765 | 176254
10 | 39:10.05 | 2:03.43 | 176255 | 185522
11 | 41:13.48 | 4:21.10 | 185523 | 205107
12 | 45:34.58 | 4:01.32 | 205108 | 223214
13 | 49:36.15 | 5:08.65 | 223215 | 246379
14 | 54:45.05 | 4:35.35 | 246380 | 267039
15 | 59:20.40 | 1:00.70 | 267040 | 271609
16 | 60:21.35 | 4:31.08 | 271610 | 291942
17 | 64:52.43 | 4:22.12 | 291943 | 311604
18 | 69:14.55 | 0:28.42 | 311605 | 313746
19 | 69:43.22 | 5:07.01 | 313747 | 336772
20 | 74:50.23 | 2:51.23 | 336773 | 349620

Range status and errors

Selected range

Filename C:\Users\Meijin\Desktop\ALLexxess\David Bowie\1995 Outside (Sony Music Japan BSCD2 2013)\David Bowie - Outside.wav

Peak level 99.3 %
Extraction speed 8.7 X
Range quality 99.9 %
Test CRC 42228664
Copy CRC 42228664
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 2) [D280485F] (AR v1)
Track 2 accurately ripped (confidence 2) [3742C452] (AR v1)
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Track 13 accurately ripped (confidence 2) [54A4F116] (AR v1)
Track 14 accurately ripped (confidence 2) [6C29D6A1] (AR v1)
Track 15 accurately ripped (confidence 2) [29900FFB] (AR v1)
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Track 18 accurately ripped (confidence 2) [570D62F1] (AR v1)
Track 19 accurately ripped (confidence 2) [92A99E07] (AR v1)
Track 20 accurately ripped (confidence 2) [65C9E11E] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum DAD51406D1BD8EA3ED9DFD360FD283E51ADFC9E060C7E8EB1D26D8344D9C1844 ====

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